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Accessory Collection (#4)

"Accessorizing the World: From Scooters to Sermons and Everything In Between" Revving up style with Lambretta scooter mod mirrors

Background imageAccessory Collection: Jesus Christ crowned with thorns. Fresco by Romanino located along the right nave of the Cathedral

Jesus Christ crowned with thorns. Fresco by Romanino located along the right nave of the Cathedral of Cremona
3559310 Jesus Christ crowned with thorns. Fresco by Romanino located along the right nave of the Cathedral of Cremona.; (add.info.: Artist: Romanino, Girolamo Romani)

Background imageAccessory Collection: France, Lower Normandy, Calvados (14), Lisieux: Soldiers of the 20th regiment pose with cyclists

France, Lower Normandy, Calvados (14), Lisieux: Soldiers of the 20th regiment pose with cyclists, nurses and nurses
LUX4727301 France, Lower Normandy, Calvados (14), Lisieux: Soldiers of the 20th regiment pose with cyclists, nurses and nurses, 1910; (add.info.: France, Lower Normandy, Calvados (14)

Background imageAccessory Collection: Mechanical equinox dial, for latitude 0-90 degrees, 18th century

Mechanical equinox dial, for latitude 0-90 degrees, 18th century
MMM5468898 Mechanical equinox dial, for latitude 0-90 degrees, 18th century; National Maritime Museum, London, UK; (add.info.: Mechanical equinox dial, for latitude 0-90 degrees)

Background imageAccessory Collection: Universal equinoxial ring dial, for all latitudes. Brass instrument, c.1715 (brass)

Universal equinoxial ring dial, for all latitudes. Brass instrument, c.1715 (brass)
MMM5475137 Universal equinoxial ring dial, for all latitudes. Brass instrument, c.1715 (brass); National Maritime Museum, London, UK; (add.info.: Universal equinoxial ring dial, for all latitudes)

Background imageAccessory Collection: Universal equinoxial dial for all latitudes, reverse, c.1695-1725 (copper)

Universal equinoxial dial for all latitudes, reverse, c.1695-1725 (copper)
MMM5475090 Universal equinoxial dial for all latitudes, reverse, c.1695-1725 (copper) by Culpeper, Edmund (1660-1738); National Maritime Museum, London

Background imageAccessory Collection: Sundial from Augsburg (Germany), deployed, for 10-degree latitude

Sundial from Augsburg (Germany), deployed, for 10-degree latitude. Brass instrument, c.1800-1843 (brass)
MMM5475067 Sundial from Augsburg (Germany), deployed, for 10-degree latitude. Brass instrument, c.1800-1843 (brass); National Maritime Museum, London, UK; (add.info.: Sundial from Augsburg (Germany)

Background imageAccessory Collection: Magnetic compass, made by Georges Adams, a craftsman in London (England), dated 1766 (steel)

Magnetic compass, made by Georges Adams, a craftsman in London (England), dated 1766 (steel)
MMM5457778 Magnetic compass, made by Georges Adams, a craftsman in London (England), dated 1766 (steel); National Maritime Museum, London, UK; (add.info.: Magnetic compass, made by Georges Adams)

Background imageAccessory Collection: Sundial with universal equinox ring, for all latitudes, 18th century (copper)

Sundial with universal equinox ring, for all latitudes, 18th century (copper)
MMM5470082 Sundial with universal equinox ring, for all latitudes, 18th century (copper); National Maritime Museum, London, UK; (add.info.: Sundial with universal equinox ring, for all latitudes)

Background imageAccessory Collection: Universal sundial for latitude 0-90 degrees, decorated with crowned eagles

Universal sundial for latitude 0-90 degrees, decorated with crowned eagles. Copper object, c.1635 (copper)
MMM5470074 Universal sundial for latitude 0-90 degrees, decorated with crowned eagles. Copper object, c.1635 (copper); National Maritime Museum, London

Background imageAccessory Collection: Analematic sundial (by projecting the shadow of the gnomon) for latitude 51 degrees

Analematic sundial (by projecting the shadow of the gnomon) for latitude 51 degrees, c.1697 (copper and steel)
MMM5469097 Analematic sundial (by projecting the shadow of the gnomon) for latitude 51 degrees, c.1697 (copper and steel); National Maritime Museum, London

Background imageAccessory Collection: Butterfield dial for latitude 35 degrees, built around a magnetic compass, 17th century (silver)

Butterfield dial for latitude 35 degrees, built around a magnetic compass, 17th century (silver)
MMM5469074 Butterfield dial for latitude 35 degrees, built around a magnetic compass, 17th century (silver, gilded copper and glass); National Maritime Museum, London

Background imageAccessory Collection: Horizontal sundial pedestal for latitude 51 degrees, by Thomas Crow (?), 1801 (copper)

Horizontal sundial pedestal for latitude 51 degrees, by Thomas Crow (?), 1801 (copper)
MMM5470095 Horizontal sundial pedestal for latitude 51 degrees, by Thomas Crow (?), 1801 (copper); National Maritime Museum, London

Background imageAccessory Collection: Riding bumper, decorated with the portrait of Vice Admiral Horatio Nelson (1758-1805)

Riding bumper, decorated with the portrait of Vice Admiral Horatio Nelson (1758-1805), c.1805 (copper)
MMM5475508 Riding bumper, decorated with the portrait of Vice Admiral Horatio Nelson (1758-1805), c.1805 (copper); National Maritime Museum, London, UK; (add.info.: Riding bumper)

Background imageAccessory Collection: Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory)

Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory)
MMM5475369 Diptych sundial for 49° latitude, seen from the closed lid, in ivory, dated, c.1640-60 (ivory); National Maritime Museum, London, UK; (add.info.: Diptych sundial for 49° latitude)

Background imageAccessory Collection: Universal pocket equinoxial dial for Latitude 35 degrees, deployed Silver

Universal pocket equinoxial dial for Latitude 35 degrees, deployed Silver and gilded copper instrument
MMM5474504 Universal pocket equinoxial dial for Latitude 35 degrees, deployed Silver and gilded copper instrument, 1650-1700 (silver and gilded copper); National Maritime Museum, London

Background imageAccessory Collection: Sundial from Augsburg (Germany), deployed, probably for 10-degree latitude

Sundial from Augsburg (Germany), deployed, probably for 10-degree latitude. Brass instrument, 18th century (brass)
MMM5474487 Sundial from Augsburg (Germany), deployed, probably for 10-degree latitude. Brass instrument, 18th century (brass) by Vogler, Andreas (c.1730-1800); National Maritime Museum, London

Background imageAccessory Collection: Diptych sundial, closed, marked with 6 Chinese characters in red ink declaring Sun Moon Combo

Diptych sundial, closed, marked with 6 Chinese characters in red ink declaring Sun Moon Combo Dial, c.1850-1900 (wood)
MMM5474453 Diptych sundial, closed, marked with 6 Chinese characters in red ink declaring Sun Moon Combo Dial, c.1850-1900 (wood); National Maritime Museum, London, UK; (add.info.: Diptych sundial)

Background imageAccessory Collection: Cylindrical sundial for latitude 44 degrees. Wooden and metal instrument

Cylindrical sundial for latitude 44 degrees. Wooden and metal instrument, c.1835-1870 (wood and metal)
MMM5474446 Cylindrical sundial for latitude 44 degrees. Wooden and metal instrument, c.1835-1870 (wood and metal); National Maritime Museum, London

Background imageAccessory Collection: Portable horizontal sundial for latitude 48 degrees with magnetic compass

Portable horizontal sundial for latitude 48 degrees with magnetic compass. Silver instrument, 17th century (silver)
MMM5474442 Portable horizontal sundial for latitude 48 degrees with magnetic compass. Silver instrument, 17th century (silver); National Maritime Museum, London

Background imageAccessory Collection: Diptych sundial, open, for latitude 49 degrees, with magnetic compass

Diptych sundial, open, for latitude 49 degrees, with magnetic compass. Wooden instrument, 18th century (wood)
MMM5474432 Diptych sundial, open, for latitude 49 degrees, with magnetic compass. Wooden instrument, 18th century (wood); National Maritime Museum, London, UK; (add.info.: Diptych sundial, open)

Background imageAccessory Collection: Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror

Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror, c.1575 (silver)
MMM5474534 Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror, c.1575 (silver, leather and paper); National Maritime Museum, London

Background imageAccessory Collection: Diptych sundial (closed) for Latitude 48. Ivory instrument 1619, by Lienhart Miller ()

Diptych sundial (closed) for Latitude 48. Ivory instrument 1619, by Lienhart Miller (?), 1619 (ivory)
MMM5473341 Diptych sundial (closed) for Latitude 48. Ivory instrument 1619, by Lienhart Miller (?), 1619 (ivory); National Maritime Museum, London

Background imageAccessory Collection: Sundial, with a rotating disk with a lunar motion scale, in Chinese characters

Sundial, with a rotating disk with a lunar motion scale, in Chinese characters. Wooden instrument, c.1850-1900 (wood)
MMM5473321 Sundial, with a rotating disk with a lunar motion scale, in Chinese characters. Wooden instrument, c.1850-1900 (wood); National Maritime Museum, London, UK; (add.info.: Sundial)

Background imageAccessory Collection: Diptych sundial (closed) for Latitude 49. Ivory instrument, first half of the 18th century (ivory)

Diptych sundial (closed) for Latitude 49. Ivory instrument, first half of the 18th century (ivory)
MMM5473296 Diptych sundial (closed) for Latitude 49. Ivory instrument, first half of the 18th century (ivory); National Maritime Museum, London

Background imageAccessory Collection: 1870 cartoon showing a zoomorphic duck receiving a laurel garland as a fashion accessory

1870 cartoon showing a zoomorphic duck receiving a laurel garland as a fashion accessory
5308868 1870 cartoon showing a zoomorphic duck receiving a laurel garland as a fashion accessory; (add.info.: 1870 cartoon showing a zoomorphic duck receiving a laurel garland as a fashion accessory)

Background imageAccessory Collection: Chicks by a Basket, 1908 (oil on canvas)

Chicks by a Basket, 1908 (oil on canvas)
658470 Chicks by a Basket, 1908 (oil on canvas) by Hunt, Edgar (1876-1953); 25.4x30.5 cm; Private Collection; (add.info.: Chicks by a Basket. Edgar Hunt (1876-1953). Oil on canvas. Dated 1908

Background imageAccessory Collection: The New Gloves, 1909 (oil on canvas)

The New Gloves, 1909 (oil on canvas)
658191 The New Gloves, 1909 (oil on canvas) by Schuster, Karl Maria (1871-1953); 99.6x75.8 cm; Private Collection; (add.info.: The New Gloves. Karl Maria Schuster (1871-1953). Oil on canvas

Background imageAccessory Collection: Happy Guy, 1944 (oil on canvas)

Happy Guy, 1944 (oil on canvas)
650489 Happy Guy, 1944 (oil on canvas) by Shinn, Everett (1876-1953); 61x51 cm; Private Collection; (add.info.: Happy Guy. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1944

Background imageAccessory Collection: Angelica Singleton Van Buren, 1842 (oil on canvas)

Angelica Singleton Van Buren, 1842 (oil on canvas)
8735819 Angelica Singleton Van Buren, 1842 (oil on canvas) by Inman, Henry (1801-46); 107.32 x 85.42 cm; White House, Washington D.C. USA; (add.info.: By Henry Inman); Copyright Universal Images Group

Background imageAccessory Collection: An antique rose-cut diamond necklace, c.1820 (diamond)

An antique rose-cut diamond necklace, c.1820 (diamond)
1766491 An antique rose-cut diamond necklace, c.1820 (diamond); Private Collection; (add.info.: An antique rose-cut diamond necklace, circa 1820.); Photo © Christie's Images

Background imageAccessory Collection: A selection of Victorian diamond, gold and enamel jewellery (diamond, gold, enamel)

A selection of Victorian diamond, gold and enamel jewellery (diamond, gold, enamel)
1766481 A selection of Victorian diamond, gold and enamel jewellery (diamond, gold, enamel); Private Collection; (add.info.: A selection of Victorian diamond)

Background imageAccessory Collection: A triple overlaid mould-blown Cameo glass vase with flowering water lilies by Galle, c.1900 (glass)

A triple overlaid mould-blown Cameo glass vase with flowering water lilies by Galle, c.1900 (glass)
1764780 A triple overlaid mould-blown Cameo glass vase with flowering water lilies by Galle, c.1900 (glass) by Galle, Emile (1846-1904); 26 high cm; Private Collection; (add.info)

Background imageAccessory Collection: A selection of Renaissance jewellery including a gold chain, an oval amethyst cameo

A selection of Renaissance jewellery including a gold chain, an oval amethyst cameo and two reliquary pendants, c
1766467 A selection of Renaissance jewellery including a gold chain, an oval amethyst cameo and two reliquary pendants, c

Background imageAccessory Collection: The Singer, 1902 (oil on canvas)

The Singer, 1902 (oil on canvas)
985406 The Singer, 1902 (oil on canvas) by Shinn, Everett (1876-1953); 67x44.2 cm; Private Collection; (add.info.: The Singer. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1902

Background imageAccessory Collection: Woman seing Rome from the panoramic terrace of the Villa Doria-Pamphilj, Rome

Woman seing Rome from the panoramic terrace of the Villa Doria-Pamphilj, Rome
494014 Woman seing Rome from the panoramic terrace of the Villa Doria-Pamphilj, Rome; Alinari

Background imageAccessory Collection: Fan with silk mount, painted by Binet, c.1785 and three painted fans, one depicting Astronomy

Fan with silk mount, painted by Binet, c.1785 and three painted fans, one depicting Astronomy, mid 18th century (silk)
BAL1215 Fan with silk mount, painted by Binet, c.1785 and three painted fans, one depicting Astronomy, mid 18th century (silk); Victoria & Albert Museum, London, UK

Background imageAccessory Collection: Basket, before 1832 (plant fibre)

Basket, before 1832 (plant fibre)
PEM216332 Basket, before 1832 (plant fibre) by American School, (19th century); length: 35 cm; Peabody Essex Museum, Salem, Massachusetts, USA; (add.info.: possibly Twana tribe (North West Coast);)

Background imageAccessory Collection: French fashion: 1868, Napoleon III (colour litho)

French fashion: 1868, Napoleon III (colour litho)
8636166 French fashion: 1868, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1868, Napoleon III)

Background imageAccessory Collection: French fashion: 1865, Napoleon III (colour litho)

French fashion: 1865, Napoleon III (colour litho)
8636162 French fashion: 1865, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1865, Napoleon III)

Background imageAccessory Collection: French fashion: 1865, Napoleon III (colour litho)

French fashion: 1865, Napoleon III (colour litho)
8636161 French fashion: 1865, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1865, Napoleon III)

Background imageAccessory Collection: French fashion: 1859, Napoleon III (colour litho)

French fashion: 1859, Napoleon III (colour litho)
8636150 French fashion: 1859, Napoleon III (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1859, Napoleon III)

Background imageAccessory Collection: French fashion: 1850, 2e Republique (colour litho)

French fashion: 1850, 2e Republique (colour litho)
8636132 French fashion: 1850, 2e Republique (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1850, 2e Republique)

Background imageAccessory Collection: French fashion: 1840 a 1850, Louis-Philippe (colour litho)

French fashion: 1840 a 1850, Louis-Philippe (colour litho)
8636131 French fashion: 1840 a 1850, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1840 a 1850, Louis-Philippe)

Background imageAccessory Collection: French fashion: 1843, Louis-Philippe (colour litho)

French fashion: 1843, Louis-Philippe (colour litho)
8636117 French fashion: 1843, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1843, Louis-Philippe)

Background imageAccessory Collection: French fashion: 1841, Louis-Philippe (colour litho)

French fashion: 1841, Louis-Philippe (colour litho)
8636112 French fashion: 1841, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1841, Louis-Philippe)

Background imageAccessory Collection: French fashion: 1838, Louis-Philippe (colour litho)

French fashion: 1838, Louis-Philippe (colour litho)
8636104 French fashion: 1838, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1838, Louis-Philippe)

Background imageAccessory Collection: French fashion: 1833, Louis-Philippe (colour litho)

French fashion: 1833, Louis-Philippe (colour litho)
8636092 French fashion: 1833, Louis-Philippe (colour litho) by Colas, Louis (1869-1929); Private Collection; (add.info.: 1833, Louis-Philippe)

Background imageAccessory Collection: Little tennis players (colour litho)

Little tennis players (colour litho)
8652470 Little tennis players (colour litho) by English School, (20th century); Private Collection; (add.info.: Little tennis players)




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"Accessorizing the World: From Scooters to Sermons and Everything In Between" Revving up style with Lambretta scooter mod mirrors, because accessories make all the difference. Unveiling the timeless elegance of Traditional Cambodian apsara dancers amidst the majestic temples of Angkor Wat. Delving into history through John Everett Millais' captivating artworks - "My First Sermon" (1863) and "My Second Sermon" (1864). Exploring Georges-Pierre Seurat's meticulous study for his iconic painting, "A Sunday on La Grande Jatte" (1884). Captivating our senses with Curtis Steigers' soulful music, where every note becomes an accessory to emotions. Celebrating Scottish golfer James Braid's skill and finesse as he accessorizes the golf course with his talent in 1905. Discovering the intricate beauty of Meiji Period netsuke, featuring a demon queller and a mischievous little demon. Immersing ourselves in traditional Cambodian culture through a mesmerizing portrait of an apsara dancer at Angkor Wat. Admiring the grace and allure of Thai classical dance costumes as two dancers become living works of art. Embracing cultural diversity by marveling at women dressed in traditional Tibetan attire from Yushu, Qinghai Province in China. Transporting ourselves to Mediterranean shores through an oil-on-canvas masterpiece that captures the essence of beauty itself. In this world full of diverse accessories, each item tells its own unique story while adding flair to our lives – whether it be on scooters or canvases, within ancient temples or modern melodies.