Skip to main content

Antonio Collection (#38)

Antonio, a name that echoes through time and across continents

Background imageAntonio Collection: Court Dwarf Don Antonio el Ingl s

Court Dwarf Don Antonio el Ingl s
Court Dwarf Don Antonio el Ingls by VELAZQUEZ, pupil of (17th century). Portrait with mastiff dog and sword. Baroque

Background imageAntonio Collection: Spain

Spain. Reconquest. Storming of Seville by Ferdinand III of Castile (1248). Illustration of Juan Antonio de Vera y

Background imageAntonio Collection: HERNANDEZ AMORES, Germ n (1823-1894)

HERNANDEZ AMORES, Germ n (1823-1894). Saint Antonio Maria Claret. Portrait of Saint Anthony

Background imageAntonio Collection: ESQUIVEL Y SUAREZ DE URBINA, Antonio Marѡ(1806-1857)

ESQUIVEL Y SUAREZ DE URBINA, Antonio Marѡ(1806-1857)
ESQUIVEL Y SUAREZ DE URBINA, Antonio MarС (1806-1857). The Gathering of the Poets. Work also known as The Contemporary

Background imageAntonio Collection: CLARET, Saint Antonio Mar�(1807-1870). Spanish

CLARET, Saint Antonio Mar�(1807-1870). Spanish
CLARET, Saint Antonio Maric (1807-1870). Spanish prelate. Copy by F. Padial after a painting by Vicente L󰥺. Oil on canvas. SPAIN. Madrid. Museo Nacional del Romanticismo

Background imageAntonio Collection: VAN LOO, Louis Michel (1707-1771). Philip V

VAN LOO, Louis Michel (1707-1771). Philip V

Background imageAntonio Collection: The Young Saviour. 15th c. - 16th c. Painting

The Young Saviour. 15th c. - 16th c. Painting attributed to Giovanni Antonio Boltraffio, belonging to Leonardo da Vincis school. Renaissance art. Oil on wood. SPAIN. Madrid

Background imageAntonio Collection: CARNICERO, Antonio (1748-1814). The Ascent of

CARNICERO, Antonio (1748-1814). The Ascent of the Montgolfier Balloon at Aranjuez. 1792. It is supposed to be Vicente Lunardis ascent in the Retiro. Oil on canvas. SPAIN. Madrid. Prado Museum

Background imageAntonio Collection: Sagrada Familia interior

Sagrada Familia interior
Sagrada Familia church in Barcelona, designed by Catalan architect Antoni Gaudi (1852 - 1926). Interior: vaulted ceiling over columns in the main nave, and one of the side naves

Background imageAntonio Collection: GOMEZ Y CROS, Antonio (end 18th century-1863)

GOMEZ Y CROS, Antonio (end 18th century-1863)

Background imageAntonio Collection: ADAN, Juan Antonio (1741-1816)

ADAN, Juan Antonio (1741-1816). Bust of Manuel Gody. Neoclassicism. Sculpture on marble

Background imageAntonio Collection: CARNICERO, Antonio (1748-1814); CARNICERO, Antonio (1748-181

CARNICERO, Antonio (1748-1814); CARNICERO, Antonio (1748-1814). The Ascent of the Montgolfier Balloon at Aranjuez; The

Background imageAntonio Collection: AGUIRRE, Domingo de (18th c. ). San Antonio Square

AGUIRRE, Domingo de (18th c. ). San Antonio Square
AGUIRRE, Domingo de (18th c.). San Antonio Square, Aranjuez. ca. 1773. Oil on canvas. SPAIN. Madrid. Lạ ro Galdiano Foundation

Background imageAntonio Collection: CAPMANY Y DE MONTPALAU, Antonio de (1742-1813)

CAPMANY Y DE MONTPALAU, Antonio de (1742-1813). Spanish enlightened historian and philologist. Portrait by Manuel Ferran. SPAIN. Barcelona. Gallery of Famous Catalans. Requesens Palace

Background imageAntonio Collection: Astronomical and physical observations in the

Astronomical and physical observations in the Kingdom of Per� de by Antonio de Ulloa and Jorge Juan. Printed in Madrid in 1783. Illustration from the 3rd Book. Etching. SPAIN. Madrid

Background imageAntonio Collection: ULLOA, Antonio de (1716-1795). Engraving

ULLOA, Antonio de (1716-1795). Engraving

Background imageAntonio Collection: MONLEON Y TORRES, Rafael (1835-1900). Combat

MONLEON Y TORRES, Rafael (1835-1900). Combat
" MONLEON Y TORRES, Rafael (1835-1900). Combat between the Spanish " Catalan" against the British Mary. 1888

Background imageAntonio Collection: MAURA, Antonio (1853-1925). Spanish conservative

MAURA, Antonio (1853-1925). Spanish conservative politician. Oil on canvas. SPAIN. Madrid. Royal Academy of Jurisprudence and Legislation

Background imageAntonio Collection: Wilfred the Hairy (840-897). Death of the Count

Wilfred the Hairy (840-897). Death of the Count
" Wilfred " the Hairy" (840-897). Death of the Count Wilfred the Hairy. Work by BEJAR Y NOVELLA, Pablo Antonio de (1869-1921). Oil on canvas."

Background imageAntonio Collection: Cremona fidelissima cittଠet nobilissima colonia

Cremona fidelissima cittଠet nobilissima colonia
Cremona fidelissima cittଠ et nobilissima colonia dei romani. Book of Antonio Campo (1585). Philip II wives: Maria Manuela, Princess of Portugal, Mary I of England

Background imageAntonio Collection: PEREZ, Antonio (1540-1611). Spanish politician

PEREZ, Antonio (1540-1611). Spanish politician

Background imageAntonio Collection: Juan Antonio Melendez Valdes

Juan Antonio Melendez Valdes
GOYA Y LUCIENTES, Francisco de (1746-1828). Juan Antonio Melendez Valdes. Based on the painting by Francisco de Goya. Oil on canvas

Background imageAntonio Collection: famous Martincho places the banderillas

famous Martincho places the banderillas
GOYA Y LUCIENTES, Francisco de (1746-1828). The famous Martincho (probably Antonio Ebassum) places the banderillas

Background imageAntonio Collection: MACHADO, Antonio (1875-1939)

MACHADO, Antonio (1875-1939). Spanish poet from the Generation of 1898. Portrait of Antonio Machado. Oil on canvas

Background imageAntonio Collection: SOROLLA, JOAQUЎ(1863-1923);JIMENEZ

SOROLLA, JOAQUЎ(1863-1923);JIMENEZ
RODRIGUEZ, Jos (-1792); SALVADOR CARMONA, Juan Antonio (1740-1805). Bartolom Leonardo de Argensola. Engraving

Background imageAntonio Collection: (Martincho, probably Antonio Ebassum) throws a bull in the r

(Martincho, probably Antonio Ebassum) throws a bull in the r
GOYA Y LUCIENTES, Francisco de (1746-1828). The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring

Background imageAntonio Collection: The daring of Martincho in the ring at Saragossa

The daring of Martincho in the ring at Saragossa
GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. Plate

Background imageAntonio Collection: Gaudi Skeletons

Gaudi Skeletons
Skeletons used by Catalan designer and architect, Antonio Gaudi (1852-1926), for the study of the structure and movements of the human body in order to create sculptures for the Sagrada Familia

Background imageAntonio Collection: JOLI de DIPI, Antonio (1700-1770)

JOLI de DIPI, Antonio (1700-1770). Alcal Street. Oil on canvas

Background imageAntonio Collection: PEREDA, ANTONIO DE (1608-1678)

PEREDA, ANTONIO DE (1608-1678)
PEREDA, Antonio de (1608-1678). The Relief of Genoa. Baroque art. Oil on canvas

Background imageAntonio Collection: A Madman Lays Down his Cape for the Infant Saint Francis

A Madman Lays Down his Cape for the Infant Saint Francis to Walk Upon. Viladomat i Manalt, Antoni (1678-1755). Oil on canvas

Background imageAntonio Collection: Saint Ignatius of Loyola

Saint Ignatius of Loyola. Viladomat I Manalt, Antoni (1678-1755). Oil on canvas

Background imageAntonio Collection: Canova (Relief)

Canova (Relief)
Marchese ANTONIO CANOVA Italian sculptor Date: 1757 - 1822

Background imageAntonio Collection: Canova (Thomson)

Canova (Thomson)
Marchese ANTONIO CANOVA Italian sculptor, in later life. Date: 1757 - 1822

Background imageAntonio Collection: Canova (Suhrlandt)

Canova (Suhrlandt)
Marchese ANTONIO CANOVA Italian sculptor wearing a fancy lace collar. Date: 1757 - 1822

Background imageAntonio Collection: Canova (Lawrence)

Canova (Lawrence)
Marchese ANTONIO CANOVA Italian sculptor Date: 1757 - 1822

Background imageAntonio Collection: Canova (Bust)

Canova (Bust)
Marchese ANTONIO CANOVA Italian sculptor as he saw himself. Date: 1757 - 1822

Background imageAntonio Collection: Canova (Rossi)

Canova (Rossi)
Marchese ANTONIO CANOVA Italian sculptor Date: 1757 - 1822

Background imageAntonio Collection: Canova (Deathbed)

Canova (Deathbed)
Marchese ANTONIO CANOVA Italian sculptor on his deathbed. Date: 1757 - 1822

Background imageAntonio Collection: Canova (Jackson)

Canova (Jackson)
Marchese ANTONIO CANOVA Italian sculptor with his autograph Date: 1757 - 1822

Background imageAntonio Collection: BEST & SIMOES, c1977. George Best of the L. A. Aztecs competes for the ball against Antnio Simes

BEST & SIMOES, c1977. George Best of the L. A. Aztecs competes for the ball against Antnio Simes of the San Jose
BEST & SIMOES, c1977. George Best of the L.A. Aztecs competes for the ball against Antonio Simoes of the San Jose Earthquakes, c1977

Background imageAntonio Collection: Florencio Arciniega, Jr. (right), a college student working for the Arizona State Employment

Florencio Arciniega, Jr. (right), a college student working for the Arizona State Employment Service under the federal
STUDENT VOLUNTEER, 1972. Florencio Arciniega, Jr. (right), a college student working for the Arizona State Employment Service under the federal UYA (University Year for ACTION) program

Background imageAntonio Collection: VENICE: DOGEs PALACE. Meeting of senators at the Doges Palace in Venice, Italy

VENICE: DOGEs PALACE. Meeting of senators at the Doges Palace in Venice, Italy. Engraving after a painting by Giovanni Antonio Canaletto, 18th century

Background imageAntonio Collection: EL ESCORIAL: HIERONYMITES. Hieronymite monks at El Escorial in Spain

EL ESCORIAL: HIERONYMITES. Hieronymite monks at El Escorial in Spain. Wood engraving from Historia Descriptiva, by Antonio Rotondo, c1860

Background imageAntonio Collection: SPAIN: EL ESCORIAL, c1860. The eastern facade of El Escorial Palace in Spain

SPAIN: EL ESCORIAL, c1860. The eastern facade of El Escorial Palace in Spain. Wood engraving from Historia Descriptiva, by Antonio Rotondo, c1860

Background imageAntonio Collection: EGYPT: TEMPLE OF ISIS. The Temple of Isis, built in the 4th century B. C

EGYPT: TEMPLE OF ISIS. The Temple of Isis, built in the 4th century B. C. on the island of Philae in the Nile River
EGYPT: TEMPLE OF ISIS. The Temple of Isis, built in the 4th century B.C. on the island of Philae in the Nile River, Egypt. Photograph by Antonio Beato, c1875

Background imageAntonio Collection: ESCORIAL: GARDENS. Pond and gardens in El Escorial palace and monastery in Spain

ESCORIAL: GARDENS. Pond and gardens in El Escorial palace and monastery in Spain. Wood engraving from Historia Descriptiva, by Antonio Rotondo, c1860

Background imageAntonio Collection: ESCORIAL: PRINCEs HOUSE. The House of the Prince (Casita del Príncipe)

ESCORIAL: PRINCEs HOUSE. The House of the Prince (Casita del Príncipe), in San Lorenzo de El Escorial. Wood engraving from Historia Descriptiva, by Antonio Rotondo, c1860




For sale as Licensed Images

Choose your image, Select your licence and Download the media

Antonio, a name that echoes through time and across continents. From the enchanting city of Venice, where the Grand Canal weaves its way through ancient buildings, to the captivating paintings Maria Fabres y Costa depicting The Thief in all his mysterious glory. In the world of music, Antonio Vivaldi reigns supreme. His compositions transport us to another era, evoking emotions with every note. And let's not forget about Gioachino Antonio Rossini, an Italian composer whose melodies still resonate in our hearts today. But it doesn't stop there; history has witnessed great figures bearing this illustrious name. Benito Juarez's triumphant return to Mexico City after years of struggle is immortalized by Orozco's masterpiece. Jose Antonio Primo de Rivera stands as a symbol of Spanish politics and founder of the Falange movement. Travel takes us to Port Antonio in Jamaica, where Titchfield Hotel offers a glimpse into paradise on earth. With its pristine beaches and lush landscapes, it's no wonder why visitors are captivated by its beauty. Art lovers marvel at Canova's Eros and Psyche sculpture - a testament to love's enduring power captured in marble for eternity. Antonio - a name that encompasses artistry, resilience, and cultural significance throughout centuries past and present. Whether it be through canals or canvases or even political movements like Remembering the Alamo - this name leaves an indelible mark on our collective memory.