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Barbier Collection (#4)

"Step into the world of Barbier: A Turkish Barber at Thessaloniki, Greece

Background imageBarbier Collection: Les Colchiques. The Crocuses. Manteau de voyage de Paquin. Traveling coat by Paquin

Les Colchiques. The Crocuses. Manteau de voyage de Paquin. Traveling coat by Paquin. Art-deco fashion illustration by French artist George Barbier, 1882-1932

Background imageBarbier Collection: Arlequin magicien barbier Italian theater prints

Arlequin magicien barbier Italian theater prints
Arlequin magicien and barbier, Italian theater prints, 1758

Background imageBarbier Collection: Ida Rubinstein and Vaslav Nijinsky in the ballet Scheharazade. Artist: Barbier, George (1882-1932)

Ida Rubinstein and Vaslav Nijinsky in the ballet Scheharazade. Artist: Barbier, George (1882-1932)
Ida Rubinstein and Vaslav Nijinsky in the ballet Scheharazade. Private Collection

Background imageBarbier Collection: BARBIER: LA BELLE, 1923. La belle indolente. Fashion plate illustration by George Barbier

BARBIER: LA BELLE, 1923. La belle indolente. Fashion plate illustration by George Barbier, 1923

Background imageBarbier Collection: Scheherazade. Illustration, 1922, by George Barbier

Scheherazade. Illustration, 1922, by George Barbier
ARABIAN NIGHTS, 1922. Scheherazade. Illustration, 1922, by George Barbier

Background imageBarbier Collection: Evening headwear by Lewis and Judith Barbier

Evening headwear by Lewis and Judith Barbier
A selection of evening headwear from the 1920s, three designed by Lewis and four by Judith Barbier. Date: 1924

Background imageBarbier Collection: Tamara Karsavina in the ballet The Firebird by I. Stravinsky. Artist: Barbier, George (1882-1932)

Tamara Karsavina in the ballet The Firebird by I. Stravinsky. Artist: Barbier, George (1882-1932)
Tamara Karsavina in the ballet The Firebird by I. Stravinsky. Private Collection

Background imageBarbier Collection: A Barber Shop, ca. 1849. Artist: Briullov, Karl Pavlovich (1799-1852)

A Barber Shop, ca. 1849. Artist: Briullov, Karl Pavlovich (1799-1852)
A Barber Shop, ca. 1849. From a private collection

Background imageBarbier Collection: La Finette, c1927. Artist: Georges Barbier

La Finette, c1927. Artist: Georges Barbier
La Finette, c1927. From The Studio Volume 93. [London Offices of the Studio, London, 1927]

Background imageBarbier Collection: Crinoline by Barbier

Crinoline by Barbier
La Rose de l Infante: a woman in a wide-skirted crinoline, possibly for a theatrical performance. Date: 1924

Background imageBarbier Collection: Swimwear / Barbier 1913

Swimwear / Barbier 1913
Pretty bathing belle in a swimsuit consisting of a high waisted & belted tunic (presumably with shorts or bloomers beneath) & a matching cap daintily holds a crab. Date: 1913

Background imageBarbier Collection: Peter I / Barbier / Nee

Peter I / Barbier / Nee
PETER I (the Great) crowned by fame, and depicted with attributes testifying to his devotion to the arts sciences and military matters Date: 1682-1725

Background imageBarbier Collection: Regine Flory in The Passing Show by George Barbier

Regine Flory in The Passing Show by George Barbier
La Marchande de Masques. Regine Flory in The Passing Show, the popular revue at the Palace Theatre in 1914. Date: 1914

Background imageBarbier Collection: Drawings Prints, Print, Wie, Till, zur, Barbier, durchs, Fenster, komt, How

Drawings Prints, Print, Wie, Till, zur, Barbier, durchs, Fenster, komt, How
Drawings and Prints, Print, Wie Till zur Barbier durchs Fenster komt (How Till Eupenspiegel Came In Through the Barbers Window), Heinrich Fuessli sammtliche Werke, 1807, part I, no

Background imageBarbier Collection: Gilles-Antoine Demarteau after Jean-Jacques-Franazois Le Barbier (French, 1750 - 1802)

Gilles-Antoine Demarteau after Jean-Jacques-Franazois Le Barbier (French, 1750 - 1802), Academy (679), 1791, chalk manner in red on laid paper

Background imageBarbier Collection: Jean-Franazois Janinet after Jean-Jacques-Franazois Le Barbier I (French, 1752 - 1814)

Jean-Franazois Janinet after Jean-Jacques-Franazois Le Barbier I (French, 1752 - 1814), La Venus aux colombes, color aquatint and etching

Background imageBarbier Collection: after Jean-Jacques-Franazois Le Barbier I, Joconde: Le depart, etching

after Jean-Jacques-Franazois Le Barbier I, Joconde: Le depart, etching

Background imageBarbier Collection: Jean-Jacques-Franazois Le Barbier I (French, 1738 - 1826), Pallas Athene in the Form

Jean-Jacques-Franazois Le Barbier I (French, 1738 - 1826), Pallas Athene in the Form
Jean-Jacques-Franazois Le Barbier I, French (1738-1826), Pallas Athene in the Form of a Bird Leaving Nestor and Telemachus, c

Background imageBarbier Collection: The Shaving Mug of Lille, 1793 (oil on canvas)

The Shaving Mug of Lille, 1793 (oil on canvas)
XIR214147 The Shaving Mug of Lille, 1793 (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 20x24.7 cm; Musee des Beaux-Arts, Lille

Background imageBarbier Collection: AUSTERLITZ: BIVOUAC, 1805. Bivouac of the 2nd Hussars of Napoleons Grand Army

AUSTERLITZ: BIVOUAC, 1805. Bivouac of the 2nd Hussars of Napoleons Grand Army before the Battle of Austerlitz, 2 December 1805. Watercolor, 1805, by Colonel Barbier, Commandant of the 2nd Hussars

Background imageBarbier Collection: WORLD WAR I: FRENCH POSTER. Commit Your Gold for the Homeland

WORLD WAR I: FRENCH POSTER. Commit Your Gold for the Homeland. Shells and gold coins falling on a German soldier on the battlefield

Background imageBarbier Collection: BARBIER: CONFESSION, 1923. L aveu difficile. Fashion plate illustration by George Barbier

BARBIER: CONFESSION, 1923. L aveu difficile. Fashion plate illustration by George Barbier, 1923

Background imageBarbier Collection: Barber of Seville. jpg Illustration of Beaumarchais The Barber of Seville Source

Barber of Seville. jpg Illustration of Beaumarchais The Barber of Seville Source
Barber of Seville.jpg Illustration of Beaumarchais The Barber of Seville Source Le Barbier de Seville (Paris : Dentu) 1884 Date 19th-Century

Background imageBarbier Collection: BARBIER: ARTFUL SERVANT. George Barbier: The Artful Servant Girl. Illustration, 1922

BARBIER: ARTFUL SERVANT. George Barbier: The Artful Servant Girl. Illustration, 1922

Background imageBarbier Collection: Tableau Sur Les Marches de L Orangerie de Versailles in La

Tableau Sur Les Marches de L Orangerie de Versailles in La Folie Du Jour at the Folies Bergere, Paris, 1926 featuring costume designs by Georges Barbier Date: 1926

Background imageBarbier Collection: Tableau La Legend du Nil in Coeurs En Folie at the Folies

Tableau La Legend du Nil in Coeurs En Folie at the Folies

Background imageBarbier Collection: Tableau Une Idylle Florentine in Coeurs En Folie at the Fo

Tableau Une Idylle Florentine in Coeurs En Folie at the Fo
The scene Une Idylle Florentine (Florence Love Romance) in Coeurs En Folie at the Folies Bergere, Paris, 1924, featuring costumes designed by George Barbier Date: 1924




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"Step into the world of Barbier: A Turkish Barber at Thessaloniki, Greece. From the pages of La Guirlande des Mois, a magazine published annually from 1917-1921, emerges an exquisite print by French illustrator George Barbier (1882-1932). Transport yourself to a scene where a woman dons a magnificent ball gown made of coral taffeta adorned with silk ruffles. As you immerse in this visual delight, let your imagination wander to Faust Act V and Les Agnes, where Beethoven and Goethe criticize the murderous Adolf Hitler. But our journey doesn't stop there; we travel back in time to Egypt and Persia in 1912 through Georges Barbier's artistic lens. Witness his captivating depictions that bring these ancient lands to life. Marvel at "Aggressus Ressurgo, " a vibrant color etching from 1918 that captures strength and resilience. Delve further into Barbier's artistry as he portrays Nijinsky in Narcisse (1911) using ink and gouache on paper. Feel the passion emanating from every stroke as you witness this iconic ballet dancer come alive on canvas. Love takes center stage with "Love is blind" (1920), depicted through pochoir technique. Let yourself be captivated by its beauty while pondering the profound meaning behind those words. Lastly, lose yourself in "Le Cavalier Blanc" (1912) and "Celui qui Monte le Cheval Noir" (c. 1917-1920), both stunning color etchings that transport us into mysterious worlds filled with enigmatic riders atop majestic horses. Barbier's art transcends time and space, inviting us to explore different eras, cultures, emotions, and stories within each masterpiece he created.