Angelo Collection (#4)

Angelo Taylor Mens 400m Hurdles Mens 400m Hurdles Athens, Greece 24 August 2004 Date: 24 August 2004

Angelo Mathews Sri Lanka Bangladesh V Sri Lanka 20-20 Warmup Trent Bridge, Nottingham, England 02 June 2009 Date: 02 June 2009

The Immaculate Conception or The Soult Immaculate Conception. (oil on canvas, 1678)
LRI4609279 The Immaculate Conception or The Soult Immaculate Conception. (oil on canvas, 1678) by Murillo, Bartolome Esteban (1618-82); Prado, Madrid, Spain; (add.info.: Immaculee design)

Annunciation - The Annunciation, 1608-1614 - Painting by Domenikos Theotokopoulos Dit El
LRI4606829 Annunciation - The Annunciation, 1608-1614 - Painting by Domenikos Theotokopoulos Dit El Greco (1540-1614), Oil on canvas. Sun: 2, 91x2, 05. Madrid, Fundacion Banco Santander

Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321)
GIA745615 Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Fort St Angelo and the Grand Harbour Valletta Malta
Vintage 19th century photograph: Fort St Angelo and the Grand Harbour Valletta Malta

Courtyard and columns of Heliopolis, Temple of Baalbek
Plan of the courtyard of Heliopolis, or the Temple of Baalbek, and columns in the temple and the Hexagonal court, Beqaa Valley, Lebanon

Battle over the corpse of Patroclus outside Troy
Greeks and Trojans battle over the naked corpse of Patroclus outside Troy. Menelaus and Ajax protected the body until Achilles could retrieve it. Combattimento pel Cadavere di Patroclo

View of Palace of the Caesars, Rome. It was built on the Palatine Hill by Emperor Augustus and is also known as the House of Augustus, Domus Augusti

David Teniers the Younger or David Teniers II, Flemish painter, 1610 -1690. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1827

Concert of Angels musician, in the Nativity, detail. Altarpiece of Issenheim
LRI4607114 Concert of Angels musician, in the Nativity, detail. Altarpiece of Issenheim (oil on panel, 1512-1516) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden

Jacobs struggle with the Angel. (oil on canvas, 17th century)
LRI4609336 Jacobs struggle with the Angel. (oil on canvas, 17th century) by Morazzone, Pier Francesco (1573-1626); Museo Diocesano, Milan, Italy; (add.info.: Jacobs struggle with the Angel)

The Virgin Mary and Saint Anne Detail. (oil on canvas, c. 1674)
LRI4609285 The Virgin Mary and Saint Anne Detail. (oil on canvas, c.1674) by Murillo, Bartolome Esteban (1618-82); Prado, Madrid, Spain; (add.info.: The Virgin Mary and Saint Anne Detail)

Elijahs dream, detail. (oil on canvas, 1616-1618)
LRI4609166 Elijahs dream, detail. (oil on canvas, 1616-1618) by Morazzone, Pier Francesco (1573-1626); Chiesa di San Raffaele, Milan, Italy; (add.info.: Elijahs dream (Elijahs dream) detail

Fresco of the life of Saint Martin. The miraculous mass of Saint Martin of Tours
LRI4608642 Fresco of the life of Saint Martin. The miraculous mass of Saint Martin of Tours. To reward him for the gift of his mantle made to a poor man

Purgatorio, Canto 8 : The angels drive the serpent away
GIA745661 Purgatorio, Canto 8 : The angels drive the serpent away, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Papal Procession at the Bridge of Sant Angelo (oil on canvas)
704274 Papal Procession at the Bridge of Sant Angelo (oil on canvas) by Italian School, (17th century); Museo di Roma, Rome, Italy; Italian, out of copyright

View of the Mausoleum of Hadrian in Parco
View of the Mausoleum of Hadrian or the Castle of St. Angelo in Parco Adriano, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc. London, 1814

Ancient figures of Orlando and Oliver, crowns and weapons of Charlemagne. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrarios Ancient

Illustration for Measure for Measure (engraving)
725308 Illustration for Measure for Measure (engraving) by Ralston, J.M.L. (19th century); Private Collection; (add.info.: Illustration for Measure for Measure)

Gentlemen fencers in thrust and guard positions
Gentlemen fencers in position of the inside Carte and the thrust given on the outside flank called Flanconade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencers in thrust and guard positions
Gentlemen fencers in position for the outside-guard called Tierce and the thrust from the outside under the wrist called Second

Gentlemen fencers in Tierce outside guard
Gentlemen fencers in position for the Tierce outside guard and the thrust on the same side with the wrist reversed in carte called Carte over the Arm

Defensive guard of the small sword (B) against an attack by the broad sword (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in guard of sword and lantern
Gentleman fencer in the guard of the sword and lantern run through by a thrust from an opponent using sword and cloak. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the guard of the sword and cloak opposed by the sword and lantern. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

The Spanish Guard defeated after an attempt of the Cut on the Head. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in the French Guard attack against an opponent in the Spanish Guard position (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return thrust in Tierce after having parried with the poignard. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Italian Guard position fighting with sword and dagger. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in guard and thrust positions
Gentlemen fencers in position for the inside-guard called Carte and the inside-thrust called Thrust in Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent on the Carte Thrust
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer taking his opponents sword, second position of the Disarm after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the whole turn called Volte
Gentleman fencer making the whole turn called Volte, on the Pass in Tierce, or in Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the Demi-Volte turn
Gentleman fencer in the half-round or bounding turn of the Body called the Demi-Volte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer running through an opponent
Gentleman fencer stabbing his opponent after an Evasion, by moving his left leg back when his opponent makes a pass on the outside of the sword

Gentleman fencer making the Pass on the sword in Carte over the arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers making the plain Cut over the Point from Carte in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the return from the Prime parade to the Seconde and Low Carte thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return on the Flanconade thrust by reversing the edge to an opponent who has not opposed with the left hand

Gentlemen fencers making a return thrust in Quinte after the thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the Seconde return thrust after parrying Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Tierce return after the Tierce thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers in the Carte return after the Carte parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers in the Quinte parry against Quinte Thrust
Gentlemen fencers in the Quinte parade, point low and wrist raised, against the Quinte Thrust, outside thrust under the wrist

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"Angelo: A Name Steeped in History and Legacy" From the Shield of Achilles to the Constitutional Convention, it has left an indelible mark on various realms. Just like the legendary shield that protected Achilles in his battle with Hector, individuals named they have been known for their strength and resilience throughout history. Take George Washington presiding at the Constitutional Convention in Philadelphia; his leadership embodied the qualities associated with this name. Much like steel engraving captures a moment forever, Angelo's impact endures through time. Travel back further to ancient Babylon, where its majestic view captivated all who beheld it. Similarly, those bearing the name Angelo possess an innate ability to inspire awe and admiration. Lorenzo Ricci was another notable figure linked to this name – a man of influence and power. And let us not forget Mr H Angelos Fencing Academy; engraved by Charles Rosenberg in 1791, it symbolizes precision and skill that echoes through generations. Gentlemen fencers poised in Tierce guard exemplify both grace and determination – qualities often found within those named Angelo. Capello St. Angelo offers a picturesque view of Bellagio on Lake Como, Italy – just as enchanting as anyone bearing this illustrious name. Pope Pius VI appears twice on our list; his papacy marked by wisdom and spiritual guidance resonates with those called Angelo. The mention of Margaret Fuller's tragic shipwreck off Fire Island serves as a reminder that even amidst adversity, individuals named they are find strength to endure. In essence, whether shaping history or leaving an impression on art or society itself - from battles fought to conventions convened - there is no denying that "Angelo" carries a weighty significance deserving of respect and admiration across centuries.