Bartolomé Esteban Murillo Collection (#2)

Fruit-Sellers Counting Their Money, 1618, (1914). Creator: BartolomA Esteban Murillo
Fruit-Sellers Counting Their Money, 1618, (1914). Child street-vendors with a basket of grapes. Painting in the Alte Pinakothek, Munich, Germany

Boys eating Fruit, 1645, (1938). Artist: Bartolome Esteban Murillo
Boys eating Fruit, 1645, (1938). Detail of Boys Eating Grapes and Melon, painting in the Alte Pinakothek, Munich, Germany. Illustration from Spanish Painting, by E Harris

Flower Girl, c1800-c1899. Portrait of a flower girl

Bartolome Esteban Murillo Murillo Self Portrait
Bartolome Esteban Murillo, 1617 - 1682. Spanish Baroque painter. After a self portrait by Murillo from early 1650's

BartolomA Esteban Murillo Return Holy Family
Bartolome Esteban Murillo, The Return of the Holy Family from Egypt, painting, oil on canvas, Height, 222 cm (87.4 inches), Width, 162 cm (63.7 inches)

BartolomA Esteban Murillo St Rosa Lima Holy Rosa
After Bartolome Esteban Murillo, St Rosa of Lima, Holy Rosa from Lima, painting, oil on canvas, Height, 93 cm (36.6 inches), Width, 76 cm (29.9 inches)

Manner BartolomA Esteban Murillo Young Man drinking Wine
Manner of Bartolome Esteban Murillo, Young Man drinking Wine, Youth drinking wine, Oil on canvas, Height, 74 cm (29.1 inch), Width, 61 cm (24 inch)

Virgin Child Maria seated clouds holds Christ child
Virgin and Child, Maria, seated on the clouds, holds the Christ child in her lap with both hands. Bartolome Esteban Murillo, 1660 - 1680, canvas, oil paint (paint), h 190 cm × w 137 cm d 13 cm

Annunciation Mary left kneeling Mary lectern
The Annunciation, The Annunciation to Mary. On the left the kneeling Mary behind a lectern with a book, on the right the kneeling angel with a lily branch

Annunciation Virgin Mary Mary turns angel kneels
Annunciation to the Virgin, The Annunciation to Mary. Mary turns to the angel who kneels before her. The angel has a branch with lilies in hand

Laban Searching Stolen Household Gods 1665-1670
Laban Searching for his Stolen Household Gods, c. 1665-1670. Bartolome Esteban Murillo (Spanish, 1617-1682). Oil on canvas; framed: 278 x 398 x 14 cm (109 7/16 x 156 11/16 x 5 1/2 in.); unframed

Immaculate Conception 1680 Bartolome Esteban Murillo
The Immaculate Conception, c. 1680. Bartolome Esteban Murillo (Spanish, 1617-1682). Oil on canvas; framed: 246.3 x 152.7 x 8 cm (96 15/16 x 60 1/8 x 3 1/8 in.); unframed

Two Women at a Window, 1655-1660. Artist: Bartolome Esteban Murillo
Two Women at a Window, 1655-1660. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

St. John and the Lamb, 1660-5, (c1900). Artist: Bartolome Esteban Murillo
St. John and the Lamb, 1660-5, (c1900). Held at The National Gallery, London. From Famous Pictures of the World, c1900

A Spanish Flower Girl, 1665-1670, (c1915). Artist: Bartolome Esteban Murillo
A Spanish Flower Girl, 1665-1670, (c1915). The painting is held by the Dulwich Picture Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Artist: Bartolome Esteban Murillo
La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Immaculate Conception, is a belief of Catholicism which holds that Mary mother of Jesus

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Artist: Bartolome Esteban Murillo
Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Saint Andrew is tied to the cross on which he will die as an exemplary spectacle: labourers prepare

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban Murillo
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child

Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink

La Anunciacion, (The Annunciation), 1660, (c1934). Artist: Bartolome Esteban Murillo
La Anunciacion, (The Annunciation), 1660, (c1934). New Testament scene depicting Archangel Gabriels Annunciation to the Virgin Mary, accompanied by a sewing basket and book

Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). Artist: Bartolome Esteban Murillo
Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). An episode from Genesis when Abraham asks one of his servants (Eliezer) to find a wife for his son (Isaac)

Immaculate Conception of the Escorial, c1678 (1926). Artist: Bartolome Esteban Murillo
Immaculate Conception of the Escorial, c1678 (1926). From An Outline of Christianity, The Story of Our Civilisation, volume 2: Builders of the Church, edited by RG Parsons and AS Peake

Immaculate Conception, c1678, (1912). Artist: Bartolome Esteban Murillo
Immaculate Conception, c1678, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Murillo, 19th century. Artist: R Scriven
Murillo, 19th century. Bartolome Esteban Murillo (1618-1682) was a Spanish painter from Seville. He excelled in the painting of light clouds, flowers, water, and drapery, and in the use of colour

Archangel Raphael with Bishop Domonte, 17th century. Artist: Bartolome Esteban Murillo
Archangel Raphael with Bishop Domonte, 17th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Girl Selling Fruit, c1650-c1660. Artist: Bartolome Esteban Murillo
Girl Selling Fruit, c1650-c1660. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Rest on the Flight into Egypt, c1665. Artist: Bartolome Esteban Murillo
Rest on the Flight into Egypt, c1665. Found in the collection of the State Hermitage, St Petersburg

Boy with a Dog, c1650-c1660. Artist: Bartolome Esteban Murillo
Boy with a Dog, c1650-c1660. Found in the collection of the State Hermitage, St Petersburg

The Flight into Egypt, 17th century. Artist: Bartolome Esteban Murillo
The Flight into Egypt, 17th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Holy Family, c1660-c1670. Artist: Bartolome Esteban Murillo
The Holy Family, c1660-c1670. Found in the collection of the State Hermitage, St Petersburg

Christ and John the Baptist as Children, between 1655 and 1660. Artist: Bartolome Esteban Murillo
Christ and John the Baptist as Children, between 1655 and 1660. Murillo, Bartolome Esteban (1617-1682). Found in the collection of the State Hermitage, St. Petersburg

The Assumption of the Blessed Virgin Mary, between 1645 and 1655. Artist: Bartolome Esteban Murillo
The Assumption of the Blessed Virgin Mary, between 1645 and 1655. Murillo, Bartolome Esteban (1617-1682). Found in the collection of the State Hermitage, St. Petersburg

Isaac blessing Jacob, c1660. Artist: Bartolome Esteban Murillo
Isaac blessing Jacob, c1660. Murillo, Bartolome Esteban (1617-1682). Found in the collection of the State Hermitage, St. Petersburg

The Annunciation, 1660s. Artist: Bartolome Esteban Murillo
The Annunciation, 1660s. Murillo, Bartolome Esteban (1617-1682). Found in the collection of the State Hermitage, St. Petersburg

St John the Baptist as a Child, c1665. Artist: Bartolome Esteban Murillo
St John the Baptist as a Child, c1665. Found in the collection of the Prado, Madrid, Spain

The Good Shepherd, c1650. Artist: Bartolome Esteban Murillo
The Good Shepherd, c1650. Found in the collection of the Prado, Madrid, Spain

Immaculate Conception, 1665-1670. Artist: Bartolome Esteban Murillo
Immaculate Conception, 1665-1670. Found in the collection of the Museo del Prado, Madrid

The Boys with the Shell, c1670. Artist: Bartolome Esteban Murillo
The Boys with the Shell, c1670. Found in the collection of the Prado, Madrid, Spain

Our Lady with the Child, c1638-1682. Artist: Bartolome Esteban Murillo
Our Lady with the Child, c1638-1682

The Good Shepherd, (detail), c1650. Artist: Bartolome Esteban Murillo
The Good Shepherd, (detail), c1650. Found in the collection of the Prado, Madrid, Spain

Nativity 1665-70 Pen brown ink brush wash traces
Artokoloro

Standing Male Figure Study Portrait 1670-80
Artokoloro

Infant St John Baptist 1618-82 Pen brown ink
Artokoloro

Annunciation to the Virgin, follower of Bartolome Esteban Murillo, 1700 - 1800

Annunciation to the Virgin, Bartolome Esteban Murillo, 1660 - 1680

The miracle of the loaves and fishes, after O. Murill, Jules Gabriel Levasseur, Bartolome Esteban Murillo, Goupil Cie, 1833 - 1933

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Bartolomé Esteban Murillo, a renowned Spanish Baroque artist, left an indelible mark on the art world with his exquisite masterpieces. One of his notable works is "The Flower Girl, " painted between 1665-70. In this captivating piece, Murillo skillfully captures the innocence and beauty of a young girl offering flowers to passersby. Another remarkable creation by Murillo is "The Good Shepherd, " which was beautifully rendered in the 20th century by A. H. Ritchie. This depiction showcases the compassionate nature of Jesus Christ as he lovingly tends to his flock. Murillo's talent for capturing religious themes is evident in "The Crucifixion, " created around 1675. Through meticulous brushstrokes and vivid colors, he portrays the profound sacrifice of Jesus on the cross, evoking deep emotions within viewers. In "Two Women at a Window, " dating back to c. 1655/1660, Murillo presents an intimate scene where two women engage in conversation while peering out from their window ledge. The artist's attention to detail and ability to convey human connection make this artwork truly captivating. "The Immaculate Conception" stands as another testament to Murillo's artistic prowess. Painted circa 1680, it depicts Mary being conceived without original sin—a subject that fascinated many artists during that era—showcasing delicate brushwork and ethereal light. Juan Antonio Salvador Carmona pays homage to Murillo's genius with his rendition of "The Grape-picker. " Created around ca. 1780-1805 after one of Murillo's works, Carmona captures an elderly woman holding a basket brimming with grapes—an ode to both nature's bounty and human labor. In "Saint John the Baptist Pointing to Christ, " crafted around c. 1655, we witness Saint John directing our attention towards Jesus—the central figure who brings salvation.