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Applied Art Collection (#7)

"Exploring the Beauty of Applied Art

Background imageApplied Art Collection: Volier dans Castellazo, 1743 (hand coloured engraving)

Volier dans Castellazo, 1743 (hand coloured engraving)
985953 Volier dans Castellazo, 1743 (hand coloured engraving) by Re, Marc Antonio dal (1697-1766); 36.5x23.6 cm; Private Collection; (add.info.: Volier dans Castellazo)

Background imageApplied Art Collection: Book cover for The Fan by Octave Uzanne, with an oval portrait of a woman with

Book cover for The Fan by Octave Uzanne, with an oval portrait of a woman with
nineteenth century, close-up, 1880s, metal, book, binder, portrait style, female, quarter length, head and shoulders, women, shape, close up, shaped, apparel, fan, binding, illustrator, bust-length

Background imageApplied Art Collection: Binding with twenty-four portrait miniatures, from the book

Binding with twenty-four portrait miniatures, from the book
985739 Binding with twenty-four portrait miniatures, from the book French Characteristic Costumes by Richard Brinsley Peake, 1816 (light blue levant morocco leather, brown morocco leather, gilt)

Background imageApplied Art Collection: An architectural element designed for the Guaranty Building, Buffalo, New York

An architectural element designed for the Guaranty Building, Buffalo, New York
985645 An architectural element designed for the Guaranty Building, Buffalo, New York, circa 1895-6, c.1895-6 (copper-plated cast iron) by Sullivan

Background imageApplied Art Collection: A William Watt ebonised side cabinet, (ebonised side cabinet, brass handles)

A William Watt ebonised side cabinet, (ebonised side cabinet, brass handles)
985603 A William Watt ebonised side cabinet, (ebonised side cabinet, brass handles) by Godwin, Edward William (1833-86); 197.4x128.6x37.9 cm; Private Collection; (add.info)

Background imageApplied Art Collection: Lighted shade of a fine alamander leaded glass and bronze chandelier (leaded glass)

Lighted shade of a fine alamander leaded glass and bronze chandelier (leaded glass)
1765134 Lighted shade of a fine alamander leaded glass and bronze chandelier (leaded glass) by American School; Private Collection; (add.info)

Background imageApplied Art Collection: A Venetian giltwood throne chair covered in scarlet floral damask (giltwood, damask)

A Venetian giltwood throne chair covered in scarlet floral damask (giltwood, damask)
1765115 A Venetian giltwood throne chair covered in scarlet floral damask (giltwood, damask) by Italian School, (19th century); Private Collection; (add.info)

Background imageApplied Art Collection: A rare and important Momoyama period Christian folding lectern (shokendai) (wood)

A rare and important Momoyama period Christian folding lectern (shokendai) (wood)
1766603 A rare and important Momoyama period Christian folding lectern (shokendai) (wood) by Japanese School, (16th century); 36

Background imageApplied Art Collection: A large circular lacquer box and cover decorated in iroe hiramakie

A large circular lacquer box and cover decorated in iroe hiramakie
1766579 A large circular lacquer box and cover decorated in iroe hiramakie, ishime-ji and stained mother of pearl inlays with lotus flowers

Background imageApplied Art Collection: A Hukin & Heath electroplated Tantalus with ebonised bar handle, 1879

A Hukin & Heath electroplated Tantalus with ebonised bar handle, 1879
1764769 A Hukin & Heath electroplated Tantalus with ebonised bar handle, 1879 by Dresser, Christopher (1834-1904); 28 high cm; Private Collection; (add.info)

Background imageApplied Art Collection: A famille rose Butterfly vase, 1875-1908 (ceramic)

A famille rose Butterfly vase, 1875-1908 (ceramic)
1764941 A famille rose Butterfly vase, 1875-1908 (ceramic) by Chinese School (19th century); Private Collection; (add.info.: A famille rose Butterfly vase)

Background imageApplied Art Collection: Detail from a magnificent famille rose nine-peach globular bottle vase

Detail from a magnificent famille rose nine-peach globular bottle vase
1764852 Detail from a magnificent famille rose nine-peach globular bottle vase, 1735-1795 (porcelain) by Chinese School (18th century); 52.1 high cm; Private Collection; (add.info)

Background imageApplied Art Collection: A 17th century Ottoman Tekfur ceramic tile (ceramic)

A 17th century Ottoman Tekfur ceramic tile (ceramic)
1766431 A 17th century Ottoman Tekfur ceramic tile (ceramic) by Ottoman School, (17th century); 24.5x24.5 cm; Private Collection; (add.info.: A 17th century Ottoman Tekfur ceramic tile)

Background imageApplied Art Collection: Two 17th century Ottoman Syria ceramic tile Fragments (ceramic)

Two 17th century Ottoman Syria ceramic tile Fragments (ceramic)
1766430 Two 17th century Ottoman Syria ceramic tile Fragments (ceramic) by Ottoman School, (17th century); Private Collection; (add.info)

Background imageApplied Art Collection: An Italian specimen marble table top (marble)

An Italian specimen marble table top (marble)
1764796 An Italian specimen marble table top (marble) by Italian School; 106 diameter cm; Private Collection; (add.info.: An Italian specimen marble table top)

Background imageApplied Art Collection: A Giltwood Mirror, designed by Dagobert Peche (1887-1923)

A Giltwood Mirror, designed by Dagobert Peche (1887-1923)
1764763 A Giltwood Mirror, designed by Dagobert Peche (1887-1923), carved with overlapping stylised leaf foliate, c.1925 (giltwood) by Peche

Background imageApplied Art Collection: A low round twin level table with rosewood veneer, inlaid with ivory (rosewood, ivory)

A low round twin level table with rosewood veneer, inlaid with ivory (rosewood, ivory)
1764743 A low round twin level table with rosewood veneer, inlaid with ivory (rosewood, ivory) by Ruhlmann, Emile-Jacques (1879-1933); Private Collection; (add.info)

Background imageApplied Art Collection: Salon des Cent, 1896 (lithograph in colours)

Salon des Cent, 1896 (lithograph in colours)
1766908 Salon des Cent, 1896 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 63x44 cm; Private Collection; (add.info.: Salon des Cent. Alphonse Mucha (1860-1939). Lithograph in colours

Background imageApplied Art Collection: A Meissen pipe-bowl modelled as a seated pug-dog, c. 1745 (porcelain)

A Meissen pipe-bowl modelled as a seated pug-dog, c. 1745 (porcelain)
1766872 A Meissen pipe-bowl modelled as a seated pug-dog, c.1745 (porcelain) by German School, (18th century); Private Collection; (add.info)

Background imageApplied Art Collection: Concord Makes Server, (watercolour, pen and ink, , pencil)

Concord Makes Server, (watercolour, pen and ink, , pencil)
985720 Concord Makes Server, (watercolour, pen and ink, , pencil) by Cruikshank, George (1792-1878); 27x22.5 cm; Private Collection; (add.info.: Concord Makes Server. George Cruikshank (1792-1878)

Background imageApplied Art Collection: A book-jacket design for La Guerre est Morte by Louis Delluc, 1919 (gouache

A book-jacket design for La Guerre est Morte by Louis Delluc, 1919 (gouache
985587 A book-jacket design for La Guerre est Morte by Louis Delluc, 1919 (gouache, with gilt-cut mount) by Wegener, Gerda Marie Frederike (1885-1940); 18x27 cm; Private Collection; (add.info)

Background imageApplied Art Collection: Co Kerry, Derrynane, Ring Of Kerry

Co Kerry, Derrynane, Ring Of Kerry

Background imageApplied Art Collection: Austria, Vienna, Museum for Applied Arts, MAK, buildling interior

Austria, Vienna, Museum for Applied Arts, MAK, buildling interior

Background imageApplied Art Collection: Allegory of Hope, Faith and Love, Pieter Serwouters

Allegory of Hope, Faith and Love, Pieter Serwouters




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"Exploring the Beauty of Applied Art: A Journey Through Time and Craftsmanship" Step into history as we witness Her Majesty Queen Victoria's grand entrance into Brighton in October, a moment captured through the intricate artistry of tapestry table carpet from Amsterdam. Made with a blend of wool and silk, this masterpiece transports us to an era filled with elegance and regality. In another stroke of artistic brilliance, "Tulips in a Staffordshire Jug" comes alive on canvas, showcasing the mastery of oil painting. The vibrant colors and delicate brushstrokes bring forth the beauty of nature in its most captivating form. Moving forward, we encounter a Hukin and Heath two-handled bowl with a hinged cover from 1879. This exquisite piece exemplifies the fusion between functionality and aesthetics that characterizes applied art. Its timeless design speaks volumes about craftsmanship that withstands the test of time. Continuing our journey through commemorative pieces, we discover a pair of Wedgwood mugs celebrating the coronation of Her Majesty Queen Elizabeth II. These mugs serve as tokens honoring significant events while displaying exceptional ceramic artistry. The allure intensifies as we admire Florentine pietra dura panels depicting birds. Each stone intricately placed by skilled hands tells stories beyond words can convey – tales woven within each fragment creating breathtaking visuals for generations to cherish. Delving deeper into craftsmanship techniques, we explore an enamel cartouche adorning a magnificent Imperial gold artifact. The makers' mark etched beneath showcases attention to detail even in hidden places – testament to artisans who leave no corner untouched by their creativity. Stepping outside individual creations, Austria's Museum for Applied Arts (MAK) beckons us inside its architectural marvels where innovation meets tradition seamlessly. Here lies inspiration for artists seeking new horizons or visitors simply captivated by extraordinary spaces crafted for appreciation. Art transcends borders as "Bretonnes" takes us to the French countryside through oil on canvas.