Agostino Collection (page 4)

Interior exhibition antient Mexico Egyptian Hall
Interior of the exhibition of antient Mexico at the Egyptian Hall Piccadilly, Aglio, Agostino, 1777-1857, Aglio, Agostino, 1777-1857, Lithograph, ca. 1845

Agostino Carracci, Or Caracci, 1557 To 1602. Italian Painter And Printmaker. From Crabbs Historical Dictionary Published 1825

Ornament Panel, dated 1521. Creator: Attributed to Agostino Veneziano
Ornament Panel, dated 1521

Ornamental Panel, ca. 1514-36. Creator: Agostino Veneziano
Ornamental Panel, ca. 1514-36

Coat of Arms of a Cardinal of the Sampieri Family, 1590-95. Creator: Agostino Carracci
Coat of Arms of a Cardinal of the Sampieri Family, 1590-95

Philoshopher Seated near a Window, ca. 1514-36. ca. 1514-36. Creator: Agostino Veneziano
Philoshopher Seated near a Window, ca. 1514-36

Man with a Lyre, ca. 1514-36. Creator: Agostino Veneziano
Man with a Lyre, ca. 1514-36

A Man Helping Another to His Feet, ca. 1514-36. Creator: Agostino Veneziano
A Man Helping Another to His Feet, ca. 1514-36

The Philosophers, ca. 1514-36. Creator: Agostino Veneziano
The Philosophers, ca. 1514-36

The Love of Glory, dated 1528. Creator: Agostino Veneziano
The Love of Glory, dated 1528

Orpheus, dated 1528. Creator: Agostino Veneziano
Orpheus, dated 1528

Young Hercules, ca. 1514-36. Creator: Agostino Veneziano
Young Hercules, ca. 1514-36

Italy. Rome. Villa Farnesina, 1506-1510
Italy. Rome. Villa Farnesina. Built by Baldassare Peruzzi (1481-1536), 1506-1510. Exterior

Agostino Carracci
AGOSTINO CARRACCI Italian artist Date: 1557 - 1602

ITALY. Rome. Farnese Palace. Ceiling of the Carracci Gallery, room decorated from 1592 with the frescoes by the brothers Agostino and Annibale Carracci

Antonio da Correggio (1489-1534(. Italian painter. Statue by
Antonio da Correggio (1489-1534(. italian painter. Statue by Agostino Ferrarini. 1870. Garibaldi Square. Parma. Italy

Church of Saint Peter in the Sky of Gold. Pavia. Italy
Italy. Pavia. Church of Saint Peter in the Sky of Gold. 11th - 12th centuries. Central nave

Agostino Gallo
AGOSTINO GALLO Italian writer on agricultural matters, important and influential. Date: 1499 - 1570

Agostino Carracci 2
AGOSTINO CARRACCI Italian artist, born in Bologna but died in Parma. Date: 1557 - 1602

CHIGI (1630- ?)
AGOSTINO CHIGI nephew of Pope Alexander VII, governor of Castel Sant Angelo, Rome, married a Borghese principessa Date: 1630- ?

CARRACHE, Annibale. The Galleria Farnese. 1597-1602. ITALY. Rome. Farnese Palace. Paris and Mercury. Baroque art. Fresco

Agostino Lampugnani
AGOSTINO LAMPUGNANI Italian churchman of Milano, poet and philologist. Date: 1588 - 1668

Drawings Prints, Print, Psyche, looking, Cupid, Story, Cupid, told, Apuleius, Artist
Drawings and Prints, Print, Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as told by Apuleius, Artist, Publisher, Artist

Hercules Cacus Annibale Carracci Destruction
Artokoloro

Drawings Prints, Print, Plate 4, Psyches, father, consulting, Oracle, accompanied another king
Drawings and Prints, Print, Plate 4: Psyches father consulting the Oracle, accompanied by another king, from the Story of Cupid and Psyche as told by Apuleius

Drawings Prints, Print, Psyche, attended, bath, Story, Cupid, told, Apuleius, Publisher
Drawings and Prints, Print, Plate 7: Psyche attended in her bath, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as told by Apuleius, Publisher, Artist, After

Drawings Prints, Drawing, Standing Male Nude, Artist, Attributed, Agostino Ciampelli
Drawings and Prints, Drawing, Standing Male Nude, Artist, Attributed to, Agostino Ciampelli, Italian, Florence 1565-1630 Rome, Ciampelli, Agostino, 1565, 1630, 1600, 1650

Five numbered scenes painter Accademia Degl Incamminati
Artokoloro

Design Wall Decoration Sacrifice Abraham Flight
Artokoloro

Satyr Playing Lyre Sleeping Nymph ca 1515 Engraving
Artokoloro

Landscape with Figures. Tassi, Agostino 1565-1644

Antonio Tempesta or Agostino Ciampelli, Italian (1555-1630), An Architectural Wall Design in Honor of Henry IV, the Gallic Hercules, c

Agostino Masucci, Italian (1691-1758), Studies of Saint Joseph and the Adoration (four sketches mounted on one sheet), album page with four drawings in various media

Agostino Carracci after Jacopo Tintoretto (Italian, 1557 - 1602), Mercury and the Three Graces, 1589, engraving on laid paper

Attributed to Francesco Carracci after Agostino Carracci (Italian, c. 1595 - 1622), Saint Francis Consoled by the Musical Angel, engraving

Agostino dei Musi after Luca Penni (Italian, c. 1490 - 1536 or after), The Chariot of Diana, 1541, engraving

Style of Agostino di Duccio, Madonna and Child, 1460s or later, marble

Agostino Carracci after Francesco Vanni, Saint Francis Consoled by the Musical Angel, Italian, 1557 - 1602, 1595, engraving

Study of Triton Blowing a Conch Shell (recto), Partial Study of an Arm (verso); Agostino Carracci, Italian, 1557 - 1602; about 1600; Black and white chalk on blue paper (recto); black chalk (verso)

A Group of Shepherds, and Other Studies; Agostino Carracci, Italian, 1557 - 1602; Italy, Europe; about 1598 - 1600; Pen and brown ink; 40.5 x 30.8 cm (15 15/16 x 12 1/8 in.)

Kneeling Figure (recto), Reclining Figure (verso); Agostino Carracci, Italian, 1557 - 1602; Italy, Europe; about 1582 - 1585; Black chalk with white chalk highlights on blue paper (recto)

Cupid Overpowering Pan (recto), Head of a Monk, Caricature of a Man in Profile (verso); Agostino Carracci, Italian, 1557 - 1602; Italy

Portrait of Agostino Pallavicini; Anthony van Dyck, Flemish, 1599 - 1641; about 1621; Oil on canvas; Unframed: 216.2 x 141 cm (85 1/8 x 55 1/2 in.)

Torchere; Pieter de Swart, Dutch, 1702 - 1772, probably carved by Agostino Carlini, Italian, about 1718 - 1790; The Hague (possibly), Netherlands, Europe; about 1748 - 1753; Gessoed, painted

West Indian Women of Color, with a Child and Black Servant Two West Indian Women of Color, a Child Holding the Hand of One and attendant Black Servant, Agostino Brunias, 1728-1796, Italian

West Indian Creole woman, with her Black Servant A West Indian Creole Woman Attended by her Black Servant, c.1780, Agostino Brunias, 1728-1796, Italian

Planter and his Wife, with a Servant Planter and his wife, attended by a servant, Agostino Brunias, 1728-1796, Italian

West Indian Man of Color, Directing Two Carib Women with a Child, Agostino Brunias, 1728-1796, Italian

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"Agostino: A Master of Art and Inspiration" Step into the world of Agostino, a renowned artist whose works have left an indelible mark on history. From St. John to Saint Matthew, his creations transport us to a realm where beauty and spirituality intertwine. In "Omnia Vincit Amor, " created in 1599, Agostino captures St. John's essence as he sits serenely, holding a writing instrument to a tablet. The eagle with outstretched wings symbolizes divine inspiration that flows through his fingertips. Moving forward in time, we encounter the masterpieces by Agostino Veneziano - "Saint Matthew, " "Saint Luke, " and "Saint Mark" - all dated 1518. These intricate pieces showcase Agostino's meticulous attention to detail and ability to breathe life into sacred figures. The basilica di Sant'Agostino in Campo Marzio reveals Raphael's fresco depicting the Prophet Isaiah. This awe-inspiring work stands as a testament to both Raphael's genius and Agostino's influence on Renaissance art. Continuing our journey through Agostino's repertoire, we find ourselves immersed in celestial scenes depicted in "St. Luke" and "St. Matthew. " Both artworks portray these saints seated on clouds, their devotion evident as they engage with heavenly elements surrounding them. "The Body of Christ Supported by Three Angels, " crafted in 1516 by Agostino Veneziano himself, showcases his versatility as an artist. The ethereal portrayal of angels supporting Christ evokes profound emotions within viewers. Diving deeper into mythology, we discover another facet of Agostino's talent - storytelling through artistry. In "Lycaon Transformed into a Wolf" from 1524, he skillfully narrates Ovid’s tale with vivid imagery that captivates our imagination. Lastly, let us not forget the tangible impact of Agostino's legacy.