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Alonzo Collection

Alonzo: A Journey Through History and Art Step into the world of Alonzo, a name that echoes through time and connects various historical events and artistic masterpieces

Background imageAlonzo Collection: The Wild Bunch

The Wild Bunch
Members of The Wild Bunch in Fort Worth, Texas: sitting (l to r): Harry A Longabaugh, alias the Sundance Kid, Ben Kilpatrick, alias the Tall Texan, Robert Leroy Parker

Background imageAlonzo Collection: Map of Tenochtitlan. Mexico, 1560. By Alonso de Santa Cruz

Map of Tenochtitlan. Mexico, 1560. By Alonso de Santa Cruz
Map of Tenochtitlan. Mexico, 1560. General islario of all the islands in the world. Work of the chronicler and cosmographer Alonso de Santa Cruz (1505-1567). National Library. Madrid. Spain

Background imageAlonzo Collection: (1755-1804). Hamilton at Yorktown in 1781. Steel engraving, 1858, after a painting by Alonzo Chappel

(1755-1804). Hamilton at Yorktown in 1781. Steel engraving, 1858, after a painting by Alonzo Chappel
ALEXANDER HAMILTON (1755-1804). Hamilton at Yorktown in 1781. Steel engraving, 1858, after a painting by Alonzo Chappel

Background imageAlonzo Collection: The Wild Bunch, 1901, gang of American outlaws, bank and train robbers, led by Butch Cassidy

The Wild Bunch, 1901, gang of American outlaws, bank and train robbers, led by Butch Cassidy, seated right. Cassidy, born Robert LeRoy Parker (1866-1908): Standing left

Background imageAlonzo Collection: The retreat of the British from the Battle of Concord, 19 April 1775: colored engraving

The retreat of the British from the Battle of Concord, 19 April 1775: colored engraving, 19th century
BRITISH RETREAT, 1775. The retreat of the British from the Battle of Concord, 19 April 1775: colored engraving, 19th century, after Alonzo Chappel

Background imageAlonzo Collection: SHAKESPEARE: KING LEAR. King Lear and the Fool. Illustration by Alonzo Chappel

SHAKESPEARE: KING LEAR. King Lear and the Fool. Illustration by Alonzo Chappel (1828-1887)

Background imageAlonzo Collection: HAWAII: FISHERMEN, c1905. Native Hawaiian fishermen fishing with a spear and a net

HAWAII: FISHERMEN, c1905. Native Hawaiian fishermen fishing with a spear and a net. Photograph by Alonzo Gartley, c1905

Background imageAlonzo Collection: Alonzo Cano or Alonso Cano, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain

Alonzo Cano or Alonso Cano, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791
3473236 Alonzo Cano or Alonso Cano, after an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791; (add.info.: Alonzo Cano or Alonso Cano, 1601 - 1667)

Background imageAlonzo Collection: The new world, the discovery of the Americas: Shipwreck of Alonzo Cuaco and his companions

The new world, the discovery of the Americas: Shipwreck of Alonzo Cuaco and his companions
5313673 The new world, the discovery of the Americas: Shipwreck of Alonzo Cuaco and his companions.; SeM Studio/UIG.

Background imageAlonzo Collection: Couple by the Fireside

Couple by the Fireside - Colour illustration of a couple relaxing by the fireside. Artist: John Alonzo Williams. Date: 1929

Background imageAlonzo Collection: NATIONALISTS REACH SEA

NATIONALISTS REACH SEA
General Camillo Alonzo makes the sign of the cross as Franco's Nationalists reach the Mediterranean Date: 1938

Background imageAlonzo Collection: 'On the topmost, the yards and the bowsprit, would I flame distinctly'

"On the topmost, the yards and the bowsprit, would I flame distinctly"
3037133 " On the topmost, the yards and the bowsprit, would I flame distinctly", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: Cathedral of Saint Mary of Burgos, Spain, 18th century

Cathedral of Saint Mary of Burgos, Spain, 18th century
Exterior of the Cathedral of Saint Mary of Burgos, Spain, 18th century. Esterno della Cattedrale di Burgos. Handcoloured copperplate engraving by Giarre after Giulio Ferrario in his Costumes Ancient

Background imageAlonzo Collection: John Alonzo Williams

John Alonzo Williams (1869-1951). American painter, watercolourist and illustrator Date: circa 1928

Background imageAlonzo Collection: 'Sweet Lord, you play me false', illustration from The Tempest

"Sweet Lord, you play me false", illustration from The Tempest
3037151 " Sweet Lord, you play me false", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAlonzo Collection: 'Fury! Fury! There, tyrant, there Hark! Hark!, illustration from The Tempest

"Fury! Fury! There, tyrant, there Hark! Hark!, illustration from The Tempest
3037148 " Fury! Fury! There, tyrant, there Hark! Hark!, illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: 'Fair encounter of the most Rare affections', illustration from

"Fair encounter of the most Rare affections", illustration from
3037139 " Fair encounter of the most Rare affections", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: 'While you do here snoring lie', illustration from The Tempest

"While you do here snoring lie", illustration from The Tempest
3037136 " While you do here snoring lie", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAlonzo Collection: 'On the bats back I do fly', illustration from The Tempest

"On the bats back I do fly", illustration from The Tempest
3037150 " On the bats back I do fly", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAlonzo Collection: Juno, Ceres and the Masque of the nymphs and Reaper, illustration from

Juno, Ceres and the Masque of the nymphs and Reaper, illustration from
3037145 Juno, Ceres and the Masque of the nymphs and Reaper, illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: Ariel as a harpy, illustration from The Tempest, 1908 (colour litho)

Ariel as a harpy, illustration from The Tempest, 1908 (colour litho)
3037143 Ariel as a harpy, illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAlonzo Collection: 'Lead monster, we ll follow. I would I could see Taboreri: He lays it on'

"Lead monster, we ll follow. I would I could see Taboreri: He lays it on"
3037140 " Lead monster, we ll follow. I would I could see Taboreri: He lays it on", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: 'And yet I needs must curse', illustration from The Tempest

"And yet I needs must curse", illustration from The Tempest
3037137 " And yet I needs must curse", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAlonzo Collection: 'Full fathom five thy father lies: of his bones are coral made'

"Full fathom five thy father lies: of his bones are coral made"
3037135 " Full fathom five thy father lies: of his bones are coral made", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: 'She did confine thee, by help of her most potent ministers

"She did confine thee, by help of her most potent ministers
3037132 " She did confine thee, by help of her most potent ministers and in her most unmitigable rage, into a cloven pine", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: Leading Men of the New Spanish Republic (engraving)

Leading Men of the New Spanish Republic (engraving)
1052750 Leading Men of the New Spanish Republic (engraving) by English School, (19th century); Private Collection; (add.info.: Leading Men of the New Spanish Republic)

Background imageAlonzo Collection: 'Come hang them on the line', illustration from The Tempest

"Come hang them on the line", illustration from The Tempest
3037147 " Come hang them on the line", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAlonzo Collection: 'Give us kind keepers, Heavens!-what were these?'

"Give us kind keepers, Heavens!-what were these?"
3037141 " Give us kind keepers, Heavens!-what were these?", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: 'Come unto the yellow sands', illustration from The Tempest

"Come unto the yellow sands", illustration from The Tempest
3037134 " Come unto the yellow sands", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAlonzo Collection: 'The Queen of the sky, whose watery arch and mess and I, bides the leave these

"The Queen of the sky, whose watery arch and mess and I, bides the leave these
3037144 " The Queen of the sky, whose watery arch and mess and I, bides the leave these, illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: 'Four legs and two voices: A most delicate Monster

"Four legs and two voices: A most delicate Monster
3037138 " Four legs and two voices: A most delicate Monster!", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAlonzo Collection: George Washington: Design for an Engraving, ca. 1860. Creator: Alonzo Chappel

George Washington: Design for an Engraving, ca. 1860. Creator: Alonzo Chappel
George Washington: Design for an Engraving, ca. 1860

Background imageAlonzo Collection: Portrait of a Woman. Creator: Alonso Sanchez Coello

Portrait of a Woman. Creator: Alonso Sanchez Coello
Portrait of a Woman

Background imageAlonzo Collection: Battle of Long Island, (1877). Creator: Unknown

Battle of Long Island, (1877). Creator: Unknown
Battle of Long Island - Retreat of the Americans under General Stirling Across Gowanus Creek, (1877). Battle (also known as the Battle of Brooklyn Heights) fought on 27 August 1776

Background imageAlonzo Collection: Siege of Vicksburg, (1878). Creator: Unknown

Siege of Vicksburg, (1878). Creator: Unknown
Siege of Vicksburg, (1878). After a siege lasting almost two months, the fortress of Vicksburg, Mississippi, fell to the Union on 4 July 1863

Background imageAlonzo Collection: Braddocks Retreat, (1877). Creator: Unknown

Braddocks Retreat, (1877). Creator: Unknown
Braddocks Retreat, (1877). British military leader Major General Edward Braddock (c1695-1755) was commander-in-chief for North America during the French and Indian War

Background imageAlonzo Collection: Action of the Gunboats at Memphis, (1878). Creator: Unknown

Action of the Gunboats at Memphis, (1878). Creator: Unknown
Action of the Gunboats at Memphis, (1878). On 6 June 1862, a Union squadron of ironclad gunboats under the command of Flag Officer Charles H Ellet destroyed the Confederate river defence fleet

Background imageAlonzo Collection: Attack Upon Roanoke Island - Landing of the Troops, (1878). Creator: Unknown

Attack Upon Roanoke Island - Landing of the Troops, (1878). Creator: Unknown
Attack Upon Roanoke Island - Landing of the Troops, (1878). The Battle of Roanoke Island, the opening phase of what came to be called the Burnside Expedition

Background imageAlonzo Collection: Elisha Kent Kane (1820-1857), American naval surgeon and arctic explorer in arctic dress, 1862

Elisha Kent Kane (1820-1857), American naval surgeon and arctic explorer in arctic dress, 1862. Kane took part in two expeditions, in 1850 and 1853

Background imageAlonzo Collection: Hiram Powers, 1805-1873. American neoclassical sculptor. After a work by Alonzo Chappel

Hiram Powers, 1805-1873. American neoclassical sculptor. After a work by Alonzo Chappel

Background imageAlonzo Collection: Jacob Brown 1775 - 1828. American General In The War Of 1812. From Painting By Alonzo Chappel

Jacob Brown 1775 - 1828. American General In The War Of 1812. From Painting By Alonzo Chappel

Background imageAlonzo Collection: Francis Marion 1732-1795. Officer During American Revolution And Leader Of Guerrilla Band

Francis Marion 1732-1795. Officer During American Revolution And Leader Of Guerrilla Band. Known As The Swamp Fox. From Painting By Alonzo Chappel

Background imageAlonzo Collection: Daniel Morgan 1736-1802. Army Officer In American Revolution

Daniel Morgan 1736-1802. Army Officer In American Revolution. Led Militiamen To Suppress The Whiskey Rebellion. From Painting By Alonzo Chappel

Background imageAlonzo Collection: Philip Schuyler 1733-1804. American Major General During American Revolution

Philip Schuyler 1733-1804. American Major General During American Revolution. From Painting By Alonzo Chappel

Background imageAlonzo Collection: Anthony Wayne 1745-1796. Officer In American Revolution. Known As Mad Anthony For His Courage And

Anthony Wayne 1745-1796. Officer In American Revolution. Known As Mad Anthony For His Courage And Daring. From Painting By Alonzo Chappel

Background imageAlonzo Collection: Daniel Boone 1734-1820. American Frontiersman And Legendary Hero. From Painting By Alonzo Chappel

Daniel Boone 1734-1820. American Frontiersman And Legendary Hero. From Painting By Alonzo Chappel

Background imageAlonzo Collection: Charles Coteworth Pinckney 1746-1825. American Soldier, Statesman And Diplomat

Charles Coteworth Pinckney 1746-1825. American Soldier, Statesman And Diplomat. Aide To George Washington During American Revolution. From Painting By Alonzo Chappel

Background imageAlonzo Collection: Stephen Girard 1750 -1831. French-Born American Financier And Philanthropist

Stephen Girard 1750 -1831. French-Born American Financier And Philanthropist. From Painting By Alonzo Chappel




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Alonzo: A Journey Through History and Art Step into the world of Alonzo, a name that echoes through time and connects various historical events and artistic masterpieces. From the ancient streets of Tenochtitlan to the wild adventures of The Wild Bunch, Alonzo's influence is far-reaching. In 1560, Alonso de Santa Cruz meticulously crafted a map of Tenochtitlan, offering us a glimpse into the vibrant civilization that once thrived in Mexico. This intricate artwork showcases Alonzo's dedication to preserving history for future generations. Fast forward to the 19th century when Alonzo Chappel captured pivotal moments in American history with his colored engravings. One such engraving depicts the retreat of British forces from the Battle of Concord in 1775. Another portrays Brigadier General John Stark leading victorious American forces at the Battle of Bennington in 1777. These artworks serve as reminders of courage and sacrifice during times of war. But Alonzo's talents were not limited to historical events alone; he also found inspiration in literature and culture. His illustrations bring Shakespeare's King Lear to life, showcasing his ability to capture complex emotions on paper. Alonso Chappel's skills extended beyond military scenes as well. He beautifully depicted Hawaiian fishermen using traditional methods like spears and nets, providing us with a window into their way of life around 1905. Even renowned novelist Charlotte Brontë became part of Alonzo's repertoire as he created an enchanting line and stipple engraving capturing her essence forevermore. Lastly, we find ourselves by a cozy fireside where love blossoms between two souls—a scene immortalized by an unknown artist but cherished nonetheless. Throughout centuries, artists named they have left indelible marks on our collective memory—be it through maps or engravings—reminding us that art has no boundaries when it comes to capturing the essence of human experience.