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Alchemy Collection (page 9)

"Unveiling the Mysteries of Alchemy: From Sir Isaac Newton to Hermes Trismegistus" Step into the enigmatic world of alchemy, where science and spirituality intertwine

Background imageAlchemy Collection: An Allegory of Alchemy (oil on copper)

An Allegory of Alchemy (oil on copper)
3611971 An Allegory of Alchemy (oil on copper) by Spranger, Bartholomaeus (1546-1611) (circle of); 22x18 cm; Private Collection; (add.info.: ); Photo eChristies Images; Flemish, out of copyright

Background imageAlchemy Collection: Leonhard Thurneysser, scholar and alchemist at the court of Elector John George of Brandenburg

Leonhard Thurneysser, scholar and alchemist at the court of Elector John George of Brandenburg (woodcut)
3101264 Leonhard Thurneysser, scholar and alchemist at the court of Elector John George of Brandenburg (woodcut) by English School

Background imageAlchemy Collection: Laboratory of an alchemist, 18th or 19th century (engraving)

Laboratory of an alchemist, 18th or 19th century (engraving)
746868 Laboratory of an alchemist, 18th or 19th century (engraving) by English School; Private Collection; The Stapleton Collection; English, out of copyright

Background imageAlchemy Collection: Le laboratoire de l alchimiste (engraving)

Le laboratoire de l alchimiste (engraving)
2781962 Le laboratoire de l alchimiste (engraving) by French School, (19th century); Private Collection; (add.info.: Le laboratoire de l alchimiste)

Background imageAlchemy Collection: The Hunting of the Green Lyon, verso, c. 1700 (pen & ink on paper)

The Hunting of the Green Lyon, verso, c. 1700 (pen & ink on paper)
2919723 The Hunting of the Green Lyon, verso, c.1700 (pen & ink on paper) by Newton, Isaac (1642-1727); 30.5x18.6 cm; The University of St

Background imageAlchemy Collection: Thomas Norton presenting his Ordinall to Edward IV from Theatrum Chemicum Britannicum

Thomas Norton presenting his Ordinall to Edward IV from Theatrum Chemicum Britannicum
2906507 Thomas Norton presenting his Ordinall to Edward IV from Theatrum Chemicum Britannicum, 1652 (engraving) by Vaughan

Background imageAlchemy Collection: The Hierarchy of the Church, from Theatrum Chemicum Britannicum

The Hierarchy of the Church, from Theatrum Chemicum Britannicum
472236 The Hierarchy of the Church, from Theatrum Chemicum Britannicum by Elias Ashmole, 1652 (engraving) by Vaughan, Robert (fl.1622-78); Private Collection; (add.info.: God is shown at the head)

Background imageAlchemy Collection: Roger Bacon (litho)

Roger Bacon (litho)
488604 Roger Bacon (litho) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: Roger Bacon (c.1214-94) English philosopher

Background imageAlchemy Collection: Medical laboratory (engraving)

Medical laboratory (engraving)
746838 Medical laboratory (engraving) by European School; Private Collection; (add.info.: 18th or 19th century); The Stapleton Collection; European, out of copyright

Background imageAlchemy Collection: Alchemy and Astrology Taught in the Schools (engraving)

Alchemy and Astrology Taught in the Schools (engraving)
727820 Alchemy and Astrology Taught in the Schools (engraving) by English School, (19th century); Private Collection; (add.info.: Alchemy and Astrology Taught in the Schools)

Background imageAlchemy Collection: Paracelsus, Swiss physician, alchemist and astrologer, 1494-1541

Paracelsus, Swiss physician, alchemist and astrologer, 1494-1541
6039928 Paracelsus, Swiss physician, alchemist and astrologer, 1494-1541 by Bry, Theodor de (1528-98); Private Collection; (add.info.: Paracelsus, Swiss physician, alchemist and astrologer)

Background imageAlchemy Collection: The Laboratory, 1895 (oil on canvas)

The Laboratory, 1895 (oil on canvas)
CW17024 The Laboratory, 1895 (oil on canvas) by Collier, John (1850-1934); 61x47 cm; Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Background imageAlchemy Collection: Furnaces, as used by scientists and alchemists in the Middle Ages

Furnaces, as used by scientists and alchemists in the Middle Ages
KW344370 Furnaces, as used by scientists and alchemists in the Middle Ages, from Science and Literature in the Middle Ages by Paul Lacroix (1806-84) published London 1878 (litho) by French School

Background imageAlchemy Collection: The student of chemistry and pharmacy (oil on canvas)

The student of chemistry and pharmacy (oil on canvas)
BAL34199 The student of chemistry and pharmacy (oil on canvas) by Litschaur, Karl Joseph (1830-71); Josef Mensing Gallery, Hamm-Rhynern, Germany; Austrian, out of copyright

Background imageAlchemy Collection: Alchemical Tree, Diagrammatic and Emblematic, from Museum Hermeticum

Alchemical Tree, Diagrammatic and Emblematic, from Museum Hermeticum
STC202548 Alchemical Tree, Diagrammatic and Emblematic, from Museum Hermeticum by Thomas Norton (1749) illustrated in a history of magic published late 19th century (litho) by German School

Background imageAlchemy Collection: The Mercury of the Philosophers, from Della Tramutatione Metallica

The Mercury of the Philosophers, from Della Tramutatione Metallica
STC202547 The Mercury of the Philosophers, from Della Tramutatione Metallica by Giovanni Battista Nazari (1589) illustrated in a history of magic published late 19th century (litho)

Background imageAlchemy Collection: Hermetic Philosophers and an Alchemist, from Museum Hermeticum

Hermetic Philosophers and an Alchemist, from Museum Hermeticum
STC202543 Hermetic Philosophers and an Alchemist, from Museum Hermeticum by Michael Majer (1625) illustrated in a history of magic published late 19th century (litho) by German School

Background imageAlchemy Collection: The Operations of Alchemy, illustration from La Cle de la Grande Science sur l

The Operations of Alchemy, illustration from La Cle de la Grande Science sur l
CHT207481 The Operations of Alchemy, illustration from La Cle de la Grande Science sur l Ouvrage Philosophique Inconnu (ink & w/c on paper) by French School

Background imageAlchemy Collection: Illustration from La Cle de la Grande Science sur l

Illustration from La Cle de la Grande Science sur l
CHT207480 Illustration from La Cle de la Grande Science sur l Ouvrage Philosophique Inconnu, or Renovation Eternelle des Choses au Sein de la Putrefaction (ink & w/c on paper) by French School

Background imageAlchemy Collection: Distilling Equipment (engraving)

Distilling Equipment (engraving)
XCF276478 Distilling Equipment (engraving) by German School; Private Collection; out of copyright

Background imageAlchemy Collection: An Alchemist, 1611 (oil on oak)

An Alchemist, 1611 (oil on oak)
XCF267659 An Alchemist, 1611 (oil on oak) by Ostade, Adriaen Jansz. van (1610-85); National Gallery, London, UK; Dutch, out of copyright

Background imageAlchemy Collection: The Alchemist Geber (14th century) illustration from

The Alchemist Geber (14th century) illustration from
XJF147326 The Alchemist Geber (14th century) illustration from Science and Literature in the Middle Ages and the Renaissance, written and engraved by Paul Lacroix

Background imageAlchemy Collection: An Alchemist and his Assistant in their Workshop (oil on panel)

An Alchemist and his Assistant in their Workshop (oil on panel)
BAL128339 An Alchemist and his Assistant in their Workshop (oil on panel) by Mieris, Frans van (1635-81); 19x14 cm; Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright

Background imageAlchemy Collection: The Alchemists study (oil on canvas) (for detail see 164373)

The Alchemists study (oil on canvas) (for detail see 164373)
PCT164372 The Alchemists study (oil on canvas) (for detail see 164373) by Teniers, David the Elder (1582-1649); Musee des Beaux-Arts, Carcassonne, France; Flemish, out of copyright

Background imageAlchemy Collection: Hocus Pocus or Searching for the Philosophers Stone

Hocus Pocus or Searching for the Philosophers Stone
CHT164016 Hocus Pocus or Searching for the Philosophers Stone, published March 1800 (colour litho) by Rowlandson, Thomas (1756-1827); Bibliotheque Nationale, Paris

Background imageAlchemy Collection: An Alchemist in his Workshop (oil on canvas)

An Alchemist in his Workshop (oil on canvas)
XIR181546 An Alchemist in his Workshop (oil on canvas) by Teniers, David the Younger (1610-90); Musee de Tesse, Le Mans, France; (add.info.: An Alchemist in his Workshop; ); Flemish, out of copyright

Background imageAlchemy Collection: The Alchemists Laboratory (oil on panel)

The Alchemists Laboratory (oil on panel)
XIR53728 The Alchemists Laboratory (oil on panel) by Wyck, Thomas (1616-77); 40.5x35 cm; Musee des Beaux-Arts, Caen, France; English, out of copyright

Background imageAlchemy Collection: The German Alchemist, from Consolation of Philosophy by Boethius

The German Alchemist, from Consolation of Philosophy by Boethius
XJF194972 The German Alchemist, from Consolation of Philosophy by Boethius, illustration from Science and Literature in the Middle Ages and Renaissance, written and engraved by Paul Lacroix

Background imageAlchemy Collection: Hudibras beats Sidrophel and his man Whacum, 1726 (engraving)

Hudibras beats Sidrophel and his man Whacum, 1726 (engraving)
4071943 Hudibras beats Sidrophel and his man Whacum, 1726 (engraving) by Hogarth, William (1697-1764); 29.8x37.7 cm; Metropolitan Museum of Art, New York

Background imageAlchemy Collection: Geberi philosophi ac alchimistae title page of an alchemy deal

Geberi philosophi ac alchimistae title page of an alchemy deal
LSE4095497 Geberi philosophi ac alchimistae title page of an alchemy deal. Geber (v721-v815), Arab Alchemist by Unknown Artist, (16th century); Bibliotheque des Arts Decoratifs, Paris

Background imageAlchemy Collection: Letter A as an alchemist. Alphabet of monkeys. Wood engraving. Imaging of Epinal, 1863

Letter A as an alchemist. Alphabet of monkeys. Wood engraving. Imaging of Epinal, 1863
DUV4197786 Letter A as an alchemist. Alphabet of monkeys. Wood engraving. Imaging of Epinal, 1863. Abecedary of 24 stencilled engravings. Dim: 17x 11, 5 cm Private collection

Background imageAlchemy Collection: Alchemist - in 'Les proprietaires des choses both corporelles et spirituelles'

Alchemist - in "Les proprietaires des choses both corporelles et spirituelles"
LSE4089773 Alchemist - in " Les proprietaires des choses both corporelles et spirituelles" (book XVIII) by Glanville, Lyon, 1485 by French School, (15th century); Bibliotheque

Background imageAlchemy Collection: Alchemist of the Middle Ages in his laboratory looking to make gold

Alchemist of the Middle Ages in his laboratory looking to make gold
XEE4141022 Alchemist of the Middle Ages in his laboratory looking to make gold. Anonymous illustration from 1925. Private collection

Background imageAlchemy Collection: Nicolas Flamel (1330 - 1418) with his wife

Nicolas Flamel (1330 - 1418) with his wife
GIA4778960 Nicolas Flamel (1330 - 1418) with his wife. by Unknown Artist, (19th century); Private Collection; (add.info.: Nicolas Flamel (1330 - 1418) with his wife

Background imageAlchemy Collection: Alchimie: Monster Hybrid, in - 'De Transmutatione Metallica Sogni Tre'

Alchimie: Monster Hybrid, in - "De Transmutatione Metallica Sogni Tre"
GIA4814593 Alchimie: Monster Hybrid, in - " De Transmutatione Metallica Sogni Tre", by Giovanni Battista Nazari, edited in Brescia in 1599

Background imageAlchemy Collection: Alchemy: apparatus for distillation. Engraving from a book by Pietro Andrea Mattioli

Alchemy: apparatus for distillation. Engraving from a book by Pietro Andrea Mattioli
GIA4814535 Alchemy: apparatus for distillation. Engraving from a book by Pietro Andrea Mattioli (Matthiole) (1500-1577). Frankfurt, 1626

Background imageAlchemy Collection: Nicolas Flamel (1330 - 1418) in his laboratory

Nicolas Flamel (1330 - 1418) in his laboratory
GIA4778951 Nicolas Flamel (1330 - 1418) in his laboratory. by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageAlchemy Collection: Engraving of the 'Amphitheatrum sapientiae aeternae'

Engraving of the "Amphitheatrum sapientiae aeternae"
GIA4776679 Engraving of the " Amphitheatrum sapientiae aeternae". (Amphitheatre of eternal wisdom) [Hamburg: s.n. 1595] by Heinrich Khunrath (1560 circa- 1605)

Background imageAlchemy Collection: Alchemy: Apparatus for distillation, taken from a book by Pietro Andrea Mattioli

Alchemy: Apparatus for distillation, taken from a book by Pietro Andrea Mattioli
GIA4814582 Alchemy: Apparatus for distillation, taken from a book by Pietro Andrea Mattioli (Matthiole) (1500-1577). Frankfurt, 1626

Background imageAlchemy Collection: 16th century alchemy laboratory rebuilt with authentic objects of the time

16th century alchemy laboratory rebuilt with authentic objects of the time
GIA4814536 16th century alchemy laboratory rebuilt with authentic objects of the time. Deutsches Museum in Munich. by Anonymous; Deutsches Museum, Munich

Background imageAlchemy Collection: The philosopher Scythe. Fables by Jean de La Fontaine (1621-95)

The philosopher Scythe. Fables by Jean de La Fontaine (1621-95)
GIA4781916 The philosopher Scythe. Fables by Jean de La Fontaine (1621-95). Illustration by FranAzois Chauveau (1613-1676). Edition of 1728

Background imageAlchemy Collection: Men and women enjoying the delights of Earth. Detail of the central part of the tryptic

Men and women enjoying the delights of Earth. Detail of the central part of the tryptic
JLJ4596541 Men and women enjoying the delights of Earth. Detail of the central part of the tryptic of " The Garden of Terrestrial Delices" by Hieronymus Van Aeken (Aken)

Background imageAlchemy Collection: The alchemists workshop It is filled with vials, vials, stills

The alchemists workshop It is filled with vials, vials, stills
JLJ4575821 The alchemists workshop It is filled with vials, vials, stills. painting by Louis Gabriel Eugene Isabey (1803-1886) 1848 Sun. 0, 66x0, 99 m Lille musee des beaux arts

Background imageAlchemy Collection: The alchemists lab. Painting by Pietro Longhi (1702-1785) Museo di Palazzo Ca

The alchemists lab. Painting by Pietro Longhi (1702-1785) Museo di Palazzo Ca
LRI4607634 The alchemists lab. Painting by Pietro Longhi (1702-1785) Museo di Palazzo Ca Rezzonico, Venice by Longhi, Pietro (c.1701-85); Ca Rezzonico, Museo del Settecento, Venice

Background imageAlchemy Collection: Doctor Faustus, 1652 (hard engraving copper, strong water)

Doctor Faustus, 1652 (hard engraving copper, strong water)
GIA4760291 Doctor Faustus, 1652 (hard engraving copper, strong water) by Rembrandt Harmensz. van Rijn (1606-69); Musee du Petit Palais, Paris




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"Unveiling the Mysteries of Alchemy: From Sir Isaac Newton to Hermes Trismegistus" Step into the enigmatic world of alchemy, where science and spirituality intertwine. In 1689, a young Sir Isaac Newton graced us with his portrait, hinting at his deep involvement in this ancient practice. Alongside him stands an alchemical tree, symbolizing the transformative power of Philosophia reformata. The Count of St Germain emerges as a prominent figure in French alchemy, captivating minds with his mysterious abilities and knowledge. The Tabula Smaragdina, also known as the Emerald Tablet of Hermes Trismegistus, holds secrets that have intrigued seekers for centuries – its anonymous creator leaving us spellbound. Hermes Trismegistus himself takes center stage in this tale; a classical god embodying wisdom and divine knowledge. His teachings influenced many throughout history including Sir Isaac Newton and renowned English mathematician John Dee alongside Edward Kelly. Alchemy itself is a pursuit shrouded in symbolism and hidden meanings. It delves into the transformation of matter – both physical and spiritual – seeking to unlock life's deepest mysteries. As we explore these intricate paths towards enlightenment, we witness David Garrick alongside William Burton and John Palmer performing Ben Jonson's play "The Alchemist, " bringing this arcane art form to life on stage. Sir Isaac Newton reappears once more - not just as a mathematician but also as an ardent practitioner - reminding us that even great scientific minds were drawn to its allure. In our quest for understanding, let us embrace the legacy left by Hermes Trismegistus and delve into the fascinating realm where science meets magic; where transformation becomes possible through both inner reflection and external experimentation.