Battle Of Sevastopol Collection (page 2)

A Street in Sebastopol after the Siege, c1880. Artist: Richard Principal Leitch
A Street in Sebastopol after the Siege, c1880. Episode of the Crimean War (1853-1856). From British Battles on Land and Sea, Vol. III, by James Grant

Interior of the Redan after its Capture, c1880. Episode of the Crimean War (1853-1856). From British Battles on Land and Sea, Vol. III, by James Grant

Sebastopol, c1880. Episode of the Crimean War (1853-1856). From British Battles on Land and Sea, Vol. III, by James Grant. [Cassell Petter & Galpin, London, Paris & New York, c1880]

The interior of the Redan taken from its left face, 1855. Artist: Simpson, William (1832-1898)
The interior of the Redan taken from its left face, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

One of the wards of the hospital at Scutari, 1855. Artist: Simpson, William (1832-1898)
One of the wards of the hospital at Scutari, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The Bastion du Mat, Sevastopol, 1855. Artist: Simpson, William (1832-1898)
The Bastion du Mat, Sevastopol, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Highland Brigade camp, 1855. Artist: Simpson, William (1832-1898)
Highland Brigade camp, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Malakoff redoubt, battery gervais and rear of the redan, 1855. Artist: Simpson, William (1832-1898)
Malakoff redoubt, battery gervais and rear of the redan, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Sevastopol from the 26 gun battery, 1855. Artist: Simpson, William (1832-1898)
Sevastopol from the 26 gun battery, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

British troops on the road to Sevastopol, 1855. Artist: Simpson, William (1832-1898)
British troops on the road to Sevastopol, 1855. From a private collection

After the Taking of Malakoff on 8 September 1855, 1855. Artist: Simpson, William (1832-1898)
After the Taking of Malakoff on 8 September 1855, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The burial of Lord Raglan near Sevasopol, 1855. Artist: Simpson, William (1832-1898)
The burial of Lord Raglan near Sevasopol, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

View of Sevastopol from the sea, 1855. Artist: Simpson, William (1832-1898)
View of Sevastopol from the sea, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

A quiet night in the batteries, 1855. Artist: Simpson, William (1832-1898)
A quiet night in the batteries, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The Embarkation of the sick at Balaklava, 1855. Artist: Simpson, William (1832-1898)
The Embarkation of the sick at Balaklava, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Valley of Chernaya River. Artist: Simpson, William (1832-1898)
Valley of Chernaya River. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The Battle of Balaclava on October 25, 1854. The Charge of the Light Brigade. Artist: Simpson, William (1832-1898)
The Battle of Balaclava on October 25, 1854. The Charge of the Light Brigade. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The Redan and the British trenches. Artist: Simpson, William (1832-1898)
The Redan and the British trenches. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Portrait of Lord Raglan, 1856. Artist: Pound, Daniel J. (1810-1861?)
Portrait of Lord Raglan, 1856. From a private collection

The Siege of Sevastopol, 1854. Artist: Biddulph, Sir Michael Anthony Shrapnel (1823-1904)
The Siege of Sevastopol, 1854. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Russian Warships in the Cossack Bay, Balaklava, ca 1855
Russian Warships in the Cossack Bay, Balaklava

The War Artist William Simpson in Sevastopol, 1855
The War Artist William Simpson in Sevastopol

Map of the Environs of Sevastopol, 1854. Artist: Wyld, James (1812-1887)
Map of the Environs of Sevastopol, 1854. From a private collection

Attack on the Malakoff redoubt on 7 September 1855, 1855. Artist: Simpson, William (1832-1898)
Attack on the Malakoff redoubt on 7 September 1855, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

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"The Battle of Sevastopol: A Glimpse into the Crimean War" In 1854, amidst the turmoil of the Crimean War, a series of historic events unfolded in and around Sevastopol. The Charge of the Light Brigade during the Battle of Balaclava sent shockwaves through history, immortalized by artist Hayes' depiction. The aftermath was captured in an evocative scene from 1862, showcasing the war's enduring impact. The conflict intensified as Vasily Timm's painting "The Interrogation" revealed the intensity and brutality faced by soldiers on both sides. Meanwhile, fires raged during the Fire of Sevastopol, forcing Russian troops to retreat along its North Coast in 1855. September 20th marked a significant turning point with Russian forces retreating after their defeat at the Battle of Alma. Civelli's map provided insight into southern Russia and its fortified stronghold - Sevastopol Bay. Orlando Norie skillfully depicted pivotal moments such as The Battle of Balaclava and Landing of British Division at Old Fort near Sevastopol in 1854. These scenes showcased bravery amidst chaos while highlighting strategic locations like Balaclava harbor serving as a crucial supply base for British forces. De Prades' artwork transported viewers back to September 20th, 1854 - capturing a poignant moment from The Battle of Alma. It served as a reminder that even amid bloodshed and destruction, human resilience prevailed. Hussars and Chasseurs clashed fiercely at Chernaya River on August 16th, 1855 – an event etched forever thanks to Norie's artistic prowess. Their valor demonstrated that battles were not just fought on land but also within hearts filled with unwavering determination. Lastly, Baron Raglan stood tall in his portrait from 1854 – symbolizing leadership amidst adversity throughout this tumultuous period.