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Bradley Smith Collection (#18)

Bradley Smith: A Journey Through Time and Space In the vast realm of history and art, Bradley Smith emerges as a captivating figure, seamlessly connecting diverse worlds

Background imageBradley Smith Collection: MEXICO: IXMIQUILPAN FRESCO. Fresco painting depicting a fanciful battle scene between Aztec warriors

MEXICO: IXMIQUILPAN FRESCO. Fresco painting depicting a fanciful battle scene between Aztec warriors, combining European realism with a native Mexican syle of color and abstract design

Background imageBradley Smith Collection: GUATEMALA: MAYAN VASE. Mayan vase, c900 A. D. from the ruins of Uaxactun, in present-day Pet n

GUATEMALA: MAYAN VASE. Mayan vase, c900 A. D. from the ruins of Uaxactun, in present-day Pet n, Guatemala
GUATEMALA: MAYAN VASE. Mayan vase, c900 A.D. from the ruins of Uaxactun, in present-day Pet© n, Guatemala

Background imageBradley Smith Collection: MEXICO: TOTONAC FIGURES. Ceramic figure of a woman washing a mans hair

MEXICO: TOTONAC FIGURES. Ceramic figure of a woman washing a mans hair. Both show evidence of head elongation. From the Totonac culture of east-central Mexico, c200 B.C

Background imageBradley Smith Collection: MORA: MORNING NEWS, c1912. Morning News. Oil on canvas by American (Uruguayan-born)

MORA: MORNING NEWS, c1912. Morning News. Oil on canvas by American (Uruguayan-born) artist Francis Luis Mora, c1912

Background imageBradley Smith Collection: CHINA: NEOLITHIC SCULPTURE. Jade sculpture of a bird from the Neolithic Era, c1500 B. C. China

CHINA: NEOLITHIC SCULPTURE. Jade sculpture of a bird from the Neolithic Era, c1500 B. C. China
CHINA: NEOLITHIC SCULPTURE. Jade sculpture of a bird from the Neolithic Era, c1500 B.C. China

Background imageBradley Smith Collection: PALEOLITHIC TOOL. Native American carved bone tool

PALEOLITHIC TOOL. Native American carved bone tool

Background imageBradley Smith Collection: SPAIN: PALM-READING. La vida Madrilena romantica: buenaventura en la porteria

SPAIN: PALM-READING. La vida Madrilena romantica: buenaventura en la porteria. Oil on canvas, Spanish, 19th century

Background imageBradley Smith Collection: EDO: BANK, c1873. Commercial bank, the first in Japan, owned by the Mitsui family in the center of

EDO: BANK, c1873. Commercial bank, the first in Japan, owned by the Mitsui family in the center of Edo. Woodblock print, c1873, by Ando Hiroshige

Background imageBradley Smith Collection: PHOTOGRAPHY STUDIO, c1878. Wedding Party at a Photographers Studio

PHOTOGRAPHY STUDIO, c1878. Wedding Party at a Photographers Studio. Oil on canvas, 1878-9, by Pascal Dagnan-Bouveret

Background imageBradley Smith Collection: CAVALRY FLAG, 19th CENTURY. U. S. Cavalry flag, 19th century

CAVALRY FLAG, 19th CENTURY. U. S. Cavalry flag, 19th century
CAVALRY FLAG, 19th CENTURY. U.S. Cavalry flag, 19th century

Background imageBradley Smith Collection: GOYA: GUITARIST. El Majo de la Guitarra. Oil on canvas, 1786, by Francisco Goya

GOYA: GUITARIST. El Majo de la Guitarra. Oil on canvas, 1786, by Francisco Goya

Background imageBradley Smith Collection: ESCORIAL: TAPESTRY. Tapestry depicting astronomy at the Escorial Palace, Spain, 16th century

ESCORIAL: TAPESTRY. Tapestry depicting astronomy at the Escorial Palace, Spain, 16th century

Background imageBradley Smith Collection: HENRY II (1519-1559). King of France, 1547-1559. Oil on canvas, c1523, possibly by Jean Clouet

HENRY II (1519-1559). King of France, 1547-1559. Oil on canvas, c1523, possibly by Jean Clouet

Background imageBradley Smith Collection: WHALING SHIP, c1860. Whaling Off the Coast of California. Chalk drawing on board by Coleman

WHALING SHIP, c1860. Whaling Off the Coast of California. Chalk drawing on board by Coleman, a ships mate of the Joseph Grinnel, c1860

Background imageBradley Smith Collection: A RESCUE AT SEA, c1862. A schooner throws a lifeline to a lifeboat of people

A RESCUE AT SEA, c1862. A schooner throws a lifeline to a lifeboat of people. Watercolor by an unknown American artist, c1862

Background imageBradley Smith Collection: SIGNAC: ST. TROPEZ HARBOR. Oil on canvas, 1899, by Paul Signac

SIGNAC: ST. TROPEZ HARBOR. Oil on canvas, 1899, by Paul Signac

Background imageBradley Smith Collection: DENNY: HAY SCHOONER, 1871. A hay schooner in the San Francisco Bay

DENNY: HAY SCHOONER, 1871. A hay schooner in the San Francisco Bay. Oil on canvas by Gideon Jacques Denny, 1871

Background imageBradley Smith Collection: SPANISH WARSHIP, c1900. Oil on canvas, c1900

SPANISH WARSHIP, c1900. Oil on canvas, c1900

Background imageBradley Smith Collection: PARIS: BILLIARDS, 1725. A public billiards room in Paris attended by members of the bourgeoisie

PARIS: BILLIARDS, 1725. A public billiards room in Paris attended by members of the bourgeoisie. Oil on canvas, 1725, attributed to Jean-Baptiste Chardin

Background imageBradley Smith Collection: BENTON: FIELD WORKERS, 1945. Field workers picking cotton. Oil on canvas by Thomas Hart Benton, 1945

BENTON: FIELD WORKERS, 1945. Field workers picking cotton. Oil on canvas by Thomas Hart Benton, 1945

Background imageBradley Smith Collection: PARIS: SALON, 1755. A group of artists and writers listen to the first reading of the play

PARIS: SALON, 1755. A group of artists and writers listen to the first reading of the play the Chinese Orphan by Voltaire at the salon of Marie Therese Rodet Geoffrin, Hotel Rambouillet, Paris

Background imageBradley Smith Collection: LEIF ERICSSON (c970-1020). Leif Ericsson, Norse explorer, discovers America

LEIF ERICSSON (c970-1020). Leif Ericsson, Norse explorer, discovers America. Oil on canvas by Christian Krohg, c1893

Background imageBradley Smith Collection: FRANCE: COMEDY, 1670. French and Italian actors on stage in a slapstick comedy at the Theatre

FRANCE: COMEDY, 1670. French and Italian actors on stage in a slapstick comedy at the Theatre Royal, Paris, France; a row of candles in the foreground and crystal chandeliers provide the lighting

Background imageBradley Smith Collection: MUSIC, 17th CENTURY. Three singers with their accompanists and their song books illustrate

MUSIC, 17th CENTURY. Three singers with their accompanists and their song books illustrate the sense of hearing. Oil on canvas, 17th century, after a lithograph by Abraham Bosse

Background imageBradley Smith Collection: PARIS: COMEDIE FRANCAIS. Between the Acts at the Comedie Francaise

PARIS: COMEDIE FRANCAIS. Between the Acts at the Comedie Francaise. Oil on canvas, 1885, by Edouard Joseph Dantan

Background imageBradley Smith Collection: DEGAS: CONCERT, c1876-77. Cafe-Concert: Les Ambassadeurs. Pastel on monotype, c1876-77

DEGAS: CONCERT, c1876-77. Cafe-Concert: Les Ambassadeurs. Pastel on monotype, c1876-77, by Edgar Degas

Background imageBradley Smith Collection: MERIWETHER LEWIS (1774-1809). American explorer. Watercolor by Charles Saint-M min, 1806

MERIWETHER LEWIS (1774-1809). American explorer. Watercolor by Charles Saint-M min, 1806
MERIWETHER LEWIS (1774-1809). American explorer. Watercolor by Charles Saint-M© min, 1806

Background imageBradley Smith Collection: MEXICO: CHILDREN, c1850. Girl with a guitar and another with a flower bouquet

MEXICO: CHILDREN, c1850. Girl with a guitar and another with a flower bouquet, in typical mid-19th century Mexican fashion. Oil on canvas by an unknown artist, c1850

Background imageBradley Smith Collection: ALASKA: HUNTING FLEET, 1896. The Unalaska S. O. Hunting Fleet

ALASKA: HUNTING FLEET, 1896. The Unalaska S. O. Hunting Fleet. Seasonal seal hunting off the coast of Alaska
ALASKA: HUNTING FLEET, 1896. The Unalaska S.O. Hunting Fleet. Seasonal seal hunting off the coast of Alaska. Watercolor by Willie Peterson, 1896

Background imageBradley Smith Collection: KEY DWELLERS: CAT FIGURE. Seated cat figure, carved wood sculpture from the Key Dweller culture of

KEY DWELLERS: CAT FIGURE. Seated cat figure, carved wood sculpture from the Key Dweller culture of Key Marco, Florida, c1000-1600 A.D. Height: 15.2 cm

Background imageBradley Smith Collection: BUSTOS: WORSHIP, 1879. Offering of Atilana Garcia and Nemensio Rico

BUSTOS: WORSHIP, 1879. Offering of Atilana Garcia and Nemensio Rico. A family giving thanks to the Virgin Mary
BUSTOS: WORSHIP, 1879. Offering of Atilana García and Nemensio Rico. A family giving thanks to the Virgin Mary. Oil on tin by Hermenegildo Bustos, 1879

Background imageBradley Smith Collection: MAYAN VASE, 700-900 A. D. Painted ceramic Mayan vase depicting a warrior or priest, from Jaina

MAYAN VASE, 700-900 A. D. Painted ceramic Mayan vase depicting a warrior or priest, from Jaina, Campeche, Mexico
MAYAN VASE, 700-900 A.D. Painted ceramic Mayan vase depicting a warrior or priest, from Jaina, Campeche, Mexico, 700-900 A.D. Height: 16.5 cm

Background imageBradley Smith Collection: STAGECOACH TRAVEL, 1906. The Narrow Pass. Stagecoach preceded by an armed guard in the American West

STAGECOACH TRAVEL, 1906. The Narrow Pass. Stagecoach preceded by an armed guard in the American West. Oil on canvas by John Marchand, 1906

Background imageBradley Smith Collection: SPAIN: HIGUERUELA, 1431. A Christian officer marshals lancers for an attack against Muslim forces

SPAIN: HIGUERUELA, 1431. A Christian officer marshals lancers for an attack against Muslim forces at the Battle of Higueruela, Spain, 1 July 1431. Fresco, Spanish, 1431

Background imageBradley Smith Collection: CIVIL WAR: MERRIMACK, 1862. The sinking of the U. S. S. Cumberland by the Merrimack (C. S. S)

CIVIL WAR: MERRIMACK, 1862. The sinking of the U. S. S. Cumberland by the Merrimack (C. S. S. Virginia), 8 March 1862
CIVIL WAR: MERRIMACK, 1862. The sinking of the U.S.S. Cumberland by the Merrimack (C.S.S. Virginia), 8 March 1862. Painting by C.S. Raleigh, 1884

Background imageBradley Smith Collection: AMERICAN EAGLE, 1855. Wooden American eagle and flag, 1855

AMERICAN EAGLE, 1855. Wooden American eagle and flag, 1855

Background imageBradley Smith Collection: FRANCO-PRUSSIAN WAR, 1870. Arrival of the Versailles troops at the Place de la Concorde, Paris

FRANCO-PRUSSIAN WAR, 1870. Arrival of the Versailles troops at the Place de la Concorde, Paris. Oil on canvas, c1872-3, by Gustave Boulanger

Background imageBradley Smith Collection: MEXICO: POLITICAL CARTOON. I don t know what I have in my eyes

MEXICO: POLITICAL CARTOON. I don t know what I have in my eyes! Mexican political cartoon, early 20th century, about U.S. involvement in Mexico around the time of the Mexican Revolution

Background imageBradley Smith Collection: NAPOLEON: RETREAT, 1812. Crossing the Beresina River in Russia during the retreat of the Grand

NAPOLEON: RETREAT, 1812. Crossing the Beresina River in Russia during the retreat of the Grand Army under Napoleon Bonaparte

Background imageBradley Smith Collection: SPAIN: AUTOMOBILE, 1909. Woman driving an automobile. Oil on canvas, 1909, by Ramon Casas

SPAIN: AUTOMOBILE, 1909. Woman driving an automobile. Oil on canvas, 1909, by Ramon Casas

Background imageBradley Smith Collection: SPAIN: MEDIEVAL BALLGAME. Batter, pitcher, and fielders in a Spanish game similar to modern baseball

SPAIN: MEDIEVAL BALLGAME. Batter, pitcher, and fielders in a Spanish game similar to modern baseball. Manuscript illumination, 13th century, from the Cantigas de Alfonso X

Background imageBradley Smith Collection: Aztec Painting: Snakes

Aztec Painting: Snakes
AZTEC PAINTING: SNAKES. Pre-conquest abstract painting of serpents, which were a symbol of life for the Aztecs




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Bradley Smith: A Journey Through Time and Space In the vast realm of history and art, Bradley Smith emerges as a captivating figure, seamlessly connecting diverse worlds. Like an allegorical painting on Wall Street, he embodies both the bullish determination and bearish wisdom required to navigate the ever-changing market. Just like women in Japan gazing at stars in awe, Bradley's vision transcends boundaries. His mind is open to new possibilities, drawing inspiration from Ota Chou's colorful drawings of astronomy. He understands that true success lies not only in observing but also in interpreting the celestial patterns of life. Much like Miguel Hidalgo's call to revolt during Mexico's 1810 Revolution, Bradley possesses an unwavering spirit that fuels his pursuit for change. Just as Juan O Gorman depicted this historic moment on a mural with intricate detail, Bradley leaves no stone unturned when it comes to making a difference. But there is more to him than just revolutionary fervor. Like Francisco Goya's Witches Sabbath painting, he embraces the mysterious and unconventional aspects of life. With every stroke of his brush or pen, he conjures up visions that challenge norms and ignite imagination. Yet amidst all these grand narratives lies a humble side to Bradley – one reminiscent of two women working diligently in a Mexican kitchen painted by an unknown artist from long ago. He values hard work and recognizes that even seemingly small tasks contribute significantly to shaping our world. Like the brave women ordnance workers portrayed in American World War II recruitment posters, Bradley carries forward their legacy by championing equality and empowering others around him. The girl he left behind may still be behind him physically but her spirit drives him forward towards creating a better future for all. With each illustration crafted by Arthur Rackham or Edmond Dulac depicting fantastical worlds or dreams brought into reality through Queen Marie of Romania's words; they mirror how Bradley brings ideas alive through his own creative endeavors. His artistry knows no bounds, transcending time and space.