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Androgyny Collection

"Androgyny: Embracing the Fluidity of Identity and Expression" In the quaint town of Fowey, Daphne du Maurier found inspiration for her timeless tales

Background imageAndrogyny Collection: Daphne du Maurier in Fowey

Daphne du Maurier in Fowey
Daphne du Maurier (1907 - 1989), English writer and novelist, author of Rebecca and Jamaica Inn, pictured looking rather dashing while smoking a pipe

Background imageAndrogyny Collection: Mr. Lawson, portrait photograph, 1919 May 1. Creator: Arnold Genthe

Mr. Lawson, portrait photograph, 1919 May 1. Creator: Arnold Genthe
Mr. Lawson, portrait photograph, 1919 May 1

Background imageAndrogyny Collection: Miss Dorothy Gibson, portrait photograph, 1926 Oct. 9. Creator: Arnold Genthe

Miss Dorothy Gibson, portrait photograph, 1926 Oct. 9. Creator: Arnold Genthe
Miss Dorothy Gibson, portrait photograph, 1926 Oct. 9

Background imageAndrogyny Collection: Miss Helen Garrison, portrait photograph, 1919 Jan. 6. Creator: Arnold Genthe

Miss Helen Garrison, portrait photograph, 1919 Jan. 6. Creator: Arnold Genthe
Miss Helen Garrison, portrait photograph, 1919 Jan. 6

Background imageAndrogyny Collection: Elizabeth Duncan dancers, between 1916 and 1941. Creator: Arnold Genthe

Elizabeth Duncan dancers, between 1916 and 1941. Creator: Arnold Genthe
Elizabeth Duncan dancers, between 1916 and 1941

Background imageAndrogyny Collection: Elizabeth Duncan dancers, between 1916 and 1941. Creator: Arnold Genthe

Elizabeth Duncan dancers, between 1916 and 1941. Creator: Arnold Genthe
Elizabeth Duncan dancers, between 1916 and 1941

Background imageAndrogyny Collection: The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 2nd-3rd century. Creator: Unknown

The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 2nd-3rd century. Creator: Unknown
The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 2nd-3rd century

Background imageAndrogyny Collection: The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 11th century. Creator: Unknown

The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 11th century. Creator: Unknown
The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 11th century

Background imageAndrogyny Collection: The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 11th century. Creator: Unknown

The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 11th century. Creator: Unknown
The Androgynous Form of Shiva and Parvati (Ardhanarishvara), 11th century

Background imageAndrogyny Collection: Academic Study of a Man and a Woman, 1808. Creator: Wouter Mol

Academic Study of a Man and a Woman, 1808. Creator: Wouter Mol
Academic Study of a Man and a Woman, 1808. Two nudes, the seated figure is androgynous, and could be a young man

Background imageAndrogyny Collection: Miss Yvonne, 1918 Dec. 30. Creator: Arnold Genthe

Miss Yvonne, 1918 Dec. 30. Creator: Arnold Genthe
Miss Yvonne, 1918 Dec. 30

Background imageAndrogyny Collection: Miss Wittenburg, portrait photograph, 1919 Mar. 27. Creator: Arnold Genthe

Miss Wittenburg, portrait photograph, 1919 Mar. 27. Creator: Arnold Genthe
Miss Wittenburg, portrait photograph, 1919 Mar. 27

Background imageAndrogyny Collection: Miss Margaret Shaw, portrait photograph, 1918 June 19. Creator: Arnold Genthe

Miss Margaret Shaw, portrait photograph, 1918 June 19. Creator: Arnold Genthe
Miss Margaret Shaw, portrait photograph, 1918 June 19

Background imageAndrogyny Collection: Miss Clarice Patterson, portrait photograph, 1918 Apr. 19. Creator: Arnold Genthe

Miss Clarice Patterson, portrait photograph, 1918 Apr. 19. Creator: Arnold Genthe
Miss Clarice Patterson, portrait photograph, 1918 Apr. 19

Background imageAndrogyny Collection: Study of a Female Model;, 1879-1882. Creator: Bertha Wegmann

Study of a Female Model;, 1879-1882. Creator: Bertha Wegmann
Study of a Female Model;, 1879-1882

Background imageAndrogyny Collection: Hermaphroditus, fragment (fresco)

Hermaphroditus, fragment (fresco)
3930109 Hermaphroditus, fragment (fresco) by Roman, (3rd century AD); Museo Barracco, Rome, Italy; Photo © Stefano Baldini

Background imageAndrogyny Collection: Statue of Hermaphroditus, Greek god of unions, androgyny, marriage, sexuality, prone on a bed

Statue of Hermaphroditus, Greek god of unions, androgyny, marriage, sexuality, prone on a bed
5323798 Statue of Hermaphroditus, Greek god of unions, androgyny, marriage, sexuality, prone on a bed by David, Francois-Anne (1741-1824); (add.info.: Statue of Hermaphroditus, Greek god of unions)

Background imageAndrogyny Collection: Portrait of a Young Man In Armour (oil on canvas)

Portrait of a Young Man In Armour (oil on canvas)
3822149 Portrait of a Young Man In Armour (oil on canvas) by Unknown artist, (18th century); 70x58.5 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; out of copyright

Background imageAndrogyny Collection: Flapper Opening a Curtain, 1923 (engraving)

Flapper Opening a Curtain, 1923 (engraving)
2622426 Flapper Opening a Curtain, 1923 (engraving) by American School, (20th century); Private Collection; (add.info.: Vintage illustration of a slender flapper posed opening curtains; engraving)

Background imageAndrogyny Collection: Flapper in a Swimsuit, 1923 (coloured engraving)

Flapper in a Swimsuit, 1923 (coloured engraving)
2622428 Flapper in a Swimsuit, 1923 (coloured engraving) by American School, (20th century); Private Collection; (add.info)

Background imageAndrogyny Collection: Child having a bath (colour litho)

Child having a bath (colour litho)
5999956 Child having a bath (colour litho) by English School, (20th century); Private Collection; (add.info.: Child having a bath. Postcard, early 20th century.); © Look and Learn

Background imageAndrogyny Collection: Elena Povolozky, 1917 (oil on canvas)

Elena Povolozky, 1917 (oil on canvas)
990732 Elena Povolozky, 1917 (oil on canvas) by Modigliani, Amedeo (1884-1920); 45.8x33.1 cm; Private Collection; (add.info.: Elena Povolozky. Amedeo Modigliani (1883-1920). Oil on canvas

Background imageAndrogyny Collection: Business card design, woman in male costume

Business card design, woman in male costume
Business card design, depicting a glamorous woman in male costume, including tie and wing collar, jacket, trilby hat and gloves. Date: 20th century

Background imageAndrogyny Collection: A Mans A Man For A That by Lindsay Cable

A Mans A Man For A That by Lindsay Cable
Two women dressed in masculine outfits of shirts, ties, flat shoes and, in the case of one, knickerbockers or plus-fours, smoke cigarettes and comment on a passing gentleman wearing a kilt



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"Androgyny: Embracing the Fluidity of Identity and Expression" In the quaint town of Fowey, Daphne du Maurier found inspiration for her timeless tales. Amongst the cobblestone streets, she discovered a concept that transcends gender norms – androgyny. Just as Hermaphroditus, depicted in a fragment fresco, symbolized the merging of masculine and feminine energies, so too does this notion challenge societal boundaries. A statue of Hermaphroditus lies prone on a bed, representing not only unions but also embracing both masculinity and femininity within oneself. Similarly, "Portrait of a Young Man In Armour" captures an individual who defies traditional gender roles with their confident stance. The roaring 1920s brought forth flappers who shattered conventions with their boldness. An engraving titled "Flapper Opening a Curtain" showcases their audacity to reveal new perspectives while "Flapper in a Swimsuit" displays their liberation from restrictive clothing. Even childhood innocence is touched by androgyny; captured in vibrant colors through lithography is "Child having a bath. " It reminds us that before society imposes its expectations upon us, we are all free to explore our true selves without limitations. Elena Povolozky's oil painting from 1917 portrays an empowered woman donning male attire on her business card design. This challenges preconceived notions about what it means to be successful or professional. As Lindsay Cable eloquently wrote in his poem "A Mans A Man For A That, " true worth lies not in external appearances but rather in character and integrity. Androgyny invites us to look beyond superficial labels and embrace the beauty found within each unique individual. Whether it be ancient mythology or modern artistry, these glimpses into androgynous expressions remind us that identity should never be confined by societal constructs.