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Animal Skin Collection (#6)

"Unveiling the Tales of Animal Skin

Background imageAnimal Skin Collection: Dress of the Britons, Gauls and Germans, from Trachten der Voelker

Dress of the Britons, Gauls and Germans, from Trachten der Voelker
BAL246079 Dress of the Britons, Gauls and Germans, from Trachten der Voelker, 1864 (colour litho) by Kretschmer, Albert (1825-91); Private Collection; German, out of copyright

Background imageAnimal Skin Collection: Faun of Praxiteles, illustration from History of Rome by Victor Duruy

Faun of Praxiteles, illustration from History of Rome by Victor Duruy, published 1884 (digitally enhanced image)
LLM438596 Faun of Praxiteles, illustration from History of Rome by Victor Duruy, published 1884 (digitally enhanced image) by English School

Background imageAnimal Skin Collection: Scraping the hide, c. 1902-11 (b / w photo)

Scraping the hide, c. 1902-11 (b / w photo)
DPL415555 Scraping the hide, c.1902-11 (b/w photo) by Throssel, Richard (1882-1933); Denver Public Library, Western History Collection; eDenver Public Library; American, out of copyright

Background imageAnimal Skin Collection: The Gaulish leaders in league against Julius Caesar (100-44 BC) led by Vercingetorix (d

The Gaulish leaders in league against Julius Caesar (100-44 BC) led by Vercingetorix (d
CHT177836 The Gaulish leaders in league against Julius Caesar (100-44 BC) led by Vercingetorix (d.46 BC) from a protective sleeve for school books, late 19th century (colour litho) by French School

Background imageAnimal Skin Collection: The Bouquet, 1899 (oil on canvas)

The Bouquet, 1899 (oil on canvas)
CH368178 The Bouquet, 1899 (oil on canvas) by Godward, John William (1861-1922); Private Collection; Photo eChristies Images; English, out of copyright

Background imageAnimal Skin Collection: Preparing a Deer Hide, 1904 (oil on canvas)

Preparing a Deer Hide, 1904 (oil on canvas)
HEH372462 Preparing a Deer Hide, 1904 (oil on canvas) by Brown, John George (1831-1913); 76.2x63.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageAnimal Skin Collection: Man carrying water, Jerusalem (coloured photo)

Man carrying water, Jerusalem (coloured photo)
6033686 Man carrying water, Jerusalem (coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: Man carrying water, Jerusalem)

Background imageAnimal Skin Collection: Hippolytus, 1832, after a painting by Baron Pierre Narcisse Guerin (1774-1833

Hippolytus, 1832, after a painting by Baron Pierre Narcisse Guerin (1774-1833
CJP107795 Hippolytus, 1832, after a painting by Baron Pierre Narcisse Guerin (1774-1833) (charcoal on paper) by Denagers, Eugene (fl.1832); Private Collection; eCharles Plante Fine Arts; French

Background imageAnimal Skin Collection: Mithridates VI (132-63 BC) Eupator, King of Pontus (marble) (see also 177442)

Mithridates VI (132-63 BC) Eupator, King of Pontus (marble) (see also 177442)
XIR159138 Mithridates VI (132-63 BC) Eupator, King of Pontus (marble) (see also 177442) by Greek, (1st century BC); Louvre, Paris, France; Greek, out of copyright

Background imageAnimal Skin Collection: Tiburtine Sibyl (pencil and coloured chalks on paper)

Tiburtine Sibyl (pencil and coloured chalks on paper)
BIR100721 Tiburtine Sibyl (pencil and coloured chalks on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; English, out of copyright

Background imageAnimal Skin Collection: Crow people at Fort Clarke

Crow people at Fort Clarke
6339117 Crow people at Fort Clarke by Bodmer, Karl (1809-93) (after); (add.info.: Crow people at Fort Clarke. Warrior (perhaps Chief Eripuass)

Background imageAnimal Skin Collection: David with the Head of Goliath

David with the Head of Goliath
3567476 David with the Head of Goliath by Reni, Guido (1575-1642); Vasarian Corridor (Corridoio Vasariano), Palazzo Pitti, Florence

Background imageAnimal Skin Collection: St. John the Baptist, 1513-16 (oil on canvas) (detail of 2015)

St. John the Baptist, 1513-16 (oil on canvas) (detail of 2015)
3114463 St. John the Baptist, 1513-16 (oil on canvas) (detail of 2015) by Vinci, Leonardo da (1452-1519); 69x57 cm; Louvre, Paris, France; Italian, out of copyright

Background imageAnimal Skin Collection: The Odalisque, 1882 (oil on canvas)

The Odalisque, 1882 (oil on canvas)
651359 The Odalisque, 1882 (oil on canvas) by Constant, Jean Joseph Benjamin (1845-1902); 109.2x210.8 cm; Private Collection; (add.info.: The Odalisque. Jean Joseph Benjamin Constant (1845-1902)

Background imageAnimal Skin Collection: Emperor Montezuma II (c. 1470-1520), detail, painting by Juan Ortega, 1885 (oil on canvas)

Emperor Montezuma II (c. 1470-1520), detail, painting by Juan Ortega, 1885 (oil on canvas)
REV346190 Emperor Montezuma II (c.1470-1520), detail, painting by Juan Ortega, 1885 (oil on canvas) by Ortega, Juan (19th century); Museo Nacional de Arte, Mexico City

Background imageAnimal Skin Collection: Painted buffalo hide, c. 1900 (b / w photo)

Painted buffalo hide, c. 1900 (b / w photo)
DPL415567 Painted buffalo hide, c.1900 (b/w photo) by American Photographer; Denver Public Library, Western History Collection; (add.info.: Mandan bison hide showing hunters with rifles, shields)

Background imageAnimal Skin Collection: Dionysos and satyrs, illustration from Greek Vase Paintings by J. E. Harrison and D. S

Dionysos and satyrs, illustration from Greek Vase Paintings by J. E. Harrison and D. S
LLM438537 Dionysos and satyrs, illustration from Greek Vase Paintings by J. E. Harrison and D. S. MacColl, published 1894 (digitaly enhanced image) by English School

Background imageAnimal Skin Collection: St. John the Baptist, niche from the Salviati Chapel (marble)

St. John the Baptist, niche from the Salviati Chapel (marble)
BAT99665 St. John the Baptist, niche from the Salviati Chapel (marble) by Giambologna (Giovanni da Bologna), (1529-1608); Church of San Marco, Florence, Italy; Photo eNicol Orsi Battaglini; Flemish

Background imageAnimal Skin Collection: Tanners, from the Descriptions of Arts & Crafts by Denis Diderot (1713-84)

Tanners, from the Descriptions of Arts & Crafts by Denis Diderot (1713-84)
BIF242805 Tanners, from the Descriptions of Arts & Crafts by Denis Diderot (1713-84), published c.1770 (engraving) (b & w photo) by French School, (18th century); Institut de France, Paris

Background imageAnimal Skin Collection: MS 1064 fol 11 Descriptions of Arts & Crafts by Denis Diderot (1713-84)

MS 1064 fol 11 Descriptions of Arts & Crafts by Denis Diderot (1713-84)
BIF242804 MS 1064 fol 11 Descriptions of Arts & Crafts by Denis Diderot (1713-84), published c.1770 (engraving).(b & w photo) by French School, (18th century); Institut de France, Paris

Background imageAnimal Skin Collection: Chief Gall (c. 1840-94) (b / w photo)

Chief Gall (c. 1840-94) (b / w photo)
PNP245391 Chief Gall (c.1840-94) (b/w photo) by American Photographer; Private Collection; (add.info.: war chief of the Hunkpapa Sioux; ); Peter Newark Western Americana; American, out of copyright

Background imageAnimal Skin Collection: Ghost dance dress, Arapaho Tribe (buckskin)

Ghost dance dress, Arapaho Tribe (buckskin)
PNP245360 Ghost dance dress, Arapaho Tribe (buckskin) by American School; Private Collection; (add.info.: decorated with stars & thunderbird design; ); Peter Newark Western Americana; American

Background imageAnimal Skin Collection: Iroquois Chief (oil on canvas)

Iroquois Chief (oil on canvas)
PNP245692 Iroquois Chief (oil on canvas) by Cross, Henry H. (1837-1918); Private Collection; Peter Newark American Pictures; American, out of copyright

Background imageAnimal Skin Collection: Native Americans trading fur (colour litho)

Native Americans trading fur (colour litho)
PNP245688 Native Americans trading fur (colour litho) by American School, (19th century); Private Collection; (add.info.: exchange for goods & guns; ); Peter Newark American Pictures; American

Background imageAnimal Skin Collection: Buffalo Bull, 1835 (colour litho)

Buffalo Bull, 1835 (colour litho)
PNP246113 Buffalo Bull, 1835 (colour litho) by Catlin, George (1796-1872); Private Collection; Peter Newark American Pictures; American, out of copyright

Background imageAnimal Skin Collection: Prodigal Son, 1891 (oil on canvas)

Prodigal Son, 1891 (oil on canvas)
UCL281780 Prodigal Son, 1891 (oil on canvas) by Thompson, Wilfred (fl.1884-c.1921); 91.5x122 cm; UCL Art Museum, University College London, UK; eUCL Art Museum, University College London; British

Background imageAnimal Skin Collection: Frankish warrior in 5th century, illustration from

Frankish warrior in 5th century, illustration from
REV287690 Frankish warrior in 5th century, illustration from Costumes de Paris a travers les siecles by H. Gourdon de Genouillac, engraved by Stablo (19th century) (colour engraving) by Zier

Background imageAnimal Skin Collection: Domestic Interior Scene, (oil on canvas)

Domestic Interior Scene, (oil on canvas)
989946 Domestic Interior Scene, (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 60x92.7 cm; Private Collection; (add.info.: Domestic Interior Scene. Frederick Arthur Bridgman (1847-1928)

Background imageAnimal Skin Collection: Idle Moments (oil on panel)

Idle Moments (oil on panel)
700735 Idle Moments (oil on panel) by Jonghe, Gustave Leonard de (1829-93); 53.7x65.1 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageAnimal Skin Collection: Portrait of the Artists Wife Marian Huxley in her Wedding Dress

Portrait of the Artists Wife Marian Huxley in her Wedding Dress
658684 Portrait of the Artists Wife Marian Huxley in her Wedding Dress, 1880 (oil on canvas) by Collier, John (1850-1934); 112x91.5 cm; Private Collection; (add.info)

Background imageAnimal Skin Collection: Caledonians, or Picts (engraving) (b / w photo)

Caledonians, or Picts (engraving) (b / w photo)
XJF140201 Caledonians, or Picts (engraving) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

Background imageAnimal Skin Collection: Funerary model of marching armed soldiers, from the Tomb of Prince Mesehti, Assyut

Funerary model of marching armed soldiers, from the Tomb of Prince Mesehti, Assyut
XIR63400 Funerary model of marching armed soldiers, from the Tomb of Prince Mesehti, Assyut, Middle Kingdom, c.2000 BC (painted wood) by Egyptian 11th Dynasty (2061-2010 BC); height

Background imageAnimal Skin Collection: Detail from a Berlin gold-ground slender campana vase and plinth of Wellington Service

Detail from a Berlin gold-ground slender campana vase and plinth of Wellington Service
1766864 Detail from a Berlin gold-ground slender campana vase and plinth of Wellington Service type, sated 1817, painted with a scene of the Battle of Vittoria, 1817 (ceramic) by Lewis

Background imageAnimal Skin Collection: The Reading, (oil on canvas)

The Reading, (oil on canvas)
1197531 The Reading, (oil on canvas) by Reggianini, Vittorio (1858-1938); 69.5x88 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageAnimal Skin Collection: An Ancient Custom, 1876 (oil on canvas)

An Ancient Custom, 1876 (oil on canvas)
987316 An Ancient Custom, 1876 (oil on canvas) by Long, Edwin Longsden (1829-91); 100x138 cm; Private Collection; (add.info.: An Ancient Custom. Edwin Long (1829-1891). Oil on canvas

Background imageAnimal Skin Collection: Interior of a house, 15th Century (colour litho)

Interior of a house, 15th Century (colour litho)
969059 Interior of a house, 15th Century (colour litho) by Steelink, Willem II (1856-1928); Private Collection; (add.info.: Interior of a house, 15th Century)

Background imageAnimal Skin Collection: Wi-Jun-Jon - The Pigeons Egg Head Going to Washington : Returning to his home

Wi-Jun-Jon - The Pigeons Egg Head Going to Washington : Returning to his home
3710033 Wi-Jun-Jon - The Pigeons Egg Head Going to Washington : Returning to his home, 1837 (colour lithograph) by Currier, N. (1813-88) and Ives, J.M

Background imageAnimal Skin Collection: Frontispiece to The Life and Strange Surprizing Adventures of Robinson Crusoe of

Frontispiece to The Life and Strange Surprizing Adventures of Robinson Crusoe of
3258449 Frontispiece to The Life and Strange Surprizing Adventures of Robinson Crusoe of York, Mariner by Daniel Defoe, 1719 (engraving) by English School

Background imageAnimal Skin Collection: Voyages Et Aventures Chez Les Patagons (engraving)

Voyages Et Aventures Chez Les Patagons (engraving)
2789151 Voyages Et Aventures Chez Les Patagons (engraving) by French School, (19th century); Private Collection; (add.info.: Voyages Et Aventures Chez Les Patagons)

Background imageAnimal Skin Collection: Mademoiselle de Migieu as Diana, 1742 (oil on canvas)

Mademoiselle de Migieu as Diana, 1742 (oil on canvas)
HEH416432 Mademoiselle de Migieu as Diana, 1742 (oil on canvas) by Nattier, Jean-Marc (1685-1766); 101x81 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageAnimal Skin Collection: Sibylla Tiburtina, 1877 (b / c on paper)

Sibylla Tiburtina, 1877 (b / c on paper)
CH368164 Sibylla Tiburtina, 1877 (b/c on paper) by Burne-Jones, Edward Coley (1833-98); 47x24.4 cm; Private Collection; (add.info.: Tiburtine Sibyl)

Background imageAnimal Skin Collection: Hercules in combat with the centaur Chiron, published 1808-10 (colour litho)

Hercules in combat with the centaur Chiron, published 1808-10 (colour litho)
STC404439 Hercules in combat with the centaur Chiron, published 1808-10 (colour litho) by French School, (19th century); Private Collection; (add.info)

Background imageAnimal Skin Collection: A Man from the Caribbean, 1780 (coloured engraving)

A Man from the Caribbean, 1780 (coloured engraving)
STC148905 A Man from the Caribbean, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; The Stapleton Collection; French, out of copyright

Background imageAnimal Skin Collection: Madonna with Child and St John in a Landscape (oil on panel)

Madonna with Child and St John in a Landscape (oil on panel)
BEN134170 Madonna with Child and St John in a Landscape (oil on panel) by Granacci, Francesco (1477-1543); 107x78.5 cm; Musee d Art et d Archeologie, Tollo, Italy; Photo eRaffaello Bencini; Italian

Background imageAnimal Skin Collection: Attic black-figure amphora decorated with a scene of Heracles dressed in a lion skin

Attic black-figure amphora decorated with a scene of Heracles dressed in a lion skin
AMQ103318 Attic black-figure amphora decorated with a scene of Heracles dressed in a lion skin fighting Cycnus, c.540 BC (ceramic) by Painter of Berlin, (fl.c.550-530 BC); Ashmolean Museum

Background imageAnimal Skin Collection: St John the Baptist (tempera on panel)

St John the Baptist (tempera on panel)
BRN196620 St John the Baptist (tempera on panel) by German School, (15th century); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; German, out of copyright




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"Unveiling the Tales of Animal Skin: From Ancient Defenses to Cultural Artifacts" Witness the epic battle as Ankylosaurus dinosaurs utilize their impenetrable animal skin to defend themselves against a fearsome T-Rex. Journey to Bolivia and discover the intricate craftsmanship behind llama's soft and durable skin, cherished by locals for centuries. Explore Nabta Playa in Egypt, where an ingenious oval house made from animal skins stands with fire below ground, its smoke rising above - a testament to early human ingenuity. Immerse yourself in prehistoric times with an illustration showcasing a herbivorous diplodocus dinosaur gracefully feeding on leaves, highlighting the importance for survival. Step into Cleopatra's world through a captivating oil painting from 1887, where her regal attire adorned with luxurious animal skins symbolizes power and opulence. Delve into humanity's conquest of fire through an evocative illustration from L'Homme Primitif, reminding us how animal skins played a crucial role in providing warmth and protection during ancient times. Marvel at an 18th-century map depicting Quapaw tribe villages painted on buffalo skins – a testament to Native American creativity and resourcefulness in utilizing every part of animals they hunted. Uncover the secrets of ancient conical tepee-like shelters constructed using versatile animal hides that provided shelter for various indigenous communities throughout history. Observe Nootka Indian hunters wielding whaler harpoons captured in a black-and-white photograph from c1900 – their clothing crafted from sturdy animal skin enabling them to navigate treacherous waters with skillful precision. Step back in time as you wander through London's Skin Market captured by Thomas Dale in 1825 (1911), offering glimpses into society's reliance on animal skins for trade and commerce during that era.