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Boucicaut Master French Collection

The Boucicaut Master, a renowned French artist from the 15th century, left behind a legacy of exquisite illuminated manuscripts

Background imageBoucicaut Master French Collection: Leaf from a Book of Hours: Christ in Judgment, c. 1415. Creator: Boucicaut Master (French

Leaf from a Book of Hours: Christ in Judgment, c. 1415. Creator: Boucicaut Master (French
Leaf from a Book of Hours: Christ in Judgment, c. 1415

Background imageBoucicaut Master French Collection: Bifolio from a Book of Hours: Adoration of the Magi, c. 1415. Creator: Boucicaut Master (French)

Bifolio from a Book of Hours: Adoration of the Magi, c. 1415. Creator: Boucicaut Master (French)
Bifolio from a Book of Hours: Adoration of the Magi, c. 1415

Background imageBoucicaut Master French Collection: Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c

Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin, c. 1415

Background imageBoucicaut Master French Collection: Leaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415. Creator

Leaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415. Creator
Leaves from a Book of Hours: The Visitation and Christ in Judgment, c. 1415

Background imageBoucicaut Master French Collection: Leaf from a Book of Hours: Sts. Genevieve, Catherine of Alexandria, and Margaret (recto)

Leaf from a Book of Hours: Sts. Genevieve, Catherine of Alexandria, and Margaret (recto) and Text (verso), c. 1415. In a book of hours

Background imageBoucicaut Master French Collection: Leaf from a Book of Hours: The Visitation, c. 1415. Creator: Boucicaut Master (French

Leaf from a Book of Hours: The Visitation, c. 1415. Creator: Boucicaut Master (French
Leaf from a Book of Hours: The Visitation, c. 1415

Background imageBoucicaut Master French Collection: Leaf from a Book of Hours: Text (verso), c. 1415. Creator: Boucicaut Master (French

Leaf from a Book of Hours: Text (verso), c. 1415. Creator: Boucicaut Master (French
Leaf from a Book of Hours: Text (verso), c. 1415. In a book of hours, the suffrages generally appear at the end of the manuscript and consist of prayers to particular saints

Background imageBoucicaut Master French Collection: Bifolio from a Book of Hours: Coronation of the Virgin, c. 1415. Creator: Boucicaut Master (French)

Bifolio from a Book of Hours: Coronation of the Virgin, c. 1415. Creator: Boucicaut Master (French)
Bifolio from a Book of Hours: Coronation of the Virgin, c. 1415

Background imageBoucicaut Master French Collection: Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. Creator: Boucicaut Master

Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. Creator: Boucicaut Master
Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageBoucicaut Master French Collection: Book of Hours (Use of Paris): Decorated Initial, c. 1420. Creator: Boucicaut Master (French)

Book of Hours (Use of Paris): Decorated Initial, c. 1420. Creator: Boucicaut Master (French)
Book of Hours (Use of Paris): Decorated Initial, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageBoucicaut Master French Collection: Book of Hours (Use of Paris): Crucifixion, c. 1420. Creator: Boucicaut Master (French

Book of Hours (Use of Paris): Crucifixion, c. 1420. Creator: Boucicaut Master (French
Book of Hours (Use of Paris): Crucifixion, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageBoucicaut Master French Collection: Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. Creator: Boucicaut Master (French)

Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. Creator: Boucicaut Master (French)
Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageBoucicaut Master French Collection: Book of Hours (Use of Paris), c. 1420. Creator: Boucicaut Master (French, Paris, active

Book of Hours (Use of Paris), c. 1420. Creator: Boucicaut Master (French, Paris, active
Book of Hours (Use of Paris), c. 1420. The Boucicaut Master takes his name from the book of hours he made for Jean de Boucicaut (died 1421), marshal of France

Background imageBoucicaut Master French Collection: Book of Hours (Use of Paris): Annunciation, c. 1420. Creator: Boucicaut Master (French

Book of Hours (Use of Paris): Annunciation, c. 1420. Creator: Boucicaut Master (French
Book of Hours (Use of Paris): Annunciation, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine



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The Boucicaut Master, a renowned French artist from the 15th century, left behind a legacy of exquisite illuminated manuscripts. His works are filled with intricate details and vibrant colors that bring to life scenes from religious texts. One such masterpiece is a leaf from a Book of Hours titled "Christ in Judgment. " Created around 1415, this artwork depicts the awe-inspiring moment when Christ sits on his heavenly throne, surrounded by angels and saints. The Boucicaut Master's meticulous brushstrokes capture the divine power emanating from Christ as he judges humanity. Another captivating piece is the bifolio from a Book of Hours showcasing the "Adoration of the Magi" and "Coronation of the Virgin. " This double-sided leaf transports us to Bethlehem, where we witness the humble adoration of baby Jesus by three wise men. On its reverse side, we are transported to heaven as Mary is crowned Queen by her son. In yet another leaf titled "The Visitation, " created around 1415, we see two holy women embracing each other - Saint Elizabeth and Mary - both pregnant with John the Baptist and Jesus respectively. The delicate expressions on their faces reflect their joyous connection during this miraculous encounter. The Boucicaut Master's talent extends beyond religious figures; he also beautifully portrays saints like Genevieve, Catherine of Alexandria, and Margaret in another stunning leaf. Their serene expressions exude devotion and inspire reverence for these revered individuals. Throughout his body of work, which includes leaves featuring text or decorated initials alongside illustrations like those depicting Crucifixion or Presentation at the Temple, it becomes evident that every stroke made by this masterful artist was imbued with deep faith and artistic brilliance. The Boucicaut Master's contributions have undoubtedly enriched our understanding of medieval artistry while providing glimpses into religious narratives that continue to captivate audiences today.