Akkadian Collection (#2)

King List Prism (clay)
1216372 King List Prism (clay) by Mesopotamian; 20x9.1 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Isin-Larsa period King List prism; Sumerian, written in cuneiform script)

The king and sacrificial altar at Nimroud [Calah], 1853 (lithograph)
3899851 The king and sacrificial altar at Nimroud [Calah], 1853 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library

Head of a eunuch, 1849 (lithograph)
3899822 Head of a eunuch, 1849 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library, USA; (add.info.: From The monuments of Nineveh)

Painted ornaments from Nimroud [Calah], 1849 (lithograph)
3899820 Painted ornaments from Nimroud [Calah], 1849 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library, USA; (add.info.: From The monuments of Nineveh)

Two archers and a shield bearer, 1849 (lithograph)
3899809 Two archers and a shield bearer, 1849 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library, USA; (add.info.: From The monuments of Nineveh)

Furniture plaque carved in relief with sphinx, c. 9th-8th century B. C. (ivory)
3900050 Furniture plaque carved in relief with sphinx, c.9th-8th century B.C. (ivory) by Neo-Assyrian, (9th century BC); 6.2x7.6 cm; Metropolitan Museum of Art, New York

Brick with inscription of Ashurbanipal describing building work on Ekur, c. 668-631 B. C
3900041 Brick with inscription of Ashurbanipal describing building work on Ekur, c.668-631 B.C. (ceramic) by Neo-Assyrian, (7th century BC); 7x41.3x41.3 cm; Metropolitan Museum of Art, New York

Bas-reliefs at an entrance to a small temple at Nimroud [Calah], 1853 (lithograph)
3899850 Bas-reliefs at an entrance to a small temple at Nimroud [Calah], 1853 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library

A winged human-headed lion from Nimroud [Calah], 1849 (lithograph)
3899807 A winged human-headed lion from Nimroud [Calah], 1849 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library, USA; (add.info.: From The monuments of Nineveh)

Glazed pottery from the tombs above the central Edifice, Nimroud [Calah]
3899817 Glazed pottery from the tombs above the central Edifice, Nimroud [Calah], 1849 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library

Human-headed bull and winged figure from a gateway in the wall surrounding Kouyunjik
3899812 Human-headed bull and winged figure from a gateway in the wall surrounding Kouyunjik [Quyunjik], 1853 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library

Colossal lion from the Great Entrance at Nimroud [Calah], 1853 (lithograph)
3899810 Colossal lion from the Great Entrance at Nimroud [Calah], 1853 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library

Frontispiece from The monuments of Nineveh, 1849 (lithograph)
3899805 Frontispiece from The monuments of Nineveh, 1849 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library, USA; (add.info.: From The monuments of Nineveh)

Mesopotamia. Kudurru (stele) of Shitti-Marduk. Nebuchadnezza
Mesopotamia. Kudurru (stele) of Shitti-Marduk. Limestone. Inscription. Cuneiform. Nebuchadnezzar I (1124-1105 BC) reign. Elamite campaign. From Sippar (Abu Habba). Babylonian

Greenstone seal of Adda, Akkadian, about 2300-2200 BC, from Mesopotamia. Akkadian religious cylinder-seal showing various gods

Stone relief of Sargon I standing before a tree of life, 24th-23rd century BC. Sargon I was the founder of the Akkadian Semitic dynasty

Akkadian cylinder-seal impression of the scribe Adda, 22nd century BC
Akkadian cylinder-seal impression of the scribe Adda. It represents a new year ritual, and from left to right are: Ninurth carrying a bow, Ishtar with wings, Shamash with sun-bird and saw, and Ea

Akkadian cylinder-seal and impression of the flood epic, showing Uta-Napaishtim in a boat, and Gilgamesh with a bull

Akkadian cylinder-seal impression of a hero fighting a lion
Akkadian cylinder-seal impression of a hero (possibly Gilgamesh) fighting a lion

Akkadian cylinder-seal impression of Gilgamesh and a Lion

Akkadian cylinder-seal impression showing the flood-epic. Utanapishtim is in the ark, and Gilgamesh is fighting the Bull. From the British Museums collection

Akkadian cylinder-seal impression, showing the water-god Ea on the right

Akkadian cylinder-seal impression of a bull-man and hero. Each is holding a bull by the horns, and in the centre is a stylised mountain with a sacred tree on top

Tablet with bilingual inscription erected by King Hammurabi
Tablet with bilingual inscription in Sumerian and Akkadian erected by King Hammurapi of Babylon from Ur, from the British Museums collection

Babylon. Monumental Procession Street. Lions relief. Archaeological Museum. Museum of Ancient Orient. Istanbul. Turkey

Stele with inscription and relief of the governor Shamsh-res
Stele with inscription and relief of Shamsh-res-usur, governor of Mari and Suhi, praying in front of the Gods. 8th century BC. Limestone. Palace Museum of Babylon. Archaeological Museum

Amarna Letters. 14th century BC. Clay tablets with cuneiform script, mostly written in Akkadian. Designate a file of correspondence, mostly diplomatic

Khafaje Statuary - Sumerian and Akkadian. Khafajah or Khafaje (ancient Tutub) is an archaeological site in Diyala Province (Iraq). It was part of the city-state of Eshnunna. Date: 1932

Sargon I, king of Mesopotamia who reigned c2334-c2279 BC. Founder of the Akkadian Semitic dynasty. Sargon standing before a tree of life. Stone relief. Louvre, Paris

Boundary Stone to record the services of Chariot commander Ritti-Marduk, in a campaign against Elam in South Iran. Reign of Nebuchadnezzar I 1125-1104 BC. Akkadian, Babylonian

Sargon of Akkad (2334 BC - 2279 BC), also known as Sargon the Great or Sargon I, Mesopotamian king. Bust of an Akkadian ruler, probably Sargon, Nineveh, ca. 23rd - 22nd century BC

Egypt, Amarna, Tablet with cuneiform characters, quoting the name of the Palestinian site of Lachish 14th Century B.C. France, Paris, Musee du Louvre, Akkadian civilization

Clay impression of a cylinder seal depicting adoration scene from Nippur, Iraq, detail, Akkadian civilization
Akkadian civilization, 2330-2150 b.C. Clay impression of a cylinder seal depicting adoration scene. From Nippur, Iraq. Detail

Seal impression depicting seated god of sea and cortege, 2200 B. C
Akkadian civilization, 2200 b.C. Seal impression depicting seated god of sea and cortege

NINEVEH: BRONZE HEAD. Akkadian bronze head from Nineveh, c2350 B. C. perhaps that of King Sargon
NINEVEH: BRONZE HEAD. Akkadian bronze head from Nineveh, c2350 B.C. perhaps that of King Sargon

SANDSTONE STELE. Sandstone stele of the Victory of Naramsu in, King of Akkad, c2389-2353 B. C
SANDSTONE STELE. Sandstone stele of the Victory of Naramsu in, King of Akkad, c2389-2353 B.C

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Akkadian, the ancient language of Mesopotamia, is brought to life through a myriad of artifacts and inscriptions. The Cylinder of Cyrus the Great showcases Akkadian text that tells tales of conquest and power. Meanwhile, the Kadesh Treaty stands as a testament to diplomacy between Egypt and Hittite, written in this ancient script. The Foundation figure of king Shulgi of Ur depicts a regal ruler carrying a basket, symbolizing his role as provider for his people. A stunning Openwork plaque with a striding sphinx reveals the artistic prowess craftsmen during the 9th-8th century B. C. , showcasing their mastery over ivory. Gazing upon the mounds of Kouyunjik and Nebbi Yunus transports us back to an era when these cities thrived under Akkadian rule. Brick-stamps bearing Akkadian inscriptions serve as evidence for administrative systems employed by this civilization. Stone reliefs like that depicting Sargon I standing before a tree of life evoke spiritual beliefs intertwined with nature's symbolism during the 24th-23rd century BC. The Kudurru (stele) dedicated to Shitti-Marduk further exemplifies religious devotion within Akkadian society. Busts such as that portraying king Sargon of Akkad immortalize rulers who shaped history with their leadership skills. Furniture plaques carved in relief present male figures grasping trees—a representation perhaps denoting fertility or prosperity. Painted bricks from Nimroud provide glimpses into grand palaces adorned with vibrant colors, offering insight into architectural marvels created by skilled artisans using lithography techniques in 1849. Finally, cylinder seals capture scenes from combat—depicting warriors engaged in fierce battles—an enduring testament to bravery etched onto albite stones dating back centuries ago.