Baroque Era Collection (#7)

Amorous allegorical Scenes in wooded Landscapes, (oil on panel)
827878 Amorous allegorical Scenes in wooded Landscapes, (oil on panel) by Janneck, Frans Christoph (1703-61); 24.3x33 cm; Private Collection; (add.info)

A Butchers Stall with Cats and Kittens playing and a Butcher holding a Boar
827876 A Butchers Stall with Cats and Kittens playing and a Butcher holding a Boars Head (oil on canvas) by Snyders, Frans (1579-1657) & Vos

A Gypsy Fortune Teller with a Young Couple, (oil on panel)
827842 A Gypsy Fortune Teller with a Young Couple, (oil on panel) by Coster, Adam de (c.1586-1643); 75.5x106.5 cm; Private Collection; (add.info.: A Gypsy Fortune Teller with a Young Couple)

Saint Mark, (oil on canvas, octagonal)
827798 Saint Mark, (oil on canvas, octagonal) by Dolci, Carlo (1616-86); 101.5x83 cm; Private Collection; (add.info.: Saint Mark. Carlo Dolci (1616-1686). Oil on canvas, octagonal

The Vestal Tuccia, c. 1760s (oil on canvas)
827761 The Vestal Tuccia, c.1760s (oil on canvas) by Maratti, Carlo (1625-1713); 137x99 cm; Private Collection; (add.info.: The Vestal Tuccia. Carlo Maratti (1625-1713). Oil on canvas

Saint Mary Magdalen, c. 1650s (oil on canvas)
827758 Saint Mary Magdalen, c.1650s (oil on canvas) by Dolci, Carlo (1616-86); 87x74.5 cm; Private Collection; (add.info.: Saint Mary Magdalen. Carlo Dolci (1616-1686). Oil on canvas

The Madonna in Prayer, (oil on canvas)
827684 The Madonna in Prayer, (oil on canvas) by Sassoferrato, Il (Giovanni Battista Salvi) (1609-85); 48.5x38.5 cm; Private Collection; (add.info.: The Madonna in Prayer)

Portrait of Pope Benedict XIV (1675-1758), seated three-quarter-length
827659 Portrait of Pope Benedict XIV (1675-1758), seated three-quarter-length, his Right Arm Raised in Benediction, (oil on canvas) by Subleyras

Group Portrait of the Jacott-Hoppesack Family with a Hound in a Sumptuous Classical
827648 Group Portrait of the Jacott-Hoppesack Family with a Hound in a Sumptuous Classical Interior, a Lady and Gentleman Strolling in a Park Through a Doorway Beyond, (oil on canvas) by Hooch

A Gentleman Reading a Letter to his Wife (?), (oil on canvas)
827646 A Gentleman Reading a Letter to his Wife (?), (oil on canvas) by Hooch, Pieter de (1629-84); 77.9x69.9 cm; Private Collection; (add.info.: A Gentleman Reading a Letter to his Wife (?)

An Angel, (black and white chalk on light brown paper)
827576 An Angel, (black and white chalk on light brown paper) by Bigari, Vittorio Maria (1692-1776); 28x20 cm; Private Collection; (add.info.: An Angel. Vittorio Maria Bigari (1692-1776)

Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil
824130 Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil, pen and brown ink on mount) by Thornhill, James (1675-1734); 20.3x17.8 cm; Private Collection; (add.info)

Portrait of a Nobleman, identified as James, Duke of Monmouth (oil on canvas)
827635 Portrait of a Nobleman, identified as James, Duke of Monmouth (oil on canvas) by Netscher, Caspar (1639-84) & Wyck

Saint Joseph holding the Christ Child, (black and white chalk on blue-grey paper)
827589 Saint Joseph holding the Christ Child, (black and white chalk on blue-grey paper) by Sassoferrato, Il (Giovanni Battista Salvi) (1609-85); 18.4x15.3 cm; Private Collection; (add.info)

A standing Allegorical Figure (red chalk)
827562 A standing Allegorical Figure (red chalk) by Brebiette, Pierre (1598-c.1650) (circle of); 21.7x10.9 cm; Private Collection; (add.info.: A standing Allegorical Figure)

Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink
827559 Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.5x48.5 cm; Private Collection; (add.info)

Christ Crucified Between the Two Thieves - The Three Crosses, c
659433 Christ Crucified Between the Two Thieves - The Three Crosses, c.1653-1661 (drypoint with engraving) by Rembrandt Harmensz

The Four Elements, (oil on canvas)
659297 The Four Elements, (oil on canvas) by Brueghel, Jan II (1601-78) & Balen, Hendrik van (1623-61); 62.5x109 cm; Private Collection; (add.info.: The Four Elements)

Head of a Woman Looking up to the Right, (black, red and white chalk on light brown paper
659208 Head of a Woman Looking up to the Right, (black, red and white chalk on light brown paper) by Reni, Guido (1575-1642); 38.9x27 cm; Private Collection; (add.info)

Portrait of a Young Lady, traditionally identified as Sarah Jennings
651927 Portrait of a Young Lady, traditionally identified as Sarah Jennings, Duchess of Marlborough, half length, Holding a Book, Her Hands Crossed on her Lap

An Inn by a Roadside, (pen and brown ink, brown wash on pale grey preparation)
659186 An Inn by a Roadside, (pen and brown ink, brown wash on pale grey preparation) by Rembrandt Harmensz. van Rijn (1606-69); 98x22.7 cm; Private Collection; (add.info.: An Inn by a Roadside)

Study of a Writer, Seated, Pausing in Thought, (pen and brown ink)
659176 Study of a Writer, Seated, Pausing in Thought, (pen and brown ink) by Rembrandt Harmensz. van Rijn (1606-69); 6.3x7.2 cm; Private Collection; (add.info.: Study of a Writer, Seated)

Portrait of a Lady, aged 62, perhaps Aeltje Pietersdr. Uylenburgh
991411 Portrait of a Lady, aged 62, perhaps Aeltje Pietersdr. Uylenburgh, wife of Johannes Cornelisz. Sylvius, half length in black costume. 1632 (oil on panel) by Rembrandt Harmensz

Portrait of a Gentleman, bust length, wearing Black, (oil on panel)
990388 Portrait of a Gentleman, bust length, wearing Black, (oil on panel) by Honthorst, Gerrit van (1590-1656); 49x41.2 cm; Private Collection; (add.info.: Portrait of a Gentleman, bust length)

A Merry Company in an Interior, (oil on panel)
990387 A Merry Company in an Interior, (oil on panel) by Hals, Dirck (1591-1656); 90.1x122.2 cm; Private Collection; (add.info.: A Merry Company in an Interior. Dirck Hals (1591-1656). Oil on panel

Alpheus and Arethusa, (oil on canvas)
990342 Alpheus and Arethusa, (oil on canvas) by Maratti, Carlo (1625-1713); 78x96 cm; Private Collection; (add.info.: Alpheus and Arethusa. Carlo Maratti (1625-1713). Oil on canvas

The Virgin and Child Enthroned Adored by Eight Saints, (oil on panel)
990335 The Virgin and Child Enthroned Adored by Eight Saints, (oil on panel) by Rubens, Peter Paul (1577-1640); 35x53 cm; Private Collection; (add.info)

The Nativity, (oil on copper)
991432 The Nativity, (oil on copper) by Janneck, Frans Christoph (1703-61); 66x50.8 cm; Private Collection; (add.info.: The Nativity. Franz Christopher Janneck (1703-1761). Oil on copper

Lucretia, 1624 (oil on canvas)
990183 Lucretia, 1624 (oil on canvas) by Reni, Guido (1575-1642); 96.5x71.2 cm; Private Collection; (add.info.: Lucretia. Guido Reni (1575-1642). Oil on canvas. Painted in 1624

Bowls of Fruit and Nuts on a wooden table with a Basket of Pears beneath
990180 Bowls of Fruit and Nuts on a wooden table with a Basket of Pears beneath, (oil on canvas) by Schooten, Floris van (fl.1612-1655); 97.5x150.5 cm; Private Collection; (add.info)

Portrait of a Lady, standing three-quarter length, wearing a Lavender Silk Dress
990072 Portrait of a Lady, standing three-quarter length, wearing a Lavender Silk Dress and a Yellow Shawl (oil on canvas) by Mytens

Portrait of Nicolas Trigault S. J. in Chinese Costume, (chalk, pen and brown ink. )
990032 Portrait of Nicolas Trigault S.J. in Chinese Costume, (chalk, pen and brown ink.) by Rubens, Peter Paul (1577-1640); 44.8x26 cm; Private Collection; (add.info)

Studies of arms by Peter Paul Rubens
3849818 Studies of arms by Peter Paul Rubens by Rubens, Peter Paul (1577-1640); Victoria & Albert Museum, London, UK; (add.info.: Studies of arms by Peter Paul Rubens)

Equestrian portrait of Gio Carlo Doria
3573901 Equestrian portrait of Gio Carlo Doria by Rubens, Peter Paul (1577-1640); Galleria Nazionale di Palazzo Spinola, Genoa, Liguria, Italy; (add.info.: Artist: Rubens)

Fruit on a Dish, Flowers in a Wanli Kraak Porselein Vase
659302 Fruit on a Dish, Flowers in a Wanli Kraak Porselein Vase, Sprigs of Cherries and Redcurrants, Seashells, a Rose, a Tulip, a Pink, a Lizard, a Snail and a Red Admiral on a Stone Ledge

Saint Francis Holding a Crucifix in His Arms; Saint Francois Tenant un Crucifax dans Ses
659169 Saint Francis Holding a Crucifix in His Arms; Saint Francois Tenant un Crucifax dans Ses Bras, (black, red and white chalk on beige paper) by Strozzi

Portrait of a Gentleman, Three-Quarter Length, Wearing a Black Costume with White Collar
659360 Portrait of a Gentleman, Three-Quarter Length, Wearing a Black Costume with White Collar and Cuffs, by a Table with a Watch, (oil on canvas) by Dyck

View on the Amstel at the Omval, on the Left the Ringvaart of the Diermermeer (recto)
659187 View on the Amstel at the Omval, on the Left the Ringvaart of the Diermermeer (recto), (pen and brown ink, grey wash on grey preparation) by Rembrandt Harmensz

The Good Shepherd, (black and red chalk)
659179 The Good Shepherd, (black and red chalk) by Murillo, Bartolome Esteban (1618-82); 33.6x23.3 cm; Private Collection; (add.info.: The Good Shepherd. Bartolome Esteban Murillo (1618-1682)

St Basil, 1620 (oil on board)
BFM286855 St Basil, 1620 (oil on board) by Rubens, Peter Paul (1577-1640); 50x64.8 cm; Schlossmuseum, Schloss Friedenstein, Gotha, Germany; (add.info.: St Basilius; ); Bildarchiv Foto Marburg

St. Domitilla with SS. Nereus and Achilleus, 1608 (oil on canvas) (b / w photo)
ALI190997 St. Domitilla with SS. Nereus and Achilleus, 1608 (oil on canvas) (b/w photo) by Rubens, Peter Paul (1577-1640); Santa Maria in Vallicella, Rome

The Head of a Woman Looking Down to the Left, (black and red chalk, on grey-green paper)
651782 The Head of a Woman Looking Down to the Left, (black and red chalk, on grey-green paper) by Reni, Guido (1575-1642); 29.2x22.5 cm; Private Collection; (add.info)

The Four Seasons - Autumn, (oil on panel)
990236 The Four Seasons - Autumn, (oil on panel) by Vrancx, Sebastian (1573-1647); 51x65 cm; Private Collection; (add.info.: The Four Seasons - Autumn. Oil on panel. Sebastian Vrancx (1573-1647)

The Four Seasons - Spring, (oil on panel)
990234 The Four Seasons - Spring, (oil on panel) by Vrancx, Sebastian (1573-1647); 51x65 cm; Private Collection; (add.info.: The Four Seasons - Spring. Oil on panel. Sebastian Vrancx (1573-1647)

Saint Bartholomew, 1634 (oil on canvas)
990181 Saint Bartholomew, 1634 (oil on canvas) by Ribera, Jusepe de (c.1590-1652); 127x101.6 cm; Private Collection; (add.info.: Saint Bartholomew. Jusepe de Ribera (lo Spagnoletto) (c.1590-1652)

A Bearded Old Man, wearing a brown Coat and russet Hat, 1651 (oil on canvas)
990149 A Bearded Old Man, wearing a brown Coat and russet Hat, 1651 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 77.5x66.7 cm; Private Collection; (add.info.: A Bearded Old Man)

The Holy Family visited by Saints Elizabeth, Zacharias and the Infant Saint John
990142 The Holy Family visited by Saints Elizabeth, Zacharias and the Infant Saint John the Baptist, (oil on panel) by Rubens

Constantine worshipping the True Cross, (oil on panel)
990140 Constantine worshipping the True Cross, (oil on panel) by Rubens, Peter Paul (1577-1640); 35.4x33.7 cm; Private Collection; (add.info.: Constantine worshipping the True Cross)

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The Baroque Era, a period of artistic grandeur and opulence, captivated the world with its intricate details and emotional intensity. From the picturesque Vale of Aylesbury in 1933 to Rembrandt's profound portrayal of The Return of the Prodigal Son in c1668, this era showcased an array of masterpieces that continue to inspire awe. Rex Whistler's The Letter, created in the 20th century, transports us into a world where emotions are conveyed through every brushstroke. Similarly, Nicolas Poussin's Et in Arcadia ego (Les bergers d'Arcadie or The Arcadian Shepherds) from 1637-1638 (1911) invites us to ponder life's transient nature amidst idyllic landscapes. Diego Velasquez mesmerizes us with his timeless works such as Las Meninas from 1656 (1939), which captures royal intrigue and subtle symbolism. Meanwhile, his masterpiece Las Hilanderas (The Spinners) painted in 1657 (c1934) showcases remarkable skill and storytelling ability. Guido Reni's Saint Joseph with Infant Christ from the 1620s portrays tender love and devotion while Charles-Joseph Natoire's The Rebuke of Adam and Eve in 1740 delves into themes of temptation and redemption. Giovanni Paolo Panini takes us on a journey through time with Modern Rome from 1757, showcasing architectural wonders that stood tall during this era. German Renaissance ceiling and wall paintings adorned with wood mosaic and embroidery offer a glimpse into exquisite craftsmanship by unknown creators in1898. Finally, Jan Vermeer enchants us with Girl with a Pearl Earring circa 1665 - an enigmatic portrait that has become an iconic symbol of beauty throughout history.