Aesclepius Collection

Aesclepius (chromolitho)
975896 Aesclepius (chromolitho) by French School, (19th century); Private Collection; (add.info.: Aesclepius, the Greco-Roman god of healing)

Aesculapius, from Neuvy-en-Sullias (bronze)
XIR223830 Aesculapius, from Neuvy-en-Sullias (bronze) by Gallo-Roman; Musee Historique et Archeologique, Orleans, France; (add.info.: god of the earth and medicine; ); French, out of copyright

Kouros, from Paros, near the sanctuary of Asklepios, c. 540 BC (marble) (see also 98017
XIR154092 Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (see also 98017, 164837-164839) by Greek, (6th century BC); height: 103 cm; Louvre, Paris

Frontispiece for the French Academy Dictionary
XIR165127 Frontispiece for the French Academy Dictionary, engraved by Gerard Edelinck (1640-1707) 1694 (engraving) (b/w photo) by Corneille, Jean-Baptiste (1649-95) (after); Bibliotheque Nationale

Esculape (engraving)
2793345 Esculape (engraving) by French School, (19th century); Private Collection; (add.info.: Esculape. Illustration for La Mythologie by Rene Menard (Delagrave, 1878)

Ms Latin 6862 fol. 18v Aesculapius discovering betony, from a manuscript by Antonius Musa
CHT235101 Ms Latin 6862 fol.18v Aesculapius discovering betony, from a manuscript by Antonius Musa (63 BC-14 AD) (vellum) by French School, (9th century); Bibliotheque Nationale, Paris

Kouros, from Paros, near the sanctuary of Asklepios, c. 540 BC (marble) (b / w photo
XIR164839 Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (b/w photo) (see also 154092, 164837-164838) by Greek, (6th century BC); height: 103 cm; Louvre, Paris, France; Greek

Kouros, from Paros, near the sanctuary of Asklepios, c. 540 BC (marble) (b / w photo
XIR164837 Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (b/w photo) (see also 154092, 164838-164839) by Greek, (6th century BC); height: 103 cm; Louvre, Paris, France; Greek

Kouros, from Paros, near the sanctuary of Asklepios, c. 540 BC (marble) (detail
XIR202761 Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (detail) (b/w photo) (see also 154092) by Greek, (6th century BC); height: 103 cm; Louvre, Paris, France; Greek

Kouros, from Paros, near the sanctuary of Asklepios, c. 540 BC (marble) (b / w photo
XIR202760 Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (b/w photo) (see also 154092) by Greek, (6th century BC); height: 103 cm; Louvre, Paris, France; Greek

Aesculapius discovering betony, facsimile of a manuscript by Antonius Musa (63 BC-14 AD
CHT235102 Aesculapius discovering betony, facsimile of a manuscript by Antonius Musa (63 BC-14 AD) (coloured engraving) (see 235101 for original) by French School

The Birth of Louis XIII (1601-43) at Fontainebleau, 27th September 1601, from the Medici Cycle
XIR17694 The Birth of Louis XIII (1601-43) at Fontainebleau, 27th September 1601, from the Medici Cycle, 1621-25 (oil on canvas) by Rubens, Peter Paul (1577-1640); 394x295 cm; Louvre, Paris

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Aesclepius, the Greek god of healing and medicine, is depicted in various forms throughout history. One such representation is the Kouros statue from Paros, dating back to around 540 BC. This marble sculpture showcases the idealized male form, with its intricate details capturing the essence of youth and vitality. Near the sanctuary of Asklepios, this Kouros stands as a testament to Aesclepius' connection to healing practices. The proximity to this sacred site suggests that it may have been dedicated to him or used in rituals honoring his divine powers. Another depiction can be found in a chromolithograph artwork. This vibrant piece brings forth his image with vivid colors and intricate detailing, showcasing his importance as a deity associated with health and well-being. In Neuvy-en-Sullias, a bronze statue of Aesculapius further emphasizes his role as a healer. This three-dimensional representation adds depth and texture to our understanding of this ancient god's significance. The French Academy Dictionary features an illustration serving as its frontispiece that pays homage to Aesclepius. This symbolic inclusion highlights his influence on medical knowledge and education throughout history. Epidaurus boasts both a ceremonial circular tholos and temple dedicated to Asclepius. These architectural marvels serve as physical manifestations of devotion towards this revered deity within ancient Greek society. An engraving titled "Esculape" captures yet another artistic interpretation of Aesculapius' visage. Through detailed lines etched onto paper, we are reminded once again of his association with medicine and healing practices. Within Ms Latin 6862 folio 18v lies an illuminating manuscript by Antonius Musa depicting Aesculapius discovering betony - an herb believed to possess medicinal properties during ancient times. This visual narrative reinforces the god's connection not only with healthcare but also herbal remedies.