Approach Collection (#6)

Darren Clarke Plays His Approach To 17th The Open Championship The Open Championship, Royal St.Georges 2011 Royal St.George S, Sandwich, Kent, England 15 July 2011 Date: 15 July 2011

Bubba Watson Plays His Approach To 9th Green The Open Championship The Open Championship, Royal St.Georges 2011 Royal St.George S, Sandwich, Kent, England 15 July 2011 Date: 15 July 2011

Darren Clarke His Approach On 7th The Open Turnberry 2009 The Open Turnberry 2009 Turnberry, Ayrshire, Scotland 18 July 2009 Date: 18 July 2009

Ignacio Garrido Plays His Approach Shot On 18th Spain Volvo PGA Wentworth Club, Virginia Water, Surrey 25 May 2003 Date: 25 May 2003

Ian Poulter Plays Approach To 2nd Green 37th Ryder Cup, Valhalla 37th Ryder Cup, Valhalla Golf Club Louisville, Kentucky, USA 16 September 2008 Date: 16 September 2008

Graphic Approach Ridden By J.A.Mccarthy Cheltenham Festival 2005 Cheltenham Racecourse, Cheltenham 17 March 2005 Date: 17 March 2005

Adamant Approach Falls Ahead Of Like A Butterfly Cheltenham Festival Cheltenham Racecourse, Cheltenham 12 March 2002 Date: 12 March 2002

Adamant Approach Ridden By P.Carberry Cheltenham Festival 2003 Cheltenham Racecourse, Cheltenham 11 March 2003 Date: 11 March 2003

Wild male wishbone spider (Aname sp. ) approaching camera at night in threat display
macro, isolated, bug, scary, white, closeup, wildlife, creepy, legs, predator, close, wild, rural, nightmare, nocturnal, frightening, crawly, venomous, dangerous, black, outdoor, approach, defense

Approaching Storm, 1864. Creator: Eugene Louis Boudin
Approaching Storm, 1864

Glass Tray, c. 1939. Creator: Henry Moran
Glass Tray, c. 1939

Camel biting, shaking and trampling its Arab owners clothes in a rage
6337367 Camel biting, shaking and trampling its Arab owners clothes in a rage by English School, (19th century); (add.info.: Camel biting, shaking and trampling its Arab owners clothes in a rage)

Promenade (Esquisse), 1886 (oil on canvas)
987537 Promenade (Esquisse), 1886 (oil on canvas) by Monet, Claude (1840-1926); 112x86.4 cm; Private Collection; (add.info.: Promenade (Esquisse); Promenade (Sketch). Claude Monet (1840-1926)

Winter, (oil on canvas)
650667 Winter, (oil on canvas) by Kane, John (1860-1934); 61.3x66.4 cm; Private Collection; (add.info.: Winter. John Kane (1860-1934). Oil on canvas

Approach to Cashel, from the North (engraving)
5223104 Approach to Cashel, from the North (engraving) by Bartlett, William Henry (1809-54); Private Collection; (add.info.: Approach to Cashel, from the North)

Sleep, silence child, sweet father of soft rest, Prince, whose approach peace to all mortals brings (litho)
3655856 Sleep, silence child, sweet father of soft rest, Prince, whose approach peace to all mortals brings (litho) by Bell, Robert Anning (1863-1933); Private Collection; (add.info.: Sleep)

Approach to Confucius Grave (b / w photo)
5202258 Approach to Confucius Grave (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Approach to Confucius Grave)

Approach to Killarney from the Kenmare Road (engraving)
5200378 Approach to Killarney from the Kenmare Road (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Approach to Killarney from the Kenmare Road)

Approach to the Byzantine and Romanesque Court (engraving)
5199298 Approach to the Byzantine and Romanesque Court (engraving) by English School, (19th century); Private Collection; (add.info.: Approach to the Byzantine and Romanesque Court)

Approach to Srinagar (colour litho)
5204890 Approach to Srinagar (colour litho) by Molyneux, Edward Mary Joseph (1866-1913); Private Collection; (add.info.: Approach to Srinagar)

Venice in London, Sketches in Olympia (litho)
1055847 Venice in London, Sketches in Olympia (litho) by English School, (19th century); Private Collection; (add.info.: Venice in London, Sketches in Olympia)

The British Association at Montreal, Sketches of the Voyage out (engraving)
1623032 The British Association at Montreal, Sketches of the Voyage out (engraving) by Seymour, George L. (fl.1876-1916); Private Collection; (add.info.: The British Association at Montreal)

The Church of Santa Maria in Aracoeli on the ruins of the Capitoline Temple of Jupiter
STC384961 The Church of Santa Maria in Aracoeli on the ruins of the Capitoline Temple of Jupiter, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: S)

Tomb of Saint Helena, Via Labicana, 1833 (etching with brown wash)
STC384923 Tomb of Saint Helena, Via Labicana, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

Surveying on the New Guinea Coast, a Nocturne (engraving)
1046889 Surveying on the New Guinea Coast, a Nocturne (engraving) by Nash, Joseph (d.1922); Private Collection; (add.info.: Surveying on the New Guinea Coast, a Nocturne)

The Mono-Rail, its Past, Present, and Future (b / w photo)
1628891 The Mono-Rail, its Past, Present, and Future (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Mono-Rail, its Past, Present, and Future)

The Proposed Monumental Chapel at Westminster (engraving)
1055543 The Proposed Monumental Chapel at Westminster (engraving) by Brewer, Henry William (fl.1858-d.1903); Private Collection; (add.info.: The Proposed Monumental Chapel at Westminster)

The Recent Campaign in Egypt, the Forts in Aboukir Bay (engraving)
1061149 The Recent Campaign in Egypt, the Forts in Aboukir Bay (engraving) by English School, (19th century); Private Collection; (add.info.: The Recent Campaign in Egypt, the Forts in Aboukir Bay)

Plans and Sections of the Royal Treasuries at Mycenae (engraving)
1106272 Plans and Sections of the Royal Treasuries at Mycenae (engraving) by English School, (19th century); Private Collection; (add.info.: Plans and Sections of the Royal Treasuries at Mycenae)

The War in America, the Confederates quitting Brownsville, Texas, on hearing of the Approach of Federal Transports
1103016 The War in America, the Confederates quitting Brownsville, Texas, on hearing of the Approach of Federal Transports (engraving) by English School

A view of the northern approach to London Bridge while in a state of progress (engraving)
585872 A view of the northern approach to London Bridge while in a state of progress (engraving) by Scharf, George the Elder (1788-1860); Private Collection; (add.info)

View of St Saviours Church, Southwark (engraving)
602828 View of St Saviours Church, Southwark (engraving) by English School, (19th century); Private Collection; (add.info.: View of St Saviours Church, Southwark, London)

A view of the northern approach to London Bridge while in a state of progress (engraving)
607711 A view of the northern approach to London Bridge while in a state of progress (engraving) by English School, (19th century); Private Collection; (add.info)

British Aerospace Hawk T. 1 XX177
Royal Air Force - British Aerospace Hawk T.1 XX177 (msn 024/312024), of N0, 208(R) Squadron, on approach to land. Date: ca2000

Approches de Londres (colour litho)
2791464 Approches de Londres (colour litho) by Lami, Eugene-Louis (1800-90) (after); Private Collection; (add.info.: Approches de Londres)

Buskers on a street in North London
On a street in North London, one man plays the clarinet whilst his disabled partner waits to approach a passer-by for a donation. Date: circa 1940s

Approach to Waterloo Station, London, with St Pauls Cathedral in the distance on the right. Date: circa 1950s

Comic postcard, three dogs - butchers dog with cold nose Date: 20th century

WW II amphibious tanks approach Aguni Jima Pacific
World War II vintage photograph - amphibious tanks approach Aguni Jima, war in the Pacific

Approach to the village of Waterloo, with the Chapel of Waterloo seen in the distance
1268401 Approach to the village of Waterloo, with the Chapel of Waterloo seen in the distance, from An Historical Account of the Battle of Waterloo, 1817 (coloured aquatint) by Rouse

The Opening of Parliament, Trumpeters announcing the Approach of Her Majesty (engraving)
1612732 The Opening of Parliament, Trumpeters announcing the Approach of Her Majesty (engraving) by English School, (19th century); Private Collection; (add.info.: The Opening of Parliament)

The Expedition to Bhootan, the Approach to the Himalayas at Julpigoree (engraving)
1610111 The Expedition to Bhootan, the Approach to the Himalayas at Julpigoree (engraving) by English School, (19th century); Private Collection; (add.info.: The Expedition to Bhootan)

The Chinese on the Siberian Frontier (litho)
1600115 The Chinese on the Siberian Frontier (litho) by Frenzeny, Paul (1840-1902); Private Collection; (add.info.: The Chinese on the Siberian Frontier)

The Coronation Naval Review before King Edward at Spithead, 16 August (litho)
1600923 The Coronation Naval Review before King Edward at Spithead, 16 August (litho) by Cull, Alma Claude Burlton (1880-1931); Private Collection; (add.info)

The War, Passage of the Balkans (engraving)
1589608 The War, Passage of the Balkans (engraving) by Paget, Walter (1863-1935); Private Collection; (add.info.: The War, Passage of the Balkans)

A Seaside Romance (chromolitho)
1107125 A Seaside Romance (chromolitho) by English School, (19th century); Private Collection; (add.info.: A Seaside Romance)

The Jesmond Dene Public Park, Newcastle-on-Tyne (engraving)
1107107 The Jesmond Dene Public Park, Newcastle-on-Tyne (engraving) by European School, (19th century); Private Collection; (add.info.: The Jesmond Dene Public Park, Newcastle-on-Tyne)

Ypres Ramparts CWGC Cemetery seen across the moat
The earliest settlement in this area is thought to have been near Langemarck in about AD960 and gradually a cluster of villages grew up around the Yperlee

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Approach: A Journey through Time and Space From the towering Verrazano Narrows Bridge to the nurturing Montessori school, our approach shapes our experiences. Just like Millicent Fawcett's relentless pursuit of women's suffrage or the London Tram bustling in 1935, we navigate life with determination. As we pass under Admiralty Arch or watch players approaching the 14th green, it becomes clear that every step forward brings us closer to our goals. The air traffic controller diligently working in Bristol's control tower reminds us of the precision required for a safe journey. In East Greenwich, London stands the largest gasometer in the world - a testament to human innovation and progress. It symbolizes how our they are push boundaries and redefine what is possible. Nature too has its own approach; as storm clouds gather on "The Edge of a Forest, " we brace ourselves for what lies ahead. Similarly, ancient Egyptians approached death with reverence as depicted in their Book of the Dead - an eternal reminder of mortality. Artistic expressions like Louis Wain's painting "The Approach" capture moments frozen in time, inviting us to reflect on our own approaches towards creativity and self-expression. Finally, nestled amidst Nevada's rugged landscape stands Bowers Mansion near Reno - a grand estate built with meticulous attention to detail. Its elegance mirrors how each aspect of our approach contributes to creating something extraordinary. In this vast tapestry called life, every encounter offers an opportunity for growth and discovery. Our approach defines who we are and determines where we go next – let us embrace it wholeheartedly.