Skip to main content

Armure Collection (#3)

"Armure: A Symbol of Power and Protection" Throughout history, it has been a powerful symbol representing strength, valor, and protection

Background imageArmure Collection: Statue of Alexander the Great. Copperplate engraving after an illustration by L

Statue of Alexander the Great. Copperplate engraving after an illustration by L
FLO4997360 Statue of Alexander the Great. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome

Background imageArmure Collection: Representation of a knight of the Order of the Templars, which offers a complete representation of

Representation of a knight of the Order of the Templars, which offers a complete representation of the Norman armor
FLO4708038 Representation of a knight of the Order of the Templars, which offers a complete representation of the Norman armor

Background imageArmure Collection: Prince Kabardin (Caucasus) - Kabard prince, Circassian people, wearing helmet, chain-mail tunic

Prince Kabardin (Caucasus) - Kabard prince, Circassian people, wearing helmet, chain-mail tunic, tabard, skirt
FLO4723992 Prince Kabardin (Caucasus) - Kabard prince, Circassian people, wearing helmet, chain-mail tunic, tabard, skirt, and trousers

Background imageArmure Collection: Emperor Marcus Aurelius (Marc Aurele) (120-180 AD) on horseback

Emperor Marcus Aurelius (Marc Aurele) (120-180 AD) on horseback, and a mounted Lictor with fasces (hatchet)
FLO4704653 Emperor Marcus Aurelius (Marc Aurele) (120-180 AD) on horseback, and a mounted Lictor with fasces (hatchet). Handcolored copperplate engraving from Robert von Spalart's "

Background imageArmure Collection: Roman soldiers in leather armour carrying shields. Handcolored copperplate engraving from Robert

Roman soldiers in leather armour carrying shields. Handcolored copperplate engraving from Robert von Spalart's
FLO4704617 Roman soldiers in leather armour carrying shields. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Principal People of

Background imageArmure Collection: Knighthood ceremonies: a knight kneels to be dubbed with a sword 358

Knighthood ceremonies: a knight kneels to be dubbed with a sword 358, a squire attaches spurs to the knight's
FLO4703172 Knighthood ceremonies: a knight kneels to be dubbed with a sword 358, a squire attaches spurs to the knight's armour 359, a knight is dressed in armour by women 360

Background imageArmure Collection: Italian tenor Italo Gardoni as Don Sanche in L'Etoile de Seville by Michael Balfe

Italian tenor Italo Gardoni as Don Sanche in L'Etoile de Seville by Michael Balfe, Royal Academy of Music, 1846
FLO4631538 Italian tenor Italo Gardoni as Don Sanche in L'Etoile de Seville by Michael Balfe, Royal Academy of Music, 1846

Background imageArmure Collection: Robert Vere (1575-1632), Earl of Oxford, killed at the seige of Maastricht, 1632

Robert Vere (1575-1632), Earl of Oxford, killed at the seige of Maastricht, 1632
FLO4636967 Robert Vere (1575-1632), Earl of Oxford, killed at the seige of Maastricht, 1632. Copperplate engraving from William Richard's Portraits Illustrating Granger's Biographical History

Background imageArmure Collection: Sir Ewen Cameron of Lochiel, Chief of the Clan Cameron, 1629-1719

Sir Ewen Cameron of Lochiel, Chief of the Clan Cameron, 1629-1719. Copperplate engraving from William Richard's
FLO4636531 Sir Ewen Cameron of Lochiel, Chief of the Clan Cameron, 1629-1719. Copperplate engraving from William Richard's Portraits Illustrating Granger's Biographical History of England

Background imageArmure Collection: Knights in armour on horseback jousting in a tournament, 1450

Knights in armour on horseback jousting in a tournament, 1450. Handcoloured copperplate engraving by Giarre
FLO4622921 Knights in armour on horseback jousting in a tournament, 1450. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient

Background imageArmure Collection: A knight armed with a martel, 1220. He wears a chainmail hauberk, hood, chausses

A knight armed with a martel, 1220. He wears a chainmail hauberk, hood, chausses
FLO4678625 A knight armed with a martel, 1220. He wears a chainmail hauberk, hood, chausses, and carries a buckler and martel de fer (war hammer)

Background imageArmure Collection: William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224

William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk
FLO4678620 William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs

Background imageArmure Collection: A suit of jousting armour, 1480. With grand guard to protect the breast and left shoulder

A suit of jousting armour, 1480. With grand guard to protect the breast and left shoulder
FLO4678485 A suit of jousting armour, 1480. With grand guard to protect the breast and left shoulder, volving piece and right shoulder protector, and elbow guards or armguard

Background imageArmure Collection: King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London
FLO4678481 King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys

Background imageArmure Collection: Henry VI, King of England, 1422. He wears a crown on his helmet

Henry VI, King of England, 1422. He wears a crown on his helmet, an armorial tabard over gold plate armour
FLO4678448 Henry VI, King of England, 1422. He wears a crown on his helmet, an armorial tabard over gold plate armour and carries a bent shield

Background imageArmure Collection: Sir Thomas Shernborne, English knight and chamberlain to Queen Margaret of Anjou, 1458

Sir Thomas Shernborne, English knight and chamberlain to Queen Margaret of Anjou, 1458
FLO4678436 Sir Thomas Shernborne, English knight and chamberlain to Queen Margaret of Anjou, 1458. He wears a suit of plate armour with a distinctive plate gorget or hauus-col

Background imageArmure Collection: A knight of the Birmingham family, 1420. He wears a bassinet

A knight of the Birmingham family, 1420. He wears a bassinet, suit of plate armour with flexible cuirasset, knee pads
FLO4678397 A knight of the Birmingham family, 1420. He wears a bassinet, suit of plate armour with flexible cuirasset, knee pads, shoulder and elbow plates, and carries a battle axe

Background imageArmure Collection: Sir Oliver de Ingham, 1287-1343, English knight and soldier under King Edward II of England

Sir Oliver de Ingham, 1287-1343, English knight and soldier under King Edward II of England
FLO4678196 Sir Oliver de Ingham, 1287-1343, English knight and soldier under King Edward II of England. Chainmail with black plate armour, brassarts, knee pads, sollerets, etc

Background imageArmure Collection: John de Eltham, First Earl of Cornwall, 1316-1336, second son of King Edward II of England

John de Eltham, First Earl of Cornwall, 1316-1336, second son of King Edward II of England
FLO4678178 John de Eltham, First Earl of Cornwall, 1316-1336, second son of King Edward II of England. He wears a conical cervelliere helmet with coronet, vandyked drapery and gorget

Background imageArmure Collection: Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior

Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior
FLO4675836 Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior, involuntarily accompany Death in the dance

Background imageArmure Collection: Orders of Chivalry: Knights Templar 1, 2, and Knights of the Order of St. John of Jerusalem) 3.4

Orders of Chivalry: Knights Templar 1, 2, and Knights of the Order of St. John of Jerusalem) 3.4
FLO4575921 Orders of Chivalry: Knights Templar 1, 2, and Knights of the Order of St. John of Jerusalem) 3.4. Handcoloured copperplate engraving from Bertuch's " Bilderbuch fur Kinder"

Background imageArmure Collection: Letter A: AMABILITY charm is full of arrogance, while we stop ARROGANCE at all times

Letter A: AMABILITY charm is full of arrogance, while we stop ARROGANCE at all times. Engraving in " ABC
DUV4206534 Letter A: AMABILITY charm is full of arrogance, while we stop ARROGANCE at all times. Engraving in " ABC. Alphabet of good advice and mistakes to avoid". Ch

Background imageArmure Collection: Death of the King of France Henri II (1519-1559) wounded with a spear in the eye by Captain

Death of the King of France Henri II (1519-1559) wounded with a spear in the eye by Captain Gabriel de Montgomery
DUV4205455 Death of the King of France Henri II (1519-1559) wounded with a spear in the eye by Captain Gabriel de Montgomery (Gabriel de Lorges)

Background imageArmure Collection: Young man in slashed doublet and hose with flag A, man in doublet and hose B

Young man in slashed doublet and hose with flag A, man in doublet and hose B, and man in armour and helmet
FLO4644324 Young man in slashed doublet and hose with flag A, man in doublet and hose B, and man in armour and helmet, late 16th century

Background imageArmure Collection: Astree: The unknown knight (Lindamor) disarms Polemas. Galathee intervenes, 1891 (illustration)

Astree: The unknown knight (Lindamor) disarms Polemas. Galathee intervenes, 1891 (illustration)
7418309 Astree: The unknown knight (Lindamor) disarms Polemas. Galathee intervenes, 1891 (illustration); Private Collection; (add.info)

Background imageArmure Collection: Portrait of Ercole II of Este (1508-1559) (Hercules II) standing in armor. Detail

Portrait of Ercole II of Este (1508-1559) (Hercules II) standing in armor. Detail. painting by Girolamo da Carpi (ca)
VEN5032803 Portrait of Ercole II of Este (1508-1559) (Hercules II) standing in armor. Detail. painting by Girolamo da Carpi (ca)

Background imageArmure Collection: Joan of Arc in front of Orleans, on horseback, sword raised, 1621 (engraving)

Joan of Arc in front of Orleans, on horseback, sword raised, 1621 (engraving)
8822181 Joan of Arc in front of Orleans, on horseback, sword raised, 1621 (engraving); Private Collection; (add.info.: Joan of Arc in front of Orleans, on horseback)

Background imageArmure Collection: Joan of Arc and her escort left Vauleurs on February 23, 1429

Joan of Arc and her escort left Vauleurs on February 23, 1429. Drawing by Malatesta (MalHenri Theodore 1862-1928)
8822180 Joan of Arc and her escort left Vauleurs on February 23, 1429. Drawing by Malatesta (MalHenri Theodore 1862-1928) in La Bonne Presse 1895.; Private Collection; (add.info)

Background imageArmure Collection: The assault of a castle - Assault on a castle. Illustration on ' Gran Conquista de Ultramar'

The assault of a castle - Assault on a castle. Illustration on " Gran Conquista de Ultramar". 1291-95
CUL4867554 The assault of a castle - Assault on a castle. Illustration on " Gran Conquista de Ultramar". 1291-95

Background imageArmure Collection: Circassian in armor - Circassian man in helmet, chain mail tunic over skirt

Circassian in armor - Circassian man in helmet, chain mail tunic over skirt
FLO4723960 Circassian in armor - Circassian man in helmet, chain mail tunic over skirt, with plate metal armor on his forearms and shins

Background imageArmure Collection: Ancient bronzes of warriors in armour from the collection of Peter Knight

Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C)
FLO4594028 Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C)

Background imageArmure Collection: Queen Elizabeth I of England making her speech at Tilbury before the defeat of the Spanish Armada

Queen Elizabeth I of England making her speech at Tilbury before the defeat of the Spanish Armada, 1588
FLO4622896 Queen Elizabeth I of England making her speech at Tilbury before the defeat of the Spanish Armada, 1588. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes

Background imageArmure Collection: William or Wilhelm Brog, Colonel-General in the Scots-Dutch Brigade, Thirty Years War, 1635

William or Wilhelm Brog, Colonel-General in the Scots-Dutch Brigade, Thirty Years War, 1635
FLO4636580 William or Wilhelm Brog, Colonel-General in the Scots-Dutch Brigade, Thirty Years War, 1635. Copperplate engraving from William Richard's Portraits Illustrating Granger's

Background imageArmure Collection: Soldier in black corselet armour with epaulettes holding a rondell or rondache shield with slits

Soldier in black corselet armour with epaulettes holding a rondell or rondache shield with slits for vision
FLO4678638 Soldier in black corselet armour with epaulettes holding a rondell or rondache shield with slits for vision and sword thrusts, 1625. In the possession of Llewelyn Meyrick

Background imageArmure Collection: Long bellied armour, 1545. Suit of engraved armour with large long belly, large pass guards

Long bellied armour, 1545. Suit of engraved armour with large long belly, large pass guards
FLO4678591 Long bellied armour, 1545. Suit of engraved armour with large long belly, large pass guards, plumed and visored helmet and pike

Background imageArmure Collection: Two suits of armour, 1540, in the possession of Llewelyn Meyrick. Fluted suit of armour

Two suits of armour, 1540, in the possession of Llewelyn Meyrick. Fluted suit of armour
FLO4678580 Two suits of armour, 1540, in the possession of Llewelyn Meyrick. Fluted suit of armour and bourgoinot helmet of King Ferdinand of the Romans (left)

Background imageArmure Collection: Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm

Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses
FLO4678556 Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions

Background imageArmure Collection: A dismounted knight and one of the king's guards to King Henry VIII, 1525

A dismounted knight and one of the king's guards to King Henry VIII, 1525
FLO4678554 A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate

Background imageArmure Collection: Man at arms with a standard, 1483. The armour on the left arm has a pauldron with raised pass-guard

Man at arms with a standard, 1483. The armour on the left arm has a pauldron with raised pass-guard
FLO4678498 Man at arms with a standard, 1483. The armour on the left arm has a pauldron with raised pass-guard, while the right arm has a plain pauldron and a large pointed elbow guard

Background imageArmure Collection: Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420

Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or
FLO4678441 Charles VII King of France, and Joan of Arc, the Maid of Orleans, 1420. They wear suits of plate armour with tiles or toiles hanging over the thighs

Background imageArmure Collection: Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword

Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword
FLO4672310 Sir Thomas Wharton, in 1639, age 25, wearing beige and yellow clothing, with a cane, a sword, a feather hat and gorgerin (piece of armor to protect the throat)

Background imageArmure Collection: A duke of Transylvania in armour and cloak, holding a mace. Handcolored copperplate engraving

A duke of Transylvania in armour and cloak, holding a mace. Handcolored copperplate engraving from Robert von
FLO4705255 A duke of Transylvania in armour and cloak, holding a mace. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Peoples of

Background imageArmure Collection: Syrian war chariot with sickles mounted on the axles, horses in full scale-armour

Syrian war chariot with sickles mounted on the axles, horses in full scale-armour, and archers in battledress
FLO4704214 Syrian war chariot with sickles mounted on the axles, horses in full scale-armour, and archers in battledress. Handcolored copperplate engraving from Robert von Spalart's "

Background imageArmure Collection: Emperor Romulus Augustus (Romulus Augustule) (Flavius Romulus Augustus, 460 - 511)

Emperor Romulus Augustus (Romulus Augustule) (Flavius Romulus Augustus, 460 - 511)
FLO4704566 Emperor Romulus Augustus (Romulus Augustule) (Flavius Romulus Augustus, 460 - 511) in battledress carrying the Spolia Opima (rich spoils), and a Roman consul

Background imageArmure Collection: King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance

King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance
FLO4703811 King Pyrrhus in Greek armour and a Greek warrior with chariot, harness and lance. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes

Background imageArmure Collection: Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein)

Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein)
FLO4703127 Two perfect knights's mountaintop fortress castles in Austria. (Hochosterwitz and Kreuzenstein?) Copied from Matthaeus Merian's Topographie von Osterreich, 1649

Background imageArmure Collection: Thomas Montacute or Montagu, 4th Earl of Salisbury, English military commander during the 100

Thomas Montacute or Montagu, 4th Earl of Salisbury, English military commander during the 100 Years War and a knight
FLO4678400 Thomas Montacute or Montagu, 4th Earl of Salisbury, English military commander during the 100 Years War and a knight, 1422

Background imageArmure Collection: A king and his mac-bearer, 1310. The king in plate armour with ailettes, surcoat, crown

A king and his mac-bearer, 1310. The king in plate armour with ailettes, surcoat, crown, sword and shield
FLO4678371 A king and his mac-bearer, 1310. The king in plate armour with ailettes, surcoat, crown, sword and shield. His mac-bearer in chainmail armour, with studded cloth gauntlet




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Armure: A Symbol of Power and Protection" Throughout history, it has been a powerful symbol representing strength, valor, and protection. From the majestic Pallas Athena adorned in her Armoured Figure to the Battle of Poitiers depicted in vivid detail on canvas, these artworks capture the essence of this timeless concept. In 1664-65, an oil painting portrays Pallas Athena donning her armor, embodying wisdom and strategic prowess. The Battle of Poitiers in 1837 showcases armored warriors locked in a fierce struggle for victory. Charles of Bourbon, supreme commander of French armies during his time from 1490-1527 is immortalized through a colorized engraving document that highlights his military might. The Allegory of Value sculpture from the late 18th century demonstrates how armure extends beyond physical battles; it represents the value we place on honor and courage. Similarly, Samurai Armour from Japan's Edo period combines mixed media to create an awe-inspiring representation of their warrior culture. Bertrand Du Guesclin's engraved image captures another facet - resilience after defeat. As seen in George Hitchcock's painting "Defeated, " a despondent rider crosses tulip fields as he grapples with loss but perseveres nonetheless. Gilles de Raid's engraving further emphasizes the significance attached to armure throughout history. It serves as a reminder that even when faced with adversity or conflict, one can find strength within themselves. Samurai Armour belonging to Lord Li Notaka showcases both craftsmanship and functionality with its iron construction and red lacquer finish—a testament to Japanese warrior traditions. Moving forward into more recent times like World War I (1914-1918), war becomes not just about individuals but also about nations. A drawing depicting Germany directing guns while soldiers' bodies lie under fire reminds us that behind grandiose facades lies unimaginable suffering.