Aladdin And The Wonderful Lamp Collection

Les Mille et Une Nuits / Thousand and One Nights (colour litho)
8664894 Les Mille et Une Nuits / Thousand and One Nights (colour litho) by Neziere, Raymond de la (1865-1953); Private Collection; (add.info)

Les Mille et Une Nuits / Thousand and One Nights (colour litho)
8664860 Les Mille et Une Nuits / Thousand and One Nights (colour litho) by Neziere, Raymond de la (1865-1953); Private Collection; (add.info.: Elle enleva le voile qui lui cachait le visage)

Les Mille et Une Nuits / Thousand and One Nights (colour litho)
8664853 Les Mille et Une Nuits / Thousand and One Nights (colour litho) by Neziere, Raymond de la (1865-1953); Private Collection; (add.info.: Il la frotta aussitot et le genie se presenta)

Aladdin and Margery Daw (colour litho)
8645167 Aladdin and Margery Daw (colour litho) by English School, (20th century); Private Collection; (add.info.: Aladdin and Margery Daw)

Figures from Children's Books: Aladdin (colour litho)
8651064 Figures from Children's Books: Aladdin (colour litho) by Trier, Walter (1890-1951); Private Collection; (add.info.: Aladdin)

Les Mille et Une Nuits / Thousand and One Nights (colour litho)
8664855 Les Mille et Une Nuits / Thousand and One Nights (colour litho) by Neziere, Raymond de la (1865-1953); Private Collection; (add.info.: Aladin se rendit au palais du roi)

Les Mille et Une Nuits / Thousand and One Nights (colour litho)
8664856 Les Mille et Une Nuits / Thousand and One Nights (colour litho) by Neziere, Raymond de la (1865-1953); Private Collection; (add.info.: Il faisait nuit et il attendit impatiemment le jour)

Aladdins palace (litho)
7156971 Aladdins palace (litho) by English School, (20th century); Private Collection; (add.info.: Aladdins palace. Illustration from Blackies Childrens Annual (Blackie & Son Ltd, Glasgow)

A-lad-in, or the Wonderful Lamp (engraving)
7164501 A-lad-in, or the Wonderful Lamp (engraving) by English School, (19th century); Private Collection; (add.info.: A-lad-in, or the Wonderful Lamp)

Aladdin, a scene from One Thousand and One Nights (colour litho)
7200987 Aladdin, a scene from One Thousand and One Nights (colour litho) by German School, (19th century); Private Collection; (add.info.: Aladdin, a scene from One Thousand and One Nights)

Slew him on the spot (engraving)
5991843 Slew him on the spot (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: Slew him on the spot)

A stranger passing by watched him closely (engraving)
5991816 A stranger passing by watched him closely (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: A stranger passing by watched him closely)

Aladdin thought himself the most happy of men (engraving)
5991820 Aladdin thought himself the most happy of men (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: Aladdin thought himself the most happy of men)

A genie of frightful aspect rose out of the earth (engraving)
5991819 A genie of frightful aspect rose out of the earth (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: A genie of frightful aspect rose out of the earth)

Set out in hot haste for the capital of China (engraving)
5991826 Set out in hot haste for the capital of China (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: Set out in hot haste for the capital of China)

The genie appeared (engraving)
5991825 The genie appeared (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: The genie appeared)

Punch cartoon: New Crowns for Old Ones. Benjamin Disraeli (as Aladdin) with Queen Victoria - the Royal Titles Act 1876
6034849 Punch cartoon: New Crowns for Old Ones. Benjamin Disraeli (as Aladdin) with Queen Victoria - the Royal Titles Act 1876 recognising the Queen as Empress of India (engraving) by Tenniel

The magician set them on fire, and when they were in a blaze, threw in some incense (engraving)
5991833 The magician set them on fire, and when they were in a blaze, threw in some incense (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info)

Immediately the genie appeared (engraving)
5991827 Immediately the genie appeared (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: Immediately the genie appeared)

A tailor, by name Mustapha (engraving)
5991821 A tailor, by name Mustapha (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: A tailor, by name Mustapha)

Fancied he had mistaken the window (engraving)
5991822 Fancied he had mistaken the window (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: Fancied he had mistaken the window)

Drunk hanging onto a lamppost for support (colour litho)
5999924 Drunk hanging onto a lamppost for support (colour litho) by English School, (20th century); Private Collection; (add.info.: Drunk hanging onto a lamppost for support)

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"Aladdin and the Wonderful Lamp: A Tale of Magic and Adventure" In the mystical world of One Thousand and One Nights, a young man named Aladdin stumbled upon an extraordinary lamp that would change his life forever. As he rubbed it gently, a genie emerged from within, exclaiming, "I am the slave of the ring. " This captivating scene was beautifully captured in a vibrant colour lithograph. With the help of this powerful genie, Aladdin's humble abode transformed into a magnificent palace fit for royalty. The grandeur of "Aladdin's Palace" was depicted in another stunning lithograph, showcasing its opulent architecture and enchanting surroundings. The engravings further revealed Aladdin's thrilling escapades. In one engraving titled "A-lad-in or the Wonderful Lamp, " our hero is seen embarking on an exhilarating journey through treacherous lands to seek his destiny. Alongside him stood a stranger who watched closely as fate unfolded before their eyes. As Aladdin discovered newfound happiness with his beloved princess by his side, an engraving portrayed their blissful union. Titled "Aladdin Thought Himself the Most Happy of Men, " it showcased their joyous celebration amidst lavish decorations and jubilant faces. However, not all was well in this magical tale. A frightful genie emerged from beneath the earth in yet another striking engraving titled "A Genie of Frightful Aspect Rose Out of the Earth. " This menacing figure added suspense to Aladdin's adventures as he faced formidable challenges along his path. Undeterred by these obstacles, our brave protagonist set out on a perilous journey to China's capital with hot haste—an event immortalized in yet another captivating engraving aptly named "Set Out in Hot Haste for the Capital of China. " Meanwhile, political satire found its way into this timeless story through Punch cartoonist Benjamin Disraeli's portrayal as Aladdin.