Accessories Collection (page 5)

Horizontal sundial pedestal for latitude 51 degrees, by Thomas Crow (?), 1801 (copper)
MMM5470095 Horizontal sundial pedestal for latitude 51 degrees, by Thomas Crow (?), 1801 (copper); National Maritime Museum, London

Riding bumper, decorated with the portrait of Vice Admiral Horatio Nelson (1758-1805), c.1805 (copper)
MMM5475508 Riding bumper, decorated with the portrait of Vice Admiral Horatio Nelson (1758-1805), c.1805 (copper); National Maritime Museum, London, UK; (add.info.: Riding bumper)

Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory)
MMM5475369 Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory); National Maritime Museum, London, UK; (add.info.: Diptych sundial for 49° latitude)

Universal pocket equinoxial dial for Latitude 35 degrees, deployed Silver and gilded copper instrument
MMM5474504 Universal pocket equinoxial dial for Latitude 35 degrees, deployed Silver and gilded copper instrument, 1650-1700 (silver and gilded copper); National Maritime Museum, London

Sundial from Augsburg (Germany), deployed, probably for 10-degree latitude. Brass instrument, 18th century (brass)
MMM5474487 Sundial from Augsburg (Germany), deployed, probably for 10-degree latitude. Brass instrument, 18th century (brass) by Vogler, Andreas (c.1730-1800); National Maritime Museum, London

Diptych sundial, closed, marked with 6 Chinese characters in red ink declaring Sun Moon Combo Dial, c.1850-1900 (wood)
MMM5474453 Diptych sundial, closed, marked with 6 Chinese characters in red ink declaring Sun Moon Combo Dial, c.1850-1900 (wood); National Maritime Museum, London, UK; (add.info.: Diptych sundial)

Cylindrical sundial for latitude 44 degrees. Wooden and metal instrument, c.1835-1870 (wood and metal)
MMM5474446 Cylindrical sundial for latitude 44 degrees. Wooden and metal instrument, c.1835-1870 (wood and metal); National Maritime Museum, London

Portable horizontal sundial for latitude 48 degrees with magnetic compass. Silver instrument, 17th century (silver)
MMM5474442 Portable horizontal sundial for latitude 48 degrees with magnetic compass. Silver instrument, 17th century (silver); National Maritime Museum, London

Diptych sundial, open, for latitude 49 degrees, with magnetic compass. Wooden instrument, 18th century (wood)
MMM5474432 Diptych sundial, open, for latitude 49 degrees, with magnetic compass. Wooden instrument, 18th century (wood); National Maritime Museum, London, UK; (add.info.: Diptych sundial, open)

Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror, c.1575 (silver)
MMM5474534 Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror, c.1575 (silver, leather and paper); National Maritime Museum, London

Diptych sundial (closed) for Latitude 48. Ivory instrument 1619, by Lienhart Miller (?), 1619 (ivory)
MMM5473341 Diptych sundial (closed) for Latitude 48. Ivory instrument 1619, by Lienhart Miller (?), 1619 (ivory); National Maritime Museum, London

Sundial, with a rotating disk with a lunar motion scale, in Chinese characters. Wooden instrument, c.1850-1900 (wood)
MMM5473321 Sundial, with a rotating disk with a lunar motion scale, in Chinese characters. Wooden instrument, c.1850-1900 (wood); National Maritime Museum, London, UK; (add.info.: Sundial)

Diptych sundial (closed) for Latitude 49. Ivory instrument, first half of the 18th century (ivory)
MMM5473296 Diptych sundial (closed) for Latitude 49. Ivory instrument, first half of the 18th century (ivory); National Maritime Museum, London

Chicks by a Basket, 1908 (oil on canvas)
658470 Chicks by a Basket, 1908 (oil on canvas) by Hunt, Edgar (1876-1953); 25.4x30.5 cm; Private Collection; (add.info.: Chicks by a Basket. Edgar Hunt (1876-1953). Oil on canvas. Dated 1908

The New Gloves, 1909 (oil on canvas)
658191 The New Gloves, 1909 (oil on canvas) by Schuster, Karl Maria (1871-1953); 99.6x75.8 cm; Private Collection; (add.info.: The New Gloves. Karl Maria Schuster (1871-1953). Oil on canvas

Happy Guy, 1944 (oil on canvas)
650489 Happy Guy, 1944 (oil on canvas) by Shinn, Everett (1876-1953); 61x51 cm; Private Collection; (add.info.: Happy Guy. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1944

Angelica Singleton Van Buren, 1842 (oil on canvas)
8735819 Angelica Singleton Van Buren, 1842 (oil on canvas) by Inman, Henry (1801-46); 107.32 x 85.42 cm; White House, Washington D.C. USA; (add.info.: By Henry Inman); Copyright Universal Images Group

An antique rose-cut diamond necklace, c.1820 (diamond)
1766491 An antique rose-cut diamond necklace, c.1820 (diamond); Private Collection; (add.info.: An antique rose-cut diamond necklace, circa 1820.); Photo © Christie's Images

A selection of Victorian diamond, gold and enamel jewellery (diamond, gold, enamel)
1766481 A selection of Victorian diamond, gold and enamel jewellery (diamond, gold, enamel); Private Collection; (add.info.: A selection of Victorian diamond)

A triple overlaid mould-blown Cameo glass vase with flowering water lilies by Galle, c.1900 (glass)
1764780 A triple overlaid mould-blown Cameo glass vase with flowering water lilies by Galle, c.1900 (glass) by Galle, Emile (1846-1904); 26 high cm; Private Collection; (add.info)

A selection of Renaissance jewellery including a gold chain, an oval amethyst cameo and two reliquary pendants, c
1766467 A selection of Renaissance jewellery including a gold chain, an oval amethyst cameo and two reliquary pendants, c

The Singer, 1902 (oil on canvas)
985406 The Singer, 1902 (oil on canvas) by Shinn, Everett (1876-1953); 67x44.2 cm; Private Collection; (add.info.: The Singer. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1902

Fan with silk mount, painted by Binet, c.1785 and three painted fans, one depicting Astronomy, mid 18th century (silk)
BAL1215 Fan with silk mount, painted by Binet, c.1785 and three painted fans, one depicting Astronomy, mid 18th century (silk); Victoria & Albert Museum, London, UK

Basket, before 1832 (plant fibre)
PEM216332 Basket, before 1832 (plant fibre) by American School, (19th century); length: 35 cm; Peabody Essex Museum, Salem, Massachusetts, USA; (add.info.: possibly Twana tribe (North West Coast);)

French fashion: 1868, Napoleon III (colour litho)
8636166 French fashion: 1868, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1868, Napoleon III)

French fashion: 1865, Napoleon III (colour litho)
8636162 French fashion: 1865, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1865, Napoleon III)

French fashion: 1865, Napoleon III (colour litho)
8636161 French fashion: 1865, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1865, Napoleon III)

French fashion: 1859, Napoleon III (colour litho)
8636150 French fashion: 1859, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1859, Napoleon III)

French fashion: 1850, 2e Republique (colour litho)
8636132 French fashion: 1850, 2e Republique (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1850, 2e Republique)

French fashion: 1840 a 1850, Louis-Philippe (colour litho)
8636131 French fashion: 1840 a 1850, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1840 a 1850, Louis-Philippe)

French fashion: 1843, Louis-Philippe (colour litho)
8636117 French fashion: 1843, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1843, Louis-Philippe)

French fashion: 1841, Louis-Philippe (colour litho)
8636112 French fashion: 1841, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1841, Louis-Philippe)

French fashion: 1838, Louis-Philippe (colour litho)
8636104 French fashion: 1838, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1838, Louis-Philippe)

French fashion: 1833, Louis-Philippe (colour litho)
8636092 French fashion: 1833, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1833, Louis-Philippe)

Little tennis players (colour litho)
8652470 Little tennis players (colour litho) by English School, (20th century); Private Collection; (add.info.: Little tennis players)

Bag, Bar, Bar, Bat, Bat, Bed, Bee, Beg, Bib, Bit, Bit, Bow (engraving)
8649973 Bag, Bar, Bar, Bat, Bat, Bed, Bee, Beg, Bib, Bit, Bit, Bow (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Bag, Bar, Bar, Bat, Bat, Bed, Bee, Beg, Bib)

Tea in box and bag neatly displayed (b/w photo)
8647505 Tea in box and bag neatly displayed (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Tea in box and bag neatly displayed)

French fashion: 1837, Louis-Philippe (colour litho)
8636103 French fashion: 1837, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1837, Louis-Philippe)

French fashion: 1830, Louis-Philippe (colour litho)
8636081 French fashion: 1830, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1830, Louis-Philippe)

French fashion: 1830, Charles X (colour litho)
8636080 French fashion: 1830, Charles X (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1830, Charles X)

100 old time Bible words (litho)
8673191 100 old time Bible words (litho) by English Photographer, (20th century); Private Collection; (add.info.: 100 old time Bible words)

Diamond aigrette or tiara, c.1900 (gold, silver & diamonds)
8677816 Diamond aigrette or tiara, c.1900 (gold, silver & diamonds) by European School; height: 10, circumference: 21 cm; Private Collection; (add.info.: Old- and rose-cut diamonds, silver and gold)

Diamond aigrette or tiara, c.1900 (gold, silver & diamonds)
8677815 Diamond aigrette or tiara, c.1900 (gold, silver & diamonds) by European School; height: 10, circumference: 21 cm; Private Collection; (add.info.: Old- and rose-cut diamonds, silver and gold)

The Dissolution (engraving)
8677250 The Dissolution (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The Dissolution)

The monsters whose meat is dirt and dust (litho)
8676264 The monsters whose meat is dirt and dust (litho) by English School, (20th century); Private Collection; (add.info.: The monsters whose meat is dirt and dust. The workings of a vacuum cleaner)

Danziger Beischlag / Gdansk Supplement (colour litho)
8666219 Danziger Beischlag / Gdansk Supplement (colour litho) by Christophe (Colomb, Georges) (1856-1945); Private Collection; (add.info.: Danziger Beischlag)

Belgium, Ostend: Elegantes around and in the Ostend racecourse, 1900
LUX4811695 Belgium, Ostend: Elegantes around and in the Ostend racecourse, 1900; (add.info.: Belgium, Ostend: Elegantes around and in the Ostend racecourse, 1900); Photo © Lux-in-Fine

Capital letters Plate in "Picturesque alphabet or New informative and picturesque alphabet", 1892 (engraving)
DUV4220198 Capital letters Plate in "Picturesque alphabet or New informative and picturesque alphabet", 1892 (engraving); 27x17.5 cm; (add.info)

For sale as Licensed Images

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Step back in time and explore the world through captivating posters and iconic items. From Southsea to Portsmouth, BR poster in 1962, immerse yourself in the vintage charm. Travel further back to Guernsey with the GWR/SR poster from 1938, capturing the essence of a bygone era. Delve into nostalgia with Saltburn's LNER poster spanning from 1923-1947, showcasing timeless elegance. Rev up your style with a Lambretta scooter adorned with mod mirrors, epitomizing coolness and individuality. Transport yourself to Bournemouth's GWR poster from 1923-1947, where sophistication meets seaside allure. Indulge in luxury as you admire an advert for Louis Vuitton luggage from Paris in 1935 – a testament to timeless elegance and impeccable craftsmanship. Feel the coastal breeze at Whitley Bay through its enchanting BR poster dating between 1950-1965. Discover the ancient art of falconry as you witness exquisite falconry equipment that embodies both tradition and gracefulness. Admire David Wright's masterpiece 'Flower in her Hair, ' capturing beauty enhanced by delicate adornments. Travel back even further to My First Sermon (1863) and My Second Sermon (1864), created by John Everett Millais – these artworks remind us of how they are convey deep emotions and stories. Finally, marvel at Acme Moustache Guard - a quirky invention that adds humor while highlighting how they have always played a role in enhancing personal grooming throughout history and can not just embellishments; they are windows into different eras, cultures, and expressions of individuality.