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Assumption Of The Madonna Collection

"The Assumption of the Madonna: A Journey Through Divine Art" Step into a world where faith and art intertwine

Background imageAssumption Of The Madonna Collection: The Assumption - 30th lesson, 1810 (engraving)

The Assumption - 30th lesson, 1810 (engraving)
DUV5632842 The Assumption - 30th lesson, 1810 (engraving); 15.5x9.5 cm; (add.info.: Moral Alphabet primer based on the bible to discover the elements of the christian religion)

Background imageAssumption Of The Madonna Collection: Study for 'The Assumption of the Virgin' for San Augustin, Seville, c.1670-72 (oil on wood)

Study for "The Assumption of the Virgin" for San Augustin, Seville, c.1670-72 (oil on wood)
XOS5880929 Study for "The Assumption of the Virgin" for San Augustin, Seville, c.1670-72 (oil on wood) by Valdes Leal, Juan de (1622-90); 52.3x39 cm; Cleveland Museum of Art, OH

Background imageAssumption Of The Madonna Collection: Greco-Byzantine icon of the Assumption or Dormition of the Virgin

Greco-Byzantine icon of the Assumption or Dormition of the Virgin, before the 11th century (painting on poplar wood)
8832418 Greco-Byzantine icon of the Assumption or Dormition of the Virgin, before the 11th century (painting on poplar wood)

Background imageAssumption Of The Madonna Collection: The Assumption of Mary, 19th century (low relief)

The Assumption of Mary, 19th century (low relief)
8617785 The Assumption of Mary, 19th century (low relief); Cite de l'architecture et du patrimoine, Paris, France; (add.info)

Background imageAssumption Of The Madonna Collection: Interior view of the cupola designed by Matteo Nigetti (1560-1649)

Interior view of the cupola designed by Matteo Nigetti (1560-1649) in 1644 with panels depicting scenes from the Bible
BEN85085 Interior view of the cupola designed by Matteo Nigetti (1560-1649) in 1644 with panels depicting scenes from the Bible painted by Pietro Benvenuti (1796-1844), 1828 (fresco)

Background imageAssumption Of The Madonna Collection: The Assumption (painting on wood)

The Assumption (painting on wood)
885683 The Assumption (painting on wood) by Master of the Madonna of San Pietro of Ovila, (14th century); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: Master of Ovila)

Background imageAssumption Of The Madonna Collection: Assumption of the Virgin (painting on wood)

Assumption of the Virgin (painting on wood)
885735 Assumption of the Virgin (painting on wood) by Fungai, Bernardino (1460-1516); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: The bodily taking up of Mary)

Background imageAssumption Of The Madonna Collection: Altar of the Assumption of the Virgin, 1506 (tempera on wood)

Altar of the Assumption of the Virgin, 1506 (tempera on wood)
7062860 Altar of the Assumption of the Virgin, 1506 (tempera on wood) by Perugino, Pietro (c.1445-1523); Duomo di San Gennaro, Naples, Italy; (add.info.: Pala dell'Assunzione della Vergine, 1506)

Background imageAssumption Of The Madonna Collection: St Elizabeth in glory, 1603-04, Francesco Albani (oil on canvas)

St Elizabeth in glory, 1603-04, Francesco Albani (oil on canvas)
7064243 St Elizabeth in glory, 1603-04, Francesco Albani (oil on canvas) by Albani, Francesco (1578-1660); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: St Elizabeth in glory, 1603-04)

Background imageAssumption Of The Madonna Collection: Virgin Mary's assumption, 1508 circa, Pinturicchio and workshop (oil on panel)

Virgin Mary's assumption, 1508 circa, Pinturicchio and workshop (oil on panel)
7064298 Virgin Mary's assumption, 1508 circa, Pinturicchio and workshop (oil on panel) by Pinturicchio, Bernardino di Betto (c.1452-1513) (& studio); Museo di Capodimonte, Naples, Campania

Background imageAssumption Of The Madonna Collection: Main altar of the Naples cathedral, Naples, Italy, 18th century (marble, stucco)

Main altar of the Naples cathedral, Naples, Italy, 18th century (marble, stucco)
7062862 Main altar of the Naples cathedral, Naples, Italy, 18th century (marble, stucco) by Bracci, Pietro (1700-73); Duomo di San Gennaro, Naples

Background imageAssumption Of The Madonna Collection: Assumption of the Virgin (oil on canvas)

Assumption of the Virgin (oil on canvas)
7352766 Assumption of the Virgin (oil on canvas) by Fiasella, Domenico Il Sarzana (1589-1669) ; Santuario Madonna del Monte, Genoa

Background imageAssumption Of The Madonna Collection: The Virgin of the Cintola, 1508-09 circa, (painting)

The Virgin of the Cintola, 1508-09 circa, (painting)
7129007 The Virgin of the Cintola, 1508-09 circa, (painting) by Granacci, Francesco (1477-1543); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: The Virgin of the Cintola)

Background imageAssumption Of The Madonna Collection: Assumption with Saint John the Baptist and Saint Catherine of Alexandria, 1516

Assumption with Saint John the Baptist and Saint Catherine of Alexandria, 1516
7064169 Assumption with Saint John the Baptist and Saint Catherine of Alexandria, 1516, Fra Bartolomeo della Porta (oil on panel) by Bartolomeo

Background imageAssumption Of The Madonna Collection: Assumption of Mary, (painting)

Assumption of Mary, (painting)
7129356 Assumption of Mary, (painting) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Assumption of Mary, Raphael, Doria Pamphilj gallery)

Background imageAssumption Of The Madonna Collection: The assumption of the Virgin, 1600-1601 (painting)

The assumption of the Virgin, 1600-1601 (painting)
7128857 The assumption of the Virgin, 1600-1601 (painting) by Carracci, Annibale (1560-1609); Santa Maria del Popolo, Rome, Italy; (add.info.: The assumption of the Virgin, Annibale Carracci)

Background imageAssumption Of The Madonna Collection: Assumption, portrait of don Biagio Milanesi and the monk Baldassare, 1500 (painting)

Assumption, portrait of don Biagio Milanesi and the monk Baldassare, 1500 (painting)
7129147 Assumption, portrait of don Biagio Milanesi and the monk Baldassare, 1500 (painting) by Perugino, Pietro (c.1445-1523); Galleria dell'Accademia, Florence, Tuscany

Background imageAssumption Of The Madonna Collection: Altarpiece, Deanery church (Sint-Walburgakerk), 17th century (photo) (photo)

Altarpiece, Deanery church (Sint-Walburgakerk), 17th century (photo) (photo)
7332375 Altarpiece, Deanery church (Sint-Walburgakerk), 17th century (photo) (photo) by Thulden, Theodore van (1606-79); Sint Walburgakerk, Oudenaarde, Belgium; (add.info.: Sint-Walburgakerk)

Background imageAssumption Of The Madonna Collection: The Assumption of the Virgin Mary, 1571-1630 (pen in black and ink with grey wash on paper)

The Assumption of the Virgin Mary, 1571-1630 (pen in black and ink with grey wash on paper)
7308264 The Assumption of the Virgin Mary, 1571-1630 (pen in black and ink with grey wash on paper) by Rottenhammer, Hans I or Johann (1564-1625); 15.4x10.6 cm; Ashmolean Museum

Background imageAssumption Of The Madonna Collection: Assumption of Mary, High altar, 1624 (paint on agate stone)

Assumption of Mary, High altar, 1624 (paint on agate stone)
6267506 Assumption of Mary, High altar, 1624 (paint on agate stone) by Stella, Jacques (1596-1657); Collegiata, Pastrana, Spain; (add.info.: Creator: Jacques Stella Colegiata, Pastrana)



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"The Assumption of the Madonna: A Journey Through Divine Art" Step into a world where faith and art intertwine, as we explore the captivating depictions of the Assumption of the Madonna. From ancient masterpieces to more recent interpretations, these works transport us to a realm beyond our earthly existence. One such painting on wood, simply titled "The Assumption, " captures this divine event with ethereal beauty. Created by an unknown artist, it showcases the Virgin Mary ascending to heaven amidst a celestial backdrop. The delicate brushstrokes and vibrant colors bring forth a sense of awe and wonder. In another stunning portrayal called "Assumption of the Virgin, " painted on wood in exquisite detail, we witness Mary's ascent surrounded by heavenly figures. This masterpiece from 1506 exudes grace and serenity through its skillful use of tempera. Francesco Albani's "St Elizabeth in Glory" transports us further into this mystical realm with his oil-on-canvas creation from 1603-04. Here, St Elizabeth is depicted alongside other saints in heavenly glory, emphasizing their connection to Mary's assumption. Pinturicchio and workshop present their interpretation in "Virgin Mary's Assumption. " Painted around 1508 using oil on panel technique, this piece radiates devotion as it portrays angels lifting Mary towards her heavenly destiny. Fra Bartolomeo takes us deeper into contemplation with his work titled "Assumption of the Virgin with St John the Baptist and St Catherine of Alexandria. " Painted on panel in 1516, this composition combines rich symbolism with meticulous brushwork to convey both spiritual significance and human emotion. Moving away from paintings on wood or canvas brings us to Naples Cathedral's main altar masterpiece created during Italy's 18th century. Crafted from marble and stucco elements, it depicts scenes related to the Assumption theme—inviting worshippers into a space that transcends time.