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Artificial Collection (#5)

"Exploring the Boundaries of Artificial: From Tesla's Vision to Modern Marvels" In 1899, Nikola Tesla, the brilliant scientist and inventor

Background imageArtificial Collection: Lebanon cedar, Cedrus libani

Lebanon cedar, Cedrus libani
Lebanon cedar Cedrus libani Pinus cedrus Linn. Cedre avec tous les details de sa fructification. Handcoloured copperplate engraving by Jean Victor Dupin junior from Pierre Joseph Buchoz Herbier

Background imageArtificial Collection: African bowstring hemp, Sansevieria hyacinthoides

African bowstring hemp, Sansevieria hyacinthoides. Aloe guinensis radice geniculata foliis ex atro undulatim variegatis, Commelin, Aloes de Guinee

Background imageArtificial Collection: Italian maple, Acer opalus

Italian maple, Acer opalus, Ital. L Erable opale. Handcoloured copperplate engraving from Pierre Joseph Buchoz Les dons merveilleux et diversement colories de la nature dans le r?

Background imageArtificial Collection: Junction of Erie and Northern Canal, engraved by J. Hill, c. 1830-32 (colour litho)

Junction of Erie and Northern Canal, engraved by J. Hill, c. 1830-32 (colour litho)
NYH189014 Junction of Erie and Northern Canal, engraved by J. Hill, c.1830-32 (colour litho) by American School, (19th century); Collection of the New-York Historical Society

Background imageArtificial Collection: Echelle a Saumons a chutes en ligne droite (engraving)

Echelle a Saumons a chutes en ligne droite (engraving)
5993147 Echelle a Saumons a chutes en ligne droite (engraving) by European School, (19th century); Private Collection; (add.info.: Echelle a Saumons a chutes en ligne droite)

Background imageArtificial Collection: Le laboratoire vivant de Concarneau (engraving)

Le laboratoire vivant de Concarneau (engraving)
5993154 Le laboratoire vivant de Concarneau (engraving) by European School, (19th century); Private Collection; (add.info.: Le laboratoire vivant de Concarneau)

Background imageArtificial Collection: Women making flowers 1912

Women making flowers 1912
Women from the John Grooms Crippleage and Blind Mission making artificial wild roses to be sold at Alexandra Day. In 1912

Background imageArtificial Collection: Royal Surrey Zoological Gardens (engraving)

Royal Surrey Zoological Gardens (engraving)
610409 Royal Surrey Zoological Gardens (engraving) by English School, (19th century); Private Collection; (add.info.: Royal Surrey Zoological Gardens)

Background imageArtificial Collection: Sea trout, charr and fishing methods

Sea trout, charr and fishing methods
Sea trout, Salmo trutta trutta 98, charr, Salvelinus alpinus alpinus 99, and fshing methods using manmade rapids on a river to catch salmon in grills and nets

Background imageArtificial Collection: Women in hairstyles and hats of 1788

Women in hairstyles and hats of 1788
Woman in a gauze pouf hat decorated with ribbons and plumes, and woman in a gauze pouf hat decorated with artificial roses and plumes. Both in hairstyles of ringlets and curls by M

Background imageArtificial Collection: Women in fashionable hats of 1788

Women in fashionable hats of 1788
Woman in bonnet-hat in red, green and white, with yellow plumes and artificial roses, and woman in hat of gauze and taffeta surmounted by feathers

Background imageArtificial Collection: Woman in caraco and petticoat, 1788

Woman in caraco and petticoat, 1788
Woman in taffeta pierrot caraco jacket, white linen petticoat, fichu in English gauze, and headdress of artificial roses and ribbons

Background imageArtificial Collection: Women in large bonnet and chapeau, 1787

Women in large bonnet and chapeau, 1787
Woman in redingote in black wool with two collars, bonnet a la grande pretesse with artificial roses, and woman in striped taffeta robe, fichu, large yellow gauze chapeau tied with violet ribbon

Background imageArtificial Collection: Garden architecture with bridge leading to

Garden architecture with bridge leading to gazebo above an artificial waterfall. Chromolithograph by P. de Pannemaeker from Jean Lindens l Illustration Horticole, Brussels, 1883

Background imageArtificial Collection: Autruche artificielle (engraving)

Autruche artificielle (engraving)
2781584 Autruche artificielle (engraving) by French School, (19th century); Private Collection; (add.info.: Autruche artificielle)

Background imageArtificial Collection: Making artificial eyes from glass and enamel (b / w photo)

Making artificial eyes from glass and enamel (b / w photo)
3637654 Making artificial eyes from glass and enamel (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Making artificial eyes from glass and enamel)

Background imageArtificial Collection: Beaute artificielle. Illustration for Le Pele-Mele, 1906 (colour litho)

Beaute artificielle. Illustration for Le Pele-Mele, 1906 (colour litho)
3101413 Beaute artificielle. Illustration for Le Pele-Mele, 1906 (colour litho) by French School, (20th century); Private Collection; (add.info.: Beaute artificielle)

Background imageArtificial Collection: Nurburgring motor racing course, Nurburg, Germany

Nurburgring motor racing course, Nurburg, Germany
The Nurburgring, Nurburg, Germany, at the time the worlds biggest artificial motor racing course. 20th century

Background imageArtificial Collection: Advert, Lotts Toy Building Bricks - Market Hall

Advert, Lotts Toy Building Bricks - Market Hall
Advert, Lotts Toy Building Bricks of artificial stone - Market Hall. 1918

Background imageArtificial Collection: Aerial view of Porto Pim, Faial (Fayal) Island, Azores

Aerial view of Porto Pim, Faial (Fayal) Island, Azores
Aerial view of the artificial harbour and bay of Porto Pim, Faial (Fayal) Island, Azores, Atlantic Ocean. Date: circa 1908

Background imageArtificial Collection: Sketches of the Cat Show at the Crystal Palace (engraving)

Sketches of the Cat Show at the Crystal Palace (engraving)
1107268 Sketches of the Cat Show at the Crystal Palace (engraving) by Courbould, Alfred (fl.1831-75); Private Collection; (add.info.: Sketches of the Cat Show at the Crystal Palace)

Background imageArtificial Collection: Advert for Wolsey stockings 1928

Advert for Wolsey stockings 1928
Pure silk stockings. Date: 1928

Background imageArtificial Collection: Flight (chromolitho)

Flight (chromolitho)
2800790 Flight (chromolitho) by French School, (19th century); Private Collection; (add.info.: Flight. French educational card, late 19th or early 20th century.); © Look and Learn

Background imageArtificial Collection: Letter I (chromolitho)

Letter I (chromolitho)
3626570 Letter I (chromolitho) by Zweigle, Walter (1859-1904); Private Collection; (add.info.: Letter I. Illustration from Welt-ABC (Gustav Weise, Stuttgart, c1894).); © Look and Learn

Background imageArtificial Collection: Lempereur & Bernard Acetylene Lighting (colour litho)

Lempereur & Bernard Acetylene Lighting (colour litho)
747108 Lempereur & Bernard Acetylene Lighting (colour litho) by Belgian School, (19th century); Private Collection; (add.info)

Background imageArtificial Collection: Persons in wedlock should be properly matched (coloured engraving)

Persons in wedlock should be properly matched (coloured engraving)
602563 Persons in wedlock should be properly matched (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageArtificial Collection: Benefactors of Mankind (colour litho)

Benefactors of Mankind (colour litho)
2795454 Benefactors of Mankind (colour litho) by French School, (19th century); Private Collection; (add.info.: Benefactors of Mankind)

Background imageArtificial Collection: Pyramids of Cholulu (b / w photo)

Pyramids of Cholulu (b / w photo)
6018282 Pyramids of Cholulu (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: Pyramids of Cholulu)

Background imageArtificial Collection: Natural and artificial teeth (engraving)

Natural and artificial teeth (engraving)
5223894 Natural and artificial teeth (engraving) by English School, (19th century); Private Collection; (add.info.: Natural and artificial teeth)

Background imageArtificial Collection: Vue d un bassin de la lagune de Comacchio et d un labyrinthe pour la peche (engraving)

Vue d un bassin de la lagune de Comacchio et d un labyrinthe pour la peche (engraving)
5993165 Vue d un bassin de la lagune de Comacchio et d un labyrinthe pour la peche (engraving) by European School, (19th century); Private Collection; (add.info)

Background imageArtificial Collection: Vue generale du lac Fusaro (engraving)

Vue generale du lac Fusaro (engraving)
5993159 Vue generale du lac Fusaro (engraving) by European School, (19th century); Private Collection; (add.info.: Vue generale du lac Fusaro)

Background imageArtificial Collection: Reserve ou parc de depot pour les huitres etabli en pleine eau, dans le lac Fusaro (engraving)

Reserve ou parc de depot pour les huitres etabli en pleine eau, dans le lac Fusaro (engraving)
5993156 Reserve ou parc de depot pour les huitres etabli en pleine eau, dans le lac Fusaro (engraving) by European School

Background imageArtificial Collection: The advertising robot, which rises to its feet, fires a gun to get attention

The advertising robot, which rises to its feet, fires a gun to get attention
5999243 The advertising robot, which rises to its feet, fires a gun to get attention, and then announces the goods it is advertising (b/w photo) by English Photographer

Background imageArtificial Collection: Chiswick, design for a rockword cascade with an octagonal Doric temple on the terrace

Chiswick, design for a rockword cascade with an octagonal Doric temple on the terrace
5926031 Chiswick, design for a rockword cascade with an octagonal Doric temple on the terrace behind (pen and ink over pencil on paper) by Kent

Background imageArtificial Collection: Chiswick, design for a cascade (pen and ink and wash on paper)

Chiswick, design for a cascade (pen and ink and wash on paper)
5926005 Chiswick, design for a cascade (pen and ink and wash on paper) by Kent, William (1684-1748); 35.5x47 cm; eThe Devonshire Collections

Background imageArtificial Collection: Chiswick, design for a pedimented cascade combined with a road bridge at the end of

Chiswick, design for a pedimented cascade combined with a road bridge at the end of
5925996 Chiswick, design for a pedimented cascade combined with a road bridge at the end of the canal ( pen & ink and wash on paper) by Kent

Background imageArtificial Collection: Le Tatouage a la Nouvelle-Zelande (engraving)

Le Tatouage a la Nouvelle-Zelande (engraving)
3645318 Le Tatouage a la Nouvelle-Zelande (engraving) by French School, (19th century); Private Collection; (add.info.: Le Tatouage a la Nouvelle-Zelande)

Background imageArtificial Collection: The London Flower Mission, Clerkenwell Close, London - Making artificial flowers (engraving)

The London Flower Mission, Clerkenwell Close, London - Making artificial flowers (engraving)
607839 The London Flower Mission, Clerkenwell Close, London - Making artificial flowers (engraving) by Barnes, Robert (1840-95); Private Collection; (add.info.: The London Flower Mission)

Background imageArtificial Collection: Page from a wallpaper sample book, 1885-90 (surface roller or hand block printed paper)

Page from a wallpaper sample book, 1885-90 (surface roller or hand block printed paper)
3084435 Page from a wallpaper sample book, 1885-90 (surface roller or hand block printed paper) by English School, (19th century); 26x46.5 cm; The Geffrye Museum of the Home, London

Background imageArtificial Collection: The Terrific Combat between General Risingh and Peter Stuyvesant before Fort Christina

The Terrific Combat between General Risingh and Peter Stuyvesant before Fort Christina (colour litho)
668730 The Terrific Combat between General Risingh and Peter Stuyvesant before Fort Christina (colour litho) by American School

Background imageArtificial Collection: The Principal Forms of Nutritional Adulteration, c. 1883 (coloured engraving)

The Principal Forms of Nutritional Adulteration, c. 1883 (coloured engraving)
CHT177820 The Principal Forms of Nutritional Adulteration, c.1883 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: butter with colouring, grease)

Background imageArtificial Collection: Riders at the water jump on the new riding switchback at the Alexandra Palace, Muswell Hill

Riders at the water jump on the new riding switchback at the Alexandra Palace, Muswell Hill, London (b / w photo)
6014341 Riders at the water jump on the new riding switchback at the Alexandra Palace, Muswell Hill, London (b/w photo) by English Photographer

Background imageArtificial Collection: Vue exterieure de l etablissement de pisciculture de Huningue (engraving)

Vue exterieure de l etablissement de pisciculture de Huningue (engraving)
5993158 Vue exterieure de l etablissement de pisciculture de Huningue (engraving) by European School, (19th century); Private Collection; (add.info)

Background imageArtificial Collection: Etablissement de pisciculture de Huningue, vue interieure. (engraving)

Etablissement de pisciculture de Huningue, vue interieure. (engraving)
5993157 Etablissement de pisciculture de Huningue, vue interieure. (engraving) by European School, (19th century); Private Collection; (add.info.: Etablissement de pisciculture de Huningue)

Background imageArtificial Collection: Plan de l anse de l Aiguillon pres de la Rochelle (engraving)

Plan de l anse de l Aiguillon pres de la Rochelle (engraving)
5993148 Plan de l anse de l Aiguillon pres de la Rochelle (engraving) by European School, (19th century); Private Collection; (add.info.: Plan de l anse de l Aiguillon pres de la Rochelle)

Background imageArtificial Collection: Fleurs Artificielles, c. 1820-35 (porcelain)

Fleurs Artificielles, c. 1820-35 (porcelain)
1766889 Fleurs Artificielles, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Fleurs Artificielles)




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"Exploring the Boundaries of Artificial: From Tesla's Vision to Modern Marvels" In 1899, Nikola Tesla, the brilliant scientist and inventor, envisioned a world where science would unlock new possibilities. His experiments with electricity laid the foundation for artificial advancements that continue to shape our lives today. One such marvel is "Artificial Moonlight" by David Wright. This breathtaking artwork captures the ethereal beauty of moonlit nights, reminding us of our fascination with artificial illumination. Looking at a satellite image of North America at night, we witness how cities glow like beacons in the darkness - evidence of humanity's relentless pursuit to conquer nature through artificial means. But it's not just about lights; artifice extends beyond aesthetics. Take French artificial fishing flies or English counterparts - meticulously crafted imitations designed to deceive fish into biting. These tiny creations showcase human ingenuity in replicating nature's allure. Similarly, bonsai dwarf pines have been shaped over years using meticulous techniques since 1889 C013 / 8769. These miniature trees embody patience and dedication as they mimic their full-sized counterparts through careful cultivation. Moving beyond nature-inspired artifice, we encounter everyday examples like false teeth - an innovation that has restored countless smiles and improved quality of life for many individuals worldwide. The realm also encompasses medical breakthroughs such as hip replacements. Artwork depicting this advancement pays tribute to figures like Douglas Bader, a flying ace during World War II who continued his heroic feats despite losing both legs in an accident – showcasing resilience empowered by technology. Advancements don't stop there; prosthetic robotic arms are now possible thanks to computer-driven precision engineering. Imagining these bionic limbs brings forth visions of limitless potential for those who have lost their natural appendages. On a grand scale lies Palm Islands construction in Dubai – man-made islands reshaping coastlines and pushing boundaries on what can be achieved artificially. The audacity of such projects showcases human ambition and engineering prowess.