Blasphemy Collection
"Exploring the Historical Controversy of Blasphemy: From Colonial America to Artistic Depictions" In this captivating wood engraving from the 19th century
For sale as Licensed Images
Choose your image, Select your licence and Download the media
"Exploring the Historical Controversy of Blasphemy: From Colonial America to Artistic Depictions" In this captivating wood engraving from the 19th century, we witness Samuel Gorton engaging in a heated dispute with John Cotton just before his trial for blasphemy in Boston, Massachusetts, back in 1643. This encounter sheds light on the religious and political tensions that shaped American colonial society. Adding to our understanding of blasphemy's historical significance is the Missal of St. Eulalia, a liturgical book dating back to around 1403 and crafted by Rafael. Its inclusion hints at how discussions surrounding they have permeated various aspects of human culture throughout centuries. Berthold's powerful artworks further emphasize the gravity associated with blasphemous acts. "The Fool Who Is Angry At The Punishments Of God, " "The God-Blaspheming Fool, " "The God-Burdening Fool, " and "The Fool Who Acts Too Confidentially With God" all depict individuals who dare challenge divine authority. These thought-provoking illustrations serve as cautionary tales about crossing boundaries deemed sacred by societies across time. Turning our attention to biblical narratives, Gustave Dore's illustration portrays St. Stephen, Christianity's first martyr, found guilty by the Sanhedrin—the supreme council of Jews—and subsequently stoned to death according to Acts 7:57. This depiction reminds us that even within religious contexts, charges have had severe consequences throughout history. Additionally shedding light on societal reactions are depictions such as "St Stephen being led to His Martyrdom" and an illustration from a late 19th-century catechism showing "the stoning of St. Stephen. " These images demonstrate how accusations could incite violence or persecution against those perceived as transgressors. Finally, we glimpse into more recent times through engravings like the Wilkes Riots and a disbanded theater company charged with blasphemy.