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Adam And Eve Collection (page 4)

"Adam and Eve: A Tale of Temptation, Expulsion, and Redemption" In the mesmerizing painting "The Garden of Earthly Delights

Background imageAdam And Eve Collection: Adam, I must have a new dress (colour litho)

Adam, I must have a new dress (colour litho)
2815847 Adam, I must have a new dress (colour litho) by English School, (20th century); Private Collection; (add.info.: Adam, I must have a new dress)

Background imageAdam And Eve Collection: Leap-Year Etiquette (colour litho)

Leap-Year Etiquette (colour litho)
2795412 Leap-Year Etiquette (colour litho) by American School, (20th century); Private Collection; (add.info.: Leap-Year Etiquette. Postcard, early 20th century.); © Look and Learn

Background imageAdam And Eve Collection: The Annunciation, flanked by Eve and the Serpent and Gideons Fleece, from a Biblia Pa... ca. 1465

The Annunciation, flanked by Eve and the Serpent and Gideons Fleece, from a Biblia Pa... ca. 1465. Creator: Anon
The Annunciation, flanked by Eve and the Serpent and Gideons Fleece, from a Biblia Pauperum blockbook, 3rd edition, ca. 1465

Background imageAdam And Eve Collection: Leaf from Cursus Beate Marie Virginis (The Journey of the Blessed Virgin Mary)... 1929

Leaf from Cursus Beate Marie Virginis (The Journey of the Blessed Virgin Mary)... 1929
Leaf from Cursus Beate Marie Virginis (The Journey of the Blessed Virgin Mary), Plate 31 from Woodcuts from Books of the 15th Century, c.1497, portfolio assembled 1929

Background imageAdam And Eve Collection: Cain and Abel (brush & brown wash on paper)

Cain and Abel (brush & brown wash on paper)
3112242 Cain and Abel (brush & brown wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageAdam And Eve Collection: A memento mori watch presented by Mary, Queen of Scots to Mary Seaton (engraving)

A memento mori watch presented by Mary, Queen of Scots to Mary Seaton (engraving)
3639012 A memento mori watch presented by Mary, Queen of Scots to Mary Seaton (engraving) by Smith, Charles John (1803-38); Private Collection; (add.info.: A memento mori watch presented by Mary)

Background imageAdam And Eve Collection: Expulsion (drypoint)

Expulsion (drypoint)
1066733 Expulsion (drypoint) by Sterner, Albert Edward (1863-1946); 30.2x25.1 cm; Dallas Museum of Art, Texas, USA; gift of Mrs. A.E. Zonne

Background imageAdam And Eve Collection: A needlework picture depicting Adam and Eve, 17th century (needlework)

A needlework picture depicting Adam and Eve, 17th century (needlework)
7141197 A needlework picture depicting Adam and Eve, 17th century (needlework) by Ellys, Anne (17th century); 21.5x25.5 cm; Parham House, West Sussex

Background imageAdam And Eve Collection: The Fall of Man according to Doderlein (colour litho)

The Fall of Man according to Doderlein (colour litho)
7201390 The Fall of Man according to Doderlein (colour litho) by Juttner, Franz (1865-1925); Private Collection; (add.info.: The Fall of Man according to Doderlein)

Background imageAdam And Eve Collection: Adam and Eve. The first parents by Carstens, Asmus Jacob, 1780s (tempera on panel)

Adam and Eve. The first parents by Carstens, Asmus Jacob, 1780s (tempera on panel)
FIA5633737 Adam and Eve. The first parents by Carstens, Asmus Jacob, 1780s (tempera on panel) by Carstens, Asmus Jacob (1754-1798); 22x26.8 cm; Pushkin Museum, Moscow

Background imageAdam And Eve Collection: Ms Hunter 229 f. 8r Expulsion from Eden, below, Adam delving, Eve spinning

Ms Hunter 229 f. 8r Expulsion from Eden, below, Adam delving, Eve spinning, from the Hunterian Psalter, c
GUL175492 Ms Hunter 229 f.8r Expulsion from Eden, below, Adam delving, Eve spinning, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) by English School

Background imageAdam And Eve Collection: The Tree of Life, 1912

The Tree of Life, 1912
7227554 The Tree of Life, 1912 by Cominetti, Giuseppe (1882-1930); Private Collection; (add.info.: Milan, Private Collection, Giuseppe Cominetti, The Tree of Life); Photo © Mauro Ranzani

Background imageAdam And Eve Collection: The coming of Raphael

The coming of Raphael, a scene from the bible. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker

Background imageAdam And Eve Collection: Paradise Lost, The Expulsion, 1844 (pencil and w / c)

Paradise Lost, The Expulsion, 1844 (pencil and w / c)
7064835 Paradise Lost, The Expulsion, 1844 (pencil and w/c) by Martin, John (1789-1854); 23.5x33.5 cm; Private Collection

Background imageAdam And Eve Collection: The Original Sin, n. d. Creator: Etienne Delaune

The Original Sin, n. d. Creator: Etienne Delaune
The Original Sin, n.d

Background imageAdam And Eve Collection: The Fall of Man, from Illustrations of the Bible, 1831. Creator: John Martin

The Fall of Man, from Illustrations of the Bible, 1831. Creator: John Martin
The Fall of Man, from Illustrations of the Bible, 1831

Background imageAdam And Eve Collection: Adam and Eve Hearing the Judgement of the Almighty, from Illustrations of the Bible, 1831

Adam and Eve Hearing the Judgement of the Almighty, from Illustrations of the Bible, 1831

Background imageAdam And Eve Collection: The Expulsion, from Illustrations of the Bible, 1831. Creator: John Martin

The Expulsion, from Illustrations of the Bible, 1831. Creator: John Martin
The Expulsion, from Illustrations of the Bible, 1831

Background imageAdam And Eve Collection: Portrait of the Artists Mother (Eve), 1889 / 90. Creator: Paul Gauguin

Portrait of the Artists Mother (Eve), 1889 / 90. Creator: Paul Gauguin
Portrait of the Artists Mother (Eve), 1889/90

Background imageAdam And Eve Collection: Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscr

Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso), 1891/93

Background imageAdam And Eve Collection: Eve, from the Suite of Late Wood-Block Prints, 1898 / 99. Creator: Paul Gauguin

Eve, from the Suite of Late Wood-Block Prints, 1898 / 99. Creator: Paul Gauguin
Eve, from the Suite of Late Wood-Block Prints, 1898/99

Background imageAdam And Eve Collection: Charger, Lambeth, c. 1675. Creator: Unknown

Charger, Lambeth, c. 1675. Creator: Unknown
Charger, Lambeth, c. 1675

Background imageAdam And Eve Collection: Picture Depicting Adam and Eve (Needlework), England, 17th century. Creator: Unknown

Picture Depicting Adam and Eve (Needlework), England, 17th century. Creator: Unknown
Picture Depicting Adam and Eve (Needlework), England, 17th century. Clothed Adam and Eve, fruit, flowers, animals and birds

Background imageAdam And Eve Collection: Picture (Depicting the Creation), England, 17th century. Creator: Unknown

Picture (Depicting the Creation), England, 17th century. Creator: Unknown
Picture (Depicting the Creation), England, 17th century. Adam and Eve with the serpent and the Tree of Knowledge, animals, and the word God in gold thread

Background imageAdam And Eve Collection: Religious picture, England, 1634. Creator: Unknown

Religious picture, England, 1634. Creator: Unknown
Religious picture, England, 1634. Pelican feeding her young with her own blood, Virgin and Child, Adam digging and Eve spinning, angel, animals and flowers

Background imageAdam And Eve Collection: Adam and Eve

Adam and Eve by Albrecht Durer, 1504. Albrecht Durer was a German painter, engraver, printmaker, mathematician, and theorist from Nuremberg

Background imageAdam And Eve Collection: Jug with Adam and Eve, Nuremberg, c. 1550. Creator: Paul Preuning

Jug with Adam and Eve, Nuremberg, c. 1550. Creator: Paul Preuning
Jug with Adam and Eve, Nuremberg, c. 1550

Background imageAdam And Eve Collection: The Garden of Paradise, 1500 / 20. Creator: Workshop of Hieronymus Bosch

The Garden of Paradise, 1500 / 20. Creator: Workshop of Hieronymus Bosch
The Garden of Paradise, 1500/20

Background imageAdam And Eve Collection: The Creation of Eve, 1570 / 80. Creator: Paolo Veronese

The Creation of Eve, 1570 / 80. Creator: Paolo Veronese
The Creation of Eve, 1570/80. [According to the Bible, God created Eve from one of Adams ribs]

Background imageAdam And Eve Collection: Adam, Modeled 1881, cast about 1924. Creator: Auguste Rodin

Adam, Modeled 1881, cast about 1924. Creator: Auguste Rodin
Adam, Modeled 1881, cast about 1924

Background imageAdam And Eve Collection: Eve after the Fall, Modeled 1883, carved about 1886. Creator: Auguste Rodin

Eve after the Fall, Modeled 1883, carved about 1886. Creator: Auguste Rodin
Eve after the Fall, Modeled 1883, carved about 1886

Background imageAdam And Eve Collection: Eve, 1533 / 37. Creator: Lucas Cranach the Elder

Eve, 1533 / 37. Creator: Lucas Cranach the Elder
Eve, 1533/37

Background imageAdam And Eve Collection: Adam, 1533 / 37. Creator: Lucas Cranach the Elder

Adam, 1533 / 37. Creator: Lucas Cranach the Elder
Adam, 1533/37

Background imageAdam And Eve Collection: Pendant with Adam and Eve, Vienna, 18th / 19th century. Creator: Unknown

Pendant with Adam and Eve, Vienna, 18th / 19th century. Creator: Unknown
Pendant with Adam and Eve, Vienna, 18th/19th century

Background imageAdam And Eve Collection: Paradise, 1588-1592. Creator: Tintoretto, Domenico (1560-1635)

Paradise, 1588-1592. Creator: Tintoretto, Domenico (1560-1635)
Paradise, 1588-1592. Found in the Collection of the Fondazione Querini Stampalia

Background imageAdam And Eve Collection: Adam and Eve. Creator: Cranach, Lucas, the Elder (1472-1553)

Adam and Eve. Creator: Cranach, Lucas, the Elder (1472-1553)
Adam and Eve. Found in the Collection of the Museo Nacional de San Carlos

Background imageAdam And Eve Collection: The Temptation of Eve, 1535-55. Creator: Jean Mignon

The Temptation of Eve, 1535-55. Creator: Jean Mignon
The Temptation of Eve, 1535-55

Background imageAdam And Eve Collection: Adam and Eve, c. 1939. Creator: Yolande Delasser

Adam and Eve, c. 1939. Creator: Yolande Delasser
Adam and Eve, c. 1939

Background imageAdam And Eve Collection: The Rhythm (Adam and Eve), 1910 (oil, pencil and crayon on canvas)

The Rhythm (Adam and Eve), 1910 (oil, pencil and crayon on canvas)
1769232 The Rhythm (Adam and Eve), 1910 (oil, pencil and crayon on canvas) by Baranoff-Rossine, Daniel Vladimir (1888-1942); 202x293.3 cm; Private Collection; (add.info.: The Rhythm (Adam and Eve)

Background imageAdam And Eve Collection: Adam and Eve, (oil on canvas)

Adam and Eve, (oil on canvas)
990261 Adam and Eve, (oil on canvas) by Wtewael or Utewael, Joachim (c.1566-1638); 156x113 cm; Private Collection; (add.info.: Adam and Eve. Joachim Anthonisz Wtewael (1582-1647). Oil on canvas

Background imageAdam And Eve Collection: Adam and Eve; Adam und Eva, 1910 (oil on canvas)

Adam and Eve; Adam und Eva, 1910 (oil on canvas)
656406 Adam and Eve; Adam und Eva, 1910 (oil on canvas) by Macke, August (1887-1914); 40.5x49 cm; Private Collection; (add.info.: Adam and Eve; Adam und Eva. August Macke (1887-1914). Oil on canvas

Background imageAdam And Eve Collection: Adam and Eve, 1909-1910 (oil on canvas in a contemporary frame)

Adam and Eve, 1909-1910 (oil on canvas in a contemporary frame)
827952 Adam and Eve, 1909-1910 (oil on canvas in a contemporary frame) by Stahl, Friedrich (1863-1940); 108.6x112.4 cm; Private Collection; (add.info.: Adam and Eve. Friedrich Stahl (1863-1940)

Background imageAdam And Eve Collection: The Temptation (engraving)

The Temptation (engraving)
3646475 The Temptation (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: The Temptation. From Holbeins Totentanz (Danse Macabre)

Background imageAdam And Eve Collection: Jumping at conclusions (engraving)

Jumping at conclusions (engraving)
3640718 Jumping at conclusions (engraving) by Du Maurier, George (1834-96) (after); Private Collection; (add.info.: Jumping at conclusions)

Background imageAdam And Eve Collection: Adam Rejects the Condolement of Eve from Paradise Lost

Adam Rejects the Condolement of Eve from Paradise Lost
5615859 Adam Rejects the Condolement of Eve from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Background imageAdam And Eve Collection: The expulsion from Paradise, 1543 (copperplate engraving)

The expulsion from Paradise, 1543 (copperplate engraving)
5058817 The expulsion from Paradise, 1543 (copperplate engraving) by Beham, Hans Sebald (1500-50); 8.1 x 5.8 cm; Kunstmuseum, Basel, Switzerland; German, out of copyright

Background imageAdam And Eve Collection: Adam and Eve driven out of Eden (engraving)

Adam and Eve driven out of Eden (engraving)
976551 Adam and Eve driven out of Eden (engraving) by English School, (19th century); Private Collection; (add.info.: Adam and Eve driven out of Eden)




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"Adam and Eve: A Tale of Temptation, Expulsion, and Redemption" In the mesmerizing painting "The Garden of Earthly Delights, " created between 1490-1500 by an unknown artist, we are transported to a vivid realm where Adam and Eve's story unfolds. This oil on panel masterpiece captivates our senses with its intricate details and vibrant colors. From the back of the Adam and Eve sculpture at Lewins Mead, we catch a glimpse of St Johns Bridge, reminding us that this timeless tale has transcended centuries and geographical boundaries, and is a testament to how deeply ingrained this narrative is in human culture. As we move forward in time, Michelangelo's awe-inspiring fresco "The Expulsion from Paradise" on the Sistine Chapel ceiling comes into focus. Painted between 1508-1512, it depicts the heart-wrenching moment when it can banished from their idyllic home due to their disobedience. Fast forward to Charles-Joseph Natoire's poignant artwork "The Rebuke of Adam and Eve" from 1740. Here we witness their remorse as they face divine reprimand for succumbing to temptation. Their expressions reflect regret but also offer hope for redemption. Exploring humanity's relationship with the universe through art becomes evident in various works such as "Humanity and the Universe. " This thought-provoking piece invites contemplation about our place within creation while emphasizing our connection to something greater than ourselves. Delving deeper into history, Le Premier Volume de la bible en francoiz historiee et nouvellement imprimee (ca. 1501) presents an early printed edition narrating biblical stories like that in French. This exemplifies how these tales have been disseminated across languages over time.