Aubrey Vincent Beardsley Collection (#4)

The Toilet of Helen, 1890s, (1935). Creator: Aubrey Beardsley
The Toilet of Helen, 1890s, (1935). A bare-breasted Helen sits at the dressing-table as a veiled woman attends to her hair. Grotesque dwarf figures fight in the foreground

The Abbe, 1896, (1935). Creator: Aubrey Beardsley
The Abbe, 1896, (1935). Character named Abbe Aubrey and sometimes Abbe Fanfreluche. From " Under the Hill", an erotic story written and illustrated by Aubrey Beardsley

Aubrey Beardsley, British artist, 1890s. Artist: Frederick Hollyer
Aubrey Beardsley, British artist, 1890s. Beardsley (1872-1898) was the most original genius of British art in the 1890s. In his short career, before his early death from consumption

Siegfried, Act II, c1893. Artist: Aubrey Beardsley
Siegfried, Act II, c1893. This drawing is an illustration relating to Act II of Richard Wagners (1813-1883) opera Siegfried. From The Studio Volume 1 [London Offices of the Studio, London, 1893]

Portrait of a woman, 1898. Artist: Aubrey Beardsley
Portrait of a woman, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Design for Cover of Nobodys Fault, 1914. Artist: Aubrey Beardsley
Design for Cover of Nobodys Fault, 1896, (1914). Illustrion for the novel by Netta Syrett (1865-943). From The Art of the Book edited by Charles Holme. [The Studio, Ltd. London, Paris, New York, 1914]

Design for Cover of The Mountain Lovers, c. 1895, (1914). Artists: Aubrey Beardsley, William Sharp
Design for Cover of The Mountain Lovers, c.1895, (1914). Illustration for The Mountain Lovers by William Sharp (1855-1905), a Scottish writer of poetry and literary biography

Design for Title-Page of Pagan Papers, 1893, (1914). Artist: Aubrey Beardsley
Design for Title-Page of Pagan Papers, 1893, (1914). Illustration from Kenneth Grahames (1859-1932) collection of stories, Pagan Papers. From The Art of the Book edited by Charles Holme

Title-Page Designed by Aubrey Beardsley for Messrs. J. M. Dent and Sons Ltd, 1909, (1914). Artist: Aubrey Beardsley
Title-Page Designed by Aubrey Beardsley for Messrs. J. M. Dent and Sons Ltd, 1909, (1914). Illustrated edition of Le Morte d Arthur (the death of Arthur) by Thomas Malory (c.1415-1471)

Illustration from Morte D Arthur, 1893-1894, (1923). Artist: Aubrey Beardsley
Illustration from Morte D Arthur, 1893-1894, (1923). Le Morte d Arthur is a reworking of traditional tales by Sir Thomas Malory about the legendary King Arthur

The Eyes of Herod, 1894, (1912). Artist: Aubrey Beardsley
The Eyes of Herod, 1894, (1912). An illustration for Salome by Oscar Wilde. Aubrey Vincent Beardsley (1872 -1898) was an English illustrator and author

Merlin Taketh the Child Arthur into His Keeping, c1893. Artist: Aubrey Beardsley
Merlin Taketh the Child Arthur into His Keeping, c1893. An illustration for Sir Thomas Malory (d1471) reworking of Le Morte d Arthur

The Birthday of Madame Cigale, c1893. Artist: Aubrey Beardsley
The Birthday of Madame Cigale, c1893. From The Studio Volume 1 [London Offices of the Studio, London, 1893]

The Peacock Girl, 1893. Artist: Aubrey Beardsley
The Peacock Girl, 1893. An illustration for Salome, by Oscar Wilde (1854-1900). From The Studio Volume 2. [London Offices of the Studio, London, 1893]

Pan reading to a woman by a brook, 1898. Artist: Aubrey Beardsley
Pan reading to a woman by a brook, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

A woman sitting on a rearing horse, 1898. Artist: Aubrey Beardsley
A woman sitting on a rearing horse, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Design for Cover ofThe Woman Who Did, 1914. Artist: Aubrey Beardsley
Design for Cover ofThe Woman Who Did, 1914. Illustration for the novel by Grant Allen, published c.1895. Allen was sympathetic to the feminist cause and womens rights

Salomes Toilette, 1894. Artist: Aubrey Beardsley
Salomes Toilette, 1894. Salome is being attended by a masked figure. Illustration for the play Salome by Oscar Wilde. (1894)

Excalibur being reclaimed by the Lady of the Lake, 1893. Artist: Aubrey Beardsley
Excalibur being reclaimed by the Lady of the Lake, 1893. A hand emerging from the lake to reclaim Excalibur, the sword which, according to legend

Cover of The Illustrated American, 1894. Artist: Aubrey Beardsley
Cover of The Illustrated American, 1894; representing a golf costume

Young Woman Surrounded Briars Lightning Roses
Artokoloro

Madame Rejane 1894 Pen carbon black ink brush
Artokoloro

Praying Angels Poppies Border Design Thomas Malory
Artokoloro

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Aubrey Vincent Beardsley, a renowned artist of the late 19th century, left an indelible mark on the world of art with his provocative and intricate works. From "The Toilet of Lampito" to "Isolde, " Beardsley's unique style captivated audiences and pushed boundaries. In "The Climax, " Beardsley's talent for capturing dramatic scenes is evident as he portrays a moment filled with tension and anticipation. His attention to detail is showcased in every stroke, drawing viewers into a world of mystery and intrigue. Frederick Hollyer's portrait of Beardsley gives us a glimpse into the artist himself - his intense gaze reflecting both passion and determination, and is through this lens that we can begin to understand the complexities behind his creations. Beardsley's lithographs such as "Reves" and "L'Orgie" delve into themes that were considered taboo during his time. With meticulous precision, he explores eroticism in its various forms, challenging societal norms while showcasing his technical prowess. In pieces like "Messaline and companion returning from a brothel" and "La Nuit, " Beardsley delves deeper into the darker aspects of human nature. Through these haunting images, he invites contemplation on themes such as desire, temptation, and morality. Yet amidst all this controversy lies undeniable beauty. In works like "Siegfried Act II" or his self-portrait from 1895, we see glimpses of vulnerability intertwined with strength. These paintings reveal not only Beardsley's artistic skill but also offer insight into the depths of his own psyche. With each lithograph or oil painting produced by Aubrey Vincent Beardsley comes an invitation to explore our own perceptions about art, society, sexuality, and identity. His legacy continues to inspire artists today who seek to challenge conventions while pushing their creative boundaries further than ever before.