Baroq Collection (#2)

The Battle of the Amazons Painting by Peter Paul Rubens (1577-1640) (ec. flam. ) 1615 Sun. 1, 21x1, 65 m Munich
JLJ4601560 The Battle of the Amazons Painting by Peter Paul Rubens (1577-1640) (ec.flam.) 1615 Sun. 1, 21x1, 65 m Munich. Alte Pinakothek by Rubens, Peter Paul (1577-1640); Alte Pinakothek, Munich

Study for the lion hunt (Painting, 1614-1615)
LRI4622305 Study for the lion hunt (Painting, 1614-1615) by Rubens, Peter Paul (1577-1640); National Gallery, London, UK; (add.info)

Boar hunting. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640), 1615
JLJ4599010 Boar hunting. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640), 1615. Oil on canvas. Dim: 2, 50 x 3, 20m

Reconciliation of Queen Mary of Medicis (1573-1642) and her son Louis XIII after the death of Concini, December 15
JLJ4589103 Reconciliation of Queen Mary of Medicis (1573-1642) and her son Louis XIII after the death of Concini, December 15

Cimon and Pero (Roman Charity), 1630-40 (oil on canvas, h 155cm -- w 190)
3709935 Cimon and Pero (Roman Charity), 1630-40 (oil on canvas, h 155cm -- w 190 by Rubens, Peter Paul (1577-1640); 155x190 cm; Rijksmuseum, Amsterdam

Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202)
XIR336937 Detail of The Lion Hunt, 1621 (oil on canvas) (see 203326 and 196202) by Rubens, Peter Paul (1577-1640); Alte Pinakothek, Munich, Germany

Lament of Christ by the Virgin and St. John, 1614 / 15 (panel)
XAM68667 Lament of Christ by the Virgin and St. John, 1614/15 (panel) by Rubens, Peter Paul (1577-1640); 107.5x115. cm; Kunsthistorisches Museum, Vienna, Austria

A Sermon in a Village Church, c. 1630 (black chalk and w / c)
3928811 A Sermon in a Village Church, c.1630 (black chalk and w/c) by Rubens, Peter Paul (1577-1640); 42.2 x 57.3 cm; Metropolitan Museum of Art, New York, USA

Diana and her Nymphs Hunting - a modello, (oil on panel)
987173 Diana and her Nymphs Hunting - a modello, (oil on panel) by Rubens, Peter Paul (1577-1640); 26.6x57.2 cm; Private Collection; (add.info.: Diana and her Nymphs Hunting - a modello)

"Saturne (ou Cronos) devorant son fils"Peinture de Pierre Paul (Pierre-Paul)
FIA5397737 " Saturne (ou Cronos) devorant son fils" Peinture de Pierre Paul (Pierre-Paul) Rubens (ou Peter Paul ou Petrus Paulus) (1577-1640) 1636-1637 Madrid

Atalante and Meleagre. Drawing by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) Ec
JLJ4664773 Atalante and Meleagre. Drawing by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) Ec. Flam, 17th century

Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century)
7230067 Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century, anonymous)(photography) by Unknown Artist

Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas)
BAL44970 Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas) by Dauphin, Charles (c.1620-77); 299x300 cm; Prado, Madrid, Spain; (add.info.: Charles Emmanuel II (1634-1675))

Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Statue of Saint Jerome (17th century)
7230068 Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Statue of Saint Jerome (17th century, anonymous)(photography) by Unknown Artist

Four Bulls, 1649 (oil on canvas)
ALG329476 Four Bulls, 1649 (oil on canvas) by Potter, Paulus (1625-54); 57.5x67.5 cm; Galleria Sabauda, Musei Reali di Torino, Turin, Piedmont, Italy; (add.info.: by Paulus Potter (1625-54))

Barn with goats and a boy playing the recorder, c. 1640-45 (oil on canvas)
XAM66732 Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas) by Teniers, David the Younger (1610-90); 104x74 cm; Kunsthistorisches Museum, Vienna, Austria

Triumphant Entry of Henri IV (1553-1610) into Paris, c. 1627 (oil on panel)
XIR196200 Triumphant Entry of Henri IV (1553-1610) into Paris, c.1627 (oil on panel) by Rubens, Peter Paul (1577-1640); 48x66 cm; Musee Bonnat, Bayonne, France

The Shepherds, c. 1635 (oil on panel)
XIR231531 The Shepherds, c.1635 (oil on panel) by Laer, Pieter van (1599-c.1642); 32x43 cm; Louvre, Paris, France

Landscape (oil on canvas)
XHC383910 Landscape (oil on canvas) by Weenix, Jan Baptist (1621-c.1664); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: by Jan Baptist Weenix (1621-c.1664))

Landscape (oil on canvas)
XIR418354 Landscape (oil on canvas) by Flemish School, (17th century); Musee des Beaux-Arts, Nimes, France

Nicolas Poussin (engraving)
1728916 Nicolas Poussin (engraving) by Poussin, Nicolas (1594-1665) (after); (add.info.: Nicolas Poussin (1594-1665) french painter, engraving by Pauquet after selfportrait by Poussin)

Ships in the Roads, 1658 (oil on canvas)
7259968 Ships in the Roads, 1658 (oil on canvas) by Velde, Willem van de, the Younger (1633-1707); 77.2 x 66.5 cm; Mauritshuis, The Hague

The Messenger, 1674 (oil on canvas)
7259966 The Messenger, 1674 (oil on canvas) by Verkolje, Jan (1630-93); 53.4x59.7 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: by Jan Verkolje (1630-93))

Andrea Sacchi, Italian painter of High Baroque Classicism. 1817 (etching)
7236181 Andrea Sacchi, Italian painter of High Baroque Classicism.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Andrea Sacchi, 1599-1661)

Herman Saftleven the Younger, Dutch Baroque painter. 1817 (etching)
7236178 Herman Saftleven the Younger, Dutch Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Herman Saftleven the Younger, 1609-1685)

David Teniers the Younger, Flemish Baroque painter. 1817 (etching)
7236314 David Teniers the Younger, Flemish Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: David Teniers the Younger, 1610-1690)

Giovanni Lanfranco, 1817 (etching)
7236203 Giovanni Lanfranco, 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Giovanni Lanfranco, 1582-1647, Italian history painter of the Baroque period)

Travellers Ambushed by Brigands, 1670 (oil on canvas)
7259970 Travellers Ambushed by Brigands, 1670 (oil on canvas) by Berchem, Nicolaes Pietersz (1620-1683); 105 x 95.3 cm; Mauritshuis, The Hague

The high altar of the Church of San Luca in Genoa
5951177 The high altar of the Church of San Luca in Genoa by Italian School, (17th century); Chiesa di San Luca, Genoa, Liguria

Interior of the Church of San Luca, The main altar with the statue of the Immaculate
5951178 Interior of the Church of San Luca, The main altar with the statue of the Immaculate by Italian School, (17th century); Chiesa di San Luca, Genoa, Liguria

A Young Woman Composing a Piece of Music, 1664 (oil on panel)
7259969 A Young Woman Composing a Piece of Music, 1664 (oil on panel) by Metsu, Gabriel (1629-67); 43.3 x 57.8 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: by Gabriel Metsu (1629-67))

Portrait of Jan van Balen, Flemish Baroque painter. 1817 (etching)
7236315 Portrait of Jan van Balen, Flemish Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Portrait of Jan van Balen)

Luca Giordano, Italian late-Baroque painter and etcher. 1817 (etching)
7236199 Luca Giordano, Italian late-Baroque painter and etcher.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info)

Winter Landscape with Farmhouse, 1624 (oil on panel)
7259967 Winter Landscape with Farmhouse, 1624 (oil on panel) by Velde, Esaias I van de (1587-1630); 32x26 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: by Esaias van de Velde I (1587-1630))

Portrait of Adam Elsheimer, German Baroque artist. 1817 (etching)
7236186 Portrait of Adam Elsheimer, German Baroque artist.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Portrait of Adam Elsheimer, 1578-1610)

Hendrik van Steenwijck II, Dutch Baroque painter. 1817 (etching)
7236177 Hendrik van Steenwijck II, Dutch Baroque painter. 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Hendrik van Steenwijck II, c.1580-1640)

Salvator Rosa, Italian Baroque painter. 1817 (etching)
7236183 Salvator Rosa, Italian Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Profile portrait of Salvator Rosa, 1615-1673)

Portrait of Annibale Caracci, Italian Baroque painter. 1817 (etching)
7236294 Portrait of Annibale Caracci, Italian Baroque painter. 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Portrait of Annibale Caracci, 1560-1609)

Pietro da Cortona, Italian Baroque painter and architect. 1817 (etching)
7236208 Pietro da Cortona, Italian Baroque painter and architect.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Pietro da Cortona, 1596-1669)

Salvator Rosa (engraving)
1720109 Salvator Rosa (engraving) by French School, (19th century); (add.info.: Salvator Rosa (1615 -1673) is best known today as an Italian Baroque painter

Rest during the Flight into Egypt, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240562 Rest during the Flight into Egypt, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Sicilia / Sicily: Siracusa, Balconi in stile barocco (b / w photo)
7156651 Sicilia / Sicily: Siracusa, Balconi in stile barocco (b/w photo) by Grober, Karl (1885-1945); Private Collection; (add.info.: Siracusa, Balconi in stile barocco)

One of Martin Gerlachs Festons und Decorative Gruppen (b / w photo)
7169062 One of Martin Gerlachs Festons und Decorative Gruppen (b/w photo) by Gerlach, Martin senior (1846-1918); Private Collection; (add.info)

One of Martin Gerlachs Festons und Decorative Gruppen (b / w photo)
7169055 One of Martin Gerlachs Festons und Decorative Gruppen (b/w photo) by Gerlach, Martin senior (1846-1918); Private Collection; (add.info)

Head of an Old Man, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240559 Head of an Old Man, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240553 Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

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"Exploring the Captivating World of Baroque Art" Step into a world of awe-inspiring beauty and dramatic emotions as we delve into the captivating realm of Baroque art. From the celestial visions in "Saint Joseph of Cupertino in Ecstasy" to the grandeur captured in "The Entry of Louis XIV and Maria Theresa into Arras, " each masterpiece tells a story that transcends time. In "Saint Matthew and the Angel, " witness an ethereal encounter between man and divine, while marveling at the intricate brushwork that brings this destroyed artwork back to life. The self-portrait from 1712-30 allows us a glimpse into the artist's soul, reflecting both vulnerability and confidence on canvas. Marchesa Brigida Spinola Doria exudes elegance, her portrait capturing not only her physical beauty but also her inner strength. Meanwhile, "Saint Francis in Prayer" transports us to a moment of profound spirituality, inviting contemplation and reflection. Through delicate brushstrokes, "Saint John the Evangelist" pays homage to Albrecht Durer's iconic work while adding its own unique flair. In contrast, "The Abduction of Sabine Women" immerses us in chaos and turmoil with its dynamic composition. Job's suffering is vividly portrayed through rich colors and meticulous details in his eponymous painting. A serene landscape featuring an ancient temple offers respite from these intense narratives, allowing our eyes to wander amidst nature's tranquility. "The Education of Virgin, " with its exquisite detail, invites us to witness Mary's upbringing under divine guidance—a testament to faith and devotion. Lastly, immerse yourself in a Crusader battle where valor clashes against adversity—an epic scene frozen forever on canvas. Baroque art captivates our senses with its theatricality; it evokes strong emotions through masterful technique. Each piece reveals layers upon layers of meaning—inviting you on an enchanting journey through history and the human experience.