Bernhard Schreuder Collection
Bernhard Schreuder, a talented artist of the 18th century, left behind a remarkable collection of diverse and captivating works
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Bernhard Schreuder, a talented artist of the 18th century, left behind a remarkable collection of diverse and captivating works. His Church Interior from 1774 transports viewers into the sacred space, capturing the ethereal beauty that resides within. In Drunken Peasant at an Inn (1775), Schreuder showcases his ability to depict scenes of everyday life with raw authenticity and humor. Musical Company (1772) reveals Schreuder's talent for capturing the joyous atmosphere of gatherings filled with music and merriment. The Collector (1777) delves into the intriguing world of art collectors, shedding light on their passion and obsession. Schreuder's Directors of the Orphan Asylum of Haarlem (1777) immortalizes those who dedicated themselves to caring for society's most vulnerable members. Canal at Utrecht (1771) offers a picturesque view that highlights both natural beauty and architectural splendor. Hog Slaughterers (1778) provides a glimpse into an industry often overlooked but vital to sustaining communities. Town Crier (1776) brings to life an essential figure in historical towns, announcing news and events with authority. Interior of a Peasant House with Two Women (1772) invites us inside a humble dwelling where simplicity meets warmth. War Vessel in the Y (1768), co-created by Cornelis Ploos van Amstel, showcases Schreuder's versatility as he ventures into maritime themes. River with Town (1775) captures nature's harmony as it intertwines seamlessly with human habitation. Finally, Man at the Parapet (1773), published in 1774, portrays solitude against an urban backdrop—a contemplative moment frozen in time.