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Abstraction Collection (page 2)

"Exploring the Boundless Realm of Abstraction: From Kyoto to California" Immerse yourself in the captivating world of abstraction

Background imageAbstraction Collection: Ministry of Urban Development and Environment, Wilhelmsburg, Hamburg, Germany

Ministry of Urban Development and Environment, Wilhelmsburg, Hamburg, Germany

Background imageAbstraction Collection: Windows of high-rise office building in La Defense business district, Paris

Windows of high-rise office building in La Defense business district, Paris, Ile-de-France, France

Background imageAbstraction Collection: Selfridges Building, Birmingham, West Midlands, England

Selfridges Building, Birmingham, West Midlands, England

Background imageAbstraction Collection: Ice Patterns, Lake District National Park, Cumbria, England

Ice Patterns, Lake District National Park, Cumbria, England

Background imageAbstraction Collection: Dew Drops on Grass, Norfolk, England

Dew Drops on Grass, Norfolk, England

Background imageAbstraction Collection: Lake Carezza, Ega valley, Nova Levante, Bolzano province, Dolomites, Trentino Alto Adige

Lake Carezza, Ega valley, Nova Levante, Bolzano province, Dolomites, Trentino Alto Adige, Italy, Europe. Latemar group reflected into the lake

Background imageAbstraction Collection: Yucca Plant Detail, Antigua, Caribbean, West Indies

Yucca Plant Detail, Antigua, Caribbean, West Indies

Background imageAbstraction Collection: La Placita Staircase, Tucson, Arizona, USA

La Placita Staircase, Tucson, Arizona, USA

Background imageAbstraction Collection: Picket Fence & Palm, Key West, Florida, USA

Picket Fence & Palm, Key West, Florida, USA

Background imageAbstraction Collection: Abstract-futurist Composition, c. 1912 (oil on canvas)

Abstract-futurist Composition, c. 1912 (oil on canvas)
7412139 Abstract-futurist Composition, c.1912 (oil on canvas) by Lanooy, Chris (1881-1948); 56.5--66.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: attributed to Chris Lanooy)

Background imageAbstraction Collection: Plate No. 40, from Prismes, after 1931 (colour litho)

Plate No. 40, from Prismes, after 1931 (colour litho)
BCC124706 Plate No.40, from Prismes, after 1931 (colour litho) by Seguy, Emile-Allain (1877-1951); Calmann & King, London, UK; (add.info.: by Emile-Allain Seguy)

Background imageAbstraction Collection: Olga Rozanova, c. 1900 (b/w photo)

Olga Rozanova, c. 1900 (b/w photo)
2653760 Olga Rozanova, c.1900 (b/w photo) by Russian Photographer, (20th century); Rostov Museum of Fine Art, Russia; (add.info.: Olga Vladimirovna Rozanova (also spelled Rosanova)

Background imageAbstraction Collection: Group I, Primordial Chaos, No. 16, from The WU/Rose Series, 1906-1907 (oil on canvas)

Group I, Primordial Chaos, No. 16, from The WU/Rose Series, 1906-1907 (oil on canvas)
7347301 Group I, Primordial Chaos, No. 16, from The WU/Rose Series, 1906-1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group IX SUW, The Swan No. 7, 1915 (oil on canvas)

Group IX SUW, The Swan No. 7, 1915 (oil on canvas)
7347223 Group IX SUW, The Swan No. 7, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: The Current Standpoint of the Mahatmas, 1920 (oil on canvas)

The Current Standpoint of the Mahatmas, 1920 (oil on canvas)
7347540 The Current Standpoint of the Mahatmas, 1920 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group V, The Seven-Pointed Star, No. 1 (WUS/Seven-Pointed Star Series), 1908 (tempera on cardboard)

Group V, The Seven-Pointed Star, No. 1 (WUS/Seven-Pointed Star Series), 1908 (tempera on cardboard)
7347539 Group V, The Seven-Pointed Star, No. 1 (WUS/Seven-Pointed Star Series), 1908 (tempera on cardboard) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Aeropainting, 1938 (oil on panel)

Aeropainting, 1938 (oil on panel)
7293958 Aeropainting, 1938 (oil on panel) by Tano, Bruno (1913-42); Palazzo Ricci, Museo Arte Italiana del Novecento, Macerata, Italy; (add.info.: Aeropainting, 1938, Bruno Tano, oil on panel)

Background imageAbstraction Collection: Spring (The Procession), c. 1914-16 (oil on canvas)

Spring (The Procession), c. 1914-16 (oil on canvas)
7355551 Spring (The Procession), c.1914-16 (oil on canvas) by Stella, Joseph (1877-1946); Yale University Art Gallery, New Haven, CT, USA; (add.info.: by Joseph Stella (1877-1946))

Background imageAbstraction Collection: Group IX/SUW, The Swan, No. 12, 1915 (oil on canvas)

Group IX/SUW, The Swan, No. 12, 1915 (oil on canvas)
7347306 Group IX/SUW, The Swan, No. 12, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group IX/UW, No. 25, The Dove, No. 1 (oil on canvas)

Group IX/UW, No. 25, The Dove, No. 1 (oil on canvas)
7347544 Group IX/UW, No. 25, The Dove, No. 1 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group X, No. 2, Altarpiece, 1915 (oil on canvas)

Group X, No. 2, Altarpiece, 1915 (oil on canvas)
7347542 Group X, No. 2, Altarpiece, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Evolution, No. 15, Group IV, The Seven-pointed Stars, 1908 (oil on canvas)

Evolution, No. 15, Group IV, The Seven-pointed Stars, 1908 (oil on canvas)
7347307 Evolution, No. 15, Group IV, The Seven-pointed Stars, 1908 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Oasis, 1935 (oil on faesite)

Oasis, 1935 (oil on faesite)
7293935 Oasis, 1935 (oil on faesite) by Tano, Bruno (1913-42); Palazzo Ricci, Museo Arte Italiana del Novecento, Macerata, Italy; (add.info.: Oasis, 1935, Bruno Tano, oil on faesite)

Background imageAbstraction Collection: Untitled Drawing, 1918 (pencil and gouache on paper)

Untitled Drawing, 1918 (pencil and gouache on paper)
CCL248189 Untitled Drawing, 1918 (pencil and gouache on paper) by Eluard, Paul (1895-1952); 13x10, 5 cm; Musee d'Art et d'Histoire, Saint-Denis, France; (add.info.: Dessin sans titre;)

Background imageAbstraction Collection: Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin

Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin, Military in Nature, c
7355584 Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin, Military in Nature, c.1915 (oil on canvas) by Hartley

Background imageAbstraction Collection: Composition, beginning of 1950s (watercolour on paper)

Composition, beginning of 1950s (watercolour on paper)
7294369 Composition, beginning of 1950s (watercolour on paper) by Wols, Alfred Otto Wolfgang Schulze (1913-51); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: Composition, beginning of 1950s)

Background imageAbstraction Collection: Sunrise III, 1936-37(wax emulsion and oil on canvas, partly coated in gesso)

Sunrise III, 1936-37(wax emulsion and oil on canvas, partly coated in gesso)
7355585 Sunrise III, 1936-37(wax emulsion and oil on canvas, partly coated in gesso) by Dove, Arthur Garfield (1880-1946); 63.5 -- 89.1 cm; Yale University Art Gallery, New Haven, CT

Background imageAbstraction Collection: The Large Figure Paintings, No. 5, Group III, The Key to All Works to Date, The WU/Rose Series

The Large Figure Paintings, No. 5, Group III, The Key to All Works to Date, The WU/Rose Series, 1907 (oil on canvas)
7347305 The Large Figure Paintings, No. 5, Group III, The Key to All Works to Date, The WU/Rose Series, 1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group IV, No. 2. The Ten Largest, Childhood, 1907 (oil and tempera on cardboard)

Group IV, No. 2. The Ten Largest, Childhood, 1907 (oil and tempera on cardboard)
7347302 Group IV, No. 2. The Ten Largest, Childhood, 1907 (oil and tempera on cardboard) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: The Swan, No. 1, Group IX SUW, 1915 (oil on canvas)

The Swan, No. 1, Group IX SUW, 1915 (oil on canvas)
7347300 The Swan, No. 1, Group IX SUW, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: The Ten Largest, Childhood, No. 1, Group IV, 1907 (oil on canvas)

The Ten Largest, Childhood, No. 1, Group IV, 1907 (oil on canvas)
7347298 The Ten Largest, Childhood, No.1, Group IV, 1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group X, No. 3, Altarpiece (oil on canvas)

Group X, No. 3, Altarpiece (oil on canvas)
7347543 Group X, No. 3, Altarpiece (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group I, No. 7. Primordial Chaos, 1906-1907 (oil on canvas)

Group I, No. 7. Primordial Chaos, 1906-1907 (oil on canvas)
7347541 Group I, No. 7. Primordial Chaos, 1906-1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Tree of Knowledge, No. 5, 1915 (oil on canvas)

Tree of Knowledge, No. 5, 1915 (oil on canvas)
7347538 Tree of Knowledge, No. 5, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: The Ten Largest, No. 7. Adulthood, Group IV, 1907 (oil on canvas)

The Ten Largest, No. 7. Adulthood, Group IV, 1907 (oil on canvas)
7347536 The Ten Largest, No. 7. Adulthood, Group IV, 1907 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Abstraction #2, c. 1929-1935 (oil on canvas)

Abstraction #2, c. 1929-1935 (oil on canvas)
1767365 Abstraction #2, c.1929-1935 (oil on canvas) by Carles, Arthur Beecher (1882-1952); 78.7x88.9 cm; Private Collection; (add.info.: Abstraction #2. Arthur Beecher Carles (1882-1952)

Background imageAbstraction Collection: Group IX/SUW, The Swan, No. 17, 1914-1915 (oil on canvas)

Group IX/SUW, The Swan, No. 17, 1914-1915 (oil on canvas)
7347537 Group IX/SUW, The Swan, No. 17, 1914-1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group IX/SUW, No. 8, The Swan, No. 8, 1914-1915 (oil on canvas)

Group IX/SUW, No. 8, The Swan, No. 8, 1914-1915 (oil on canvas)
7347304 Group IX/SUW, No. 8, The Swan, No. 8, 1914-1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Group IX SUW, The Swan No. 9, 1915 (oil on canvas)

Group IX SUW, The Swan No. 9, 1915 (oil on canvas)
7347224 Group IX SUW, The Swan No. 9, 1915 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: On the Viewing of Flowers and Trees, 1922 (oil on canvas)

On the Viewing of Flowers and Trees, 1922 (oil on canvas)
7347222 On the Viewing of Flowers and Trees, 1922 (oil on canvas) by Klint, Hilma af (1862-1944); Photo © Fine Art Images

Background imageAbstraction Collection: Construction, 1947 (mixed media)

Construction, 1947 (mixed media)
XAV218917 Construction, 1947 (mixed media) by Del Marle, Felix (1889-1952); Musee des Beaux-Arts, Valenciennes, France

Background imageAbstraction Collection: Hommage to Cezanne, 1910 (oil on panel)

Hommage to Cezanne, 1910 (oil on panel)
7346010 Hommage to Cezanne, 1910 (oil on panel) by Burliuk, Vladimir Davidovich (1886-1917); 18.5 x 13 cm; Private Collection; (add.info.: by Vladimir Davidovich Burliuk (1886-1917))

Background imageAbstraction Collection: Composition for Elevator, 1926 (Oil on wood)

Composition for Elevator, 1926 (Oil on wood)
7343445 Composition for Elevator, 1926 (Oil on wood) by Carlsund, Otto Gustav (1897-1948); Musee National d'Art Moderne, Centre Pompidou, Paris

Background imageAbstraction Collection: Cherry Orchard, 1930 (printed textile)

Cherry Orchard, 1930 (printed textile)
7273873 Cherry Orchard, 1930 (printed textile) by Nash, Paul (1889-1946); 177x98 cm; The Whitworth, The University of Manchester; (add.info.: Creator: Paul Nash (1889-1946), G P and J Baker Ltd

Background imageAbstraction Collection: The Archer, c. 1930-42 (oil on canvas)

The Archer, c. 1930-42 (oil on canvas)
908516 The Archer, c.1930-42 (oil on canvas) by Nash, Paul (1889-1946); 71x91.5 cm; Southampton City Art Gallery, Hampshire, UK; Southampton City Art Gallery




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"Exploring the Boundless Realm of Abstraction: From Kyoto to California" Immerse yourself in the captivating world of abstraction, where art transcends reality and takes on a mesmerizing form. Underneath the red umbrella in Kyoto, Japan, an abstract visualisation unfolds, inviting you to delve into its enigmatic depths. Fractal graphics dance before your eyes, their intricate patterns weaving tales of complexity and beauty. Lai Tak Tsuen stands as a testament to Hong Kong's architectural history, its abstract design reflecting the innovative spirit that shaped one of the city's first public housing developments. Footprints etched upon Algondones Dunes Wilderness in California leave behind a trail of mystery and wonder. The shifting sands become an artist's canvas, creating abstract landscapes that evoke both awe and introspection. Travel back in time to 1912 with an abstract-futurist composition painted on canvas. Its vibrant colors and dynamic shapes transport you to a realm where imagination knows no bounds. A spiral staircase in Ravello beckons you towards infinite possibilities. Its elegant curves mirror the fluidity found within abstraction itself – ever-evolving and never confined by convention. In Antigua, Caribbean's colorful house details burst forth like bursts of joyous energy against azure skies. Abstract forms merge with vibrant hues, celebrating life's vivacity amidst paradise. Plate No. 40 from Prismes captures fragments of light through color lithography after 1931 - each stroke revealing hidden dimensions within abstraction’s kaleidoscope-like prism. Olga Rozanova’s black-and-white photograph from c. 1900 invites contemplation on how even monochromatic simplicity can convey profound artistic expression within abstraction’s embrace. Group I Primordial Chaos ignites curiosity with No. 16 from The WU/Rose Series (1906-1907). This oil-on-canvas masterpiece delves deep into primordial origins while challenging conventional notions of form and structure. Group IX SUW mesmerizes with The Swan No.