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After The Ball Collection

Amidst the twinkling chandeliers and rustling silk gowns, the enchantment of the masked ball comes to an end

Background imageAfter The Ball Collection: The Pink Dress (oil on panel)

The Pink Dress (oil on panel)
BIR108307 The Pink Dress (oil on panel) by Nicholson, William (1872-1949); 53.4x59 cm; Birmingham Museums and Art Gallery; © Birmingham Museums Trust; English, out of copyright

Background imageAfter The Ball Collection: After the Ball, (oil on canvas)

After the Ball, (oil on canvas)
651440 After the Ball, (oil on canvas) by Caputo, Ulisse (1872-1948); 64.2x50.2 cm; Private Collection; (add.info.: After the Ball. Ulisse Caputo (1872-1948). Oil on canvas

Background imageAfter The Ball Collection: After the Ball, (oil on canvas)

After the Ball, (oil on canvas)
827137 After the Ball, (oil on canvas) by Madrazo y Garreta, Raimundo de (1841-1920); 81.9x62.8 cm; Private Collection; (add.info.: After the Ball. Raimundo de Madrazo y Garetta (1841-1920)

Background imageAfter The Ball Collection: After the Masked Ball, 1871 (oil on canvas)

After the Masked Ball, 1871 (oil on canvas)
659021 After the Masked Ball, 1871 (oil on canvas) by Chaplin, Charles Joshua (1825-91); 75.5x44.5 cm; Private Collection; (add.info.: After the Masked Ball. Charles Chaplin (1825-1891)

Background imageAfter The Ball Collection: After the Ball, (oil on panel)

After the Ball, (oil on panel)
658728 After the Ball, (oil on panel) by Baugniet, Charles (1814-86); 54x67.9 cm; Private Collection; (add.info.: After the Ball. Charles Baugniet (1814-1886). Oil on panel

Background imageAfter The Ball Collection: Apres le Bal, 1735 (oil on canvas)

Apres le Bal, 1735 (oil on canvas)
BNH146359 Apres le Bal, 1735 (oil on canvas) by Troy, Jean Francois de (1679-1752); 81.9x64.8 cm; Private Collection; Courtesy of Bernheimer Munich; French, out of copyright

Background imageAfter The Ball Collection: After the Ball, Comparing Programmes (chromolitho)

After the Ball, Comparing Programmes (chromolitho)
1061315 After the Ball, Comparing Programmes (chromolitho) by Hopkins, Arthur (1848-1930) (after); Private Collection; (add.info.: After the Ball, Comparing Programmes)

Background imageAfter The Ball Collection: Midnight, 1830-48 (colour litho)

Midnight, 1830-48 (colour litho)
XIR216122 Midnight, 1830-48 (colour litho) by Deveria, Achille (1800-57); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright



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Amidst the twinkling chandeliers and rustling silk gowns, the enchantment of the masked ball comes to an end. "The Pink Dress" (oil on panel) and "After the Ball" (oil on canvas) capture the bittersweet moment as dancers pack up their programs and step out into the moonlit night. In Edgar Degas' "After the Ball, 1871" (oil on canvas), the elegance of the scene is juxtaposed with the weariness etched on the faces of the guests. Meanwhile, in "After the Ball, Comparing Programmes" (chromolitho), the excitement of the evening's revelries is preserved through the comparison of programs, a keepsake of the memories made. And as the clock strikes midnight in "Midnight, 1830-48" (colour litho), the magic of the ball fades away, leaving only the echoes of laughter and the lingering memories of a night to remember.