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American Native Indians Collection (#9)

"Exploring the Rich Cultural Heritage of American Native Indians" Step into the captivating world through a collection of stunning artworks

Background imageAmerican Native Indians Collection: 3673075

3673075

Background imageAmerican Native Indians Collection: 3672942

3672942

Background imageAmerican Native Indians Collection: 3672781

3672781

Background imageAmerican Native Indians Collection: 3672768

3672768

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3672762

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3672757

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3672751

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3672732

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3672726

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3672723

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3672722

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3672711

Background imageAmerican Native Indians Collection: 3674032

3674032

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3674026

Background imageAmerican Native Indians Collection: 3674005

3674005

Background imageAmerican Native Indians Collection: 3673477

3673477

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3673453

Background imageAmerican Native Indians Collection: 3673411

3673411

Background imageAmerican Native Indians Collection: 3673407

3673407

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3673340

Background imageAmerican Native Indians Collection: 3673332

3673332

Background imageAmerican Native Indians Collection: 3672917

3672917

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3672910

Background imageAmerican Native Indians Collection: 3672889

3672889

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3671232

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3671226

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3671220

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3671214

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3671206

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3674002

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3673989

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3672710

Background imageAmerican Native Indians Collection: In The Morning Room, 1906-10 (oil on canvas)

In The Morning Room, 1906-10 (oil on canvas)
7214717 In The Morning Room, 1906-10 (oil on canvas) by Rothenstein, William (1872-1945); 107.5x76.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageAmerican Native Indians Collection: Pretty Paint by Edward S. Curtis, 1904 (sepia print)

Pretty Paint by Edward S. Curtis, 1904 (sepia print)
2630173 Pretty Paint by Edward S. Curtis, 1904 (sepia print) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Pretty Paint by Edward S)

Background imageAmerican Native Indians Collection: A group of six Eskimo children sitting on a hill dressed in traditional fur clothing, Nunivak

A group of six Eskimo children sitting on a hill dressed in traditional fur clothing, Nunivak, Alaska, c
7316023 A group of six Eskimo children sitting on a hill dressed in traditional fur clothing, Nunivak, Alaska, c.1929 (b/w photo) by Curtis

Background imageAmerican Native Indians Collection: Eskimo man identified as Charlie Wood, Kobuk, Alaska, c. 1929 (b/w photo)

Eskimo man identified as Charlie Wood, Kobuk, Alaska, c. 1929 (b/w photo)
7315979 Eskimo man identified as Charlie Wood, Kobuk, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: by Edward Sheriff Curtis (1868-1952))

Background imageAmerican Native Indians Collection: Eskimo woman from Selawik, Alaska, c. 1929 (b/w photo)

Eskimo woman from Selawik, Alaska, c. 1929 (b/w photo)
7315396 Eskimo woman from Selawik, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: by Edward Sheriff Curtis (1868-1952))

Background imageAmerican Native Indians Collection: Ndee Sangochonh, Apache Indian, c. 1906 (b/w photo)

Ndee Sangochonh, Apache Indian, c. 1906 (b/w photo)
7315221 Ndee Sangochonh, Apache Indian, c.1906 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: by Edward Sheriff Curtis (1868-1952))

Background imageAmerican Native Indians Collection: The Poker Game, 1894 (oil on panel)

The Poker Game, 1894 (oil on panel)
7355581 The Poker Game, 1894 (oil on panel) by Russell, Charles Marion (1865-1926); 45.7 -- 61 cm; Yale University Art Gallery, New Haven, CT

Background imageAmerican Native Indians Collection: Carved Posts at Alert Bay, British Columbia, 1914, photogravure by John Andrew & Son (photogravure)

Carved Posts at Alert Bay, British Columbia, 1914, photogravure by John Andrew & Son (photogravure)
STC225366 Carved Posts at Alert Bay, British Columbia, 1914, photogravure by John Andrew & Son (photogravure) by Curtis, Edward Sheriff (1868-1952) (after)

Background imageAmerican Native Indians Collection: An Apache Babe, 1903, photogravure by John Andrew & Son (photogravure)

An Apache Babe, 1903, photogravure by John Andrew & Son (photogravure)
STC225357 An Apache Babe, 1903, photogravure by John Andrew & Son (photogravure) by Curtis, Edward Sheriff (1868-1952) (after); Private Collection; The Stapleton Collection

Background imageAmerican Native Indians Collection: Raven Blanket (b/w photo)

Raven Blanket (b/w photo)
PNP245398 Raven Blanket (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; Peter Newark American Pictures

Background imageAmerican Native Indians Collection: The Blizzard, c. 1910 (b/w photo)

The Blizzard, c. 1910 (b/w photo)
7348759 The Blizzard, c.1910 (b/w photo) by Reed, Roland W. (1864-1934); 19.4 x 24.2 cm; Private Collection; (add.info.: gelatin silver print by Roland W)

Background imageAmerican Native Indians Collection: An Eskimo man standing under a structure with whale meat hanging to dry, c. 1929 (b/w photo)

An Eskimo man standing under a structure with whale meat hanging to dry, c. 1929 (b/w photo)
7315998 An Eskimo man standing under a structure with whale meat hanging to dry, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info)

Background imageAmerican Native Indians Collection: Circa 1900 - Six tribal leaders (l to r) Little Plume (Piegan), Buckskin Charley (Ute)

Circa 1900 - Six tribal leaders (l to r) Little Plume (Piegan), Buckskin Charley (Ute), Geronimo (Chiricahua Apache)
7134232 Circa 1900 - Six tribal leaders (l to r) Little Plume (Piegan), Buckskin Charley (Ute), Geronimo (Chiricahua Apache), Quanah Parker (Comanche), Hollow Horn Bear (Brule Sioux)

Background imageAmerican Native Indians Collection: Native Americans launching a whale boat at Cape Prince of Wales, Alaska, c. 1929 (b/w photo)

Native Americans launching a whale boat at Cape Prince of Wales, Alaska, c. 1929 (b/w photo)
7315343 Native Americans launching a whale boat at Cape Prince of Wales, Alaska, c.1929 (b/w photo) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info)

Background imageAmerican Native Indians Collection: A Bridal Group, 1914, photogravure by John Andrew & Son (photogravure)

A Bridal Group, 1914, photogravure by John Andrew & Son (photogravure)
STC225367 A Bridal Group, 1914, photogravure by John Andrew & Son (photogravure) by Curtis, Edward Sheriff (1868-1952) (after); Private Collection; The Stapleton Collection

Background imageAmerican Native Indians Collection: The Outlook by Edward S. Curtis, c. 1904 (toned silver print)

The Outlook by Edward S. Curtis, c. 1904 (toned silver print)
2622386 The Outlook by Edward S. Curtis, c.1904 (toned silver print) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: The Outlook by Edward S)




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"Exploring the Rich Cultural Heritage of American Native Indians" Step into the captivating world through a collection of stunning artworks and photographs that offer glimpses into their diverse lives and traditions. In Kotzebue, Alaska, circa 1929, an Eskimo muskrat hunter gracefully paddles through the marsh, showcasing the harmonious relationship between man and nature. The black-and-white photo captures a moment frozen in time. Traveling back to 1837, we witness "Crossing the Divide or Thirsty Trappers Making a Rush for the River, " depicted on paper with vibrant watercolors. This artwork portrays the resilience and determination of trappers as they navigate challenging terrains in pursuit of survival. A buffalo robe adorned with a Winter count serves as a colorful testament to storytelling among indigenous communities. Each symbol on this lithograph represents significant events within their history—a visual narrative passed down from generation to generation. Delve further into Mesoamerican culture with Waldeck's original artwork showcased in boxes one, five, nine, and ten out of twenty-two from 1831. These prints provide invaluable insights into ancient civilizations' artistry and way of life—an artistic treasure trove waiting to be explored. The portrait capturing Black Hawk alongside Na-Be-Ghi-Zeik offers a glimpse into leadership figures who played pivotal roles in shaping Native Indian societies—symbols of strength and resilience etched onto canvas. Fast forward to 1911 when young individuals left home for the Carlisle Indian School—a chromolitho print that encapsulates both hope for education opportunities but also highlights historical challenges faced by indigenous youth seeking assimilation while preserving their cultural heritage. Marvel at goddess Teoyaomqui standing beside a porphyry sacrificial stone—an exquisite watercolor masterpiece dating back to c. 1843-50—showcasing religious beliefs intertwined with nature worship among native tribes.