Amorous Collection (page 4)

The Reading, (oil on canvas)
1197531 The Reading, (oil on canvas) by Reggianini, Vittorio (1858-1938); 69.5x88 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

The Amorous Visitor, (oil on canvas)
823566 The Amorous Visitor, (oil on canvas) by Zatzka, Hans (1859-1945); 68.5x47.6 cm; Private Collection; (add.info.: The Amorous Visitor. Hans Zatzka (1859-1945). Oil on canvas

A Shepherd and a Shepherdess in Dalliance in a Wooded Landscape, 1761 (oil on canvas)
990133 A Shepherd and a Shepherdess in Dalliance in a Wooded Landscape, 1761 (oil on canvas) by Boucher, Francois (1703-70); 78x65.5 cm; Private Collection; (add.info)

The language of eggs, some new designs for Easter eggs to facilitate the exchange of graceful sentiments
1090726 The language of eggs, some new designs for Easter eggs to facilitate the exchange of graceful sentiments and amorous messages (litho) by Robinson

Bacchus and Ariadne, 1894 (marble)
3051215 Bacchus and Ariadne, 1894 (marble) by Dalou, Aime Jules (1838-1902); 81.9x53.3x53.7 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; French, out of copyright

Lovers in a Sylvan Wood, (oil on canvas)
827440 Lovers in a Sylvan Wood, (oil on canvas) by Beyschlag, Robert Julius (1838-1903); 70.8x54.6 cm; Private Collection; (add.info.: Lovers in a Sylvan Wood. Julius Robert Beyschlag (1838-1903)

Scenes from Romeo and Juliet: The Tomb (V, III), 1882 (gouache, en grisaille)
827148 Scenes from Romeo and Juliet: The Tomb (V, III), 1882 (gouache, en grisaille) by Dicksee, Frank (1853-1928); 31.1x43.9 cm; Private Collection; (add.info.: Scenes from Romeo and Juliet)

The Three Ages of Man, c. 1515-20 (oil on canvas)
3614045 The Three Ages of Man, c.1515-20 (oil on canvas) by Dossi, Dosso (c.1479-1542); 77.5x111.8 cm; Metropolitan Museum of Art, New York

So off he set with his opera hat, illustration from The Frog would a Wooing Go
616466 So off he set with his opera hat, illustration from The Frog would a Wooing Go, by Charles H. Bennett, 1916 (colour litho) by Adams, Frank (1871-1944); Private Collection; American

For Always, (oil on canvas)
658983 For Always, (oil on canvas) by Sadler, Walter Dendy (1854-1923); 127x96.5 cm; Private Collection; (add.info.: For Always. Walter Dendy Sadler (1854-1923). Oil on canvas. 50 x 38in

The Proposal, 1888 (oil on canvas)
488293 The Proposal, 1888 (oil on canvas) by Bls, Eugen von (1843-1931); 129.5x94 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

The Interrupted Proposal, 1889 (oil on canvas)
488291 The Interrupted Proposal, 1889 (oil on canvas) by Schmutzler, Leopold (1864-1941); 69.2x91.4 cm; Private Collection; Photo eChristies Images; Bohemian, out of copyright

Apollo and Daphne, c. 1635 (pen & ink on paper)
449303 Apollo and Daphne, c.1635 (pen & ink on paper) by Poussin, Nicolas (1594-1665); 19.8x17.1 cm; eThe Devonshire Collections

Two fetes galantes and studies of single figures and pairs (red chalk on paper)
449301 Two fetes galantes and studies of single figures and pairs (red chalk on paper) by Quillard, Pierre-Antoine (1701-39); 21.1x32 cm; eThe Devonshire Collections

Two Happy Couples, early twentieth century (colour litho)
CHT290569 Two Happy Couples, early twentieth century (colour litho) by French School, (20th century); Private Collection; (add.info)

Couple picking cherries, c. 1908 (colour litho)
CHT290563 Couple picking cherries, c.1908 (colour litho) by Hungarian School, (20th Century); Private Collection; (add.info)

The Poorly Defended Rose (colour litho)
CHT207475 The Poorly Defended Rose (colour litho) by Debucourt, Philibert Louis (1755-1832); Private Collection; eArchives Charmet; French, out of copyright

The Reflection (pen & ink with w / c on paper)
XYC281141 The Reflection (pen & ink with w/c on paper) by Rowlandson, Thomas (1756-1827); 11.4x15.9 cm; Yale Center for British Art, Paul Mellon Collection

Radha and Krishna, enraptured by each others beauty, c. 1785
1196869 Radha and Krishna, enraptured by each others beauty, c.1785 () by Indian School, (18th century); 19x13.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

A shepherd kneeling over a lady sleeping under a canopy in a wooded landscape
1144269 A shepherd kneeling over a lady sleeping under a canopy in a wooded landscape (oil on panel) by Moor, Karel de (1656-1738); 28.2x35.9 cm; Private Collection; Photo eChristies Images; Dutch

Romeo and Juliet (marble)
1766777 Romeo and Juliet (marble) by Italian School, (19th century); Private Collection; (add.info.: Romeo and Juliet. Italian School, 19th century. Inscribed Biggi Faust Carrara)

A Lone Lady Awaits News of her Lover, c. 1800 (gouache)
1766440 A Lone Lady Awaits News of her Lover, c.1800 (gouache) by Maggiolini, Giuseppe (1738-1814) (manner of); 29.9x22.2 cm; Private Collection; (add.info.: A Lone Lady Awaits News of her Lover)

Scenes from Romeo and Juliet: The Ball Scene (I, V), 1882 (gouache, en grisaille)
827147 Scenes from Romeo and Juliet: The Ball Scene (I, V), 1882 (gouache, en grisaille) by Dicksee, Frank (1853-1928); 31.1x43.9 cm; Private Collection; (add.info.: Scenes from Romeo and Juliet)

Napoleon and Josephine, 1825 (oil on canvas)
827130 Napoleon and Josephine, 1825 (oil on canvas) by Hofel, Johann Nepomuk (1786-1864); 83.8x92.7 cm; Private Collection; (add.info.: Napoleon and Josephine. Johann Nepomuk Hofel (1786-1864)

Lovers (Man and Woman I); Liebespaar (Mann und Frau I), 1914 (oil on canvas)
825287 Lovers (Man and Woman I); Liebespaar (Mann und Frau I), 1914 (oil on canvas) by Schiele, Egon (1890-1918); 119x139 cm; Private Collection; (add.info)

A Merry Company, c. 1557 (oil on canvas)
LST204454 A Merry Company, c.1557 (oil on canvas) by Massys or Metsys, Jan (1509-75); 72.4x98 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Dutch, out of copyright

Couple with Matchmaker, c. 1750. Creator: Platzer, Johann Georg (1704-1761)
Couple with Matchmaker, c. 1750. Found in the collection of Art Museum Basel

Le Baiser, 1868. Creator: Carolus-Duran, Charles Emile Auguste (1837-1917)
Le Baiser, 1868. Found in the collection of Musee des Beaux-Arts, Lille

CHARLES I AMOROUS MOOD
CHARLES I OF ENGLAND in amorous mood, circa 1625 Date: 1600 - 1649

JAPAN 31
Japan/ Kyoto/ Gion area, neighbourhood where Geishas live and perform. Geisha with painted neck and shoulders, combed hair, white make up, head ornaments and traditional kimono

JAPAN 30
Japan/ Kyoto/ Gion area, neighbourhood where Geishas live and perform. Smiling Maiko with combed hair, white make up, head ornaments and traditional kimono

JAPAN 3
Japan/ Kyoto/ Gion area, neighbourhood of Geishas and Maikos Face portrait of a smiling Maiko with combed hair, white make up, head ornaments and traditional kimono

JAPAN 2
Japan, Kyoto, Gion area Portrait of a Maiko with white make up on her face and head ornaments ready for performance

JAPAN 17
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Geisha with painted neck and shoulders, fixed hair

JAPAN 16
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Geishas back with painted neck and shoulders, fixed hair and traditional kimono

JAPAN 15
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Geisha is practicing her Japanese flute skills at an empty classroom of " Mia Garatso" school for Geisha

JAPAN 14
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Two Maikos outside their house at Gion area, the neighbourhood where Geishas live, study and perform

JAPAN 13
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Geisha is attending an English class and talking to the teacher at " Mia Garatso" school for Geishas

JAPAN 12
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Geishas and Maikos attending a class at " Mia Garatso" school of Geisha

JAPAN 11
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Two Geishas wearing kimono and wigs attend an English class at " Mia Garatso" school for Geisha

JAPAN 1
Japan/ Kyoto/ Gion area Three Maikos are talking and laughing after finishing their classes at " Mia Garatso" school for Geishas and Maiko s

JAPAN 10
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Geishas and Maikos attending a class at " Mia Garatso" school of Geisha

C?a ira (It ll be fine), ca 1792. Creator: Boilly, Louis-Leopold (1761-1845)
C?a ira (It ll be fine), ca 1792. Found in the Collection of Bibliotheque Nationale de France

The Embarkation for Cythera. Creator: Tavernier, Andrea (1858-1932)
The Embarkation for Cythera. Private Collection

The merry company (The Five Senses), Mid of 17th cen Creator: Cossiers, Jan (1600-1671)
The merry company (The Five Senses), Mid of 17th Century. Private Collection

Fountain scene in front of a palace, 1731-1734. Creator: Platzer, Johann Georg (1704-1761)
Fountain scene in front of a palace, 1731-1734. Found in the Collection of Skokloster Castle

Bathers in a Park (oil on canvas)
3106530 Bathers in a Park (oil on canvas) by Pater, Jean-Baptiste Joseph (1695-1736); 49x59 cm; Nationalmuseum, Stockholm, Sweden; (add.info.: Pater was apprenticed to Watteau); French

The Peasant Wedding, c. 1600 (oil on panel)
3087005 The Peasant Wedding, c.1600 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 43x68 cm; Hallwyl Museum, Stockholm, Sweden; Flemish, out of copyright

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In the depths of the Juna Mahal fort, hidden away in a forgotten cupboard, lies a collection of secrets that whisper tales of passion and desire. Scenes from the Kama Sutra adorn its ancient walls, capturing timeless moments exploration. Amongst these intricate illustrations, one can find Daphnis and Chloe immortalized by the skilled hand of Francois Pascal Simon Gerard. Their love story unfolds with tender strokes, reminding us that true connection knows no bounds. As we delve deeper into this treasure trove, more scenes from the Kama Sutra emerge like fragments of an intimate dance. The Parsvanatha Temple reveals a couple carved in stone; their embrace frozen for eternity as a testament to eternal love. But it is not only grand temples and famous paintings that celebrate amorous encounters. Even within everyday life's mundane corners, passion finds its way through unexpected avenues. An enchanting painting titled "Enfin Seul (Alone at Last)" by Cecil Aldin captures stolen moments between two souls who have finally found solace in each other's arms. Love has its own language - one that transcends words and speaks directly to our hearts. A series dedicated to the artistry behind kisses reminds us how such simple gestures can convey volumes about affectionate connections shared between individuals. And then there is the hugging couple amidst a bustling kitchen scene - an image brimming with warmth and tenderness. It serves as a reminder that love thrives even amidst chaos; it seeks refuge in every corner where hearts beat together. Within this captivating journey through various forms of artistic expression lies an invitation to explore our own capacity for amorous connections. These glimpses into passionate encounters remind us that love is not confined to fairy tales or distant lands but resides within each one of us waiting to be awakened by another soul daring enough to embark on this beautiful journey alongside us.