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Adoring Collection (page 2)

"Adoring: A Timeless Expression of Reverence and Devotion" In the realm of art, there exists a multitude of masterpieces that capture the essence of adoration

Background imageAdoring Collection: BOOK OF THE DEAD/18

BOOK OF THE DEAD/18
Various vignettes featuring Ani with is Shade and his Soul, adoring Osiris in the form of a ram and slaying a serpent

Background imageAdoring Collection: BOOK OF THE DEAD/19

BOOK OF THE DEAD/19
1. Ani adoring the Sun-god in his Bark 2. Ani and his wife, Tutu

Background imageAdoring Collection: BOOK OF THE DEAD/10

BOOK OF THE DEAD/10
1. Cat cuts off serpent head 2. Ani and his wife, Tutu, adoring the scarab-headed god Khepera on the Solar Bark 3. The god Atum in Solar Bark 4. Couchant lion on pedestal

Background imageAdoring Collection: BOOK OF THE DEAD/29

BOOK OF THE DEAD/29
1. Ani and his wife, Tutu, adoring Thoth 2. Ani and Tutu before a table of offerings

Background imageAdoring Collection: Her Idol, c. 1868-70 (oil on canvas)

Her Idol, c. 1868-70 (oil on canvas)
MAN276849 Her Idol, c.1868-70 (oil on canvas) by Orchardson, William Quiller (1832-1910); 75.2x95.9 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageAdoring Collection: Adoration of the Magi (tempera on panel)

Adoration of the Magi (tempera on panel)
3362043 Adoration of the Magi (tempera on panel) by Mariotto, Bernardino di (1478-1566); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageAdoring Collection: St Francis adoring the crucifix, c. 1583-84, (oil on canvas)

St Francis adoring the crucifix, c. 1583-84, (oil on canvas)
1108984 St Francis adoring the crucifix, c.1583-84, (oil on canvas) by Carracci, Ludovico (1555-1619); Musei Capitolini, Rome, Italy; (add.info.: by Ludovico Carracci); Photo © Stefano Baldini

Background imageAdoring Collection: Nativity and the adoration of the Magi (oil on wood panel)

Nativity and the adoration of the Magi (oil on wood panel)
3362058 Nativity and the adoration of the Magi (oil on wood panel) by Cola dell'Amatrice (Nicola di Filotesio) (1489-c.1550); Vatican Museums and Galleries

Background imageAdoring Collection: Fol. 41r The Adoration of the Magi (vellum)

Fol. 41r The Adoration of the Magi (vellum)
ALI142912 Fol.41r The Adoration of the Magi (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imageAdoring Collection: Adoration of the shepherds, detail

Adoration of the shepherds, detail
3498500 Adoration of the shepherds, detail by Fabbrica, Francesco (fl.17th century); Chiesa di San Vittore al Corpo, Milan, Lombardy

Background imageAdoring Collection: Adoration of the Shepherds, 17th century (painting)

Adoration of the Shepherds, 17th century (painting)
3498499 Adoration of the Shepherds, 17th century (painting) by Fabbrica, Francesco (fl.17th century); Chiesa di San Vittore al Corpo, Milan, Lombardy

Background imageAdoring Collection: Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441)

Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441)
3601448 Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441) by Pordenone, Giovanni Antonio (1484-1539); Sanctuary of the Madonna della Campagna, Piacenza

Background imageAdoring Collection: Adoration of the Magi, 1459

Adoration of the Magi, 1459
3496576 Adoration of the Magi, 1459 by Rodari Family (15th-16th century); Cattedrale di Santa Maria Assunta, Como, Italy; (add.info)

Background imageAdoring Collection: The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas)

The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas)
659687 The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas) by Tidemand, Adolph (1814-76); 95x79 cm; Private Collection; (add.info)

Background imageAdoring Collection: Apollo and Daphne, (oil on canvas)

Apollo and Daphne, (oil on canvas)
657742 Apollo and Daphne, (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); Private Collection; (add.info.: Apollo and Daphne. Wilfred Gabriel de Glehn (1870-1951). Oil on canvas

Background imageAdoring Collection: Motherly Love, (watercolour on paper)

Motherly Love, (watercolour on paper)
659633 Motherly Love, (watercolour on paper) by Tommasi, Publio de (1849-1914); 86.2x64.8 cm; Private Collection; (add.info.: Motherly Love. Publio de Tommasi (1849-1914). Watercolour on paper

Background imageAdoring Collection: Lunette depicting the Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441)

Lunette depicting the Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441)
3601443 Lunette depicting the Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441) by Pordenone, Giovanni Antonio (1484-1539); Sanctuary of the Madonna della Campagna, Piacenza

Background imageAdoring Collection: Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco)

Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco)
3601441 Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) by Pordenone, Giovanni Antonio (1484-1539); Sanctuary of the Madonna della Campagna, Piacenza, Emilia-Romagna

Background imageAdoring Collection: Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441)

Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441)
3601446 Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441) by Pordenone, Giovanni Antonio (1484-1539); Sanctuary of the Madonna della Campagna, Piacenza

Background imageAdoring Collection: Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441)

Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441)
3601445 Adoration of the Magi and Adoration of the Shepherds, 1530-32 (fresco) (detail of 3601441) by Pordenone, Giovanni Antonio (1484-1539); Sanctuary of the Madonna della Campagna, Piacenza

Background imageAdoring Collection: The Holy Family with donor in prayer and playing angels, c. 1460 (tempera on pine wood)

The Holy Family with donor in prayer and playing angels, c. 1460 (tempera on pine wood)
BFM286773 The Holy Family with donor in prayer and playing angels, c.1460 (tempera on pine wood) by Italian School, (15th century); 52.5x32 cm; Lindenau Museum, Altenburg

Background imageAdoring Collection: The Kiss, 1887 (oil on canvas)

The Kiss, 1887 (oil on canvas)
XKL90668 The Kiss, 1887 (oil on canvas) by Ralli, Theodore Jacques (1852-1909); 24.2x33 cm; Private Collection; Photo © Berko Fine Paintings, Knokke-Heist, Belgium

Background imageAdoring Collection: Virgin and Child Adored by Saint Francis, c. 1606 / 07. Creator: Francesco Albani

Virgin and Child Adored by Saint Francis, c. 1606 / 07. Creator: Francesco Albani
Virgin and Child Adored by Saint Francis, c. 1606/07

Background imageAdoring Collection: Joseph Adoring the Christ Child near a Smoking Altar, from the Flight into Egypt, 1752

Joseph Adoring the Christ Child near a Smoking Altar, from the Flight into Egypt, 1752

Background imageAdoring Collection: The Virgin Mary adoring the Christ child, an angel holding a crown of thorns at right

The Virgin Mary adoring the Christ child, an angel holding a crown of thorns at right, ca. 1729

Background imageAdoring Collection: The adoration of the shepherds who kneel together at right before the infant Christ

The adoration of the shepherds who kneel together at right before the infant Christ, the Virgin and Saint Joseph at left, two angels above, in an octagonal frame, after Reni, ca. 1655-93

Background imageAdoring Collection: Cupid and Psyche, 1808 (oil on canvas)

Cupid and Psyche, 1808 (oil on canvas)
AGN403457 Cupid and Psyche, 1808 (oil on canvas) by West, Benjamin (1738-1820); 137.8x142.9 cm; Private Collection; (add.info.: Psyche)

Background imageAdoring Collection: The Contented Mother, 1872 (oil on canvas)

The Contented Mother, 1872 (oil on canvas)
1197536 The Contented Mother, 1872 (oil on canvas) by Stevens, Alfred Emile (1823-1906); 65x40 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageAdoring Collection: The Nativity with the Adoration of the Magi and Shepherds

The Nativity with the Adoration of the Magi and Shepherds
1767243 The Nativity with the Adoration of the Magi and Shepherds, an Andean Landscape Beyond (oil and gold paint on canvas) by Peruvian School (18th century)

Background imageAdoring Collection: A needlework sofa seat finely worked in a tent stitch depicting the Adoration of the Magi

A needlework sofa seat finely worked in a tent stitch depicting the Adoration of the Magi
1767237 A needlework sofa seat finely worked in a tent stitch depicting the Adoration of the Magi, c.1730 (wool, silk) by English School

Background imageAdoring Collection: Adoration of the Magi, 1520s (illuminated manuscript on vellum)

Adoration of the Magi, 1520s (illuminated manuscript on vellum)
985749 Adoration of the Magi, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Adoration of the Magi)

Background imageAdoring Collection: Careful not to wake him; Cuidado, No le Despiertes, (pencil and watercolour)

Careful not to wake him; Cuidado, No le Despiertes, (pencil and watercolour)
658462 Careful not to wake him; Cuidado, No le Despiertes, (pencil and watercolour) by Sorolla y Bastida, Joaquin (1863-1923); 57.8x79 cm; Private Collection; (add.info)

Background imageAdoring Collection: Bush Idyll, 1893 (oil on canvas)

Bush Idyll, 1893 (oil on canvas)
486847 Bush Idyll, 1893 (oil on canvas) by McCubbin, Frederick (1855-1917); 119.5x221.5 cm; Photo eChristies Images; Australian, out of copyright

Background imageAdoring Collection: Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)

Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)
652130 Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas) by Reynolds, Joshua (1723-92); 105.4x89.3 cm; Private Collection; (add.info)

Background imageAdoring Collection: Adoration of the Shepherds

Adoration of the Shepherds
3704251 Adoration of the Shepherds by Landriani, Paolo Camillo, Il Duchino (1562-1618); Sant Ambrogio, Milan, Italy; (add.info.: Capitolare Room Milano, Basilica di Sant Ambrogio, Sala Capitolare)

Background imageAdoring Collection: One of the Three Kings Adoring the Virgin and Child, c. 1635-40 (pen and ink on paper)

One of the Three Kings Adoring the Virgin and Child, c. 1635-40 (pen and ink on paper)
3704032 One of the Three Kings Adoring the Virgin and Child, c.1635-40 (pen and ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); 17.7x15.9 cm; Rijksmuseum, Amsterdam

Background imageAdoring Collection: Zut pour Matassin! Cabassol, c est toi que j aime! (coloured engraving)

Zut pour Matassin! Cabassol, c est toi que j aime! (coloured engraving)
3622618 Zut pour Matassin! Cabassol, c est toi que j aime! (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Zut pour Matassin! Cabassol, c est toi que j aime!)

Background imageAdoring Collection: Adoration of the Magi, detail

Adoration of the Magi, detail
3497227 Adoration of the Magi, detail by Kraft, Adam (c.1455-1509) (school of); San Nazaro in Brolo or San Nazaro Maggiore, Milan, Lombardy

Background imageAdoring Collection: St Frideswide, detail, 1859 (stained glass)

St Frideswide, detail, 1859 (stained glass)
3474822 St Frideswide, detail, 1859 (stained glass) by Burne-Jones, Edward Coley (1833-98); Christ Church Cathedral, Oxford

Background imageAdoring Collection: The Shepherds adoring (engraving)

The Shepherds adoring (engraving)
5204407 The Shepherds adoring (engraving) by English School, (19th century); Private Collection; (add.info.: The Shepherds adoring. Illustration for The Bible Album (Ward and Lock, c 1870)

Background imageAdoring Collection: The First Prayer of the Prince of Wales, Prince Albert Edward, the future King Edward VII

The First Prayer of the Prince of Wales, Prince Albert Edward, the future King Edward VII, 1842 (coloured engraving)
6032236 The First Prayer of the Prince of Wales, Prince Albert Edward, the future King Edward VII, 1842 (coloured engraving) by Gallait

Background imageAdoring Collection: Adoration of the image of the Beast, from the Apocalypse Tapestry of Angers

Adoration of the image of the Beast, from the Apocalypse Tapestry of Angers
902040 Adoration of the image of the Beast, from the Apocalypse Tapestry of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl)

Background imageAdoring Collection: Madonna and Child (oil on panel)

Madonna and Child (oil on panel)
REV407332 Madonna and Child (oil on panel) by Sassoferrato, Il (Giovanni Battista Salvi) (1609-85); Museo Soumaya, Mexico City, Mexico; Italian, out of copyright

Background imageAdoring Collection: The Virgin adoring the Infant Saviour (engraving)

The Virgin adoring the Infant Saviour (engraving)
1609941 The Virgin adoring the Infant Saviour (engraving) by Ghirlandaio, Domenico (1449-94) (after); Private Collection; (add.info.: The Virgin adoring the Infant Saviour)

Background imageAdoring Collection: The Adoration of the Magi, c. 1400 (tempera on wood)

The Adoration of the Magi, c. 1400 (tempera on wood)
BFM286568 The Adoration of the Magi, c.1400 (tempera on wood) by Paolo di Giovanni Fei (fl.1372-1411); 23.5x32.5 cm; Lindenau Museum, Altenburg, Germany; Bildarchiv Foto Marburg

Background imageAdoring Collection: Ms 144, ff. 13v-14r: The Annunciation and Virgin and Child

Ms 144, ff. 13v-14r: The Annunciation and Virgin and Child
FIT277705 Ms 144, ff.13v-14r: The Annunciation and Virgin and Child, miniatures from a Book of Hours, Use of Utrecht, c.1500-20 (gold leaf and gold & coloured inks on parchment) by Dutch School

Background imageAdoring Collection: Detail from one of the Bible Windows depicting the adoration of the Magi

Detail from one of the Bible Windows depicting the adoration of the Magi
PC345011 Detail from one of the Bible Windows depicting the adoration of the Magi and the Shepherds (stained glass) by English School, (13th century); Canterbury Cathedral, Canterbury, Kent




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"Adoring: A Timeless Expression of Reverence and Devotion" In the realm of art, there exists a multitude of masterpieces that capture the essence of adoration. From the tender embrace in "The Return of the Prodigal Son" by Rembrandt Harmensz van Rijn to the divine connection depicted in "Noli Me Tangere" by Titian, these works transport us into a world where love and devotion reign supreme. Even ancient civilizations understood the power of adoration, as seen in their intricate hieroglyphics and writings found on ancient Egyptian artifacts. These symbols reveal a deep reverence for their gods and an unwavering faith passed down through generations. Religious devotion is also beautifully portrayed in artworks such as "Our Lady Worshipping the Child, " where a mother's love for her child transcends time. Similarly, Odysseus' unwavering loyalty to Penelope echoes throughout history as a testament to enduring love. The bond between mother and child is further exemplified in depictions like "Virgin and Child, " showcasing Mary's profound adoration for baby Jesus. Such images evoke feelings of warmth, tenderness, and unconditional love. Artistic expressions can take various forms beyond paintings; they extend into literature too. Aubrey Beardsley's play Volpone explores themes of worship, greed, and manipulation – reminding us how easily adoration can be twisted or misused when placed upon false idols or material possessions. Moving back to visual representations, we encounter religious scenes like "The Nativity" by Lorenzo Monaco or "Christ Appearing to His Mother" by Rogier Van der Weyden that depict moments filled with awe-inspiring divinity. These artworks invite viewers to witness sacred encounters that inspire both humility and admiration. However, not all instances of adoration are rooted solely in spirituality; sometimes it takes on unexpected forms.