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Black Coat Collection

"Black Coat: A Timeless Symbol of Elegance and Power" Throughout history, the black coat has been a prominent feature in various portraits

Background imageBlack Coat Collection: Portrait of a man, 1670 (oil on canvas)

Portrait of a man, 1670 (oil on canvas)
5938261 Portrait of a man, 1670 (oil on canvas) by Tempel, Abraham Lamberts Jacobsz van den (1622-72); 87.5x75.0 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch

Background imageBlack Coat Collection: Portrait of William Spencer Cavendish, 6th Duke of Devonshire, 1820-29 (oil on canvas)

Portrait of William Spencer Cavendish, 6th Duke of Devonshire, 1820-29 (oil on canvas)
CTS336373 Portrait of William Spencer Cavendish, 6th Duke of Devonshire, 1820-29 (oil on canvas) by Lawrence, Thomas (1769-1830); 76.2x63.3 cm; eThe Devonshire Collections

Background imageBlack Coat Collection: Portrait of Sir Joseph Paxton, May 1836 (oil on canvas)

Portrait of Sir Joseph Paxton, May 1836 (oil on canvas)
CTS336316 Portrait of Sir Joseph Paxton, May 1836 (oil on canvas) by Briggs, Henry Perronet (1792-1844); 88.8x68.5 cm; eThe Devonshire Collections

Background imageBlack Coat Collection: Mavourneen (Portrait of Kathleen Newton), 1877 (oil on canvas)

Mavourneen (Portrait of Kathleen Newton), 1877 (oil on canvas)
CH32763 Mavourneen (Portrait of Kathleen Newton), 1877 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 90x51 cm; Private Collection; (add.info)

Background imageBlack Coat Collection: Portrait of Sir Joseph Paxton, c. 1844 (oil on canvas)

Portrait of Sir Joseph Paxton, c. 1844 (oil on canvas)
CTS336342 Portrait of Sir Joseph Paxton, c.1844 (oil on canvas) by Ellerby, Thomas (fl.1821-57); 76.3x63.5 cm; eThe Devonshire Collections

Background imageBlack Coat Collection: Henry Bathurst (oil on canvas)

Henry Bathurst (oil on canvas)
NCO292166 Henry Bathurst (oil on canvas) by Romney, George (1734-1802); Courtesy of the Warden and Scholars of New College

Background imageBlack Coat Collection: Brown and Gold, 1895-1900 (oil on canvas)

Brown and Gold, 1895-1900 (oil on canvas)
HNT171777 Brown and Gold, 1895-1900 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 95.8x51.5 cm; The Hunterian, University of Glasgow

Background imageBlack Coat Collection: Henry Kirke White (oil on wood)

Henry Kirke White (oil on wood)
3744100 Henry Kirke White (oil on wood) by Cooper, Frederick Carter (c.1795-1875); 22.9x17.5 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Background imageBlack Coat Collection: The Marquis Of Blandford DBase MSI

The Marquis Of Blandford DBase MSI

Background imageBlack Coat Collection: Henry Kirke White (1785-1806)

Henry Kirke White (1785-1806)
Artist: Cooper, Frederick Carter - Title: Henry Kirke White (1785-1806) - Date: N/A - Original Medium and Size: Oil on Wood 22.9 x 17.5

Background imageBlack Coat Collection: Woman snow black coat snowy umbrella right shoulder

Woman snow black coat snowy umbrella right shoulder
Woman in the snow, Woman in black coat and snowy umbrella over right shoulder, snowy blossom branches in the background. Isoda Koryusai (mentioned on object), 1770 - 1780, paper, colour woodcut

Background imageBlack Coat Collection: Portrait Pastor G. J Schacht Oval bust portrait

Portrait Pastor G. J Schacht Oval bust portrait
Portrait of Pastor G.J. Schacht, Oval bust portrait of the pastor Godefridus Johannes Schacht, depicted with long hair, dressed in a black coat with white bands, Godefridus Johannes Schacht

Background imageBlack Coat Collection: Michael Jackson singer boarding Concorde at Heathrow airport in London on his way home to

Michael Jackson singer boarding Concorde at Heathrow airport in London on his way home to New York Fastfoto - - 20/04/2010 - -

Background imageBlack Coat Collection: Michael Jackson singer boarding Concorde at Heathrow airport in London on his way home to

Michael Jackson singer boarding Concorde at Heathrow airport in London on his way home to New York Fastfoto - - 20/04/2010 - -

Background imageBlack Coat Collection: CATLIN: CHEROKEE, 1836. Black Coat, a Cherokee chief

CATLIN: CHEROKEE, 1836. Black Coat, a Cherokee chief. Oil on canvas, 1836, by George Catlin

Background imageBlack Coat Collection: Dr John Chapman (1822-1895)

Dr John Chapman (1822-1895)
Artist: Constant, Jean Joseph Benjamin - Title: Dr John Chapman (1822-1895) - Date: c.1885 - Original Medium and Size: Oil on Canvas 66 x 50.8

Background imageBlack Coat Collection: Portrait of Nikolay Gogol, 1841 (oil on canvas)

Portrait of Nikolay Gogol, 1841 (oil on canvas)
BAL265722 Portrait of Nikolay Gogol, 1841 (oil on canvas) by Moller, Fyodor Antonovich (1812-74); 61.5x49 cm; State Central Literary Museum, Moscow

Background imageBlack Coat Collection: Portrait of Emanuella Pignatelli, Countess Potocka, 1880 (oil on canvas)

Portrait of Emanuella Pignatelli, Countess Potocka, 1880 (oil on canvas)
XIR222232 Portrait of Emanuella Pignatelli, Countess Potocka, 1880 (oil on canvas) by Bonnat, Leon Joseph Florentin (1833-1922); 212x123 cm; Musee Bonnat, Bayonne

Background imageBlack Coat Collection: Portrait of a Lady aged 29, 1615 (oil on panel)

Portrait of a Lady aged 29, 1615 (oil on panel)
BAL178005 Portrait of a Lady aged 29, 1615 (oil on panel) by Miereveld, Michiel Jansz. van (1567-1641); 111.7x84.3 cm; Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright

Background imageBlack Coat Collection: Portrait of Madame Laura Leroux (oil on canvas)

Portrait of Madame Laura Leroux (oil on canvas)
XIR216673 Portrait of Madame Laura Leroux (oil on canvas) by Henner, Jean-Jacques (1829-1905); 134x70 cm; Musee des Beaux-Arts, Angers, France; French, out of copyright

Background imageBlack Coat Collection: German Shepherd puppy (Canis familiaris) chewing on a piece of rope

German Shepherd puppy (Canis familiaris) chewing on a piece of rope

Background imageBlack Coat Collection: Two German Shepherd puppies (Canis familiaris) playing with a yellow rope

Two German Shepherd puppies (Canis familiaris) playing with a yellow rope

Background imageBlack Coat Collection: Black Labrador Retriever (Canis familiaris) holding a black leather glove in its mouth

Black Labrador Retriever (Canis familiaris) holding a black leather glove in its mouth, and sitting next to a basket full of gardening equipment, front view

Background imageBlack Coat Collection: Black Labrador Retriever (Canis familiaris) standing, head turned towards camera, side view

Black Labrador Retriever (Canis familiaris) standing, head turned towards camera, side view

Background imageBlack Coat Collection: Head and shoulders of a glossy Black Labrador Retriever (Canis familiaris)

Head and shoulders of a glossy Black Labrador Retriever (Canis familiaris)

Background imageBlack Coat Collection: Portrait of a Young Man - French School 19th C

Portrait of a Young Man - French School 19th C



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"Black Coat: A Timeless Symbol of Elegance and Power" Throughout history, the black coat has been a prominent feature in various portraits, capturing the essence of individuals from different eras. In "Portrait of a man, 1670, " an oil on canvas masterpiece, we witness the enigmatic allure of a gentleman clad in his black coat. The dark garment exudes an air of mystery and sophistication. Fast forward to "Portrait of William Spencer Cavendish, 6th Duke of Devonshire, " painted between 1820-29. Here, the black coat becomes a symbol of aristocracy and authority as it drapes over the nobleman's shoulders with regal grace, and is evident that this sartorial choice represents power and prestige. In another striking portrayal titled "Mavourneen (Portrait of Kathleen Newton), 1877, " we see how the black coat takes on new meaning. Adorning Kathleen Newton's figure, it signifies strength and resilience amidst her captivating beauty. This painting showcases how women can also embrace this timeless attire to assert their individuality. Moving forward yet again to "Brown and Gold, 1895-1900, " we encounter an exquisite blend where shades intertwine within the fabric itself. The artist masterfully captures how even variations within they can convey different emotions – here evoking warmth and richness. The significance continues with renowned figures like Sir Joseph Paxton captured twice; once in May 1836 and later around c. 1844 wearing his distinguished black coat - emphasizing his brilliance as an architect during Victorian times. Beyond portraiture lies Henry Bathurst's depiction through oil on canvas – showcasing him donning a sleek black coat that epitomizes elegance while highlighting his contribution to society. Even literary icons are not exempt from its allure; John Dryden immortalized in c. 1668 portrait stands tall wearing a refined black coat that echoes his intellectual prowess.