Alabaster Collection (page 12)

CAIRO: HOUSE INTERIOR. Interior of a house in Cairo, Egypt. Line engraving, English, 1849

ROXANA TRAGAEDIA, 1632. Frontispiece vignette for the play by William Alabaster, published in London, 1632

Pittsford Italian Quarry, West Vermont. A marble and alabaster mine. Date: circa 1910

Roman statue of Artemis. In Grecian mythology Artemis was the goddess of the moon and hunting, agriculture and chastity, and was known as Diana by the Romans

SUMER: UR-NINGIRSU. Neo-Sumerian alabaster head of Ur-Ningirsu, son of Gudea, c2100 B. C
SUMER: UR-NINGIRSU. Neo-Sumerian alabaster head of Ur-Ningirsu, son of Gudea, c2100 B.C

Alabaster scarab beetles, Khan el Khalili Bazaar, Cairo, Egypt

Dolmabahce Palace - view from the Bosphorus
Dolmabahce Palace - Late Imperial Palace on the Bosphorus. Commisioned by Abdul Mecit (1839-61) - architect Nikogos Balyn who in collaboration with his Father completed construction in 1853

The Dolmabahce Palace, Constantinople. Commisioned by Abdul Mecit (1839-61) - architect Nikogos Balyn who in collaboration with his Father completed construction in 1853

Sphinx at Memphis
A sphinx statue at Memphis in alabaster c.1567-1320 BC. 8 metres long and 4.25 metres tall

Detail of the 18th century alabaster facade of Marques de Dos Aguas Palace in Baroque style, Valencia, Spain, Europe

Alabaster boat showing the head of a Syrian ibex and a figure thought to be princess Mutnedjmet on the prow, from the tomb of the pharaoh Tutankhamun, discovered in the Valley of the Kings, Thebes

Alabaster lamp in shape of three lotus flowers, from the tomb of the pharaoh Tutankhamun, discovered in the Valley of the Kings, Thebes, Egypt, North Africa, Africa

Stoppers in the form of the kings head from the four canopic urns, from the tomb of the pharaoh Tutankhamun, discovered in the Valley of the Kings, Thebes, Egypt, North Africa, Africa

Stopper in the form of the kings head from one of the four canopic urns, from the tomb of the pharaoh Tutankhamun, discovered in the Valley of the Kings, Thebes, Egypt, North Africa, Africa

Inlaid alabaster unguent jar in the form of an ibex, with one natural horn, from the tomb of the pharaoh Tutankhamun, discovered in the Valley of the Kings, Thebes, Egypt, North Africa, Africa

Detail of a painted alabaster unguent jar, from the tomb of the pharaoh Tutankhamun, discovered in the Valley of the Kings, Thebes, Egypt, North Africa, Africa

Painted alabaster unguent jar showing hunting scene, with the king as a lion, from the tomb of the pharaoh Tutankhamun, discovered in the Valley of the Kings, Thebes, Egypt, North Africa, Africa

Lid of an alabaster jar decorated with a bird in a nest and eggs in a bowl, from the tomb of the pharaoh Tutankhamun, discovered in the Valley of the Kings, Thebes, Egypt, North Africa, Africa

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"Unveiling the Timeless Beauty of Alabaster: From Ancient Artifacts to Modern Masterpieces" Step into a world where history and art intertwine, as the delicate beauty takes center stage. Just like the majestic Winged Assyrian Bull that once guarded ancient palaces or the thrilling scenes of an Assyrian Lion Hunt depicted in stone relief panels, it has long been revered for its ethereal charm. Gertrude Hermes, a visionary sculptor, designer, and engraver, breathed life into this translucent stone with her masterful creations. Her alabaster statue of Queen Elizabeth I from the 16th century stands as a testament to both her skill and the enduring allure of this material. Travel back in time to Tutankhamun's tomb and marvel at an exquisite alabaster vase adorned with intricate floral garlands. Its craftsmanship reflects the reverence Egyptians held for this precious stone. Even in more recent times, alabaster continues to captivate hearts. A vibrant colour photolithograph recruiting poster after TEC transports us to 1965 when it was used as a medium for artistic expression. Delicate yet durable Sangers wax-work models showcase how artists have harnessed alabaster's versatility throughout history. These lifelike figures stand as proof that even in its solid form they can evoke emotions and tell stories. Imagine standing before Lamassu or Bull-man guarding Sargon II's Palace gate - their imposing presence carved meticulously from pure white alabaster demands awe and respect. Beyond sculptures and reliefs lie unexpected uses for this enchanting stone. The Cunard Line cabin lamp crafted from gilt brass and adorned with touches adds elegance to oceanic journeys while illuminating memories made on board.