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Blessed Collection (#3)

"Blessed: A Tapestry of Divine Grace and Human Triumph" In the brushstrokes of Paolo de Matteis' "Triumph of the Immaculate, " painted between 1710-1715

Background imageBlessed Collection: TREASURE ISLE/TOM MORGAN

TREASURE ISLE/TOM MORGAN
Long John Silver questions Tom Morgan: "Do you call that a head on your shoulders, or a blessed dead-eye?". Date: First published: 1883

Background imageBlessed Collection: Falconry bag, glove and accessories, c. 1610-19 (mixed media)

Falconry bag, glove and accessories, c. 1610-19 (mixed media)
2563477 Falconry bag, glove and accessories, c.1610-19 (mixed media) by English School, (17th century); Burrell Collection, Glasgow

Background imageBlessed Collection: The blessed Bernardo Tolomei

The blessed Bernardo Tolomei
3359316 The blessed Bernardo Tolomei by Tuscan School, (16th century); Galleria Colonna, Rome, Italy; (add.info.: The blessed Bernardo Tolomei, tuscan painter, 16th century, Colonna Gallery, Rome)

Background imageBlessed Collection: The Death of the Virgin, c. 1500 (oil on panel)

The Death of the Virgin, c. 1500 (oil on panel)
5916324 The Death of the Virgin, c. 1500 (oil on panel) by Master of the Amsterdam Death of the Virgin (fl.1500); 57.5x76.8 cm; Rijksmuseum, Amsterdam

Background imageBlessed Collection: Last Supper, c. 1485-1500 (oil on panel)

Last Supper, c. 1485-1500 (oil on panel)
5916323 Last Supper, c. 1485-1500 (oil on panel) by Master of the Amsterdam Death of the Virgin (fl.1500); 51.7x63.5 cm; Rijksmuseum, Amsterdam

Background imageBlessed Collection: The Last Judgement, c. 1588-89 (oil on panel)

The Last Judgement, c. 1588-89 (oil on panel)
LAF470978 The Last Judgement, c.1588-89 (oil on panel) by Coxie, Raphael (c.1540-1616); 298x363 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageBlessed Collection: Yellow flowered blessed or holy thistle, Centaurea benedicta

Yellow flowered blessed or holy thistle, Centaurea benedicta
5856619 Yellow flowered blessed or holy thistle, Centaurea benedicta by Sowerby, James (1757-1822); (add.info.: Yellow flowered blessed or holy thistle, Centaurea benedicta)

Background imageBlessed Collection: The Lords Prayer and the Four Ages of the World (Schr. 1862), 15th century. 15th century

The Lords Prayer and the Four Ages of the World (Schr. 1862), 15th century. 15th century. Creator: Anon
The Lords Prayer and the Four Ages of the World (Schr. 1862), 15th century

Background imageBlessed Collection: The Sacred Monogram with the Symbols of the Evangelists and the Crucifixion (Schr... 15th century)

The Sacred Monogram with the Symbols of the Evangelists and the Crucifixion (Schr... 15th century. Creator: Anon)
The Sacred Monogram with the Symbols of the Evangelists and the Crucifixion (Schr. 1812), 15th century

Background imageBlessed Collection: The Sacred Monogram and the Wounds of Christ, 15th century. 15th century. Creator: Anon

The Sacred Monogram and the Wounds of Christ, 15th century. 15th century. Creator: Anon
The Sacred Monogram and the Wounds of Christ, 15th century

Background imageBlessed Collection: Sacred Conversation, ca. 1550-56. Creator: Leon Davent

Sacred Conversation, ca. 1550-56. Creator: Leon Davent
Sacred Conversation, ca. 1550-56

Background imageBlessed Collection: Polyhymnia, from the series Twelve Muses and Goddesses, ca. 1540-45. Creator: Leon Davent

Polyhymnia, from the series Twelve Muses and Goddesses, ca. 1540-45. Creator: Leon Davent
Polyhymnia, from the series Twelve Muses and Goddesses, ca. 1540-45

Background imageBlessed Collection: View of the Sacred Isle of Devinath, on the Ganges, c1891. Creator: James Grant

View of the Sacred Isle of Devinath, on the Ganges, c1891. Creator: James Grant
View of the Sacred Isle of Devinath, on the Ganges, c1891. From " Cassells Illustrated History of India Vol. I.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageBlessed Collection: The Sacred Cow of India, c1891. Creator: James Grant

The Sacred Cow of India, c1891. Creator: James Grant
The Sacred Cow of India, c1891. From " Cassells Illustrated History of India Vol. I.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageBlessed Collection: View of the Ghat of Daceswamedh, Benares, c1891. Creator: James Grant

View of the Ghat of Daceswamedh, Benares, c1891. Creator: James Grant
View of the Ghat of Daceswamedh, Benares, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageBlessed Collection: Religious Festival at Benares, c1891. Creator: James Grant

Religious Festival at Benares, c1891. Creator: James Grant
Religious Festival at Benares, c1891. From " Cassells Illustrated History of India Vol. I.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageBlessed Collection: Sacred Pool near Trichinopoly, c1891. Creator: James Grant

Sacred Pool near Trichinopoly, c1891. Creator: James Grant
Sacred Pool near Trichinopoly, c1891. From " Cassells Illustrated History of India Vol. I.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageBlessed Collection: Scene on the Banks of the Ganges, c1891. Creator: James Grant

Scene on the Banks of the Ganges, c1891. Creator: James Grant
Scene on the Banks of the Ganges, c1891. From " Cassells Illustrated History of India Vol. I.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageBlessed Collection: The Saint appearing to the blessed Luca Belludi predicting the liberation of Padua

The Saint appearing to the blessed Luca Belludi predicting the liberation of Padua, School of the Saint, 1510 (fresco)
2196123 The Saint appearing to the blessed Luca Belludi predicting the liberation of Padua, School of the Saint, 1510 (fresco) by Filippo da Verona (fl.1509-1514); Basilica of Saint Anthony, Padua

Background imageBlessed Collection: The Blessed Bread, 1891 (oil on canvas)

The Blessed Bread, 1891 (oil on canvas)
898841 The Blessed Bread, 1891 (oil on canvas) by Desvallieres, Georges (1861-1950); 95x122 cm; Musee des Beaux-Arts, Tourcoing, France; (add.info.: The Bread blesses.)

Background imageBlessed Collection: Mad Stone Eater Kachina, c. 1900. Creator: Unknown

Mad Stone Eater Kachina, c. 1900. Creator: Unknown
Mad Stone Eater Kachina, c. 1900. Wooden Kachina doll with pigment and plant fibre. Hopi, First Mesa, Arizona

Background imageBlessed Collection: Amulet of the Apis Bull, Egypt, Late Period, Dynasties 26-31 (664-332 BCE)

Amulet of the Apis Bull, Egypt, Late Period, Dynasties 26-31 (664-332 BCE)

Background imageBlessed Collection: Statuette of the Apis Bull, Egypt, Third Intermediate Period-Late Period

Statuette of the Apis Bull, Egypt, Third Intermediate Period-Late Period, Dynasty 21-26 (about 1069-664 BCE)

Background imageBlessed Collection: The Sacred Grove, Beloved of the Arts and the Muses, 1884 / 89

The Sacred Grove, Beloved of the Arts and the Muses, 1884 / 89
The Sacred Grove, Beloved of the Arts and the Muses, 1884/89

Background imageBlessed Collection: Sacred Cod, 1940. Creator: John W Kelleher

Sacred Cod, 1940. Creator: John W Kelleher
Sacred Cod, 1940

Background imageBlessed Collection: Village et Temple de l Ile de Beghe, al Ouest de Philoe;Nubie, 1849 / 51

Village et Temple de l Ile de Beghe, al Ouest de Philoe;Nubie, 1849 / 51
Village et Temple de l Ile de Beghe, a l Ouest de Philoe; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 81 from the album " egypte, nubie

Background imageBlessed Collection: Vue Prise de l ile de Beghe, al Ouest, Philoe;Nubie, 1849 / 51

Vue Prise de l ile de Beghe, al Ouest, Philoe;Nubie, 1849 / 51
Vue Prise de l ile de Beghe, a l Ouest, Philoe; Nubie, 1849/51, printed 1852. A work made of salted paper print, plate 68 from the album " egypte, nubie, palestine et syrie" (1852)

Background imageBlessed Collection: Christ giving the Sacred Host to the kneeling Saint Catherine of Siena... 1750-1812

Christ giving the Sacred Host to the kneeling Saint Catherine of Siena... 1750-1812
Christ giving the Sacred Host to the kneeling Saint Catherine of Siena, surrounded by angels, 1750-1812

Background imageBlessed Collection: Design for a Tabernacle, Plate 1 from the series Tabernacle, Printed ca. 1750-56

Design for a Tabernacle, Plate 1 from the series Tabernacle, Printed ca. 1750-56

Background imageBlessed Collection: The Blue Egyptian Water Lily, September 11, 1804. Creator: Joseph Constantine Stadler

The Blue Egyptian Water Lily, September 11, 1804. Creator: Joseph Constantine Stadler
The Blue Egyptian Water Lily, September 11, 1804. From " The Temple of Flora, or Garden of Nature"

Background imageBlessed Collection: The Virgin Mary in the Rosegarden; Jungfru Maria i Rosengard, (pencil and watercolour)

The Virgin Mary in the Rosegarden; Jungfru Maria i Rosengard, (pencil and watercolour)
659683 The Virgin Mary in the Rosegarden; Jungfru Maria i Rosengard, (pencil and watercolour) by Edelfelt, Albert Gustaf Aristides (1854-1905); 15x15 cm; Private Collection; (add.info)

Background imageBlessed Collection: Ivory diptych

Ivory diptych
3565084 Ivory diptych by French School, (14th century); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Ivory diptych, a French work, held at the Bargello Museum in Florence)

Background imageBlessed Collection: The Annunciation (oil on panel)

The Annunciation (oil on panel)
827866 The Annunciation (oil on panel) by Pourbus, Pieter Jansz. (1523-84) (circle of); 90.8x77.5 cm; Private Collection; (add.info.: The Annunciation. Circle of Pieter Pourbus (1523/1524-1584)

Background imageBlessed Collection: The Death of the Virgin, From the Altarpiece of the Dominicans in Frankfurt

The Death of the Virgin, From the Altarpiece of the Dominicans in Frankfurt
3956459 The Death of the Virgin, From the Altarpiece of the Dominicans in Frankfurt, 1501 (mixed media on fir) by Holbein the Elder, Hans (1460/5-1524); 167.5 x 151.5 cm; Kunstmuseum, Basel

Background imageBlessed Collection: The Death of the Virgin, Painted Wing of the Afra-Altarpiece

The Death of the Virgin, Painted Wing of the Afra-Altarpiece
3956458 The Death of the Virgin, Painted Wing of the Afra-Altarpiece, 1490 (mixed media on softwood) by Holbein the Elder, Hans (1460/5-1524); 137.7 x 72.1 cm; Kunstmuseum, Basel

Background imageBlessed Collection: Daniel In The Lions Den, 1879 (stained glass)

Daniel In The Lions Den, 1879 (stained glass)
3475663 Daniel In The Lions Den, 1879 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Hallows, Allerton, Liverpool, UK; eAlastair Carew-Cox; English, out of copyright

Background imageBlessed Collection: Dormition of the Mother of God, 1500-25 (tempera on wood)

Dormition of the Mother of God, 1500-25 (tempera on wood)
5948545 Dormition of the Mother of God, 1500-25 (tempera on wood) by Russian School (15th century); 113x88 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Background imageBlessed Collection: The Excellent Woman (engraving)

The Excellent Woman (engraving)
6028250 The Excellent Woman (engraving) by Selous, Henry Courtney (1811-90) (after); Private Collection; (add.info.: The Excellent Woman)

Background imageBlessed Collection: Historical and Religious Pageant at Bruges, Belgium, in Commemoration of the Blessed Charles

Historical and Religious Pageant at Bruges, Belgium, in Commemoration of the Blessed Charles the Good
1045931 Historical and Religious Pageant at Bruges, Belgium, in Commemoration of the Blessed Charles the Good, Thirteenth Count of Flanders (engraving) by Brewer

Background imageBlessed Collection: Blessed Ludovica Albertoni, 1674 (marble)

Blessed Ludovica Albertoni, 1674 (marble)
704368 Blessed Ludovica Albertoni, 1674 (marble) by Bernini, Gian Lorenzo (1598-1680); San Francesco a Ripa, Rome, Italy; (add.info.: Ludovica Albertoni (1473-1533)

Background imageBlessed Collection: The Annunciation, c. 1291 (mosaic)

The Annunciation, c. 1291 (mosaic)
704181 The Annunciation, c.1291 (mosaic) by Cavallini, Pietro (c.1250-c.1330); Santa Maria in Trastevere, Rome, Italy; Italian, out of copyright

Background imageBlessed Collection: 'He took them up in his arms, put his hands upon them, and blessed them', St Mark x, 16 (engraving)

"He took them up in his arms, put his hands upon them, and blessed them", St Mark x, 16 (engraving)
2809382 " He took them up in his arms, put his hands upon them, and blessed them", St Mark x, 16 (engraving) by English School

Background imageBlessed Collection: How Pius X receives during the summer the pilgrimages to the Vatican

How Pius X receives during the summer the pilgrimages to the Vatican, the blessing from the Poggiolo in
2815571 How Pius X receives during the summer the pilgrimages to the Vatican, the blessing from the Poggiolo in... (colour litho) by Beltrame

Background imageBlessed Collection: The solemn ceremony of the oath of the naval cadets, in the grand hall of the Peterhoff Palace

The solemn ceremony of the oath of the naval cadets, in the grand hall of the Peterhoff Palace
2814967 The solemn ceremony of the oath of the naval cadets, in the grand hall of the Peterhoff Palace, in Petersburg (colour litho) by Beltrame

Background imageBlessed Collection: St Basils Cathedral, Russian Orthodox church, Moscow

St Basils Cathedral, Russian Orthodox church, Moscow
Vintage 19th century photograph: The Cathedral of Vasily the Blessed, commonly known as St Basils Cathedral, Russian Orthodox church, Red Square, Moscow, Russia

Background imageBlessed Collection: Blessed Art Thou Among Women by Kasebier, 1904 (photogravure)

Blessed Art Thou Among Women by Kasebier, 1904 (photogravure)
2630144 Blessed Art Thou Among Women by Kasebier, 1904 (photogravure) by KAasebier, Gertrude (1852-1934); Private Collection; (add.info.: Blessed Art Thou Among Women by Gertrude Kasebier (American)

Background imageBlessed Collection: Taking the veil

Taking the veil at the church of the convent of the most Holy Trinity at Bermondsey, which opened for the reception of the sisterhood of the Order of our blessed Lady of Mercy in November 1839

Background imageBlessed Collection: English gentleman at the tomb of Petrarchs muse, Laura

English gentleman at the tomb of Petrarchs muse, Laura de Sade, Laure des Noves, in the Chapelle des Sade, convent of the Cordeliers, Avignon. At the tomb of Laura




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"Blessed: A Tapestry of Divine Grace and Human Triumph" In the brushstrokes of Paolo de Matteis' "Triumph of the Immaculate, " painted between 1710-1715, we witness a celestial celebration. The ethereal beauty radiates from every corner, reminding us that in our darkest moments, blessings can still shine through. Ramon Llull's Breviculum Codex takes us on a journey through time with its intricate miniatures. Within these delicate pages lies the wisdom of centuries past, offering glimpses into the profound spirituality that has blessed humanity since ancient times. Duns Scotus, one of history's great philosopher-theologians, penned his Scriptum q with meticulous care. His words echo across generations as he delves deep into matters of faith and reason, guiding seekers towards enlightenment and divine understanding. The Padstow Hobby Horse dances merrily through folklore and tradition. Its presence brings joy to all who witness it—a reminder that even in playful moments, there is room for blessings to manifest themselves. "The Annunciation" by an unknown artist captures a pivotal moment in religious history before 1652. The painting exudes serenity as Mary receives news of her sacred destiny—an event forever etched in our hearts as a testament to God's grace upon humankind. In "Blessed Gerard of Villamagna and St Mary Magdalen with St Catherine of Alexandria, " we find solace amidst companionship. These saints stand united against adversity—beacons illuminating our path towards redemption and spiritual growth. Step inside The Carafa Chapel where "the Annunciation" merges seamlessly with "the Assumption. " This harmonious blend depicts heavenly messengers descending upon earth—a visual symphony celebrating divine intervention throughout human existence. A cricket match unfolds under the watchful eye of an umpire circa 1905—an emblematic scene symbolizing fair play and sportsmanship.