Boucicaut Master Collection

Leaf from a Book of Hours: Christ in Judgment, c. 1415. Creator: Boucicaut Master (French
Leaf from a Book of Hours: Christ in Judgment, c. 1415

Bifolio from a Book of Hours: Adoration of the Magi, c. 1415. Creator: Boucicaut Master (French)
Bifolio from a Book of Hours: Adoration of the Magi, c. 1415

Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415

Leaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415. Creator
Leaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415

Leaf from a Book of Hours: Sts. Genevieve, Catherine of Alexandria, and Margaret (recto) and Text (verso), c. 1415. In a book of hours

Leaf from a Book of Hours: The Visitation, c. 1415. Creator: Boucicaut Master (French
Leaf from a Book of Hours: The Visitation, c. 1415

Leaf from a Book of Hours: Text (verso), c. 1415. Creator: Boucicaut Master (French
Leaf from a Book of Hours: Text (verso), c. 1415. In a book of hours, the suffrages generally appear at the end of the manuscript and consist of prayers to particular saints

Bifolio from a Book of Hours: Coronation of the Virgin, c. 1415. Creator: Boucicaut Master (French)
Bifolio from a Book of Hours: Coronation of the Virgin, c. 1415

Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. Creator: Boucicaut Master
Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Book of Hours (Use of Paris): Decorated Initial, c. 1420. Creator: Boucicaut Master (French)
Book of Hours (Use of Paris): Decorated Initial, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Book of Hours (Use of Paris): Crucifixion, c. 1420. Creator: Boucicaut Master (French
Book of Hours (Use of Paris): Crucifixion, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. Creator: Boucicaut Master (French)
Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Book of Hours (Use of Paris), c. 1420. Creator: Boucicaut Master (French, Paris, active
Book of Hours (Use of Paris), c. 1420. The Boucicaut Master takes his name from the book of hours he made for Jean de Boucicaut (died 1421), marshal of France

Book of Hours (Use of Paris): Annunciation, c. 1420. Creator: Boucicaut Master (French
Book of Hours (Use of Paris): Annunciation, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Leaf Book Hours Christ Judgment 1415 Workshop
Leaf from a Book of Hours: Christ in Judgment, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25)

Leaf Book Hours Visitation 1415 Workshop Boucicaut Master
Leaf from a Book of Hours: The Visitation, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25). Ink, tempera, and gold on vellum; sheet: 17 x 12.7 cm (6 11/16 x 5 in.)

Leaf Book Hours Sts Genevieve Catherine
Leaf from a Book of Hours: Sts. Genevieve, Catherine of Alexandria, and Margaret (recto) and Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25)

Leaf Book Hours Text verso 1415 Workshop Boucicaut Master
Leaf from a Book of Hours: Text (verso), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25). Ink, tempera, silver, and gold on vellum; leaf: 16 x 11.2 cm (6 5/16 x 4 7/16 in.)

Leaves Book Hours Visitation Christ Judgment
Leaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25)

Polycrates Hanged, ca 1413-1415. Artist: Boucicaut Master, (Master of the Hours for Marshal Boucicaut)
Polycrates Hanged, ca 1413-1415. Found in the collection of the J. Paul Getty Museum, Los Angeles

The Knights Templar Burned in the Presence of Philip the Fair and His Courtiers, ca 1413-1415. Found in the collection of the J. Paul Getty Museum, Los Angeles

The Story of Adam and Eve, ca 1413-1415. Artist: Boucicaut Master, (Master of the Hours for Marshal Boucicaut)
The Story of Adam and Eve, ca 1413-1415. Found in the collection of the J. Paul Getty Museum, Los Angeles

The Story of Adam and Eve; Boucicaut Master, French, active about 1390 - 1430; Paris, France, Europe; about 1413 - 1415; Tempera colors, gold leaf, gold paint

ILLUMINATION: ADAM AND EVE. Marriage of Adam and Eve. Manuscript illumination by Boucicaut Master from Des Proprietez des Choses by Jean Corbechon, c1415

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The Boucicaut Master, a French creator of exquisite illuminated manuscripts during the early 15th century, left behind a legacy of stunning artwork that continues to captivate viewers today. With meticulous attention to detail and vibrant colors, this master artist brought to life scenes from religious texts in a way that was both visually striking and spiritually evocative. One such masterpiece is the "Leaf from a Book of Hours: Christ in Judgment. " In this depiction, we see the divine figure of Christ seated on his heavenly throne, surrounded by angels and saints. The sheer power emanating from his presence is palpable as he judges humanity with compassion and wisdom. Another remarkable work attributed to the the "Bifolio from a Book of Hours: Adoration of the Magi. " This scene transports us back to Bethlehem as we witness the three wise men paying homage to baby Jesus. The intricate details in their garments and expressions convey reverence and awe for this holy moment. In addition, there are several other leaves from various books of hours created by this talented artist. From "The Visitation" depicting Mary's visitation with her cousin Elizabeth, to "Sts. Genevieve, Catherine of Alexandria, and Margaret" showcasing powerful female saints; each leaf showcases not only artistic skill but also deep devotion. The Boucicaut Master's artistry extended beyond just religious themes. Their works include depictions like "Crucifixion, " which portrays Jesus' sacrifice on Calvary with raw emotion etched onto every stroke. Furthermore, "Adoration of the Magi" presents an enchanting portrayal where kings offer precious gifts before baby Jesus while being watched over by angels above.