Skip to main content
Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more
Image Licensing since 2003

mail_outline sales@mediastorehouse.com

Baroque Style Collection (page 9)

Step into the opulent world of Baroque style, where grandeur and extravagance reign supreme

Background imageBaroque Style Collection: The Shepherd and his Family, 1644 (Etching)

The Shepherd and his Family, 1644 (Etching)
7393383 The Shepherd and his Family, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 6, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Standing peasants, 1630 (Etching)

Standing peasants, 1630 (Etching)
7393379 Standing peasants, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 8, 6 x 4, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Persian, 1632 (Etching)

The Persian, 1632 (Etching)
7393378 The Persian, 1632 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 12 x 8, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Three Orientals, 1641 (Etching)

Three Orientals, 1641 (Etching)
7393371 Three Orientals, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 5 x 11, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The martyrdom of Saint Stephen, 1635 (Etching)

The martyrdom of Saint Stephen, 1635 (Etching)
7393370 The martyrdom of Saint Stephen, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 12, 4 x 10, 4 cm; Fondation Glenat, Grenoble, France; (add.info.: By Rembrandt); © Fonds Glenat

Background imageBaroque Style Collection: Rembrandt and Saskia, 1636 (Etching)

Rembrandt and Saskia, 1636 (Etching)
7393357 Rembrandt and Saskia, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 4 x 9, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Naked woman sitting with her feet in the water, 1658 (Etching)

Naked woman sitting with her feet in the water, 1658 (Etching)
7393345 Naked woman sitting with her feet in the water, 1658 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16 x 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Rembrandt with a Falling Bonnet, c. 1631 (Etching)

Rembrandt with a Falling Bonnet, c. 1631 (Etching)
7393425 Rembrandt with a Falling Bonnet, c. 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Little Resurrection of Lazarus, 1642 (Etching)

The Little Resurrection of Lazarus, 1642 (Etching)
7393417 The Little Resurrection of Lazarus, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 7 x 12, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Self-portrait with his mother, 1631 (Etching)

Self-portrait with his mother, 1631 (Etching)
7393412 Self-portrait with his mother, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 4 x 9, 5 cm; Fondation Glenat, Grenoble

Background imageBaroque Style Collection: Bald man with a short beard, profile portrait, 1635 (Etching)

Bald man with a short beard, profile portrait, 1635 (Etching)
7393402 Bald man with a short beard, profile portrait, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 6 x 5, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Second eastern head, 1635 (Etching)

Second eastern head, 1635 (Etching)
7393398 Second eastern head, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15 x 12, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Pieter Haringh the Younger, 1655 (Etching)

Pieter Haringh the Younger, 1655 (Etching)
7393394 Pieter Haringh the Younger, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 19, 9 x 14, 7 cm; Fondation Glenat, Grenoble, France; (add.info.: Pieter Haaringh (1609-1685)

Background imageBaroque Style Collection: Young man sitting and thinking (Petrus Sylvius), 1637 (Etching)

Young man sitting and thinking (Petrus Sylvius), 1637 (Etching)
7393393 Young man sitting and thinking (Petrus Sylvius), 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 7 x 8, 3 cm; Fondation Glenat, Grenoble, France; (add.info.: Petrus Sylvius)

Background imageBaroque Style Collection: Man with chain and cross, 1641 (Etching)

Man with chain and cross, 1641 (Etching)
7393387 Man with chain and cross, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 4 x 10, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Man under an Arbor, 1642 (Etching)

The Man under an Arbor, 1642 (Etching)
7393384 The Man under an Arbor, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 2 x 5, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Sleeping Shepherd, 1644 (Etching)

The Sleeping Shepherd, 1644 (Etching)
7393382 The Sleeping Shepherd, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 8 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Return of the Prodigal Son, 1636 (Etching)

The Return of the Prodigal Son, 1636 (Etching)
7393369 The Return of the Prodigal Son, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 6 x 13, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Rest on the Flight into Egypt: in line, 1645 (Etching)

Rest on the Flight into Egypt: in line, 1645 (Etching)
7393365 Rest on the Flight into Egypt: in line, 1645 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13, 1 x 11, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Flight into Egypt, 1654 (Etching)

The Flight into Egypt, 1654 (Etching)
7393364 The Flight into Egypt, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 4 x 14, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Rembrandt in a stuffed cap and white coat, 1630 (Etching)

Rembrandt in a stuffed cap and white coat, 1630 (Etching)
7393358 Rembrandt in a stuffed cap and white coat, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 4 x 5, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Self-portrait with sling around the neck, 1633 (Etching)

Self-portrait with sling around the neck, 1633 (Etching)
7393356 Self-portrait with sling around the neck, 1633 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13, 2 x 10, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Portrait of a young girl with long hair, 1630 (Etching)

Portrait of a young girl with long hair, 1630 (Etching)
7393353 Portrait of a young girl with long hair, 1630 (Etching) by Lievens, Jan the Elder (1607-74) (circle of); 16 x 14, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Grand Jewish Bride, 1635 (Etching)

The Grand Jewish Bride, 1635 (Etching)
7393350 The Grand Jewish Bride, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 22, 1 x 17 cm; Fondation Glenat, Grenoble

Background imageBaroque Style Collection: Rembrandt with the sword and the egret, 1634 (Etching)

Rembrandt with the sword and the egret, 1634 (Etching)
7393426 Rembrandt with the sword and the egret, 1634 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13 x 18 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Doctor Faustus, 1652 (Etching)

Doctor Faustus, 1652 (Etching)
7393422 Doctor Faustus, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21 x 16 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Peasant with Woman and Child, 1652 (Etching)

The Peasant with Woman and Child, 1652 (Etching)
7393420 The Peasant with Woman and Child, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 4 x 9, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Blind Tobias, 1651 (Etching)

Blind Tobias, 1651 (Etching)
7393419 Blind Tobias, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16, 1 x 12, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Old man in a fur cap, looking down, 1635 (Etching)

Old man in a fur cap, looking down, 1635 (Etching)
7393415 Old man in a fur cap, looking down, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 5 x 10, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Grotesque head, 1631 (Etching)

Grotesque head, 1631 (Etching)
7393407 Grotesque head, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 3, 8 x 2, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Smiling self-portrait, 1630 (etching)

Smiling self-portrait, 1630 (etching)
7393405 Smiling self-portrait, 1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Fourth eastern head, 1635 (Etching)

Fourth eastern head, 1635 (Etching)
7393400 Fourth eastern head, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 8 x 13, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Golfer, 1654 (Etching)

The Golfer, 1654 (Etching)
7393374 The Golfer, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Goldsmith, 1655 (Etching)

The Goldsmith, 1655 (Etching)
7393373 The Goldsmith, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 7 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Pilgrims of Emmaus, 1654 (Etching)

The Pilgrims of Emmaus, 1654 (Etching)
7393368 The Pilgrims of Emmaus, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21 x 15, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Tribut, also called Le Denier de Cesar, 1635 (Etching)

The Tribut, also called Le Denier de Cesar, 1635 (Etching)
7393367 The Tribut, also called Le Denier de Cesar, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 3 x 10, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Triumph of Mordecai, 1641 (Etching)

The Triumph of Mordecai, 1641 (Etching)
7393363 The Triumph of Mordecai, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17, 4 x 21, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Abraham speaking to Isaac, 1645 (Etching)

Abraham speaking to Isaac, 1645 (Etching)
7393360 Abraham speaking to Isaac, 1645 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 6 x 13 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Rembrandt with three mustaches, 1634 (Etching)

Rembrandt with three mustaches, 1634 (Etching)
7393355 Rembrandt with three mustaches, 1634 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5, 1 x 4, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: The Mischievous or the Flute Player, 1642 (Etching)

The Mischievous or the Flute Player, 1642 (Etching)
7393351 The Mischievous or the Flute Player, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 6 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Academic figures of men, 1646 (Etching)

Academic figures of men, 1646 (Etching)
7393347 Academic figures of men, 1646 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 19, 5 x 12, 9 cm; Fondation Glenat, Grenoble, France; (add.info.: In the background)

Background imageBaroque Style Collection: Six studies of heads including those of Saskia, 1636 (Etching)

Six studies of heads including those of Saskia, 1636 (Etching)
7393346 Six studies of heads including those of Saskia, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 2 x 12, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969

Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969
7100182 Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969 by Foucquet, Bernard the Elder (18th century); Private Collection; United Archives GmbH

Background imageBaroque Style Collection: Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969

Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969
7100181 Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969 by Foucquet, Bernard the Elder (18th century); Private Collection; United Archives GmbH

Background imageBaroque Style Collection: Medea, or The Marriage of Jason and Creuse, 1648 (Etching)

Medea, or The Marriage of Jason and Creuse, 1648 (Etching)
7393418 Medea, or The Marriage of Jason and Creuse, 1648 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 24 x 17, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageBaroque Style Collection: Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969

Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969
7100183 Statues allegory at Stockholm Palace, Stadsholmen Island, Stockholm, Sweden, 1969 by Foucquet, Bernard the Elder (18th century); Private Collection; United Archives GmbH

Background imageBaroque Style Collection: Bronze scultpures by Adriaen de Vries in the garden of Drottningholm Castle on Lovon Island

Bronze scultpures by Adriaen de Vries in the garden of Drottningholm Castle on Lovon Island
7100280 Bronze scultpures by Adriaen de Vries in the garden of Drottningholm Castle on Lovon Island, Neptune blowing into a conch shell, 1969 by Vries

Background imageBaroque Style Collection: David praying, 1652 (Etching)

David praying, 1652 (Etching)
7393421 David praying, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 1 x 9, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat




For sale as Licensed Images

Choose your image, Select your licence and Download the media

Step into the opulent world of Baroque style, where grandeur and extravagance reign supreme. From the breathtaking sunrise illuminating the Dresden Frauenkirche in Germany to the majestic Al Khazneh (The Treasury) in Petra, Jordan, these architectural marvels transport us to a bygone era. In Rome's Piazza Navona, Lazio, Italy, one can witness the splendor of Baroque artistry at its finest. Admire The Continence of Scipio, an exquisite oil painting that captures the essence of this artistic movement. Nearby stands St. Michaels gold-domed cathedral in Kiev, Ukraine - a testament to both faith and architectural brilliance. As you stroll through Piazza Navona once more, you'll encounter the Fountain of Four Rivers; its intricate design and flowing waters epitomize Baroque aesthetics. In Maastricht's Markt square at dusk, gaze upon Stadhuis city hall as it exudes an enchanting charm that only Baroque architecture can possess. Venturing further into Germany's Franconia region lies Marienberg Fortress in Wurzburg - a formidable stronghold adorned with ornate details that showcase Baroque craftsmanship at its peak. In Rome again but this time within Italy itself is Narcissus - a sculpture embodying vanity and self-reflection with every delicate curve. Artistic mastery extends beyond canvas as Saint Luke healing the hydropic child illustrates compassion through paintbrush strokes on wood panel. Meanwhile, Penitent Magdalen evokes deep emotion with its rich colors and textured brushwork on canvas. Lastly, Antonio Canova's masterpiece Psyche revived by the kiss of Love mesmerizes all who behold it; marble brought to life through meticulous sculpting techniques embodies love's transformative power. Baroque style captivates our senses with its lavishness and attention to detail across continents and centuries. It reminds us that beauty knows no bounds when expressed through the hands of talented artists and architects.