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Assyrian Collection (#5)

The Assyrians, an ancient civilization of Mesopotamia, were known for their grandeur and power

Background imageAssyrian Collection: Furniture plaque carved in relief with lion-headed figure, c. 8th-7th century B. C. (ivory)

Furniture plaque carved in relief with lion-headed figure, c. 8th-7th century B. C. (ivory)
3900048 Furniture plaque carved in relief with lion-headed figure, c.8th-7th century B.C. (ivory) by Neo-Assyrian, (7th century BC); 10.5x5.6 cm; Metropolitan Museum of Art, New York

Background imageAssyrian Collection: Head of a female figure, c. 8th-7th century B. C. (ivory)

Head of a female figure, c. 8th-7th century B. C. (ivory)
3900043 Head of a female figure, c.8th-7th century B.C. (ivory) by Neo-Assyrian, (7th century BC); 5x3.1 cm; Metropolitan Museum of Art, New York

Background imageAssyrian Collection: 3900040

3900040
carved, middle east, relief, middle eastern, river, iraq, prisoners, palace, royal, egyptian, assurbanipal, archaeological, near east, akkadian, sculpture, figures, bound, carving, ancient

Background imageAssyrian Collection: The palaces of Nimroud [Calah] restored, 1853 (lithograph)

The palaces of Nimroud [Calah] restored, 1853 (lithograph)
3899808 The palaces of Nimroud [Calah] restored, 1853 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library

Background imageAssyrian Collection: Head of a female figure, c. 8th century B. C. (ivory)

Head of a female figure, c. 8th century B. C. (ivory)
3900044 Head of a female figure, c.8th century B.C. (ivory) by Neo-Assyrian, (7th century BC); 4.2x3.6 cm; Metropolitan Museum of Art, New York

Background imageAssyrian Collection: Huntsmen with gazelle, hare and birds (Khorsabad), 1853 (lithograph)

Huntsmen with gazelle, hare and birds (Khorsabad), 1853 (lithograph)
3899811 Huntsmen with gazelle, hare and birds (Khorsabad), 1853 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library

Background imageAssyrian Collection: Relief: Assyrian soldier conducting captives across the water, c

Relief: Assyrian soldier conducting captives across the water, c
3525774 Relief: Assyrian soldier conducting captives across the water, c.668-627 BC (gypsum alabaster) by Neo-Assyrian, (7th century BC); 51.6x46.3 cm; Metropolitan Museum of Art, New York

Background imageAssyrian Collection: The wooden gates of Shalmaneser III with bands of relief decoration in bronze (bronze)

The wooden gates of Shalmaneser III with bands of relief decoration in bronze (bronze)
2959457 The wooden gates of Shalmaneser III with bands of relief decoration in bronze (bronze) by Assyrian, (9th century BC); out of copyright

Background imageAssyrian Collection: Third Side of Obelisk, illustration from Monuments of Nineveh, 1858 (engraving)

Third Side of Obelisk, illustration from Monuments of Nineveh, 1858 (engraving)
2963354 Third Side of Obelisk, illustration from Monuments of Nineveh, 1858 (engraving) by Layard, Austen Henry (1817-94); Private Collection; The Stapleton Collection; British, out of copyright

Background imageAssyrian Collection: Painted Bricks that made bright an Assyrian Palace (colour litho)

Painted Bricks that made bright an Assyrian Palace (colour litho)
3099391 Painted Bricks that made bright an Assyrian Palace (colour litho) by English School, (20th century); Private Collection; (add.info.: Painted Bricks that made bright an Assyrian Palace)

Background imageAssyrian Collection: Majestic Palaces of Ancient Assyrias Great Capital Nineveh as it was more than twenty-five

Majestic Palaces of Ancient Assyrias Great Capital Nineveh as it was more than twenty-five centuries ago (colour litho)
3099418 Majestic Palaces of Ancient Assyrias Great Capital Nineveh as it was more than twenty-five centuries ago (colour litho) by European School

Background imageAssyrian Collection: Slab with Six-Winged Goddess, Tell Halaf (basalt)

Slab with Six-Winged Goddess, Tell Halaf (basalt)
1218756 Slab with Six-Winged Goddess, Tell Halaf (basalt) by Syrian; 69x37x23 cm; Walters Art Museum, Baltimore, USA; (add.info)

Background imageAssyrian Collection: Additions to the Assyrian sculptures at the British Museum

Additions to the Assyrian sculptures at the British Museum: part of the garden, with lions, taken from the North Palace of Kouyunjik, discovered in 1854 by Mr Hormuzd Rassam, oriental, art, artwork

Background imageAssyrian Collection: Cuneiform script, ancient Assyria (chromolitho)

Cuneiform script, ancient Assyria (chromolitho)
1093608 Cuneiform script, ancient Assyria (chromolitho) by European School, (19th century); Private Collection; (add.info.: Cuneiform script, ancient Assyria)

Background imageAssyrian Collection: Many Folk Misfitz - Assyria - Arab Girl

Many Folk Misfitz - Assyria - Arab Girl. early 20th century

Background imageAssyrian Collection: Ashurbanipal feasting with his queen, from Hutchinsons History of the Nations, pub

Ashurbanipal feasting with his queen, from Hutchinsons History of the Nations, pub
3614214 Ashurbanipal feasting with his queen, from Hutchinsons History of the Nations, pub.1915 by English School, (20th century); (add.info.: Ashurbanipal feasting with his queen Libbuli-Aaarrat)

Background imageAssyrian Collection: Sargon II capturing the Syro-Hittite city of Carchemish on the Upper Euphrates

Sargon II capturing the Syro-Hittite city of Carchemish on the Upper Euphrates
3614203 Sargon II capturing the Syro-Hittite city of Carchemish on the Upper Euphrates, from Hutchinsons History of the Nations, pub.1915 by English School

Background imageAssyrian Collection: A female prisoner and camel, illustration from Monuments of Nineveh

A female prisoner and camel, illustration from Monuments of Nineveh
2963355 A female prisoner and camel, illustration from Monuments of Nineveh, 1849 (engraving) by Layard, Austen Henry (1817-94); Private Collection; The Stapleton Collection; British, out of copyright

Background imageAssyrian Collection: First Side of Obelisk, illustration from Monuments of Nineveh, 1849 (engraving)

First Side of Obelisk, illustration from Monuments of Nineveh, 1849 (engraving)
2963353 First Side of Obelisk, illustration from Monuments of Nineveh, 1849 (engraving) by Layard, Austen Henry (1817-94); Private Collection; The Stapleton Collection; British, out of copyright

Background imageAssyrian Collection: Asirios y Babilonios (colour litho)

Asirios y Babilonios (colour litho)
2810736 Asirios y Babilonios (colour litho) by European School, (19th century); Private Collection; (add.info.: Asirios y Babilonios)

Background imageAssyrian Collection: Champleve furniture or cosmetic box plaque with a winged youth, c. 700 BC (ivory)

Champleve furniture or cosmetic box plaque with a winged youth, c. 700 BC (ivory)
3525786 Champlevefurniture or cosmetic box plaque with a winged youth, c. 700 BC (ivory) by Neo-Assyrian, (7th century BC); 5.9 high cm; Metropolitan Museum of Art, New York

Background imageAssyrian Collection: Openwork furniture plaque with two sphinxes, c. 800 BC (ivory, gold foil)

Openwork furniture plaque with two sphinxes, c. 800 BC (ivory, gold foil)
3525783 Openwork furniture plaque with two sphinxes, c.800 BC (ivory, gold foil) by Neo-Assyrian, (9th century BC); 6.4x10.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: From Syria)

Background imageAssyrian Collection: The obelisk (engraving)

The obelisk (engraving)
3626439 The obelisk (engraving) by English School, (19th century); Private Collection; (add.info.: The obelisk. The Black Obelisk of Shalmaneser III, now in the British Museum)

Background imageAssyrian Collection: Ruines d un temple assyrien (engraving)

Ruines d un temple assyrien (engraving)
3625893 Ruines d un temple assyrien (engraving) by French School, (19th century); Private Collection; (add.info.: Ruines d un temple assyrien)

Background imageAssyrian Collection: Paris, Les nouvelles salles du musee Dieulafoy au Louvre (engraving)

Paris, Les nouvelles salles du musee Dieulafoy au Louvre (engraving)
3623933 Paris, Les nouvelles salles du musee Dieulafoy au Louvre (engraving) by French School, (19th century); Private Collection; (add.info.: Paris)

Background imageAssyrian Collection: Musee assyrien au Louvre, Bas-relief de la premiere salle (engraving)

Musee assyrien au Louvre, Bas-relief de la premiere salle (engraving)
3644501 Musee assyrien au Louvre, Bas-relief de la premiere salle (engraving) by French School, (19th century); Private Collection; (add.info.: Musee assyrien au Louvre)

Background imageAssyrian Collection: 3597301

3597301
conqueror, soldier, armour, helmet, enemy, warfare, defeat, middle east, relief, middle eastern, iraq, prisoners, captured, military, archaeological, near east, sculpture, figures, ancient, persian

Background imageAssyrian Collection: 3597298

3597298
soldier, armour, city, helmet, warfare, middle east, walls, relief, middle eastern, iraq, archers, battlements, military, archaeological, near east, fortifications, sculpture, figures, weapon

Background imageAssyrian Collection: Wall relief of Gilgamesh from the ruins of Dur-Sharrukin, capital city of the Assyrians at

Wall relief of Gilgamesh from the ruins of Dur-Sharrukin, capital city of the Assyrians at the time of King Sargon II
3647838 Wall relief of Gilgamesh from the ruins of Dur-Sharrukin, capital city of the Assyrians at the time of King Sargon II (engraving) by German School

Background imageAssyrian Collection: Ancient Assyrian dwellings (engraving)

Ancient Assyrian dwellings (engraving)
3646993 Ancient Assyrian dwellings (engraving) by Viollet-le-Duc, Eugene Emmanuel (1814-79) (after); Private Collection; (add.info.: Ancient Assyrian dwellings)

Background imageAssyrian Collection: Gateway to an Assyrian palace (coloured engraving)

Gateway to an Assyrian palace (coloured engraving)
3630000 Gateway to an Assyrian palace (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Gateway to an Assyrian palace)

Background imageAssyrian Collection: The Oath of Semiramis, c. 1623-24 (oil on copper)

The Oath of Semiramis, c. 1623-24 (oil on copper)
1217970 The Oath of Semiramis, c. 1623-24 (oil on copper) by Cortona, Pietro da (Berrettini) (1596-1669); 51.2x70.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Background imageAssyrian Collection: Rectangular Chaldaean Temple (engraving)

Rectangular Chaldaean Temple (engraving)
672434 Rectangular Chaldaean Temple (engraving) by Perrot, Georges (1832-1914) and Chipiez, Charles (1835-1901); Private Collection; (add.info.: Rectangular Chaldaean Temple)

Background imageAssyrian Collection: Lion from the palace of Assurnazirpal, Nimroud, British Museum (engraving)

Lion from the palace of Assurnazirpal, Nimroud, British Museum (engraving)
672427 Lion from the palace of Assurnazirpal, Nimroud, British Museum (engraving) by Perrot, Georges (1832-1914) and Chipiez

Background imageAssyrian Collection: Bronze lion, from Khorsabad, Louvre (engraving)

Bronze lion, from Khorsabad, Louvre (engraving)
672425 Bronze lion, from Khorsabad, Louvre (engraving) by Perrot, Georges (1832-1914) and Chipiez, Charles (1835-1901); Private Collection; (add.info.: Bronze lion, from Khorsabad, Louvre)

Background imageAssyrian Collection: The Fall of Nineveh, illustration from Hutchinsons History of the Nations

The Fall of Nineveh, illustration from Hutchinsons History of the Nations
STC357962 The Fall of Nineveh, illustration from Hutchinsons History of the Nations, c.1910-15 (litho) by English School, (20th century); Private Collection; (add.info.: Sennacherib)

Background imageAssyrian Collection: Interior of the Palace of Nineveh, illustration from Hutchinson

Interior of the Palace of Nineveh, illustration from Hutchinson
IL335172 Interior of the Palace of Nineveh, illustration from Hutchinsons History of the Nations (litho) by Layard, Austen Henry (1817-94); Private Collection; (add.info)

Background imageAssyrian Collection: Jewellery from Khorsabad, Iraq (agate)

Jewellery from Khorsabad, Iraq (agate)
XIR241535 Jewellery from Khorsabad, Iraq (agate) by Mesopotamian; Louvre, Paris, France; out of copyright

Background imageAssyrian Collection: Relief depicting two griffins, from Arslan Tash (Hadatu) (ivory)

Relief depicting two griffins, from Arslan Tash (Hadatu) (ivory)
XIR197276 Relief depicting two griffins, from Arslan Tash (Hadatu) (ivory) by Phoenician, (7th century BC); National Museum, Aleppo, Syria; (add.info.: Arslan Tash, ancient Hadutu)

Background imageAssyrian Collection: Ashurbanipal offering lions in sacrifice

Ashurbanipal offering lions in sacrifice
LLM454238 Ashurbanipal offering lions in sacrifice by Baixeras-Verdaguer, Dionisio (1862-1943); Private Collection; (add.info.: Ashurbanipal offering lions in sacrifice)

Background imageAssyrian Collection: Cylinder seal of an Elamite royal guard in the service of a Sumerian king

Cylinder seal of an Elamite royal guard in the service of a Sumerian king
XIR391159 Cylinder seal of an Elamite royal guard in the service of a Sumerian king by Elamite, (13th century BC); Louvre, Paris

Background imageAssyrian Collection: Bulls and horses (chromolitho)

Bulls and horses (chromolitho)
2782730 Bulls and horses (chromolitho) by European School, (19th century); Private Collection; (add.info.: Bulls and horses. Liebig card, published in late 19th or early 20th century)

Background imageAssyrian Collection: An old Assyrian cuneiform tablet, from the merchant colony at Kanesh in Cappadocia

An old Assyrian cuneiform tablet, from the merchant colony at Kanesh in Cappadocia
1764788 An old Assyrian cuneiform tablet, from the merchant colony at Kanesh in Cappadocia, demanding payment of overdue accounts

Background imageAssyrian Collection: Cylinder seal with scorpion-man and modern impression, c

Cylinder seal with scorpion-man and modern impression, c
5049873 Cylinder seal with scorpion-man and modern impression, c.8th-7th century BC (quartz, crypto-crystalline) by Neo-Assyrian, (7th century BC); 4 high cm; Metropolitan Museum of Art, New York




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The Assyrians, an ancient civilization of Mesopotamia, were known for their grandeur and power. With the mighty Assyrian king in his chariot leading the way, they conquered vast territories and established a formidable empire. The Winged Assyrian Bull, a symbol of strength and protection, guarded the entrance to their cities like the magnificent Ishtar Gate. Their artistic prowess is evident in the intricate Babylonian wall tiles that adorned their palaces and temples. These beautifully crafted tiles depicted scenes such as the thrilling Assyrian Lion Hunt or even historical events like The Fall of Babylon by John Martin. As we explore this rich history, we come across fascinating aspects like Ancient Assyrian Costume – garments that reflected their culture and identity. Maps from centuries ago reveal how they believed Eden and Mount Ararat were part of their lands. However, it was not just glory for the Assyrians; they faced challenges too. The Medes of ancient times posed a threat to their dominance but couldn't extinguish their spirit entirely. Today, remnants of this once-mighty civilization can be found in archaeological sites scattered across modern-day Iraq. These artifacts serve as reminders of an era when the Assyrians reigned supreme – leaving behind a legacy that continues to captivate us with its splendor and intrigue.