Bare Bottom Collection

The most subtle form of Mooning demonstrated by 17 month old Sarah who lets it all hang out - with the help of failing elastic in her tights. Small child showing bottom 18th May 1976

Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub
2962526 Westminster School or Dr Busby settling accounts with Master Billy and his Playmates, pub. 1785 (hand coloured engraving) by Gillray

"Exhibition Stare Case", c. 1800 (coloured etching)
NP125718 " Exhibition Stare Case", c.1800 (coloured etching) by Rowlandson, Thomas (1756-1827); 44.5x28.6 cm; Private Collection; English, out of copyright

Carved misericord in the stalls of Bristol Cathedral (pencil & w / c on paper)
2831268 Carved misericord in the stalls of Bristol Cathedral (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Ganymede before Zeus, 1923 (ink & w / c)
aH285852 Ganymede before Zeus, 1923 (ink & w/c) by Hunt, Sidney (1896-1940); 25.4x17.8 cm; Private Collection; Abbott and Holder, London, UK; British, out of copyright

Treason, 1798 (hand-coloured engraving)
2562162 Treason, 1798 (hand-coloured engraving) by Newton, Richard (1777-98); Private Collection; (add.info.: George III (1738-1820)); The Stapleton Collection; British, out of copyright

Holidaymakers on Margate beach during bank holiday May 1974

Whig Satire on Negotiations for the Treaty of Utrecht, c. 1713 (engraving) (b / w photo)
XJF250712 Whig Satire on Negotiations for the Treaty of Utrecht, c.1713 (engraving) (b/w photo) by English School, (18th century); Private Collection; (add.info)

Beggars by a Lime Kiln (oil on canvas)
XIR166556 Beggars by a Lime Kiln (oil on canvas) by Bourdon, Sebastien (1616-71); Musee des Beaux-Arts, Valenciennes, France; (add.info.: Mendiants pres d un four a chaux; ); French, out of copyright

Topshots-Fashion-Mexico-French Festival
A model displays lingerie during the fashion show to close the French Festival in Acapulco, Guerrero state, Mexico on March 20, 2010. TOPSHOTS AFP PHOTO/Pedro Pardo / AFP PHOTO / Pedro PARDO

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Bare Bottom: A Timeless Display of Cheekiness" In a world where subtlety is often overlooked, 17-month-old Sarah effortlessly masters the art of "bare bottom, " showcasing the most innocent form of mooning. With an adorable disregard for societal norms, she fearlessly lets it all hang out, reminding us to embrace our carefree spirit. As we delve into history, we stumble upon an engraving capturing a scene from Westminster School or Dr Busby settling accounts with Master Billy and his Playmates. Amidst their scholarly pursuits, mischief lurks as one mischievous lad bares his bottom cheekily. It seems that even in formal settings, the allure of bare bottoms has always been irresistible. Delving further into the past, Hannah Humphrey's publication from 1790 reveals "The Monster going to take his Afternoons Luncheon. " In this whimsical artwork, a peculiar creature indulges in its midday meal while proudly displaying its exposed derriere. A reminder that even monsters have their playful moments. Moving on to c. 1800, an intriguing colored etching titled "Exhibition Staircase" catches our attention. Amongst the bustling crowd ascending the stairs stands a figure whose posterior takes center stage—a subtle nod to the timeless fascination with bare bottoms throughout centuries. Venturing into Bristol Cathedral's stalls reveals a carved misericord depicting yet another instance of cheekiness preserved through time. Pencil and watercolor bring life to this intricate artwork as hidden beneath pious seats lies a humorous portrayal of exposed behinds—proof that even within sacred spaces lies room for lightheartedness. Scotland beckons us next with two hand-colored etchings published by Hannah Humphrey in 1805 aptly named "Posting in Scotland. " As travelers make their way across picturesque landscapes on horseback, one rider playfully lifts his kilt revealing more than just Scottish pride. A testament to the mischievous nature that transcends borders.