Bartolome Murillo Collection

The Flower Girl, 1665-70. Artist: Bartolome Esteban Murillo
The Flower Girl, 1665-70. Painting held at the Dulwich Picture Gallery, London. From A History of Painting, Volume III by Haldane MacFall [T. C. and E. C. Jack, London & Edinburgh, 1911]

The Good Shepherd, 20th century. Creator: A. H. Ritchie
The Good Shepherd, 20th century

The Virgin and Child with Saint Rose of Viterbo, 1670. Creator: Bartolomé Esteban Murillo
The Virgin and Child with Saint Rose of Viterbo, 1670.

Young Man drinking Wine, c17th century. Creator: Unknown
Young Man drinking Wine, c17th century

The Return of the Holy Family from Egypt, mid-late 17th century. Creator: Bartolomé Esteban Murillo
The Return of the Holy Family from Egypt, mid-late 17th century

St Rosa of Lima. Creator: Anon
St Rosa of Lima, Unknown date. In 1617 a thirty-one-year-old woman, born as Isabel Flores y de Oliva, died in her hometown Lima in Peru

Virgin and Child, c.1670. Creator: Bartolomé Esteban Murillo
Virgin and Child, c.1670

The Annunciation, 1700-1800. Creator: Bartolomé Esteban Murillo (follower of)
The Annunciation, 1700-1800

"Christ on the Banks of the Jordan" - painted by Murillo, from Louis Philippe's Collection, 1857. Engraving of a painting

Annunciation to the Virgin, 1660-1680. Creator: Bartolomé Esteban Murillo
Annunciation to the Virgin, 1660-1680. Other Title(s): Annunciation to the Virgin

Saint Francis Praying, n.d. Creator: Possibly after Bartolomé Estéban Murillo Spanish
Saint Francis Praying, n.d

Saint Anthony of Padua, n.d. Creator: Possibly after Bartolomé Estéban Murillo Spanish
Saint Anthony of Padua, n.d

Female Saint Holding Skull, n.d. Creator: Possibly Bartolomé Estéban Murillo Spanish
Female Saint Holding Skull, n.d

Christ in the Wilderness, n.d. Creators: Juan del Castillo, Bartolomé Esteban Murillo
Christ in the Wilderness, n.d

St. John the Baptist, n.d. Creators: Guido Reni, Pietro Testa
St. John the Baptist, n.d

Head of an Old Man, n.d. Creator: Bartolomé Esteban Murillo
Head of an Old Man, n.d

Saint Joseph and the Sleeping Christ Child, 1670/75. Creator: Bartolomé Esteban Murillo
Saint Joseph and the Sleeping Christ Child, 1670/75

Virgin Mary with the Christ Child in the Clouds, 1601-1700. Creator: Bartolomé Esteban Murillo
Virgin Mary with the Christ Child in the Clouds, 1601-1700

The Crucifixion, ca. 1675. Creator: Bartolome Esteban Murillo
The Crucifixion, ca. 1675

Two Women at a Window, c. 1655 / 1660. Creator: BartolomeEsteban Murillo
Two Women at a Window, c. 1655/1660

The grape-picker, and elderly woman holding a basket of grapes, after Murillo, ca. 1780-1805

Saint John the Baptist Pointing to Christ, c. 1655. Creator
Saint John the Baptist Pointing to Christ, c. 1655

Bust of Murillo, c. 1872. Creator: Albert Ernest Carrier de Belleuse
Bust of Murillo, c. 1872

The Good Shepherd, (black and red chalk)
659179 The Good Shepherd, (black and red chalk) by Murillo, Bartolome Esteban (1618-82); 33.6x23.3 cm; Private Collection; (add.info.: The Good Shepherd. Bartolome Esteban Murillo (1618-1682)

The Return of the Prodigal Son, 1667 / 1670. Creator: BartolomeEsteban Murillo
The Return of the Prodigal Son, 1667/1670

The Vision of St Anthony of Padua, 1652. Creator: BartolomeEsteban Murillo
The Vision of St Anthony of Padua, 1652

St Justa, three-quarter length, turned to right, holding two pots and a palm, 1840-1860

Don Andres de Andrade y la Cal, ca. 1665-72. Creator: Bartolome Esteban Murillo
Don Andres de Andrade y la Cal, ca. 1665-72

Virgin and Child, ca. 1670-72. Creator: Bartolome Esteban Murillo
Virgin and Child, ca. 1670-72

A Knight of Alcantara or Calatrava, ca. 1650-55. Creator: Bartolome Esteban Murillo
A Knight of Alcantara or Calatrava, ca. 1650-55

Murillo, (1617-1682), 1830. Creator: Unknown
Murillo, (1617-1682), 1830. Bartolome Esteban Murillo (1617-1682) Spanish Baroque painter best known for his religious works, his work evolved into a style suiting bourgeois and aristocratic tastes

The Melon Eaters, c1650, (1946). Creator: Bartolome Esteban Murillo
The Melon Eaters, c1650, (1946). Boys Eating Grapes and Melon, painting in the Alte Pinakothek, Munich, Germany. From " Spanish Painting" by Philip Hendy

St. Anthony of Padua with the Christ Child, mid-late 17th century, (1914). Creator
St. Anthony of Padua with the Christ Child, mid-late 17th century, (1914). Detail from The vision of Saint Anthony of Padua showing St Anthony (1195-1231) carrying the infant Jesus

Fruit-Sellers Counting Their Money, 1618, (1914). Creator: BartolomA Esteban Murillo
Fruit-Sellers Counting Their Money, 1618, (1914). Child street-vendors with a basket of grapes. Painting in the Alte Pinakothek, Munich, Germany

Boys eating Fruit, 1645, (1938). Artist: Bartolome Esteban Murillo
Boys eating Fruit, 1645, (1938). Detail of Boys Eating Grapes and Melon, painting in the Alte Pinakothek, Munich, Germany. Illustration from Spanish Painting, by E Harris

Flower Girl, c1800-c1899. Portrait of a flower girl

Two Women at a Window, 1655-1660. Artist: Bartolome Esteban Murillo
Two Women at a Window, 1655-1660. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

St. John and the Lamb, 1660-5, (c1900). Artist: Bartolome Esteban Murillo
St. John and the Lamb, 1660-5, (c1900). Held at The National Gallery, London. From Famous Pictures of the World, c1900

A Spanish Flower Girl, 1665-1670, (c1915). Artist: Bartolome Esteban Murillo
A Spanish Flower Girl, 1665-1670, (c1915). The painting is held by the Dulwich Picture Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Artist: Bartolome Esteban Murillo
La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Immaculate Conception, is a belief of Catholicism which holds that Mary mother of Jesus

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Artist: Bartolome Esteban Murillo
Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Saint Andrew is tied to the cross on which he will die as an exemplary spectacle: labourers prepare

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban Murillo
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child

Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink

La Anunciacion, (The Annunciation), 1660, (c1934). Artist: Bartolome Esteban Murillo
La Anunciacion, (The Annunciation), 1660, (c1934). New Testament scene depicting Archangel Gabriels Annunciation to the Virgin Mary, accompanied by a sewing basket and book

Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). Artist: Bartolome Esteban Murillo
Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). An episode from Genesis when Abraham asks one of his servants (Eliezer) to find a wife for his son (Isaac)

Immaculate Conception of the Escorial, c1678 (1926). Artist: Bartolome Esteban Murillo
Immaculate Conception of the Escorial, c1678 (1926). From An Outline of Christianity, The Story of Our Civilisation, volume 2: Builders of the Church, edited by RG Parsons and AS Peake

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Bartolome Esteban Murillo, a renowned Spanish painter of the Baroque era, left an indelible mark on art history with his captivating works. One such masterpiece is "The Flower Girl" created between 1665-70. In this painting, Murillo skillfully captures the innocence and charm of a young girl as she presents a bouquet of vibrant flowers. Another notable piece by Murillo is "The Good Shepherd, " which was recreated in the 20th century by A. H. Ritchie. This depiction showcases the compassion and guidance provided by Jesus Christ to his flock. "The Crucifixion, " painted around 1675, reveals Murillo's ability to evoke deep emotions through religious imagery. The scene portrays the sacrifice of Christ on the cross, conveying both agony and redemption. In "Two Women at a Window, " dating back to c. 1655/1660, Murillo explores everyday life with sensitivity and realism. The painting depicts two women engaged in conversation while peering out from their window, offering glimpses into their world. Juan Antonio Salvador Carmona pays homage to Murillo's legacy with his rendition of "The Grape-picker. " Created around 1780-1805, this artwork showcases an elderly woman holding a basket filled with luscious grapes—a testament to Carmona's admiration for Murillo's style. Murillo also delves into biblical narratives like "Saint John the Baptist Pointing to Christ" (c. 1655), where he highlights John's role as a precursor to Jesus' ministry. Albert Ernest Carrier de Belleuse immortalizes Bartolome Esteban Murillo himself in his sculpture titled "Bust of Murillo" (c. 1872). This tribute serves as a reminder of how influential and revered he was within artistic circles during that time period. "The Return of the Prodigal Son" (1667/1670) demonstrates Murillo's ability to convey profound emotions.