Barbaric Collection (#8)

Germain chief (the German barbarians). Engraving from 1868 in "
XEE4144688 Germain chief (the German barbarians). Engraving from 1868 in " Histoire de Belgique from primitive times to the end of the regne of Leopold I" by Theodore Juste (1818-1888)

Nordic mythology: The Walkyries (virgins warriors) in Valholl (or Walhalla, Valhalla
GIA4805986 Nordic mythology: The Walkyries (virgins warriors) in Valholl (or Walhalla, Valhalla, Valhalle: place where brave warriors are brought) and the fall of warriors in battle

Totila, king of the Ostrogoths visiting Benedict of Nursia - Detail of Predelle, c. 1470
LRI4573658 Totila, king of the Ostrogoths visiting Benedict of Nursia - Detail of Predelle, c. 1470 by Landi, Neroccio di (Neroccio da Siena) (1447-1500); Galleria degli Uffizi, Florence, Tuscany

Barbarian civilization: glass cups, 6th-7th century
LRI4646174 Barbarian civilization: glass cups, 6th-7th century by Merovingian, (7th century); Musee Archeologique, Strasbourg

Archaeology of the Middle Ages (Middle Ages). Barbarian art of Lombardy: detail of Christ
LRI4646282 Archaeology of the Middle Ages (Middle Ages). Barbarian art of Lombardy: detail of Christ, low relief of the altar of Duke Rachis. Sculpture, Lombard art, 737-744

Archaeology of the Middle Ages (Middle Ages). Barbarian art of Lombardy
LRI4646251 Archaeology of the Middle Ages (Middle Ages). Barbarian art of Lombardy: pectoral crosses in gold leaves. Lombard art of the 7th century

Portrait of Attila (395-453) King of the Huns. Anonymous 17th century painting of
LRI4669532 Portrait of Attila (395-453) King of the Huns. Anonymous 17th century painting of the " Raccolta Gioviana" Firenze Galleria degli Uffizi

Silver medal with the effigy of Attila (395-453) king of the Huns, flower of god
JLJ4665905 Silver medal with the effigy of Attila (395-453) king of the Huns, flower of god. Paris, Louvre Museum by Anonymous; Louvre, Paris

Benedict welcomes Totila who came to apologize himself for having put Benoit to the test
LRI4698676 Benedict welcomes Totila who came to apologize himself for having put Benoit to the test (Benedict welcomes Totila who came to apologize himself for having put Benedict to the test)

Saint Benedict of Nursia welcoming Totila (6th century) king of the Ostrogoths fresco of
LRI4694795 Saint Benedict of Nursia welcoming Totila (6th century) king of the Ostrogoths fresco of the refectory of the monks made by Luca Signorelli recounting the life of Saint Benedict of Nursie

Attila - in "Cosmographia"by Sebastiano Munster, 1554
GIA4697779 Attila - in " Cosmographia" by Sebastiano Munster, 1554 by Munster, Sebastian (1589-1552); Private Collection; (add.info)

Witches roasting and boiling infants, copy of an illustration from
STC205001 Witches roasting and boiling infants, copy of an illustration from Compendium Maleticarum by Fr M Guaccius, Milan 1608, used in History of Magic

Hamer bull jumping ceremony (Ethiopia)
Joxe Inazio Kuesta Garmendia

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito), ca. 1815

Dismembering and cooking an enemy, from Americae Tertia Pars
XIR214143 Dismembering and cooking an enemy, from Americae Tertia Pars.. 1562 (coloured engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes

The Scourge of God, Huns on the rampage, after a work by V. A. Poirson; Illustration
The Scourge of God, Huns on the rampage, after a work by V.A. Poirson; Illustration

Belgian Miners Captured By The Germans Near Charleroi, Belgium And Made To March At The Head Of The Column, Which Was Entering The Town, Thereby Using Them As A Human Shield, During Wwi

Attila, Emperor of the Huns
Attila (406-453), Emperor of the Huns. Originating from the steppes of Central Asia, the Huns swept westwards and established the large Hunnic Empire

Entertainment in a Roman arena, 1882-1884. Artist: Spex
Entertainment in a Roman arena, 1882-1884. A print from La France et les Francais a Travers les Siecles, Volume I, F Roy editor, Saint-Antoine, 1882-1884

Gladiators in the Roman arena. Spectators are giving the thumbs down, signalling the victor not to spare his defeated adversary. Print after Jean-Leon Gerome

Combat between a lion and a bull, Spain, 1894. A print from the Le Petit Journal, 30th December 1894

Suffragette and Irish Prisoners
Illustrates the stark contrast between the treatment of Irishand suffragette prisoners citing The Value of the Vote The Voteless suffragette is subjected to barbaric forciblefeeding in Holloway

The library at Louvain ruined during WW1
The library at Louvain in Belgium, as it was with a smaller, inset photograph, showing how it looked after German bombardment In 1914

Frightfulness - WW1 humorous dog postcard
The Pup: - Guess that old Shoe knows what " Frightfulness" is! A comic postcard from the Great War era showing a puppy contemplating a slipper he has just destroyed

Germanys war aim - Peace & a Sword, David Wilson, WW1
Germany depicted as a gigantic, militaristic ogre, standing amidst the rubble of a devastated village brandishing a sword engraved with the words, Might is Right. Date: 1917

Source Size = 1897 x 2540
LORD RANDOLPH CHURCHILL IN SOUTH AFRICA: " A tiny crystal to be used for the gratification of female vanity, in imitation of a lust of personal adornment essentially barbaric

Navigatio in Brasiliam Americae, Immolation of a Barbarian (page 525)
XIR902335 " Navigatio in Brasiliam Americae", Immolation of a Barbarian (page 525), 1563 (colour engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes

Sacrifice that the Floridians make to the Sun of their first born, illustration
XJF448226 Sacrifice that the Floridians make to the Sun of their first born, illustration from Bernard Picarts illustrated survey of religious practices around the world published 1789 (engraving)

German Troopers with their Helmets, Shields & Lances, engraved by Cornelis Huyberts
XJF468527 German Troopers with their Helmets, Shields & Lances, engraved by Cornelis Huyberts, illustration to Caesars Commentaries translated into English by William Duncan

The Burning of Archbishop Thomas Cranmer (1489-1556) at Oxford in the Bloody Reign of Queen Mary
XJF173671 The Burning of Archbishop Thomas Cranmer (1489-1556) at Oxford in the Bloody Reign of Queen Mary (1516-58), engraved by Thomas Sparrow (1765-84) (engraving) (b/w photo) by English School

The Barbarians Before Rome (oil on canvas)
XIR169183 The Barbarians Before Rome (oil on canvas) by Luminais, Evariste Vital (1822-96); 73x100 cm; Musee des Beaux-Arts, Dunkirk, France; French, out of copyright

Cambodia - Water Buffalo and hanging elephants feet
Cambodia - A small settlement with Water Buffalo and a rack of hanging elephants feet - destined to become fashionable western furniture items - (see picture 10528268). Date: circa 1910s

Russians - Japanese translations of barbaric languages. Japanese print shows two Russian soldiers talking; includes text of Japanese translation. Date ca. 1863

Americans - Japanese translations of barbaric languages. Japanese print shows an American couple conversing; includes text of Japanese translation. Date 1863

1560 Gesner Magnus medieval whaling
Woodcut with old colouring. Gesner " Icones Animalium" publ. Christof Froschover, Zurich, 1560. Gesner appears to derive this image partly from Olaus Magnus " Historia de Gentibus

A fox hunter and terriers in the Lake District UK
Ashley Cooper / SpecialistStock

BOOK BURNING / 10. 5. 1933
Disruptive books from private and public libraries were burned in front of the University of Berlin. This incident provoked a wave of disgust throughout the world

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"Unveiling the Enigmatic Cerne Abbas Giant: A Glimpse into Barbaric Ancient Traditions" This captivating aerial image of the Cerne Abbas Giant, located in Dorset, England, transports us back in time to an era shrouded in mystery and intrigue. This enigmatic figure carved into the hillside has long fascinated historians and archaeologists alike, with its origins dating back centuries. As we delve deeper into history, a hand-coloured engraving from 1800 titled "Comfort to the Corns" offers a glimpse into a bygone era when locals sought solace and merriment at their beloved pub. It serves as a reminder that even amidst barbaric times, people found respite in communal spaces. The juxtaposition continues with an aerial image showcasing a roast pig on a spit - an age-old tradition prevalent in the West Country. While seemingly barbaric to some modern sensibilities, it highlights cultural practices that have evolved over time. Venturing further across continents brings us face-to-face with cannibalism cooking dead humans among Fijian natives. This shocking practice reminds us of how different cultures perceive what is considered acceptable or abhorrent. Turning our attention to historical events marked by nationalism and conquests, we encounter images depicting nationalist victories and Neros Torches - symbolizing the burning of Christians during ancient Rome's reign. These gruesome acts exemplify humanity's capacity for brutality throughout history. Shifting focus towards legendary figures like Attila King of Huns and Odoacre leader of Herules allies reveals portraits that evoke both awe and fear. These rulers were known for their fierce military prowess but also engaged in diplomatic negotiations with influential figures such as Pope Saint Leon I – demonstrating moments where diplomacy triumphed over savagery. Lastly, Fortunino Matania's mesmerizing artwork titled "Princess Caraboo" captures our imagination with its exotic allure.