Andrea Collection (page 7)

Rice-straw cloak, sandals, Chinese woman s
Rice-straw cloak, wood and straw sandals, Chinese womans bound foot and boot. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese labourer with umbrella and peasant
Chinese labourer with bamboo-and-paper umbrella and peasant in rice-straw cape, QIng Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Chinese men winnowing rice with sieves, Qing Dynasty
Chinese men sifting and winnowing rice with sieves, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese lady with her children in her house, Qing Dynasty. She sits embroidering in an alcove next to a window on the garden

Chinese mountebank riding a boat on land, Qing Dynasty
Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

A Mandarin (magistrate) of the Fifth Class going to court in full dress, Qing Dynasty China. Robe with an embroidered square indicating his rank

Chinese puppet show, Qing Dynasty. The puppeteer is completely hidden inside a curtained theatre and works the puppets in a window above his head

Chinese wrestler and automaton and a tom-tom player, Qing Dynasty. Street performer wrestling with a human-size pasteboard puppet

Chinese juggler keeping a 100-foot long ribbon floating in the air, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese toy seller and boy riding a pasteboard
Chinese itinerant toy seller and boy riding a pasteboard horse, Qing Dynasty. The toy man plays a gong and his basket includes toy soldiers, bow and arrow, masks, feathers, etc

Itinerant Chinese barber ringing finger bells to find customers, QIng Dynasty. He carries a stool and bucket on a bamboo yoke, along with razor, scissors, strop, etc

Chinese youth alighting from his carriage to salute a friend of his father s, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste

Chinese jack of all trades with bamboo yoke, tools, portable forge, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Carriage of the Kong Tchou, the Qing Emperor s
Carriage of the Kong Tchou, the Qing Emperors eldest daughter. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese tinker with portable forge, bellows and tools, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese pedlar and tobacconist, Qing Dynasty. The pedlar wears a bamboo lattice shop with handkerchiefs, ribbons, purses, etc. The tobacconist has set up a street stall selling tobacco and snuff

Chinese pork butcher selling hams, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese florist selling miniature trees and bushes, Penjing or Penzai, from a bamboo yoke, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Chinese musical instruments, Qing Dynasty: iron Hien-pan 1, bronze vase 2, drum, wooden percussion instrument in the shape of a fish 4, and Bong-gui 5

Female musician playing chimes and gongs, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Tartar lady walking on a terrace, Qing Dynasty
Tartar lady with tobacco pipe walking on a terrace, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese man bowing cotton, Qing Dynasty
Chinese man bowing cotton to remove husks, Qing Dynasty. He uses a bamboo frame to bow the cotton to remove dirt from the cotton down

Sedan chair of the Prime Minister, Qing Dynasty China
Sedan chair of the Prime Minister, Grand Colao, Qing Dynasty China, late 18th century. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste

Chinese rope makers, Qing Dynasty. Workers twisting and weaving rope from bamboo on a horizontal frame. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Chinese stage cart, Qing Dynasty. Common horse-drawn carriage or wagon used by all classes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste

Chinese money changer cutting silver ingots into different sizes for payment, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste

Cotton spinner and mantua maker, Qing Dynasty China. Woman spinning thread on a spinning wheel, and itinerant clothes maker with her tools in a basket

Viper seller and stocking maker, Qing Dynasty
Viper seller and stocking maker sewing cloth stockings, Qing Dynasty. The viper seller carries a bucket of live vipers and a basket with a jar of medicinal snake broth

Chinese silk-cord or silk-twist makers, Qing Dynasty. Women twisting silk thread on an uprtight cone. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Men collecting varnish from the Chinese lacquer tree
Chinese men collecting varnish from the Chinese lacquer tree, Toxicodendron vernicifluum, using bamboo pipes. One man stirs collected varnish in a pan while another eats from a bowl with chopsticks

Chinese printing, Qing Dynasty. Printers workshop with engraved boards, paper sheets, printing ink, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Indian ink manufacture, Qing Dynasty China. Ink is made of lamp-black (burnt pine-wood, hogs-fat and oil) mixed with musk and glue, then shaped in wooden moulds

Male and female Mandarins (magistrates) in summer dress, imperial court of China. Embroidered square on their tunic reveals their rank and type: bird for civil, animal for military

Chinese pottery firing, Qing Dynasty
Chinese pottery making: potter firing a porcelain plate in a furnace to fix the glaze on it, and a potter firing porcelain plates over an open oven

Chinese potter throwing a porcelain cup on a potters wheel, powered by an assistant. Another worker arranges cups on a board for the oven

Chinese paper making, QIng Dynasty
Chinese paper making: young bamboo shoots are stripped of their bark, beaten and soaked in river water for a fortnight. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Chinese man writing with a brush at a desk, Qing Dynasty
Chinese man writing with a brush at a desk. The brush is made of rabbit hair and bamboo. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste

An itinerant bookseller selling tales and song-books for the lower orders from a stall. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste

The emperors eldest son with his wife
The emperors eldest son smoking a tobacco pipe with his wife playing the pipa and her attendant in the gardens of the Old Summer Palace, Yuanming Yuan

MIrror seller, Qing Dynasty. The mirrors are made of highly polished copper. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Kien Long (Qianlong) Emperor of China, sixth emperor in the Qing Dynasty (1711-1799). Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Chinese Mahometan woman showing a toy to her son. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Tartar woman riding on a one-wheel barrow drawn by servants. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Young Licentiate or doctor riding a horse celebrating his graduation and proceeded by youths with banners showing his new rank

Old Summer Palace of Yuen Ming Yuen (Yuanming Yuan), Haidian, Peking, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Bonze or Buddhist monk performing a vow to crawl on all fours with a saddle on his back. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste

Tartar Woman making a Tsi, sacrificing the spirit of the door to prevent misfortune entering. Buddhist or Fo sect, Lao-Kiun

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"Andrea: A Journey Through Art and Astronomy Step into the world of Andrea, a name that resonates with creativity and exploration. From the celestial wonders to captivating paintings, Andrea's influence spans across centuries. In the realm of astronomy, we find ourselves gazing at a copperplate engraving from Andreas Cellarius Atlas Coelestis seu Harmonia Macrocosmica. The sun takes center stage, while Copernicus appears on one side and Ptolemy on the other. This depiction reminds us of the ever-evolving understanding of our universe. Turning our attention to art, we encounter Mantegna's masterpiece - "The Lamentation. " Painted in the 15th century, it captures raw emotions and invites contemplation. The brushstrokes reveal Mantegna's mastery as an Italian painter. Traveling further back in time through Andrea Bianco's atlas from 1436, we discover ancient cartography on page 10 - a World Map that showcases early geographical knowledge. It serves as a testament to humanity's thirst for exploration. As we delve deeper into history, Tamerlane or Timur emerges from ancient depictions. These portrayals offer glimpses into his legendary conquests and leave us in awe of his military prowess. Shifting gears to architecture, Donato Bramante presents San Pietro in Montorio - home to the exquisite Tempietto. Its elegant design stands as a testament to Bramante's ingenuity and artistic vision. Venturing towards Venice now, Palladio's Church of San Giorgio Maggiore beckons us with its grandeur. This architectural marvel exemplifies Palladian style and adds another layer to Andrea’s rich tapestry of influences. Finally, let us not forget Schiller’s Christianized Heaven depicted in his celestial planisphere from 1660 – an intriguing fusion between artistry and religious symbolism that captivates viewers even today.