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Arte Collection (page 4)

Arte, the essence of human creativity and expression, encompasses a vast array of forms throughout history

Background imageArte Collection: Portrait of a woman

Portrait of a woman
5309703 Portrait of a woman by Carracci, Ludovico (1555-1619); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Canvas); Photo © Stefano Baldini

Background imageArte Collection: Portrait of a young man

Portrait of a young man
5309701 Portrait of a young man by Carracci, Annibale (1560-1609); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Canvas); Photo © Stefano Baldini

Background imageArte Collection: Arturo Toscanini, 1924 (sculpture)

Arturo Toscanini, 1924 (sculpture)
868305 Arturo Toscanini, 1924 (sculpture) by Wildt, Adolfo (1868-1931); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy; (add.info.: national gallery of modern art, Rome)

Background imageArte Collection: Horse, rider and buildings, 1913-14 (oil on canvas)

Horse, rider and buildings, 1913-14 (oil on canvas)
3359255 Horse, rider and buildings, 1913-14 (oil on canvas) by Boccioni, Umberto (1882-1916); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imageArte Collection: Murnau, 1910 (oil on card)

Murnau, 1910 (oil on card)
3359246 Murnau, 1910 (oil on card) by Jawlensky, Alexej von (1864-1941); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy; (add.info.: Murnau, 1910, Alexej von Jawlensky)

Background imageArte Collection: Venice, the piazzetta with the library of san Marco

Venice, the piazzetta with the library of san Marco
5309707 Venice, the piazzetta with the library of san Marco by Canaletto, (Giovanni Antonio Canal) (1697-1768); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageArte Collection: Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini

Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini
6283536 Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini. 1952 (pencile and tempera on a canvas board) by Savinio, Alberto (Chirico)

Background imageArte Collection: Ugo Foscolo, 1813 (oil on canvas)

Ugo Foscolo, 1813 (oil on canvas)
6343064 Ugo Foscolo, 1813 (oil on canvas) by Fabre, Francois Xavier (1766-1837); Biblioteca Nazionale Centrale, Florence, Italy; (add.info.: by Francois - Xavier Fabre (1776 - 1837)); Ghigo Roli

Background imageArte Collection: Francesco Ferruccis Deathvin Gavinana, 1852 (oil on canvas)

Francesco Ferruccis Deathvin Gavinana, 1852 (oil on canvas)
6200638 Francesco Ferruccis Deathvin Gavinana, 1852 (oil on canvas) by Albertis, Sebastiano de (1828-97); Private Collection; (add.info.: Sebastiano De Albertis)

Background imageArte Collection: Ricciardino Langoscos mother searching the corpse of her son killed during the conquest of Pavia

Ricciardino Langoscos mother searching the corpse of her son killed during the conquest of Pavia at the hands of Matteo
6200637 Ricciardino Langoscos mother searching the corpse of her son killed during the conquest of Pavia at the hands of Matteo Visconti in 1315, 1846 (oil on canvas) by Massacra

Background imageArte Collection: Marco Botzaris Death, c. 1841 (oil on canvas)

Marco Botzaris Death, c. 1841 (oil on canvas)
6200636 Marco Botzaris Death, c.1841 (oil on canvas) by Lipparini, Lodovico (1802-56); Civico Museo Sartorio, Trieste, Italy; (add.info.: Ludovico Lipparini)

Background imageArte Collection: Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun

Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun
6365888 Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Background imageArte Collection: The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit

The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St
LRI4608561 The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St. Augustine (Tempera on wood, 1325-1328) by Martini

Background imageArte Collection: Apollo and Marsyas (oil on canvas, 1618. )

Apollo and Marsyas (oil on canvas, 1618. )
LRI4607208 Apollo and Marsyas (oil on canvas, 1618.) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palatine Gallery, Pitti Palace, Florence; (add.info.: Apollo and Marsyas)

Background imageArte Collection: Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco)

Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco)
2384750 Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco) by Italian School, (16th century); Rocca Meli Lupi, Soragna, Parma, Italy; (add.info.: Parma, Soragna)

Background imageArte Collection: Acroterial disc with the depiction of Heracles and the lion of Nemea, from Fratte di Salerno

Acroterial disc with the depiction of Heracles and the lion of Nemea, from Fratte di Salerno, Scigliato district
LRI741093 Acroterial disc with the depiction of Heracles and the lion of Nemea, from Fratte di Salerno, Scigliato district by Greek School, (4th century BC); 78x81 cm; Luisa Ricciarini

Background imageArte Collection: The Circus, study (Watercolour, 1890)

The Circus, study (Watercolour, 1890)
LRI4611421 The Circus, study (Watercolour, 1890) by Seurat, Georges Pierre (1859-91); Louvre, Paris, France; (add.info.: Study for " The Circus" - Watercolour by Georges Seurat (1859-1891)

Background imageArte Collection: DDE-90035410

DDE-90035410
Spain, Castilla y Leon Region, Leon Province, Leon, MUSAC, Museo de Arte Contemporaneo, contemporary art museum Date: 05/04/2008

Background imageArte Collection: DDE-90035409

DDE-90035409
Spain, Castilla y Leon Region, Leon Province, Leon, MUSAC, Museo de Arte Contemporaneo, contemporary art museum Date: 05/04/2008

Background imageArte Collection: DDE-90035408

DDE-90035408
Spain, Castilla y Leon Region, Leon Province, Leon, MUSAC, Museo de Arte Contemporaneo, contemporary art museum Date: 05/04/2008

Background imageArte Collection: DDE-90035379

DDE-90035379
Spain, Madrid, Atocha Area, Centro de Arte Reina Sofia museum, courtyard view, defocused Date: 05/04/2008

Background imageArte Collection: DDE-90035381

DDE-90035381
Spain, Madrid, Atocha Area, Centro de Arte Reina Sofia museum, courtyard view, defocused Date: 05/04/2008

Background imageArte Collection: DDE-90035380

DDE-90035380
Spain, Madrid, Atocha Area, Centro de Arte Reina Sofia museum, courtyard view, defocused Date: 05/04/2008

Background imageArte Collection: Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco

Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century
6254891 Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century by Italian School, (14th century); Palazzo Trinci, Foligno, Umbria

Background imageArte Collection: Venus instructing Cupid to launch an arrow, 1517-18 (fresco)

Venus instructing Cupid to launch an arrow, 1517-18 (fresco)
2646206 Venus instructing Cupid to launch an arrow, 1517-18 (fresco) by Colle, Raffaello dal (c.1490-1566); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageArte Collection: Creation of fish and birds, Old Testament Cycle-Creation, byzantine mosaic, XII-XIII sec (mosaic)

Creation of fish and birds, Old Testament Cycle-Creation, byzantine mosaic, XII-XIII sec (mosaic)
6166383 Creation of fish and birds, Old Testament Cycle-Creation, byzantine mosaic, XII-XIII sec (mosaic) by Byzantine, (12th-13th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

Background imageArte Collection: Psiche together with Venus and Juno, 1517-18 (fresco)

Psiche together with Venus and Juno, 1517-18 (fresco)
2646195 Psiche together with Venus and Juno, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageArte Collection: Floor mosaic depicting fishermen and putti (mosaic)

Floor mosaic depicting fishermen and putti (mosaic)
3961222 Floor mosaic depicting fishermen and putti (mosaic) by Roman, (4th century AD); Villa Romana del Casale, Piazza Armerina, Sicily, Italy; (add.info.: Piazza Armerina, Roman Villa of Casale)

Background imageArte Collection: Floor mosaic of the Spa dressing room, which depicts the landlady with her two sons and her maids

Floor mosaic of the Spa dressing room, which depicts the landlady with her two sons and her maids (mosaic)
3961212 Floor mosaic of the Spa dressing room, which depicts the landlady with her two sons and her maids (mosaic) by Roman, (4th century AD); Villa Romana del Casale, Piazza Armerina, Sicily

Background imageArte Collection: Detail of the Mausoleum of St. Pius V: a high-relief in white marble representing the Resurrection

Detail of the Mausoleum of St. Pius V: a high-relief in white marble representing the Resurrection
3928845 Detail of the Mausoleum of St. Pius V: a high-relief in white marble representing the Resurrection and Pius V in prayer (marble) by Buzzi

Background imageArte Collection: Statue representing the Faith, detail of the Mausoleum of St. Pius V

Statue representing the Faith, detail of the Mausoleum of St. Pius V
3928841 Statue representing the Faith, detail of the Mausoleum of St. Pius V by Buzzi, Giovanni Antonio (fl.1568-79); Church of Santa Croce, Bosco Marengo, Alessandria, Piedmont

Background imageArte Collection: Mausoleum of St. Pius V (marble)

Mausoleum of St. Pius V (marble)
3928832 Mausoleum of St. Pius V (marble) by Buzzi, Giovanni Antonio (fl.1568-79); (add.info.: A high-relief in white marble representing the Resurrection and Pius V in prayer)

Background imageArte Collection: 'The resurrected Christ', c. 1420 (fresco)

"The resurrected Christ", c. 1420 (fresco)
5051377 " The resurrected Christ", c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena, Italy; (add.info.: Vignola Stronghold, the Contrari Chapel)

Background imageArte Collection: 'Resurrection'and 'Descent into Limbo', Detail of Christ and the sleeping Roman soldiers, c

"Resurrection"and "Descent into Limbo", Detail of Christ and the sleeping Roman soldiers, c
5051433 " Resurrection" and " Descent into Limbo", Detail of Christ and the sleeping Roman soldiers, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola

Background imageArte Collection: Apollino (Young Apollo), detail, c. 1797 (marble)

Apollino (Young Apollo), detail, c. 1797 (marble)
6343104 Apollino (Young Apollo), detail, c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageArte Collection: Socrates bidding Farewell to his Family, 1787-90 (plaster)

Socrates bidding Farewell to his Family, 1787-90 (plaster)
6343151 Socrates bidding Farewell to his Family, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Socrate si congeda dalla propria famiglia)

Background imageArte Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343101 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageArte Collection: Transept, external part of The Bardi Chapel: St. Francis and the Stigmata, 1320-25

Transept, external part of The Bardi Chapel: St. Francis and the Stigmata, 1320-25
6365905 Transept, external part of The Bardi Chapel: St. Francis and the Stigmata, 1320-25 by Giotto (Giotto di Bondone) (c.1266-1337); Santa Croce, Florence

Background imageArte Collection: Scenes of the life of Christ: Resurrection

Scenes of the life of Christ: Resurrection
6365961 Scenes of the life of Christ: Resurrection by Gerini, Niccolo di Pietro (fl.1368-1415); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross, sacristy)

Background imageArte Collection: Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel

Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel
6365927 Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel, Detail of the Saint Saint who teaches lepers, while holding one in his arms and washing the feet of the others

Background imageArte Collection: Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius

Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius
6365884 Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Background imageArte Collection: Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph

Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death
6365883 Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 by Orcagna

Background imageArte Collection: Innocence sending away Deceit, 1734 (fresco)

Innocence sending away Deceit, 1734 (fresco)
5949103 Innocence sending away Deceit, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imageArte Collection: Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)

Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)
LRI4608326 Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas) by Master of Mocchirolo (fl.c.1350); Pinacoteca di Brera, Milan

Background imageArte Collection: The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812)

The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812)
LRI4606089 The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812) by Julia, Asensio (el Pescadoret) (1760-1832); Prado, Madrid

Background imageArte Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928826 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Background imageArte Collection: Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel

Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: "The Ark of the relics of St St John
6372285 Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: " The Ark of the relics of St St John the Baptist - detail of the preaching of St St John the Baptist"




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Arte, the essence of human creativity and expression, encompasses a vast array of forms throughout history. From the captivating brushstrokes of Fabritius' "The Goldfinch" to the enchanting garden paintings from the so-called Villa of Livia, art transports us to different worlds. Pantomime characters from Commedia dell Arte dance across the stage, their vibrant costumes and exaggerated gestures bringing laughter and joy. A bust of goddess Tanit in Carthaginian art stands as a testament to ancient civilizations' devotion to divine beauty. The harmonious melodies played by Collegium Musicum of Jena fill our ears during a concert, reminding us that art transcends visual boundaries. Steinlen's whimsical depiction of Tourn饠du Chat Noir captures the mischievous spirit within all feline companions. Jos鮠 Gutierrez Solana's masks reveal hidden emotions beneath their painted surfaces, reflecting humanity's complex nature. The stela of royal scribe Ani in Egyptian art preserves stories etched into stone for eternity. Claude Lorrain invites us on a journey through time with his breathtaking view of Delphi, where ancient ruins whisper tales long forgotten. The statue of Djoser stands tall as an architectural marvel in Egyptian art - a symbol of power and innovation. Diego Rivera's portrayal of Totonaca Civilization immerses us in rich cultural heritage while Europa Anguissola gazes at us from her portrait, capturing her timeless beauty and grace. Arte is not merely an object or image but rather an invitation to explore diverse perspectives and narratives woven throughout history, and is through these artistic masterpieces that we connect with our past, present, and future - forever cherishing the boundless depths that lie within this extraordinary realm called "art.