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Apocrypha Collection

"Apocrypha: Unveiling the Hidden Stories through Art" In Raphael and Tobias, 1507-8 (oil on panel), we witness the bond between a young man and an angelic figure

Background imageApocrypha Collection: ASMODEUS. Asmodeus, the biblical demon of anger and lust (Tobit, 3: 8)

ASMODEUS. Asmodeus, the biblical demon of anger and lust (Tobit, 3: 8). Wood engraving, French, 19th century
ASMODEUS. Asmodeus, the biblical demon of anger and lust (Tobit, 3:8). Wood engraving, French, 19th century

Background imageApocrypha Collection: Raphael and Tobias, 1507-8 (oil on panel)

Raphael and Tobias, 1507-8 (oil on panel)
FTB64568 Raphael and Tobias, 1507-8 (oil on panel) by Titian, Tiziano Vecelli (c.1488-1576) (follower); 170x146 cm; Gallerie dell Accademia, Venice, Italy; Italian, out of copyright

Background imageApocrypha Collection: Susanna Before Daniel, 1607. Creator: Willem van Swanenburg

Susanna Before Daniel, 1607. Creator: Willem van Swanenburg
Susanna Before Daniel, 1607. Series: Thronus Justitiae, pl. 3

Background imageApocrypha Collection: Apocripha, Printed 1643. Creators: Wolfgang Endter, Peter Paul Troschel

Apocripha, Printed 1643. Creators: Wolfgang Endter, Peter Paul Troschel
Apocripha, Printed 1643

Background imageApocrypha Collection: Tobias and the Angel, c. 1530 (oil on canvas)

Tobias and the Angel, c. 1530 (oil on canvas)
ALI186545 Tobias and the Angel, c.1530 (oil on canvas) by Savoldo, Giovanni Girolamo (c.1480-p.1548); Galleria Borghese, Rome, Lazio, Italy; Alinari

Background imageApocrypha Collection: Harrowing of hell from the Illustrated Vita Christi Ms 101 fol. 82v, c

Harrowing of hell from the Illustrated Vita Christi Ms 101 fol. 82v, c. 1190-1200 (tempera, gold and ink on parchment)
1765691 Harrowing of hell from the Illustrated Vita Christi Ms 101 fol. 82v, c.1190-1200 (tempera, gold and ink on parchment) by English School, (12th century); 11.9 x 17 cm cm; J

Background imageApocrypha Collection: Judith II (Salome) 1909 (oil on canvas)

Judith II (Salome) 1909 (oil on canvas)
BAL7030 Judith II (Salome) 1909 (oil on canvas) by Klimt, Gustav (1862-1918); 178x46 cm; Galleria Internazionale d Arte Moderna, Ca Pesaro, Venice, Italy

Background imageApocrypha Collection: Judith with the Head of Holofernes, c. 1615 (oil on canvas)

Judith with the Head of Holofernes, c. 1615 (oil on canvas)
BEN79578 Judith with the Head of Holofernes, c.1615 (oil on canvas) by Allori, Cristofano (1577-1621); Palazzo Pitti, Florence

Background imageApocrypha Collection: Judas the Maccabee receives a golden sword

Judas the Maccabee receives a golden sword
3764304 Judas the Maccabee receives a golden sword by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Judas the Maccabee receives a golden sword)

Background imageApocrypha Collection: An angel leads the Israelites, 2 Maccabees

An angel leads the Israelites, 2 Maccabees
3764302 An angel leads the Israelites, 2 Maccabees by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: An angel leads the Israelites)

Background imageApocrypha Collection: The Marriage of the Virgin, 1668 (oil on canvas on wood panel)

The Marriage of the Virgin, 1668 (oil on canvas on wood panel)
3588529 The Marriage of the Virgin, 1668 (oil on canvas on wood panel) by Ramirez, Pedro (1638-79); 192.1x128 cm; Los Angeles County Museum of Art, CA

Background imageApocrypha Collection: Christ in the Realm of the Dead, 1891-94 (oil on canvas)

Christ in the Realm of the Dead, 1891-94 (oil on canvas)
1273900 Christ in the Realm of the Dead, 1891-94 (oil on canvas) by Skovgaard, Joakim (1856-1933); 351.5x489 cm; Statens Museum for Kunst, Copenhagen

Background imageApocrypha Collection: Ms Lat. Q. v. I. 126 f. 40 Tobias and the Angel, from the Book of Hours of Louis d

Ms Lat. Q. v. I. 126 f. 40 Tobias and the Angel, from the Book of Hours of Louis d
XJL197022 Ms Lat.Q.v.I.126 f.40 Tobias and the Angel, from the Book of Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); National Library, St

Background imageApocrypha Collection: The Angel Raphael Takes Leave of Old Tobit and his Son Tobias, 1618 (oil on panel)

The Angel Raphael Takes Leave of Old Tobit and his Son Tobias, 1618 (oil on panel)
1249129 The Angel Raphael Takes Leave of Old Tobit and his Son Tobias, 1618 (oil on panel) by Lastman, Pieter (1583-1633); 62x93 cm; Statens Museum for Kunst, Copenhagen

Background imageApocrypha Collection: Tobias Restoring his Fathers Sight, 1652 (oil on canvas)

Tobias Restoring his Fathers Sight, 1652 (oil on canvas)
BWM150050 Tobias Restoring his Fathers Sight, 1652 (oil on canvas) by Pereda y Salgado, Antonio (1611-78); 192x157 cm; The Bowes Museum, Barnard Castle, County Durham, UK; eBowes Museum; Spanish

Background imageApocrypha Collection: The Marriage of Tobias, detail from a series of panels on the organ parapet depicting

The Marriage of Tobias, detail from a series of panels on the organ parapet depicting
PWI90036 The Marriage of Tobias, detail from a series of panels on the organ parapet depicting Scenes from the Story of Tobias, 1750-53 (oil on panel) by Guardi

Background imageApocrypha Collection: Simon is appointed high priest, 1 Maccabees

Simon is appointed high priest, 1 Maccabees
3764295 Simon is appointed high priest, 1 Maccabees by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Simon is appointed high priest by the people)

Background imageApocrypha Collection: Tobias and the Archangel Raphael, c. 1650 (oil on copper)

Tobias and the Archangel Raphael, c. 1650 (oil on copper)
3700776 Tobias and the Archangel Raphael, c.1650 (oil on copper) by Elsheimer, Adam (1578-1610) (after); 19.3x27.6 cm; National Gallery, London

Background imageApocrypha Collection: Ms Lat. Q. v. I. 126 f. 52 Assyrians deserting their camp in panic

Ms Lat. Q. v. I. 126 f. 52 Assyrians deserting their camp in panic
XJL197027 Ms Lat. Q.v.I.126 f.52 Assyrians deserting their camp in panic, from the Book of Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); total:225x155 cm; National Library

Background imageApocrypha Collection: The Healing of Tobit, early 1630s

The Healing of Tobit, early 1630s
BOO73021 The Healing of Tobit, early 1630s by Strozzi, Bernardo (1581-1644); 158x223.5 cm; State Hermitage Museum, St. Petersburg, Russia; Italian, out of copyright

Background imageApocrypha Collection: Susanna Brought to Judgement, 17th century (pen & ink on paper)

Susanna Brought to Judgement, 17th century (pen & ink on paper)
AMO112261 Susanna Brought to Judgement, 17th century (pen & ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); 23.8x19.6 cm; Ashmolean Museum, University of Oxford

Background imageApocrypha Collection: The Coronation of the Virgin (mosaic)

The Coronation of the Virgin (mosaic)
BAT192529 The Coronation of the Virgin (mosaic) by Gaddi, Gaddo di Zanobi (fl.1308-30); Duomo, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageApocrypha Collection: Landscape with Tobias and the Angel (oil on wood)

Landscape with Tobias and the Angel (oil on wood)
3959990 Landscape with Tobias and the Angel (oil on wood) by Patenier or Patinir, Joachim (1487-1524); 33.2 x 46.6 cm; Kunstmuseum, Basel, Switzerland; (add.info.: By Patenir or his circle)

Background imageApocrypha Collection: Joachim and Anne at the Golden Gate, c. 1437-40 (mixed technique on wood)

Joachim and Anne at the Golden Gate, c. 1437-40 (mixed technique on wood)
3956018 Joachim and Anne at the Golden Gate, c.1437-40 (mixed technique on wood) by Witz, Konrad (1400/10-44/6); 158x120.5 cm; Kunstmuseum, Basel

Background imageApocrypha Collection: Joachim and Anne choosing a Lamb for Sacrifice, 1512 (tempera on canvas laid down on wood

Joachim and Anne choosing a Lamb for Sacrifice, 1512 (tempera on canvas laid down on wood
3740432 Joachim and Anne choosing a Lamb for Sacrifice, 1512 (tempera on canvas laid down on wood) by Fries, Hans (1470-1518); 87.5 x 56.5 cm; Kunstmuseum, Basel

Background imageApocrypha Collection: Daniel spares Susannas life, Susanna and Daniel

Daniel spares Susannas life, Susanna and Daniel
3764306 Daniel spares Susannas life, Susanna and Daniel by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Daniel spares Susannas life)

Background imageApocrypha Collection: Judith returns to her people, book of Judith

Judith returns to her people, book of Judith
3764278 Judith returns to her people, book of Judith by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Judith returns to her people, Judith chapter XIII verses 11-12 From a distance)

Background imageApocrypha Collection: Judith beheads Holofernes, book of Judith

Judith beheads Holofernes, book of Judith
3764275 Judith beheads Holofernes, book of Judith by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Judith beheads Holofernes)

Background imageApocrypha Collection: Tobias Curing His Fathers Blindness, 1630-35 (oil on canvas)

Tobias Curing His Fathers Blindness, 1630-35 (oil on canvas)
3618025 Tobias Curing His Fathers Blindness, 1630-35 (oil on canvas) by Strozzi, Bernardo (1581-1644); 146.1 x 223.5 cm; Metropolitan Museum of Art, New York

Background imageApocrypha Collection: Tobit and Anna with the Kid, 1626 (oil on panel)

Tobit and Anna with the Kid, 1626 (oil on panel)
3545934 Tobit and Anna with the Kid, 1626 (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 39.5x30 cm; Rijksmuseum, Amsterdam

Background imageApocrypha Collection: Tobias and the Angel, c. 1625 (pen and ink on paper)

Tobias and the Angel, c. 1625 (pen and ink on paper)
XKH145227 Tobias and the Angel, c.1625 (pen and ink on paper) by Moeyaert, Nicolaes (Claes) Cornelisz (c.1592-1655); 11x20.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Background imageApocrypha Collection: Tobias and the Angel, 15th century (oil on panel)

Tobias and the Angel, 15th century (oil on panel)
AMO98799 Tobias and the Angel, 15th century (oil on panel) by Meloni, Altobello (fl.1497-1517); 112x48 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Background imageApocrypha Collection: Ms Lat. Q. v. I. 126 f. 44 Susannah and the Elders, from the

Ms Lat. Q. v. I. 126 f. 44 Susannah and the Elders, from the
XJL197023 Ms Lat. Q.v.I.126 f.44 Susannah and the Elders, from the Book of Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); National Library, St

Background imageApocrypha Collection: Archangel Raphael (oil on panel)

Archangel Raphael (oil on panel)
BRN194348 Archangel Raphael (oil on panel) by American School; The Barnes Foundation, Philadelphia, Pennsylvania, USA; (add.info.: unknown New Mexican Folk Artist; ); eBarnes Foundation; American

Background imageApocrypha Collection: The Archangel Raphael taking leave of Tobit and his family (oil on panel)

The Archangel Raphael taking leave of Tobit and his family (oil on panel)
6265970 The Archangel Raphael taking leave of Tobit and his family (oil on panel) by Rembrandt Harmensz. van Rijn, (1606-69) (studio of); 66x49.5 cm; Private Collection; (add.info)

Background imageApocrypha Collection: Judas the Maccabee defeats his enemies, 1 Maccabees (engraving)

Judas the Maccabee defeats his enemies, 1 Maccabees (engraving)
3764291 Judas the Maccabee defeats his enemies, 1 Maccabees (engraving) by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Judas the Maccabee defeats his enemies)

Background imageApocrypha Collection: Susanna and the elders, Susanna and Daniel

Susanna and the elders, Susanna and Daniel
3764307 Susanna and the elders, Susanna and Daniel by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Susanna and the two elders)

Background imageApocrypha Collection: Martyrdom of the seven sons, 2 Maccabees

Martyrdom of the seven sons, 2 Maccabees
3764299 Martyrdom of the seven sons, 2 Maccabees by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Martyrdom of the seven sons and their mother)

Background imageApocrypha Collection: Mathathias and his sons flee the city, 1 Maccabees

Mathathias and his sons flee the city, 1 Maccabees
3764290 Mathathias and his sons flee the city, 1 Maccabees by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Mathathias and his sons flee the city, 1 Maccabees chapter II verses 28-30 So he)

Background imageApocrypha Collection: Joachim and Anne at the Golden Gate, 1512 (tempera on canvas laid down on wood)

Joachim and Anne at the Golden Gate, 1512 (tempera on canvas laid down on wood)
3740430 Joachim and Anne at the Golden Gate, 1512 (tempera on canvas laid down on wood) by Fries, Hans (1470-1518); 108.2 x 57.8 cm; Kunstmuseum, Basel

Background imageApocrypha Collection: Illustration To The Play Vortigern And Rowena. From The Book Gallery Of Historical Portraits

Illustration To The Play Vortigern And Rowena. From The Book Gallery Of Historical Portraits Published C. 1880
Illustration To The Play Vortigern And Rowena. From The Book Gallery Of Historical Portraits Published C.1880

Background imageApocrypha Collection: THREE JEWISH HEROINES. Esther, Judith & Jael. Woodcut by Hans Burgkmair the Elder, 1519

THREE JEWISH HEROINES. Esther, Judith & Jael. Woodcut by Hans Burgkmair the Elder, 1519

Background imageApocrypha Collection: THREE JEWISH HEROINES. Esther, Judith and Jael. Woodcut by Hans Burgkmair the Elder

THREE JEWISH HEROINES. Esther, Judith and Jael. Woodcut by Hans Burgkmair the Elder, 1519

Background imageApocrypha Collection: The Annunciation to Joachim and Anne, from the Dome Altar, 1499 (tempera on panel)

The Annunciation to Joachim and Anne, from the Dome Altar, 1499 (tempera on panel)
XKH145502 The Annunciation to Joachim and Anne, from the Dome Altar, 1499 (tempera on panel) by Stumme, Absolon (15th century); 233x171 cm; Hamburger Kunsthalle, Hamburg

Background imageApocrypha Collection: The Marriage of the Virgin, 1833 (oil on canvas)

The Marriage of the Virgin, 1833 (oil on canvas)
XOS1448823 The Marriage of the Virgin, 1833 (oil on canvas) by Langlois, Jerome Martin (1779-1838); 33.7x46.4 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: ); French, out of copyright

Background imageApocrypha Collection: St Anne Revealing to the Virgin the Prophecy of Isaiah, c. 1749 (oil on canvas)

St Anne Revealing to the Virgin the Prophecy of Isaiah, c. 1749 (oil on canvas)
XOS1448802 St Anne Revealing to the Virgin the Prophecy of Isaiah, c.1749 (oil on canvas) by Halle, Noel (1711-81); 62.6x41.3 cm; Los Angeles County Museum of Art, CA

Background imageApocrypha Collection: Susanna and the Elders, 1653 (oilon canvas)

Susanna and the Elders, 1653 (oilon canvas)
XOS1249134 Susanna and the Elders, 1653 (oilon canvas) by Jordaens, Jacob (1593-1678); 153.5x203 cm; Statens Museum for Kunst, Copenhagen




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"Apocrypha: Unveiling the Hidden Stories through Art" In Raphael and Tobias, 1507-8 (oil on panel), we witness the bond between a young man and an angelic figure, transcending earthly boundaries. Asmodeus, the biblical demon of anger and lust (Tobit, 3:8), is vividly depicted in a wood engraving from the 19th century French collection. The tale of Tobias continues with Tobias and the Angel, c. 1530 (oil on canvas), capturing their extraordinary journey. The Hours of Louis d Orleans reveals gruesome scenes as Assyrian troops behold the head of Holofernes impaled on a pike in Ms Lat. Q. v. I. 126 f. 49v (vellum). Judith's bravery shines through in Ms Lat. Q. v. I. 126 f. 47 as she triumphantly holds Holofernes' severed head high above her own. Delving deeper into religious narratives, we encounter the Harrowing of Hell from Illustrated Vita Christi Ms 101 fol. 82v, c1190-1200 (tempera, gold and ink on parchment). This mesmerizing artwork depicts Christ's descent into hell to liberate souls trapped by sin. The captivating details within Judith and Holofernes paintings offer glimpses into this legendary story's complexity - from servants holding bags for heads to generals' hands commanding power over life and death. Finally, Judith II (Salome) in 1909 portrays another interpretation of this iconic character with oil on canvas brushstrokes that evoke both strength and vulnerability. These artworks not only showcase artistic mastery but also shed light on lesser-known tales found within apocryphal texts – stories often excluded from official canons but still cherished for their profound impact on faith traditions throughout history.