Bible Scene Collection

Noli Me Tangere, c1514. Artist: Titian
Noli Me Tangere, c1514. Saint Mary Magdalene encounters Christ after his resurrection. From the National Gallery, London

The Last Judgement, 1865-1866. Artist: Gustave Dore
The Last Judgement, 1865-1866. From the Bible (Book of Revelation 20:11)

Christ Carrying the Cross, 1560s. Artist: Titian
Christ Carrying the Cross, 1560s. Titian (1488-1576). Found in the collection of the State Hermitage, St. Petersburg

The Laying in the Tomb ( The Deposition / The Entombment ), 1602-16044. Artist: Michelangelo Caravaggio
The Laying in the Tomb ( The Deposition / The Entombment ), 1602-1604. Mary of Clopas with her arms raised; Mary Magdalene with bowed head; Nicodemus grasps the legs of the dead Christ

Moses descending from Mount Sinai with the tablets of the law (Ten Commandments), 1866. Artist: Gustave Dore
Moses descending from Mount Sinai with the tablets of the law (Ten Commandments), 1866. From The Bible (Exodus 5.35)

Construction of the Temple at Jerusalem by King Solomon, 15th century. Solomon directs proceedings from a balcony. From Les antiquities Judaiques (Antiquities of the Jews)

Le Coup de Lance, 1620. Artist: Peter Paul Rubens
Le Coup de Lance, 1620. At the Crucifixion the soldier pierces Christs side to make sure he is dead. At bottom right, the Virgin Mary and St John the Apostle turn aside in despair

Saint Sebastian, 1642. Artist: Guercino
Saint Sebastian, 1642. Guercino (1591-1666). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Adoration of the Shepherd, 1476-1479. Artist: Hugo van der Goes
Adoration of the Shepherd, 1476-1479. Central panel of the Portinari Altarpiece. From the collection of the Galleria degli Uffizi, Florence, Italy

Daniel in the Lions Den, c1615. Artist: Peter Paul Rubens
Daniel in the Lions Den, c1615. Rubens, Pieter Paul (1577-1640). Found in the collection of the National Gallery of Art, Washington

Christ in the house of Mary and Martha, c1618-1622 Artist: Diego Velasquez
Kitchen Scene with Christ in the house of Mary and Martha, c1618-1622. Martha supervises work in the kitchen. A young servant girl, wearing an unhappy expression

Christ Washing the Apostles Feet, c. 1618. Creator: Jacques Callot
Christ Washing the Apostles Feet, c. 1618

Jesus with Mary and Martha, c1870. From the Bible (Luke X. 42)

Mary Magdalene annointing the feet of Jesus, c1880. From the Bible (John 12)

Christ raising the daughter of Jairus, Governor of the Synagogue, from the dead, c1860. Artist: Kronheim & Co
Christ raising the daughter of Jairus, Governor of the Synagogue, from the dead, c1860. From the Bible (Mark V)

The Archangel Michael and his angels fighting the dragon, 1865-1866. Artist: Gustave Dore
The Archangel Michael and his angels fighting the dragon, 1865-1866. The Virgin Mary with the infant Jesus in her arms looks down from Heaven. From Gustave Dores Bible (Revelation 12:1)

The Sibyl Agrippa, 1490 (miniature)
2075400 The Sibyl Agrippa, 1490 (miniature); (add.info.: Religion. Miniature, France, 1490. Coll. Part. Religion. The Agrippa Sibyl, with a whip, symbolizing the Flagellation of Christ)

Judas Rapporte aux Princes des Pretres, Le Prix de sa Trahison (engraving)
8629369 Judas Rapporte aux Princes des Pretres, Le Prix de sa Trahison (engraving) by European School, (19th century); Private Collection; (add.info.: Judas Rapporte aux Princes des Pretres)

Institution de L'Eucharistie (engraving)
8629384 Institution de L'Eucharistie (engraving) by European School, (19th century); Private Collection; (add.info.: Institution de L'Eucharistie)

The Renaissance in Italy, Sculpture, The Pisani, 13th and 14th Centuries (engraving)
8644806 The Renaissance in Italy, Sculpture, The Pisani, 13th and 14th Centuries (engraving) by European School, (19th century); Private Collection; (add.info.: The Renaissance in Italy, Sculpture)

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The shepherds in the field (colour litho)
8652316 The shepherds in the field (colour litho) by English School, (19th century); Private Collection; (add.info.: The shepherds in the field)

Jerusalem from the Mount of Olives (engraving)
8638841 Jerusalem from the Mount of Olives (engraving) by English School, (19th century); Private Collection; (add.info.: Jerusalem from the Mount of Olives)

The Last Supper (colour litho)
8656095 The Last Supper (colour litho) by Vinci, Leonardo da (1452-1519) (after); Private Collection; (add.info.: The Last Supper. Postcard, early 20th century.); © Look and Learn

Printed Book of Hours (Use of Rome): fol. 97v, St. Michael the Archangel, 1510 (112 Printed folios on parchment, bound)
XOS5884166 Printed Book of Hours (Use of Rome): fol. 97v, St. Michael the Archangel, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art

Printed Book of Hours (Use of Rome): fol. 98r, St. John the Baptist, 1510 (112 Printed folios on parchment, bound)
XOS5884165 Printed Book of Hours (Use of Rome): fol. 98r, St. John the Baptist, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 96v, Mass of St. Gregory, 1510 (112 Printed folios on parchment, bound)
XOS5884164 Printed Book of Hours (Use of Rome): fol. 96v, Mass of St. Gregory, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 73r, Lazarus, 1510 (112 Printed folios on parchment, bound)
XOS5884154 Printed Book of Hours (Use of Rome): fol. 73r, Lazarus, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 58r, Pentecost, 1510 (112 Printed folios on parchment, bound)
XOS5884149 Printed Book of Hours (Use of Rome): fol. 58r, Pentecost, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 36r, Annunciation to the Shepherds, 1510 (112 Printed folios on parchment)
XOS5884141 Printed Book of Hours (Use of Rome): fol. 36r, Annunciation to the Shepherds, 1510 (112 Printed folios on parchment)

Printed Book of Hours (Use of Rome): fol. 38r, Adoration of the Magi, 1510 (112 Printed folios on parchment, bound)
XOS5884140 Printed Book of Hours (Use of Rome): fol. 38r, Adoration of the Magi, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 34r, The Nativity, 1510 (112 Printed folios on parchment, bound)
XOS5884139 Printed Book of Hours (Use of Rome): fol. 34r, The Nativity, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol.29v, The Visitation, 1510 (112 Printed folios on parchment, bound)
XOS5884137 Printed Book of Hours (Use of Rome): fol.29v, The Visitation, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 20r, St. Mark, 1510 (112 Printed folios on parchment, bound)
XOS5884133 Printed Book of Hours (Use of Rome): fol. 20r, St. Mark, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol.18r, St. Luke, 1510 (112 Printed folios on parchment, bound)
XOS5884131 Printed Book of Hours (Use of Rome): fol.18r, St. Luke, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 17r, St. John on Patmos, 1510 (112 Printed folios on parchment, bound)
XOS5884130 Printed Book of Hours (Use of Rome): fol. 17r, St. John on Patmos, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 107v, St. Jerome and the Lion, 1510 (112 Printed folios on parchment, bound)
XOS5884119 Printed Book of Hours (Use of Rome): fol. 107v, St. Jerome and the Lion, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art

Printed Book of Hours (Use of Rome): fol. 106v, St. Francis of Assisi, 1510 (112 Printed folios on parchment, bound)
XOS5884117 Printed Book of Hours (Use of Rome): fol. 106v, St. Francis of Assisi, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 107r, St. Bonaventura, 1510 (112 Printed folios on parchment, bound)
XOS5884115 Printed Book of Hours (Use of Rome): fol. 107r, St. Bonaventura, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 101r, St. Lawrence, 1510 (112 Printed folios on parchment, bound)
XOS5884108 Printed Book of Hours (Use of Rome): fol. 101r, St. Lawrence, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

Printed Book of Hours (Use of Rome): fol. 100r, St. James the Greater, 1510 (112 Printed folios on parchment, bound)
XOS5884107 Printed Book of Hours (Use of Rome): fol. 100r, St. James the Greater, 1510 (112 Printed folios on parchment, bound) by Guillaume Le Rouge (active 1493-1517); Cleveland Museum of Art, OH

The Birth and Naming of John the Baptist, 1496-99 (oil on wood)
XOS5879065 The Birth and Naming of John the Baptist, 1496-99 (oil on wood) by Juan de Flandes, (c.1465-1519); 99x60 cm; Cleveland Museum of Art, OH

Rest on the Flight into Egypt, c. 1640 (oil on wood)
XOS5878805 Rest on the Flight into Egypt, c. 1640 (oil on wood) by Poerson, Charles (1609-67); 57.5x67.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Charles Poerson)

The Temptation of the Magdalene, c.1616-17 (oil on panel)
5861598 The Temptation of the Magdalene, c.1616-17 (oil on panel) by Jordaens, Jacob (1593-1678); The Art Institute of Chicago, IL, USA; (add.info.: by Jacob Jordaens)

Moses and the Burning Bush, Before Christ 1491 Years, Exodus III (engraving)
8658653 Moses and the Burning Bush, Before Christ 1491 Years, Exodus III (engraving) by English School, (19th century); Private Collection; (add.info.: Moses and the Burning Bush)

New Testament: A Lesson in Humility (colour litho)
8658775 New Testament: A Lesson in Humility (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: A Lesson in Humility)

New Testament: The Nativity (colour litho)
8658760 New Testament: The Nativity (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: The Nativity)

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"Journey through the Bible: A Captivating Glimpse into Iconic Scenes" La Pieta Marble Sculpture by Michelangelo Buonarroti called Michelangelo: A masterful depiction of Mary cradling Jesus, evoking profound emotions and divine grace. Noli Me Tangere, c1514. Artist: Titian: Titian's masterpiece captures the poignant moment when Christ forbids Mary Magdalene from touching him after his resurrection. The Wedding of Cana (Miracle of the transformation of water into wine by Veronese, 1563): Veronese's vibrant painting immortalizes the miracle performed by Jesus at a wedding feast, turning water into wine. Arche de Noe - Noah's Ark, Anonymous: An enchanting panel depicting Noah's Ark amidst a deluge, showcasing faith and salvation in times of great turmoil. The Heavenly Ladder of Saint John Climacus (tempera & gold on wood): A celestial vision portrayed with intricate detail, illustrating St. John Climacus' spiritual ascent towards union with God. The Last Judgement, 1865-1866. Artist: Gustave Dore: Dore's awe-inspiring artwork unveils the final judgment day as souls ascend to heaven or descend to hell under God's watchful eye. The Transfiguration: Christ vested in white is surrounded by Moses and Elijah below apostle John, Peter and James. A breathtaking fresco capturing Christ radiating divine light while conversing with Moses and Elijah atop Mount Tabor. By The Sea, 1881 (oil on canvas): An idyllic coastal scene painted with serene beauty that invites contemplation on nature's harmonious relationship with spirituality. Saint Sebastian, 1642. Artist: Guercino.