Awaiting Collection (#5)

Soldiers awaiting the order to advance on the Somme Heights, France during World Ward One
498915 Soldiers awaiting the order to advance on the Somme Heights, France during World Ward One, from The Year 1916 Illustrated by English Photographer

The Volunteer Review, Notes with the Ambulances (engraving)
1054470 The Volunteer Review, Notes with the Ambulances (engraving) by English School, (19th century); Private Collection; (add.info.: The Volunteer Review, Notes with the Ambulances)

Afternoon Tea, (oil on panel)
1197500 Afternoon Tea, (oil on panel) by Ernst, Rudolphe (1854-1932); 64.7x53.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

King Dasaratha Conversing with the Family Priest about Rama
1196782 King Dasaratha Conversing with the Family Priest about Ramas Regency Inside the Palace, Whilst Courtiers and Ministers Await in the Courtyard, c.1595 (w/c on paper) by Mughal School

1768460; out of copyright

The Franco-Italian Festivities at Toulon and Nice (b / w photo)
1593575 The Franco-Italian Festivities at Toulon and Nice (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Franco-Italian Festivities at Toulon and Nice)

La Pharmacie, (watercolour over pen and black ink on paper)
652287 La Pharmacie, (watercolour over pen and black ink on paper) by Pascin, Jules (1885-1930); 33.6x43.2 cm; Private Collection; (add.info.: La Pharmacie. Jules Pascin (1885-1930)

Asian in Blue Stockings; Asiatique aux Bas Bleus, 1922 (oil on canvas)
656284 Asian in Blue Stockings; Asiatique aux Bas Bleus, 1922 (oil on canvas) by Pascin, Jules (1885-1930); 65x54 cm; Private Collection; (add.info.: Asian in Blue Stockings; Asiatique aux Bas Bleus)

Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board)
652096 Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board) by Caffieri, Hector (1847-1932); 57.1x74.9 cm; Private Collection; (add.info)

Vauxhall Stairs, from Millbank, 1797 (pen and brown ink and watercolour)
652046 Vauxhall Stairs, from Millbank, 1797 (pen and brown ink and watercolour) by Towne, Francis (1740-1816); 18.4x22.2 cm; Private Collection; (add.info.: Vauxhall Stairs, from Millbank)

A Busy Quayside in Brittany with Fishing Boats Returning
652031 A Busy Quayside in Brittany with Fishing Boats Returning, (watercolour heightened with white) by Caffieri, Hector (1847-1932); 34.3x50.2 cm; Private Collection; (add.info)

The Palace Guard, (oil on canvas)
651400 The Palace Guard, (oil on canvas) by Pasini, Alberto (1826-99); 38.8x46.4 cm; Private Collection; (add.info.: The Palace Guard. Alberto Pasini (1826-1899). Oil on canvas

Martyrs awaiting their Summons to the Arena (engraving)
6011440 Martyrs awaiting their Summons to the Arena (engraving) by Zuccoli, Luigi (1815-76); Private Collection; (add.info.: Martyrs awaiting their Summons to the Arena)

Ignatius awaiting martyrdom in the Colosseum (litho)
6005033 Ignatius awaiting martyrdom in the Colosseum (litho) by English School, (20th century); Private Collection; (add.info.: Ignatius awaiting martyrdom in the Colosseum)

A Soiree on the Terrace, (oil on canvas)
989307 A Soiree on the Terrace, (oil on canvas) by Enjolras, Delphin (1857-1945); 60.3x73 cm; Private Collection; (add.info.: A Soiree on the Terrace; Une Soiree sur la Terasse)

Washington Park Club, Chicago, 1892 (oil on canvas)
990572 Washington Park Club, Chicago, 1892 (oil on canvas) by Dvorak, Franz (1862-1927); 95.2x250.2 cm; Private Collection; (add.info.: Washington Park Club, Chicago. Franz Dvorak (1862-1927)

Waiting in Vain; Vaine Attente, (oil on canvas)
823519 Waiting in Vain; Vaine Attente, (oil on canvas) by Cogghe, Remy (1854-1935); 92.7x69.9 cm; Private Collection; (add.info.: Waiting in Vain; Vaine Attente. Remy Cogghe (1854-1935)

Woman Sitting; Femme Assise, 1879 (pastel on paper)
825574 Woman Sitting; Femme Assise, 1879 (pastel on paper) by Renoir, Pierre Auguste (1841-1919); 65.2x49.2 cm; Private Collection; (add.info.: Woman Sitting; Femme Assise)

Redheaded Woman Sitting in the Garden of Mr, 1889 (oil on canvas)
825140 Redheaded Woman Sitting in the Garden of Mr, 1889 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 64.8x54 cm; Private Collection; (add.info)

The Maidens Isle, Zanzibar, (oil on canvas)
828331 The Maidens Isle, Zanzibar, (oil on canvas) by Randall, Maurice (fl.1899-1919); 74.9x101.7 cm; Private Collection; (add.info.: The Maidens Isle, Zanzibar. Maurice Randall (active 1899-1919)

Waiting for his Eminence, 1902 (oil on panel)
827222 Waiting for his Eminence, 1902 (oil on panel) by Gallegos Arnosa, Jose (1859-1917); 22.9x30.5 cm; Private Collection; (add.info.: Waiting for his Eminence. Jose Gallegos Y Arnosa (1859-1917)

A Paris Street, Evening, (oil on canvas)
827103 A Paris Street, Evening, (oil on canvas) by Gilsoul, Victor (1867-1939); 50.9x82.5 cm; Private Collection; (add.info.: A Paris Street, Evening. Victor Gilsoul (1867-1939). Oil on canvas

Anxious Hearts, 1894 (oil on canvas)
826720 Anxious Hearts, 1894 (oil on canvas) by Howgate, William Arthur (fl.1884-1906); 48x83in cm; Private Collection; (add.info.: Anxious Hearts. William Arthur Howgate (fl.1884-1906)

The Deputies from the Imperial Cities awaiting an Audience of Charles (engraving)
2791102 The Deputies from the Imperial Cities awaiting an Audience of Charles (engraving) by English School, (19th century); Private Collection; (add.info)

Women in the Park; Femmes dans le Parc, 1917 (oil on canvas)
652594 Women in the Park; Femmes dans le Parc, 1917 (oil on canvas) by Pascin, Jules (1885-1930); 61x42 cm; Private Collection; (add.info.: Women in the Park; Femmes dans le Parc)

The Letter (oil on panel)
476651 The Letter (oil on panel) by Decaisne, Henri (1799-1852); 56.5x71.7 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

The Bishops Dilemma (engraving)
1050828 The Bishops Dilemma (engraving) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: The Bishops Dilemma)

Foreign Ambassadors awaiting the Arrival of the Royal Party (engraving)
1050558 Foreign Ambassadors awaiting the Arrival of the Royal Party (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info)

An Artists Notes at an Inter-University Boat Race (engraving)
1037827 An Artists Notes at an Inter-University Boat Race (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info.: An Artists Notes at an Inter-University Boat Race)

Meeting of the Three Emperors at Skiernievice, Poland (engraving)
1045700 Meeting of the Three Emperors at Skiernievice, Poland (engraving) by English School, (19th century); Private Collection; (add.info.: Meeting of the Three Emperors at Skiernievice, Poland)

The Late Arrival, (oil on canvas)
658730 The Late Arrival, (oil on canvas) by Enjolras, Delphin (1857-1945); 73.5x54.5 cm; Private Collection; (add.info.: The Late Arrival. Delphin Enjolras (1857-1945). Oil on canvas

The Interior of the Alhambra Theatre, London, 1900, 1900 (oil on canvas)
657698 The Interior of the Alhambra Theatre, London, 1900, 1900 (oil on canvas) by Hacker, Arthur (1858-1919); 76x63.5 cm; Private Collection; (add.info.: The Interior of the Alhambra Theatre)

The Red Hat, (oil on canvas)
656893 The Red Hat, (oil on canvas) by Lavery, John (1856-1941); Private Collection; (add.info.: The Red Hat. Sir John Lavery (1856-1941). Oil on canvas

Crossing the River, Burma, (oil on canvas)
656869 Crossing the River, Burma, (oil on canvas) by Procter, Ernest (1886-1935); 50.8x61 cm; Private Collection; (add.info.: Crossing the River, Burma. Ernest Procter (1886-1935). Oil on canvas

The Bath; Le Bain, (oil on canvas)
658538 The Bath; Le Bain, (oil on canvas) by Latouche, Gaston de (1854-1913); 122x122 cm; Private Collection; (add.info.: The Bath; Le Bain. Gaston de Latouche (1854-1913). Oil on canvas

Echo, (oil on canvas)
658282 Echo, (oil on canvas) by Rae, Henrietta (1859-1928); 213.4x83.8 cm; Private Collection; (add.info.: Echo. Henrietta Rae (1859-1928). Oil on canvas

Waiting for the Escort, (oil on canvas)
658214 Waiting for the Escort, (oil on canvas) by Detti, Cesare-Auguste (1847-1914); 53.3x36.8 cm; Private Collection; (add.info.: Waiting for the Escort. Cesare Auguste Detti (1847-1914)

Anxious Moments, 1871 (oil on canvas)
659857 Anxious Moments, 1871 (oil on canvas) by Rossi, Alexander M. (1840-1916); 71.2x92 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Watcher (oil on canvas)
1767639 The Watcher (oil on canvas) by Ufer, Walter (1876-1936); 76.2x91.4 cm; Private Collection; (add.info.: The Watcher. Walter Ufer (1876-1936). Oil on canvas

Calling to the Valley (oil on canvas)
1772165 Calling to the Valley (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 76.2x101.6 cm; Private Collection; (add.info.: Calling to the Valley. Henry Herbert La Thangue (1859-1929)

Planting a Tree (oil on canvas)
1772154 Planting a Tree (oil on canvas) by Clausen, George (1852-1944); 35.6x29.9 cm; Private Collection; (add.info.: Planting a Tree. Sir George Clausen (1852-1944). Oil on canvas

The Recent Coal Strike in the United States, Scenes of the Military Occupation of the Strike District (b / w photo)
1601163 The Recent Coal Strike in the United States, Scenes of the Military Occupation of the Strike District (b/w photo) by English Photographer

The Making of a Freemason (litho)
1598173 The Making of a Freemason (litho) by English School, (19th century); Private Collection; (add.info.: The Making of a Freemason. Illustration for The Illustrated London News, 4 December 1897)

Lord Tennysons Play of "Becket, "at the Lyceum Theatre (engraving)
1604019 Lord Tennysons Play of " Becket, " at the Lyceum Theatre (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: Lord Tennysons Play of " Becket)

Burning of the New Theatre at Exeter, with Great Loss of Life (engraving)
1591374 Burning of the New Theatre at Exeter, with Great Loss of Life (engraving) by English School, (19th century); Private Collection; (add.info.: Burning of the New Theatre at Exeter)

Maruja, by Bret Harte (engraving)
1591172 Maruja, by Bret Harte (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Maruja, by Bret Harte)

Indian Coronation Visitors, Troops at Hampton Court (b / w photo)
1629830 Indian Coronation Visitors, Troops at Hampton Court (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Indian Coronation Visitors, Troops at Hampton Court)

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Awaiting the arrival of Sir William Wallace, the air crackled with anticipation. The crowd gathered in a tractor pattern, eager to catch a glimpse of the legendary warrior. As they waited, a guiding Christmas angel seemed to hover above them, spreading hope and joy. In the distance, "A Peep at the Train" revealed an India from 1892, captured delicately in pencil and watercolor on paper. Its vibrant colors transported everyone's minds to far-off lands as they patiently awaited their hero. Meanwhile, "The Blue Boat" painted in 1929 depicted serene waters that mirrored their own calm patience. The stillness was broken only by whispers about "The Kings Cup Air Race - The Competitors at Hanworth, " where adrenaline-fueled aviators raced through the sky. Outside The Old King Cross Inn stood a vintage lorry, symbolizing both nostalgia and progress. It reminded them that even while awaiting greatness, life continued its journey forward. Suddenly sirens blared as firefighters rushed past Middlesex Street in Aldgate. Their bravery served as a reminder that heroes come in many forms; sometimes it is those who protect us daily who deserve our admiration most. Across continents and time periods lay reminders of history's weight: Chicago Stockyards bustling with industry and Clerkenwell Prison hauntingly silent yet ever-present. They reminded all present that waiting often meant bearing witness to change itself. Amidst this eclectic mix of scenes emerged Dr. A Ortman of South Dakota—a chiropractor offering relief from physical burdens—reminding them that even during moments of anticipation or distress, there were healers among us ready to ease our pain. Finally came British stretcher cases from Salonika during WW1—an image etched into collective memory forevermore—a testament to resilience amidst chaos and proof that hope can be found even when awaiting salvation itself.