Apocalypse Collection (#7)

Curtain of Revelation (1373 -1383). Na 31 high: Jean surprised by the resurrection of
JLJ4673694 Curtain of Revelation (1373 -1383). NA 31 high: Jean surprised by the resurrection of the two friends. NA 38 bottom

Royaumont Bible, New Testament: Seven seals of the book opened by the Lamb
XEE4137920 Royaumont Bible, New Testament: Seven seals of the book opened by the Lamb. The twenty four elders prostrate before the throne surrounded by a lion, an ox

Royaumont Bible, New Testament: The fifth and sixth trumpet of Revelation
XEE4137926 Royaumont Bible, New Testament: The fifth and sixth trumpet of Revelation. The grasshoppers and the four angels. Illustration from 1811

Right panel of the Polyptych of Revelation: representation of the seven Kings who will
LRI4601047 Right panel of the Polyptych of Revelation: representation of the seven Kings who will then be incarnated by the Bete with seven heads

Gothic Art: Last judgment, Damned in hell, Detail of reliefs of Pulpit, 1265-1268
LRI4584332 Gothic Art: Last judgment, Damned in hell, Detail of reliefs of Pulpit, 1265-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena

Last judgment, the elected, detail from the Pulpit, 1266-1268
LRI4584134 Last judgment, the elected, detail from the Pulpit, 1266-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena, Italy; (add.info)

The old men of the Revelation. Anonymous painter of Central Italy, 13th center
LRI4690095 The old men of the Revelation. Anonymous painter of Central Italy, 13th center.Italy, Anagni, Crypt of the Cathedrale, central absyd by Italian School, (13th century); Anagni Cathedral

The destruction of Babylon Miniature taken from "The Apocalypse of Cambrai"
JLJ4670942 The destruction of Babylon Miniature taken from " The Apocalypse of Cambrai" enluminated by the French School of the 13th century. Ms. 422

Hanging of the Revelation (1373-1383), angels carrying instruments of the Passion
JLJ4599379 Hanging of the Revelation (1373-1383), angels carrying instruments of the Passion. Tapestry by Nicolas Bataille (1330-1405), 14th century

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613324 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

After the Bath, (oil on canvas)
989508 After the Bath, (oil on canvas) by Zatzka, Hans (1859-1945); 63.5x48.9 cm; Private Collection; (add.info.: After the Bath. Hans Zatzka (1859-1945). Oil on canvas

Scene in the Tent of Edward The Black Prince after the Battle of Poitiers
658318 Scene in the Tent of Edward The Black Prince after the Battle of Poitiers: He Treated King John like an Honoured Guest, When at the Feast He Sate, For with Reverend Air and Forehead Bare

Vision de la bete a sept tetes (engraving)
3625729 Vision de la bete a sept tetes (engraving) by French School, (19th century); Private Collection; (add.info.: Vision de la bete a sept tetes)

The Apocalypse. (engraving, 1606)
5975532 The Apocalypse. (engraving, 1606) by German School, (17th century); Private Collection; (add.info.: Religion. Bible. New Testament. Revelation: resurrection of the dead)

Ms65 f3v, Commentary on the Apocalypse of St John, late 13th century
833773 Ms65 f3v, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Ms65 f28r, Commentary on the Apocalypse of St John, late 13th century
833767 Ms65 f28r, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

The Apocalypse: The Beast with Two Horns Like a Lamb, 1496-97 (woodcut)
877226 The Apocalypse: The Beast with Two Horns Like a Lamb, 1496-97 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); 38.8x27.9 cm; Sterling and Francine Clark Art Institute, Williamstown

The Apocalypse, title page, 1511 (woodcut)
741849 The Apocalypse, title page, 1511 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); 38.2x26.4 cm; Fitzwilliam Museum, University of Cambridge

Biblical Destruction Scene (oil on canvas)
TW426993 Biblical Destruction Scene (oil on canvas) by Martin, John (1789-1854) (follower of); 91.4x121.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

The End of the World, 1910 (litho)
3091225 The End of the World, 1910 (litho) by French School, (20th century); Private Collection; (add.info.: The End of the World, 1910. Postcard, early 20th century.); © Look and Learn

The Revelation of St John: 15. The Angel with the Key to the Bottomless Pit (woodcut)
1578234 The Revelation of St John: 15. The Angel with the Key to the Bottomless Pit (woodcut) by DAorer or Duerer, Albrecht (1471-1528); (add.info.: Martin Luther)

Eastern Orthodox monastery on Meteora rock, Thessaly, Greece. Monastero della Tessaglia detto Meteora. Handcoloured copperplate engraving by Bennardoni from Giulio Ferrarios Costumes Ancient

The Seven Angels of the Apocalypse Receive the Seven Flasks, 1360-70 (fresco)
ALI282997 The Seven Angels of the Apocalypse Receive the Seven Flasks, 1360-70 (fresco) by Menabuoi, Giusto di Giovanni de (d.1393); Padua Baptistery, Padua

The woman clothed with the sun and the seven-headed dragon, 1360-70 (fresco)
ALI208418 The woman clothed with the sun and the seven-headed dragon, 1360-70 (fresco) by Menabuoi, Giusto di Giovanni de (d.1393); Padua Baptistery, Padua

Ms 422 fol. 22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum)
XCM203297 Ms 422 fol.22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum) by French School, (13th century); Bibliotheque Municipale, Cambrai

Book of Revelation, Chapter XXV, from the Luther Bible, c. 1530 (coloured woodcut)
BAL34276 Book of Revelation, Chapter XXV, from the Luther Bible, c.1530 (coloured woodcut) by German School, (16th century); Bible Society, London, UK; German, out of copyright

Representation of the Revelation in "Catena in Job"
GIA4816295 Representation of the Revelation in " Catena in Job", Greek manuscript from the beginning of the 10th century. Bibl. Marciana from Venice

Hanging of Revelation (1373 -1383), No. 6 and No. 10: No
JLJ4669067 Hanging of Revelation (1373 -1383), No. 6 and No. 10: No. 6 high: John cries for not being able to open the book, an old man the console; No

Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist
LRI4600994 Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390

Polyptych of Apocalypse: inner left panel. The harvest. 1360-1390 (Detrempe on panel)
LRI4600990 Polyptych of Apocalypse: inner left panel. The harvest. 1360-1390 (Detrempe on panel) by Alberegno, Jacopo (d. 1397); Gallerie dell Accademia, Venice

Hanging of Revelation (1373-1383), n. 72: Satan besieges the City. N
JLJ4599561 Hanging of Revelation (1373-1383), n. 72: Satan besieges the City. N. 74: Saint John before Christ. Tapestry by Nicolas Bataille (1330-1405), 14th century

Hanging of Revelation (1373-1383), n. 46: the Bete brings its number to all: 666
JLJ4599527 Hanging of Revelation (1373-1383), n. 46: the Bete brings its number to all: 666. Below, n. 53, the harvest of the elected. Tapestry by Nicolas Bataille (1330-1405), 14th century

Hanging of Revelation (1373-1383). N. 44 high: the bete has seven heads. N
JLJ4575014 Hanging of Revelation (1373-1383). N. 44 high: the bete has seven heads. N. 51 low: The sleep of the righteous. Tapestry by Nicolas Bataille (1330-1405), 14th century

The Resurrection of the Dead (Fresco, 1499-1504)
LRI4580260 The Resurrection of the Dead (Fresco, 1499-1504) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

View of the tympanum of last judgment, christ between paradise and hell (sculpture
LRI4721013 View of the tympanum of last judgment, christ between paradise and hell (sculpture, 1130-1140) by Romanesque, (12th century); Church of St

Last judgment, the elected, detail from the Pulpit, 1266-1268
LRI4584185 Last judgment, the elected, detail from the Pulpit, 1266-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena, Italy; (add.info)

Hanging of Revelation (1373-1383), 14: seven angels before God. Below, n
JLJ4686966 Hanging of Revelation (1373-1383), 14: seven angels before God. Below, n. 19, an angel resounds his olifant (oliphant). Tapestry by Nicolas Bataille (1330-1405), 14th century

The ten kings of the apocalypse weapons of spears and shields with their troops
JLJ4686590 The ten kings of the apocalypse weapons of spears and shields with their troops. Miniature in " Beatus de Liebana, Commentary on the Apocalypse" (Folio 193), by Stephanus Garcia

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613341 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)
LRI4613261 The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

Babylon ruin - The Fall of Babylon - Babylon in Ruin (vision of Saint John
XEE4161004 Babylon ruin - The Fall of Babylon - Babylon in Ruin (vision of Saint John) - Engraving in " The Bible illustree" by Gustave Dore (1832-1883)

Royaumont Bible, New Testament: Dragon of Revelation. Seven Angels pour out the contents
XEE4137909 Royaumont Bible, New Testament: Dragon of Revelation. Seven Angels pour out the contents of their cup, symbol of Gods anger, on earth. Illustration from 1811

Royaumont Bible, New Testament: Ruin of Babylon. Babylon on fire
XEE4137906 Royaumont Bible, New Testament: Ruin of Babylon. Babylon on fire, an angel throws a stone at the sea, symbolizing the destruction of this city during the Revelation

After the Masked Ball, 1871 (oil on canvas)
659021 After the Masked Ball, 1871 (oil on canvas) by Chaplin, Charles Joshua (1825-91); 75.5x44.5 cm; Private Collection; (add.info.: After the Masked Ball. Charles Chaplin (1825-1891)

The Last Angel, 1912 (tempera on cardboard)
5642593 The Last Angel, 1912 (tempera on cardboard) by Roerich, Nicholas (1874-1947); 52.5A--73.8 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian, out of copyright

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"The Apocalypse Unveiled: A Journey through Time and Chaos" Step into the realm of darkness and despair as we explore the captivating world of the apocalypse. From ancient manuscripts to modern artworks, these haunting images depict a future shrouded in uncertainty. In "The Dance of Death" by Michael Wolgemut, we witness a macabre spectacle where death himself leads humanity towards their inevitable demise. This chilling portrayal reminds us of our mortality and the fragility of life. Gustave Dor's wood engraving, "Vision of Death, " presents a pale horseman from Revelation 6:8, symbolizing pestilence and destruction. The ominous figure serves as a reminder that no one can escape death's grip when it arrives on its pale steed. The "War in Heaven" painting from 1480 depicts an epic battle between celestial forces, inspired by passages from Revelation XII and XIII. It showcases the cosmic struggle between good and evil, foretelling an apocalyptic clash that will shape our destiny. A chronological chart brings together visions from Daniel and John in vivid detail. This intricate lithograph illustrates prophecies spanning centuries, offering glimpses into cataclysmic events yet to come. Within the Book of Revelation lies both hope and terror. Its pages reveal divine revelations about mankind's fate during tumultuous times. As we delve into this prophetic text, we uncover mysteries waiting to be deciphered. Planet Earth crumbles under human hands in a poignant image depicting our destructive nature. We are reminded that our actions have consequences – ones that may lead us down a path towards apocalypse if left unchecked. Illustrations from Low German Luther Bibles transport us back to medieval times when fear gripped hearts with tales of impending doom. These haunting visuals serve as cautionary reminders for generations past and present alike. Jacques Callot's masterpiece "Tentation de St Antoine" takes us on an allegorical journey through temptation and torment.