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Beating Collection (page 4)

"Unleashing the Spirit of Victory: Beating the Odds in Olympic Ice Hockey, 1932" In the midst of a thrilling battle on ice, two teams clashed at the 1932 Olympics

Background imageBeating Collection: Eton flogging 'block'and rod (engraving)

Eton flogging "block"and rod (engraving)
1093195 Eton flogging " block" and rod (engraving) by English School, (19th century); Private Collection; (add.info.: Eton flogging " block" and rod)

Background imageBeating Collection: School scene in the Middle Ages (engraving)

School scene in the Middle Ages (engraving)
1093192 School scene in the Middle Ages (engraving) by English School, (19th century); Private Collection; (add.info.: School scene in the Middle Ages)

Background imageBeating Collection: Allegory of Love Conquering Lust (oil on canvas)

Allegory of Love Conquering Lust (oil on canvas)
1254388 Allegory of Love Conquering Lust (oil on canvas) by Garzi, Luigi (1638-1721); 75.7x62.9 cm; Private Collection; Photo © Christies Images

Background imageBeating Collection: A public whipping in the London Sessions House Yard (engraving)

A public whipping in the London Sessions House Yard (engraving)
1094564 A public whipping in the London Sessions House Yard (engraving) by English School, (19th century); Private Collection; (add.info.: A public whipping in the London Sessions House Yard)

Background imageBeating Collection: The scourging of Titus Oates from Newgate to Tyburn (engraving)

The scourging of Titus Oates from Newgate to Tyburn (engraving)
1094563 The scourging of Titus Oates from Newgate to Tyburn (engraving) by English School, (19th century); Private Collection; (add.info.: The scourging of Titus Oates from Newgate to Tyburn)

Background imageBeating Collection: Stroud, the notorious cheat, whipped at the Cart s-Tail from Charing Cross to Whitehall (engraving)

Stroud, the notorious cheat, whipped at the Cart s-Tail from Charing Cross to Whitehall (engraving)
1094562 Stroud, the notorious cheat, whipped at the Cart s-Tail from Charing Cross to Whitehall (engraving) by English School, (19th century); Private Collection; (add.info.: Stroud)

Background imageBeating Collection: 'Devils would often lay hold of men and flog them. 'Abbe Boileau (engraving)

"Devils would often lay hold of men and flog them. "Abbe Boileau (engraving)
1094571 " Devils would often lay hold of men and flog them." Abbe Boileau (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageBeating Collection: Discipline practised by the Jews (engraving)

Discipline practised by the Jews (engraving)
1094567 Discipline practised by the Jews (engraving) by English School, (19th century); Private Collection; (add.info.: Discipline practised by the Jews)

Background imageBeating Collection: Running The Gauntlet (engraving)

Running The Gauntlet (engraving)
1094561 Running The Gauntlet (engraving) by English School, (19th century); Private Collection; (add.info.: Running The Gauntlet)

Background imageBeating Collection: School scene, early 16th century (engraving)

School scene, early 16th century (engraving)
1094560 School scene, early 16th century (engraving) by English School, (19th century); Private Collection; (add.info.: School scene, early 16th century)

Background imageBeating Collection: Killing Crocodiles Using Sticks and Clubs, plate 88, illustration from Venationes, Ferarum, Avium

Killing Crocodiles Using Sticks and Clubs, plate 88, illustration from Venationes, Ferarum, Avium
747019 Killing Crocodiles Using Sticks and Clubs, plate 88, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub

Background imageBeating Collection: Hercules Killing Cacus, (woodcut)

Hercules Killing Cacus, (woodcut)
659519 Hercules Killing Cacus, (woodcut) by Goltzius, Hendrik (1558-1617); 41x33 cm; Private Collection; (add.info.: Hercules Killing Cacus. Hendrik Goltzius (1558-1617). Woodcut

Background imageBeating Collection: Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho)

Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho)
KDC465770 Mr. Murdstone, from David Copperfield, by Charles Dickens, 1923 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info.: Young Davids cruel stepfather)

Background imageBeating Collection: Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens

Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
KW259144 Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) (see also 259145) by Browne

Background imageBeating Collection: The sect of the flagellants, showing the various instruments selected for self-punishment

The sect of the flagellants, showing the various instruments selected for self-punishment (engraving)
1094570 The sect of the flagellants, showing the various instruments selected for self-punishment (engraving) by English School

Background imageBeating Collection: Second stage of Cruelty, illustration from Hogarth Restored: The Whole Works of the celebrated

Second stage of Cruelty, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth
STC451169 Second stage of Cruelty, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Background imageBeating Collection: Bear baiting, Manchester, 1819 (pen & ink and wash on paper)

Bear baiting, Manchester, 1819 (pen & ink and wash on paper)
CHL404792 Bear baiting, Manchester, 1819 (pen & ink and wash on paper) by Barritt, Thomas (d.1820); 14.8x19 cm; Chethams Library, Manchester

Background imageBeating Collection: 'There was an Old Man with a poker, who painted his face with red ochre', from A Book of Nonsense

"There was an Old Man with a poker, who painted his face with red ochre", from A Book of Nonsense
LLM386605 " There was an Old Man with a poker, who painted his face with red ochre", from A Book of Nonsense, published by Frederick Warne and Co

Background imageBeating Collection: Balaam and the ass (engraving)

Balaam and the ass (engraving)
976547 Balaam and the ass (engraving) by English School, (19th century); Private Collection; (add.info.: Balaam and the ass. Illustration for The Prize Bible (Wells Gardner, Darton & Co, c 1890)

Background imageBeating Collection: Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus

Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus Montanus
489307 Cruel Chinese punishment with bound bamboo sticks, illustration from Atlas Chinensis by Arnoldus Montanus, 1669 (engraving) by Dutch School

Background imageBeating Collection: Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English

Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship
486402 Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School

Background imageBeating Collection: Three policemen bring a man beaten black and blue into the police station

Three policemen bring a man beaten black and blue into the police station, from Crimes and Punishments
BAL366895 Three policemen bring a man beaten black and blue into the police station, from Crimes and Punishments, special edition of L Assiette au Beurre, 1st March 1902 (colour litho) by Vallotton

Background imageBeating Collection: School in the last century (engraving)

School in the last century (engraving)
1094572 School in the last century (engraving) by Cruikshank, George (1792-1878) (after); Private Collection; (add.info.: School in the last century)

Background imageBeating Collection: St Edmund, Biship of Canterbury, while studying at Paris, was tormented by a very beautiful young

St Edmund, Biship of Canterbury, while studying at Paris, was tormented by a very beautiful young woman (engraving)
1094569 St Edmund, Biship of Canterbury, while studying at Paris, was tormented by a very beautiful young woman (engraving) by English School

Background imageBeating Collection: The wolf, the mother and child

The wolf, the mother and child
LLM462226 The wolf, the mother and child by French School, (19th century); Private Collection; (add.info.: The wolf, the mother and child)

Background imageBeating Collection: Practice of assistance and miraculous healing of Aubigan, illustration from La verite des miracles

Practice of assistance and miraculous healing of Aubigan, illustration from La verite des miracles de M. de Paris
CHT382715 Practice of assistance and miraculous healing of Aubigan, illustration from La verite des miracles de M. de Paris

Background imageBeating Collection: Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens

Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
KW259145 Nicholas astonishes Mr. Squeers and family, illustration from Nicholas Nickleby by Charles Dickens (1812-70) published 1839 (litho) (see also 259144) by Browne

Background imageBeating Collection: The Martyrdom of St. Florian (oil on panel)

The Martyrdom of St. Florian (oil on panel)
XIR438807 The Martyrdom of St. Florian (oil on panel) by Altdorfer, Albrecht (c.1480-1538); Narodni Galerie, Prague, Czech Republic; (add.info.: Martyrdom of St Florian; )

Background imageBeating Collection: School for Boys, 1738 (oil on canvas)

School for Boys, 1738 (oil on canvas)
SGS106169 School for Boys, 1738 (oil on canvas) by Mercier, Philippe (1689-1760); 101.6x127 cm; Private Collection; © Berger Collection Educational Trust

Background imageBeating Collection: Flagellation, illustration from The Arabian Nights, 1895 (colour engraving)

Flagellation, illustration from The Arabian Nights, 1895 (colour engraving)
PER224708 Flagellation, illustration from The Arabian Nights, 1895 (colour engraving) by French School, (19th century); Private Collection; (add.info.: The Thousand and One Nights ; )

Background imageBeating Collection: Chastising a Quaker at Pauls Cross, Cheapside, in the time of Oliver Cromwell (engraving)

Chastising a Quaker at Pauls Cross, Cheapside, in the time of Oliver Cromwell (engraving)
1094565 Chastising a Quaker at Pauls Cross, Cheapside, in the time of Oliver Cromwell (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageBeating Collection: Practice of assistance to Gabrielle Moler, illustration from La verite des miracles de M. de Paris

Practice of assistance to Gabrielle Moler, illustration from La verite des miracles de M. de Paris
CHT382714 Practice of assistance to Gabrielle Moler, illustration from La verite des miracles de M. de Paris... by Louis Basile Carre de Montgeron (1686-1754) 1747




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"Unleashing the Spirit of Victory: Beating the Odds in Olympic Ice Hockey, 1932" In the midst of a thrilling battle on ice, two teams clashed at the 1932 Olympics, their determination palpable as they fought for glory. The sport was ice hockey, and it became an emblematic display of strength and skill. Meanwhile, halfway across the world in Zimbabwe, Africa in 1936, two Mashona tribeswomen pounded maize and millet with unwavering resolve. Their rhythmic movements echoed a timeless tradition passed down through generations – a testament to resilience. Artistic expressions also captured the essence challenges throughout history. In Hogarth's engraving "ELECTION, " we witness a triumphant scene as members are chaired after emerging victorious from political battles. Goldsmith's reproduction showcases Jost Amman's woodcut from Le Moyen Age - depicting medieval warriors overcoming obstacles with valor. But victories aren't limited to grand arenas or political campaigns; sometimes they unfold within intimate spaces too. A humorous depiction from the 19th century shows a wife playfully "beating" her husband – reminding us that love can conquer all with laughter. In another realm altogether, man versus machine took center stage when an audacious individual raced against a speeding train - proving that human willpower knows no bounds. Speaking of boundaries, boats engaged in "Beating Bounds" during traditional ceremonies where communities marked their territory along rivers and coastlines. This ancient practice fostered unity while honoring shared heritage. The spirit of triumph resonates even further through time as evidenced by photographs capturing moments like "Beating Bounds" in 1930 - showcasing people coming together to celebrate their collective identity. And finally, let us not forget about boxing matches where punches fly amidst fierce competition but ultimately reveal profound displays of courage and perseverance. Whether it be on icy rinks or pounding grains under African skies; whether depicted through art, humor, or physical feats.