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Attributed Collection

"Unveiling the Enigmatic: Exploring the Attributed Mysteries" Delving into the depths of history, we uncover a tapestry of enigmas and attributed wonders

Background imageAttributed Collection: King William III

King William III 1650-1702. Wyck, Jan c. 1640-1702 (attributed to)

Background imageAttributed Collection: Emerald Tablet, Smaragdine Table or Tabula Smaragdina

Emerald Tablet, Smaragdine Table or Tabula Smaragdina. Work attributed to the legendary alchemist Hermes Trismegistus who summarizes the process Magnum Opus or Great work for the creation of

Background imageAttributed Collection: ITALY. Siena. Cathedral. Hermes Trismegistus

ITALY. Siena. Cathedral. Hermes Trismegistus delivers a book to two personages who represent the Orient and the Western. Work attributed to Giovanni di Maestro Stefano (1488). Renaissance art

Background imageAttributed Collection: Peninsular War, with riflemen of 95th Reg

Peninsular War, with riflemen of 95th Reg
An action during the Peninsular War, with riflemen of 95th (Rifle) Regiment acting as snipers, 1810 (c).Watercolour attributed to Denis Dighton

Background imageAttributed Collection: Borthwick Castle, Midlothian

Borthwick Castle, Midlothian. Williams, Hugh William Grecian 1773 - 1829 (attributed to)

Background imageAttributed Collection: Elizabeth I (1533-1603) Queen of England and Ireland from 1558, last Tudor monarch

Elizabeth I (1533-1603) Queen of England and Ireland from 1558, last Tudor monarch. Version of the Armarda portrait attributed to George Gower c1588

Background imageAttributed Collection: One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom

One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue

Background imageAttributed Collection: Dancing Hours

Dancing Hours
Black and white. Image shows a bas relief of six ladies, each holding the hand of the ones next to her, and apparently dancing. This is a Wedgwood bas relief originally attributed to John Flaxman Jr

Background imageAttributed Collection: Stewart Banks

Stewart Banks 1725 - 1802 (c.1760-65). Lowry, Strickland 1737-c.1785 (attributed to). Date: 1760-1765 (circa)

Background imageAttributed Collection: Attributed to Fra Angelico (Italian, c. 1395-1455), The Entombment of Christ, c. 1450

Attributed to Fra Angelico (Italian, c. 1395-1455), The Entombment of Christ, c. 1450, tempera on panel

Background imageAttributed Collection: First Calendar

First Calendar
THE FIRST CALENDAR attributed to Numa, king of Rome

Background imageAttributed Collection: Elegant stone bridge on the river Minnick, Galloway, Scotland, attributed to oman engineers

Elegant stone bridge on the river Minnick, Galloway, Scotland, attributed to oman engineers. Date: in 1908

Background imageAttributed Collection: Mass of Saint Gregory. 15th c. Attributed to Juan

Mass of Saint Gregory. 15th c. Attributed to Juan de Nalda. Castilian Spanish-Flemish School. It comes from the Convent of Santa Clara (Palencia). Gothic art. Painting. SPAIN

Background imageAttributed Collection: New Worshiping of the Beast. Apocalypse of Angers

New Worshiping of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). New Worshiping of the Beast. 1372 - 1382. Second Scene of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: BATAILLE, Nicolas. Apocalypse of Angers

BATAILLE, Nicolas. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). he Beast out of the Earth Making Fire Come Down from Heaven. 1375 - 1382. Third Scene of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I

Background imageAttributed Collection: A Visit to the Irish Pig! With reflections Physical & Moral

A Visit to the Irish Pig! With reflections Physical & Moral
George III, accompanied by the Lord Chamberlain Salisbury, inspects a gigantic pig. Salisbury announces That Pig is the Tallest Fittest Properest Pig to stand before the K[ing]

Background imageAttributed Collection: Sicily - Palermo Monte Pellegrino Saint Rosalies Chapel

Sicily - Palermo Monte Pellegrino Saint Rosalies Chapel
Black and white Victorian lantern slide of the Chapel of Saint Rosalie. Saint Rosalie lived a hermit life in the caves of Mount Pallegrino

Background imageAttributed Collection: East Indian Market Stall, attributed to Albert Eckhout, 1640 - 1666

East Indian Market Stall, attributed to Albert Eckhout, 1640 - 1666

Background imageAttributed Collection: Tres Sainte Trinosophie

Tres Sainte Trinosophie
Title-page of LA TRES SAINTE TRINOSOPHIE, a Cabbalistic manuscript attributed to the Comte de Saint-Germain

Background imageAttributed Collection: King Solomon welcoming the Queen of Sheba. Bible I Kings10: 2. 15th century

King Solomon welcoming the Queen of Sheba. Bible I Kings10: 2. 15th century
532912 King Solomon welcoming the Queen of Sheba. Bible I Kings10: 2. 15th century (chromolithograph after miniature in Breviary of Cardinal Grimani attributed to Memling)

Background imageAttributed Collection: 'Adoration of the Shepherds' (oil on wood)

'Adoration of the Shepherds' (oil on wood)
534603 'Adoration of the Shepherds' (oil on wood); (add.info.: riptych attributed to Flemish artist Cornelis Englebrechtsen (Engelberts 1468-1533). Right panel showing Virgin and Child

Background imageAttributed Collection: Title page of La Tres Sainte Trinosophie. 18th century (cabbalistic-alchemical manuscript)

Title page of La Tres Sainte Trinosophie. 18th century (cabbalistic-alchemical manuscript attributed to Comte de)
533431 Title page of La Tres Sainte Trinosophie. 18th century (cabbalistic-alchemical manuscript attributed to Comte de Sainte-Germain)

Background imageAttributed Collection: James Plaisted Wilde, 1st Baron Penzance, 1816 - 1899

James Plaisted Wilde, 1st Baron Penzance, 1816 - 1899
3062092 James Plaisted Wilde, 1st Baron Penzance, 1816 - 1899.; Private Collection; (add.info.: British judge, rose breeder)

Background imageAttributed Collection: The Hermetic Vessel, c1760. Hermetic vessel in the alchemical furnace

The Hermetic Vessel, c1760. Hermetic vessel in the alchemical furnace. The serpent within the vase symbolises
542162 The Hermetic Vessel, c1760. Hermetic vessel in the alchemical furnace. The serpent within the vase symbolises the earthy substances of which the Philosopher's Stone is made

Background imageAttributed Collection: Adoration of the Shepherds' (oil on wood)

Adoration of the Shepherds' (oil on wood)
534600 Adoration of the Shepherds' (oil on wood); (add.info.: triptych attributed to Flemish artist Cornelis Englebrechtsen (Engelberts 1468-1533)

Background imageAttributed Collection: Old woman (witch or fairy) spinning, 1547 (engraving)

Old woman (witch or fairy) spinning, 1547 (engraving)
532886 Old woman (witch or fairy) spinning, 1547 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); (add.info)

Background imageAttributed Collection: Wartime Vimaltol Advertisement

Wartime Vimaltol Advertisement
A wartime advertisement promoting Vimaltol, a delicious vitamin food for children. The photographs portray a young child in various positions around his cot, with comical quotes attributed

Background imageAttributed Collection: Embellishment of Platerias Street, Charles III enters Madrid

Embellishment of Platerias Street, Charles III enters Madrid
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, circa 1760. Detail

Background imageAttributed Collection: Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor

Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor (Main Street), circa 1760. History Museum. Madrid. Spain

Background imageAttributed Collection: Embellishment of Plaza Mayor, Charles III enters Madrid

Embellishment of Plaza Mayor, Charles III enters Madrid
Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, circa 1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain

Background imageAttributed Collection: Arthur Wellesley (1769-1852), circa 1820-1825

Arthur Wellesley (1769-1852), circa 1820-1825
Arthur Wellesley (1769-1852). 1st Duke of Wellington. British military and Prime Minister. Portrait attributed to John Jackson (1778-1831), circa 1820-1825. Lazaro Galdiano Museum. Madrid. Spain

Background imageAttributed Collection: Felix Lope de Vega y Carpio (1562-1635)

Felix Lope de Vega y Carpio (1562-1635). Spanish writer. Portrait attributed to Eugenio Cajes (1574-1634). First third of 17th century. Lazaro Galdiano Museum. Madrid. Spain

Background imageAttributed Collection: A La Suite d'un Article Signe: Boulimy

A La Suite d'un Article Signe: Boulimy
This sketch shows a group of four gentlemen interacting, visually representing the following caption, translated in English. Mr

Background imageAttributed Collection: Tink

Tink
A portrait oil painting of a standing girl, wearing a white dress with a pink sash, fastened at the back with a bow, her name is Miss Joan Claudia Johnson

Background imageAttributed Collection: Willingham House, Market Rasen

Willingham House, Market Rasen
An oil painting of Willingham House, a country house near Market Rasen in Lincolnshire. It was built circa 1790 for Ayscoghe Boucherett, member of parliament for Grimsby between 1796-1803

Background imageAttributed Collection: St. Francis

St. Francis
A painting of Saint Francis of Assisi, an Italian catholic friar, deacon and mystic. He is one of the most venerated figures in Christianity who founded the men's Order of Friars Minor

Background imageAttributed Collection: Advert, Pyotts Marie Biscuits

Advert, Pyotts Marie Biscuits that Children Love! Date: 1937

Background imageAttributed Collection: Categoriae Decem (Fragment)

Categoriae Decem (Fragment)
Single quarto sized leaf, parchment, with text from the Categoriae Decem, a summary of the categories of Aristotle, originally attributed to St Augustine. Text in a minuscule script in dark brown

Background imageAttributed Collection: Apostles Andrew and Peter attributed to Master of Ventosilla

Apostles Andrew and Peter attributed to Master of Ventosilla
Apostles Andrew and Peter. Attributed to Master of Ventosilla. Early 16th century. Oil on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, La Coruna province, Galicia, Spain

Background imageAttributed Collection: Apostles James and John. Attributed to Master of Ventosilla

Apostles James and John. Attributed to Master of Ventosilla. Early 16th century. Oil on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain. Date: 2019

Background imageAttributed Collection: Military parade in front of the Congress of the Deputies

Military parade in front of the Congress of the Deputies
Painting attributed to Joaquin Siguenza Chavarrieta (1825-1902). Spanish painter. Military parade in front of the Congress of the Deputies on the occassion of the victory of the Glorious Revolution

Background imageAttributed Collection: Ferdinand VII. Attributed to Francisco Lacoma y Fontanet

Ferdinand VII. Attributed to Francisco Lacoma y Fontanet
Ferdinand VII (1784-1833). King of Spain (1808-1833). Portrait attributed to Francisco Lacoma y Fontanet (1784-1849). Museum of Romanticism. Madrid. Spain. Date: 2019

Background imageAttributed Collection: Elizabeth at the Age of Seventeen

Elizabeth at the Age of Seventeen
A portrait miniature painting of Elizabeth I, at the age of seventeen, when she was a Princess, part of the Royal collection at Windsor Castle

Background imageAttributed Collection: John Churchill, 1st Duke of Marlborough (1650-1722)

John Churchill, 1st Duke of Marlborough (1650-1722), Captain-General of the English forces and Master-General of the Ordnance, 1702 (c)

Background imageAttributed Collection: BATAILLE, Nicolas. Apocalypse of Angers

BATAILLE, Nicolas. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). Rejoicing of Men before the dead Witnesses. 1375 - 1382. Fifth Scene of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: JAPANESE FIREBALL

JAPANESE FIREBALL
A fire-ball is seen from time to time on Lake Biwa, at Zeze, and is attributed to the spirit of a dead daimio (prince) Date: 1908

Background imageAttributed Collection: Document attributed to Dreyfus which caused a false charge of treason to be brought against him

Document attributed to Dreyfus which caused a false charge of treason to be brought against him
878581 Document attributed to Dreyfus which caused a false charge of treason to be brought against him. Alfred Dreyfus, 1859 - 1935

Background imageAttributed Collection: Apocalyptic Virgin of Quito, c. 1775 (oil on canvas)

Apocalyptic Virgin of Quito, c. 1775 (oil on canvas)
988078 Apocalyptic Virgin of Quito, c.1775 (oil on canvas) by Alcocer, Jose Cortez de (fl.18th century); 105.4x81 cm; Private Collection; (add.info.: Apocalyptic Virgin of Quito)




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"Unveiling the Enigmatic: Exploring the Attributed Mysteries" Delving into the depths of history, we uncover a tapestry of enigmas and attributed wonders. From the ancient Emerald Tablet to the Smaragdine Table or Tabula Smaragdina, whispers of hidden knowledge beckon us. In Italy's Siena Cathedral, Hermes Trismegistus stands as a symbol of wisdom and alchemy. A testament to King William III's reign, his legacy intertwines with tales from Peninsular War riflemen of 95th Reg. Borthwick Castle in Midlothian echoes with stories untold. Within its walls, one can almost hear the hoofbeats of a Chestnut Horse held by a groom - perhaps Old Partner himself? Elizabeth I, Queen of England and Ireland during turbulent times, leaves an indelible mark on history as the last Tudor monarch. Her strength and resilience shine through portraits that capture her regal essence. The Mass of Saint Gregory transports us back to 15th-century Spain, attributed to Juan's masterful brushstrokes. Meanwhile, in Apocalypse Angers' New Worshiping scene emerges an eerie depiction that lingers in our minds. Amidst these artistic marvels stand The Dancing Hours – ethereal beings twirling gracefully through time itself. Their presence reminds us that beauty transcends eras and cultures. Stewart Banks takes us on A Visit to the Irish Pig. With reflections Physical & Moral - an amusing journey filled with unexpected insights into human nature. As we explore these attributed treasures from different corners of history, let us embrace their mysteries while seeking understanding within their depths. For it is through such journeys that we unravel secrets long forgotten and connect ourselves to those who came before us.